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Realme 14 Pro hands-on
12:31 am | March 5, 2025

Author: admin | Category: Mobile phones news | Comments: Off

A while back we had the opportunity for a hands-on experience with the Realme 14 Pro+ (we have published a full review since). Now it’s time to have a closer look at the other half of the 14 Pro series, namely the Realme 14 Pro. Both Pro and Pro+ are launching in Europe and the company featured both models prominently at its booth at the MWC. The regular Pro model is €100 cheaper than the Pro+ – the base 12/256GB models for each go for €430 and €530, respectively, with a €50 early bird discount. The MSRPs are actually €480 and €580. Despite their outward similarities, they are actually...

Nothing Phone (3a) and Phone (3a) Pro hands-on review
11:54 pm | March 4, 2025

Author: admin | Category: Mobile phones reviews | Comments: Off

Xiaomi Modular Optical System concept hands-on
11:01 pm |

Author: admin | Category: Mobile phones news | Comments: Off

Xiaomi showcased an interesting new cameraphone concept at this year's MWC in Barcelona, Spain. Although it's reminiscent of past attempts from other manufacturers, Xiaomi's approach is fundamentally different. Sony, for example, tried using an external lens controlled by an Xperia smartphone. The main advantage of Xiaomi's concept is that it uses the smartphone's ISP, so all the post-processing is done on the device. The phone and the lens connect via Xiaomi's proprietary LaserLink and data transfer happens in nanoseconds. The transfer rate is 10 Gbps. The lens attaches to a...

Realme interchangeable lens concept hands-on
9:19 pm |

Author: admin | Category: Mobile phones news | Comments: Off

Realme's main focus at this year's Mobile World Congress is to launch its 14 Pro series in Europe, but the company did a little side quest too. Meet the Realme interchangeable lens concept - a Realme smartphone that can mount Leica M lenses on its back! Before we go mounting lenses on, let's look at the underlying phone. This is a Realme smartphone running a two-year-old Snapdragon 8 Gen 2 SoC. The back is reminiscent of Xiaomi's 15 Ultra in its dual-tone Silver Chrome. The Realme has a glass-covered camera island with two cameras - a wide and ultrawide, along with a custom...

It’s no dud, but this cheap Bose soundbar I reviewed felt a little outdated for this one reason
9:00 pm |

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Bose Solo Soundbar 2 review

The Bose Solo Soundbar 2 is a diminutive yet powerful 2.0 channel soundbar that sets out to take your viewing experiences to the next level. With a list price of $199 / £179.95 / AU$359.95, it’s certainly on the affordable side for Bose – but there are a lot of budget soundbar competitors doing their thing for even less. So, is the Bose Solo Soundbar 2 hot enough to compete in a fiery market?

Well, before we jump to any conclusions, let’s talk about setup. Getting the Bose Solo Soundbar 2 hooked up to your TV is easy enough. It comes with a digital optical cable and an AC adapter that you can plug in for instant access to Bose soundbar goodness. Alternatively, you can use coaxial or AUX connections, but as is often the case, the cables for this aren’t included in the box.

But although setup is straightforward, you’ve probably picked up on a standout omission. That’s right: there’s no HDMI here. Now don’t get me wrong, I understand this isn’t the newest model on the market – specifically, the Bose Solo Soundbar 2 was released in 2021. But still, by then, I’d expect a soundbar at this price point to have HDMI ARC as a connectivity option. It’s an absolute must to qualify as one of the best cheap soundbars.

Bose Solo Soundbar 2 and remote

(Image credit: Future)

The lack of HDMI means you won’t be able to adjust the soundbar’s volume with your usual TV remote – instead you’ll have to use the included separate remote. I also typically find digital optical cables to be more fiddly and awkward than larger, easier-to-handle HDMI cables. One final note on HDMI: without it, you’re going to be locked out of fancy audio features like Dolby Atmos and DTS:X – something that doesn’t always work out with small, cheap soundbars – but that’s worth noting if you’re expecting truly immersive three-dimensional audio.

So, look, the Bose Solo Soundbar 2 and I didn’t get off on the best foot. But I wasn’t going to write it off without a good listen and test session first. And I’m glad to report that the sound quality on offer is a major redeeming factor. I tried watching the movie Smile on Netflix and found that the dialogue was clear and natural-sounding when two women conversed in an isolated room.

At one point during this exchange, tensions flare as one woman falls to the floor – and imposing bass ripples through the scene. I felt that the low-end power on offer was substantial for a small soundbar like this. It grabbed me instantly and filled our medium-sized TV testing room effectively. Some of the lowest notes sounded a touch thin, however.

Ports on reverse side of the Bose Solo Soundbar 2

(Image credit: Future)

I threw on The Matrix and during the famous rooftop showdown scene, deeper bass didn’t have that rumble you’d get from more premium models, especially those with a standalone subwoofer. But given a lot of cheap, standalone soundbars struggle with bass, this can be forgiven – low-end output remains steady. I would say, however, that there was pretty limited width to the soundstage, perhaps accentuated by this soundbar’s small size. So when watching epic movies such as this, don’t expect that room-filling, immersive surround sound that more talented standalone soundbars, like the Sony HT-S2000 can imitate pretty effectively.

It’s also worth noting that you can raise (or lower) bass levels to your liking using the Solo Soundbar 2’s remote. That’s something that even some fantastic budget rivals, like the Sony HT-SF150, skip on. And although this model will still struggle to hit those super-low depth notes, the bass controls still work nicely and provide some much-needed weight to blockbuster movie soundtracks and gaming scores.

Person holding Bose Solo Soundbar 2 remote

(Image credit: Future)

Enough about bass, though. I’d like to loop back around to dialogue. This is generally quite crisp, but you can improve things further by activating Dialogue Mode. The most noticeable effect here is that volume is given a substantial boost. But I tried watching a scene in Smile where four characters were chatting in a busy outdoor seating area and the difference was considerable. With Dialogue Mode on, the characters of interest had their speech lifted a layer above, relegating background chatter to… well, the background. When listening to the Kermode & Mayo’s Take podcast in Dialogue Mode, I certainly felt satisfied with the crispness and forwardness of the hosts’ vocals.

So, if you’re fed up of turning subtitles on to understand what’s being said in your favorite movies or TV shows, the Bose Solo Soundbar 2 will certainly supply a way out of that life. Even some of the best small TVs, for example, tend to have limited audio capabilities, so if you own one of those, the mini, solid-sounding Solo Soundbar 2 could be right for you. Especially if you’ve used up all of your HDMI ports.

Sound rarely gets harsh or abrasive, even at higher volumes. And this thing can get pretty loud, thanks to its maximum power output of 100W. Not bad for a small lil’ fella. The only time I felt sound quality took a significant dive was when I played some music over Bluetooth. For instance, I blasted Electric Tooth Brush by Toronto and was met with an almost ‘boxed-in’ sound and bass didn’t have the thump I’d usually look for. Similarly when tuning into Black Eye by Allie X, the soundbar lacked the dynamism required to faithfully replicate the track – especially as the bouncing bass running throughout the track sounded a touch flat.

Reverse side of the Bose Solo Soundbar 2

(Image credit: Future)

Having said that, music didn’t sound tinny or horrible and vocals in Black Eye were certainly clear enough. I just wouldn’t recommend using this as your main way to stream music at home, especially when there are some excellent options to pick from in our guide to the best Bluetooth speakers.

Something I did like about the Solo Soundbar 2, though, is its design. It’s a fairly attractive mini bar with a classy black speaker grille and famous Bose logo imprinted front and centre. OK, it’s a little plasticky – but that’s to be expected at this price point. And the included remote is pleasingly slim and sleek, which adds a few more style points anyway. Of course, the soundbar's compact size can limit the expansiveness of audio, but in terms of practicality, it doesn’t get a whole lot better.

All in all, the Bose Solo Soundbar 2 is a decent, small-sized option if you’re looking to upgrade your TV’s underwhelming audio. It sounds surprisingly powerful and looks pretty sweet too. And if you’re all out of HDMI slots, then it might be worth a look.

But in my view, it’s not the best value for money option, let alone the best quality one in its class. You can get the Hisense HS214 – a cheaper, more modern, HDMI-ready mini bar if you’re short on space. You could even grab the Panasonic SC-HTB100 if you want clear audio with a bit more width. And both of these alternatives are considerably cheaper than the Solo Soundbar 2, so make sure to weigh up your options before pulling the trigger on a purchase. Speaking of options, you can check out our list of the best soundbars if you want a best-in-class soundbar for truly cinematic sound.

Bose Solo Soundbar 2 with LED light on

(Image credit: Future)

Bose Solo Soundbar 2 review: Price and release date

  • $199 / £179.95 / AU$359.95
  • Launched in 2021

The Bose Solo Soundbar 2 (sometimes stylised ‘Bose Solo Soundbar Series II’) released in 2021 with a list price of $199 / £179.95 / AU$359.95. Now, a few years later, you can often find it at a discounted price. For instance, I spotted this model for less than £150 directly through the Bose UK website, so keep your eyes peeled for a tasty price drop.

Bose Solo Soundbar 2 review: Specs

Person using Bose Solo Soundbar 2 remote

(Image credit: Future)

Should I buy the Bose Solo Soundbar 2?

Buy it if...

You want to add some power to your TV setup
It didn’t always hit the lowest notes and audio wasn’t pitch perfect all of the time, but it’s hard to deny this Bose soundbar’s power. Considering its short length and slim build, it plates up a solid 100W maximum power output with impressive bass levels and general loudness.

You’re a little short on space
If you’re a little limited in terms of room, the Bose Solo Soundbar 2 will likely be a fantastic fit. It’s pretty slim and not long at all, meaning it should seamlessly slot into your TV unit.

Don't buy it if...

You want premium sound quality
Considering its miniature size and low price, you’ll likely not be expecting audiophile-grade audio from the Bose Solo Soundbar 2. And you’d be correct to expect that. It doesn’t sound bad at all, but if you’re looking for detailed, rich, expertly controlled sound, you’ll be better served by an option like the Sony HT-S2000.

You’re on the search for surround sound
If you want true surround sound, the Bose Solo Soundbar 2 isn’t going to be the answer. It’s a basic 2.0 channel soundbar with no surround or virtual surround capabilities. If you want truly immersive, three-dimensional sound, I’d recommend checking out our guide to the best Dolby Atmos soundbars.

Bose Solo Soundbar 2 review: Also consider

Sony HT-SF150
I loved my time with the Sony HT-SF150. It’s a premium-looking standalone soundbar with surprisingly good virtual surround sound technology. There’s nothing like Dolby Atmos or DTS:X compatibility here, but audio is decently expansive, dialogue is clear and there are loads of ways to connect. That includes HDMI ARC, by the way. Read our full Sony HT-SF150 review.

Hisense HS214
The Hisense HS214 is pretty similar to this bar from Bose. It’s a small, slim soundbar that musters up an impressive amount of power and keeps dialogue nice and clean. Its built-in surround mode is poor, but there’s a built-in subwoofer to offer a leg up to low-end sound. Again, this one has HDMI ARC connectivity among a number of other options, so it's a bit better equipped for the modern era. Read our full Hisense HS214 review.

Bose Solo Soundbar 2 review: How I tested

  • Tested across one week
  • Used in our TV testing space at Future Labs
  • Connected up using the soundbar’s digital optical port

I spent hours testing the Bose Solo Soundbar 2 at our TV testing space at Future Labs. During this time, I used the digital optical connectivity option and hooked the Solo Soundbar 2 up to the excellent Panasonic MZ1500 TV.

For my tests, I viewed a variety of TV shows, videos and movies – mainly using streaming services like Netflix and YouTube. In addition, I connected the Samsung Galaxy S24 FE to the soundbar to assess audio quality over Bluetooth. I made sure to play tracks from the TechRadar testing playlist as well as my own personal library to judge the capabilities of the soundbar’s Bluetooth mode.

  • First reviewed: February 2025
  • Read more about how we test
iPad (2025) debuts with A16 chip, but no Apple Intelligence
8:19 pm |

Author: admin | Category: Mobile phones news | Comments: Off

Apple announced its new iPad Air (2025) models, and they are joined by an all-new eleventh-generation baseline iPad. Like its Air counterparts, the new iPad (2025) gets a minor spec bump and the same basic design as its predecessor from 2022. iPad (2025) gets a binned version of the Apple A16, which made its debut in 2022 with the iPhone 14 Pro series. The A16 inside the iPad (2025) features one less CPU and GPU core. Apple did not provide the RAM amount, but given that the device will not run Apple Intelligence, it’s safe to assume it is less than 8GB RAM. Base storage now starts at...

I’m an outdoors photographer, and this f-stop backpack has gone on every photography trip with me for many years – here’s my long-term review
7:32 pm |

Author: admin | Category: Camera Accessories Cameras Computers Gadgets | Comments: Off

f-stop Tilopa 50L DuraDiamond: Two-minute review

There are typically two types of outdoor backpacks for photographers: those that follow a traditional photography backpack design and those that are based on hiking backpacks and feature a modular ICU (internal camera unit) design where you can customize the camera storage within the bag. The f-stop Tilopa 50L DuraDiamond is a high-end modular bag that fits into the latter camp and is designed specifically for outdoor photographers like me, for whom it's one of the best camera bags available.

The f-stop Tilopa 50L DuraDiamond has been available for a few years and is a newer, tougher version of the original Tilopa. It's a large bag with a 50-liter capacity, and this can be paired with large ICUs for carrying mostly camera gear alongside other items in the additional compartments, or with a smaller ICU for less photo gear and lots of outdoor kit including camping equipment for a one- or two-night wild camping trip.

This cavernous bag is built to an incredibly high standard and it's versatile too – as well as offering compatibility with f-stop ICUs, there are lots of pockets and compartments to store your essentials, including space for a three-liter hydration bladder and up to a 16-inch laptop. The bag also features an internal frame like traditional hiking backpacks alongside being made of tough waterproof material.

I've been an outdoors photographer for more years than I can count, exploring tough terrains in inclement weather, and the f-stop Tilopa 50L DuraDiamond has been a reliable and versatile backpack throughout. It might cost a lot, but for me its decent value given the years of service.

f-stop Tilopa 50L DuraDiamond on the ground

(Image credit: James Abbott)

f-stop Tilopa 50L DuraDiamond: price and availability

  • Several kit options
  • Available in three colors
  • Available direct and from third parties

The f-stop Tilopa 50L DuraDiamond has been available for years directly from the f-stop website, Amazon and other online retailers. Pricing on the f-stop website is in US Dollars and Euros, with the bag coming in three colors: Anthracite Black, Cypress Green and Magma Red. You can purchase the pack/bag only, which is ideal if you already own f-stop ICUs, or in three bundles which include Essentials, Elite and Master. You can, alternatively, buy the pack/bag only and purchase the desired ICU separately.

The pack Only costs $399.99 / €399.99, while the Essentials bundle costs $499.99 / €499.99 and also includes a Pro Large ICU, Gatekeeper Straps and Large Rain Cover. Step up from Essentials to the Elite bundle ($579.99 / €579.99) and you'll also get a Shallow Small ICU, while the Master bundle costs $769.99 / €769.99 and further adds a Slope Medium ICU, Large Accessory Pouch and Packing Cell Kit.

Mindshift Backlight 26L: specs

f-stop Tilopa 50L DuraDiamond: design

  • Extremely comfortable
  • Built for the outdoors
  • Modular design

The f-stop Tilopa 50L DuraDiamond is a modular backpack so you can change the ICUs depending on your photography needs. There are also lots of additional accessories available including packing cells, straps and accessory pouches, so you can build the perfect bag system for you and your outdoor photographic adventures.

This is a large backpack – not the largest f-stop option available, but at 50 liters the Tilopa has a huge amount of storage space on offer. Just to give you an idea of its dimensions, the bag is 62.3 x 34.8 x 24.4cm / 24.5 x 13.7 x 11.1in with an empty weight of 4.2lb / 1.9kg.

That empty weight is as heavy as some traditional outdoor backpacks that are half the capacity of the Tilopa with fixed camera compartments, but obviously increases depending on what ICUs you're using; they don’t weigh much, but the Pro Large I tend to use weighs 1.71 lbs / 0.76 kgs.

When you consider the weight in this context, the Tilopa is lightweight given the capacity of the bag. The overall capacity is obviously fixed, but you can extend the amount of additional space for personal/outdoor items by using smaller ICUs. There are also pockets in the lid of the bag and on the sides with one able to accommodate a three-liter hydration bladder, complete with a guarded hole for the tube to maintain water resistance.

There's also a large front pocket on the bag with further compartments in the flap; this is quite large and can hold a wide range of items including a jacket. There's a slot to accommodate a 16-inch laptop in the padded rear-entry back panel as well as two larger pockets and four memory card slots that secure magnetically.

On the front of the bag, there are attachments for two walking poles or ice axes as well as the ability to carry a tripod on the front or sides of the bag. There are also pockets and netted straps on the waist belt and shoulder straps, while there are plenty of loops for attaching straps to carry items such as a tent outside of the bag.

Image 1 of 4

f-stop Tilopa 50L DuraDiamond on the ground

(Image credit: James Abbott)
Image 2 of 4

f-stop Tilopa 50L DuraDiamond hydration bladder system

(Image credit: James Abbott)
Image 3 of 4

f-stop Tilopa 50L DuraDiamond waist best

(Image credit: James Abbott)
Image 4 of 4

f-stop Tilopa 50L DuraDiamond rear panel

(Image credit: James Abbott)

The build quality of the bag is excellent and the proprietary DuraDiamond material is both extremely tough and also water-resistant. Tougher Hypalon material is used as reinforcement in a few areas where additional strength is required and the large and comfortable-to-use zippers feature weatherproofing to keep moisture out.

On the inside, the Tilopa features an aluminum frame like traditional hiking backpacks to add rigidity and comfort. This, I have to say helps to make the Tilopa incredibly comfortable to wear.

For the purposes of this test, I paired the Tilopa with the Pro Large ICU which provided enough storage for my standard kit; two full-frame camera bodies with 70-200mm f/4 and 16-35mm f/2.8 lenses attached, a third lens, square filters, shutter remotes and lens cleaning accessories. It could be reconfigured to carry more if lenses weren't attached to the camera bodies, but this is a setup that works perfectly for me.

Image 1 of 4

f-stop Tilopa 50L DuraDiamond with Pro Large ICU

(Image credit: James Abbott)
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f-stop Tilopa 50L DuraDiamond inside of rear panel

(Image credit: James Abbott)
Image 3 of 4

f-stop Tilopa 50L DuraDiamond notebook sleeve

(Image credit: James Abbott)
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f-stop Tilopa 50L DuraDiamond top pocket

(Image credit: James Abbott)

The only negative with the Tilopa is that it doesn’t have a pouch/pocket that can carry a water bottle, like the side pouches on the smaller 37-liter f-stop Ajna. It's not the end of the world because you can put a bottle in the main front pocket, and one of the side pockets is designed to be used with a hydration bladder. You can also purchase the Mano Water Bottle Pouch separately and this will carry a 17 fl oz / 500ml bottle.

One of my favourite features of the bag, alongside the versatility of the ICUs and its comfort in use, is that you can access gear without fully removing the bag and putting it down on the ground. This is ideal when shooting in water or muddy locations. To do this, you simply remove the shoulder straps and rotate the Tilopa to your front with the waistbelt in use. This allows you to access your kit via the rear panel – perfect for outdoor photography.

Should I buy the f-stop Tilopa 50L DuraDiamond?

Photographer wearing an f-stop Tilopa 50L DuraDiamond

(Image credit: James Abbott)

Buy it if...

You'd like a modular backpack
Having a backpack that can accommodate several different modular units allows you to configure the bag to your needs on a day-by-day or trip-by-trip basis, so it's like having several backpacks in one.

You want a bag you don’t have to put down
Gear can be accessed without removing the Tilopa from your body, which is great when you're standing in mud, water or snow. DuraDiamond material can be easily wiped clean, but it's still a useful feature.

Don't buy it if...

You don’t require modularity
If you don’t require the ability to customize camera storage / utilize modular units, then the Tilopa may not be for you. Just know that the Small ICUs do allow for a great deal of non-photographic kit to be carried.

You'd like a smaller bag
With 50 liters of total storage, the Tilopa will be too large for some people. If you only need a medium-size backpack, the 37 Liter f-stop Ajna may be a better option.

How I tested the f-stop Tilopa 50L DuraDiamond

  • Long term review based on several years hands-on use
  • All features tested
  • Used in outdoor locations, including mountains and coast

I've owned the f-stop Tilopa for several years and use it either when I'm on a wild camping photography trip or when I need to carry more kit alongside outdoor gear. The Tilopa has been tested over an extended period where all of its strengths and weaknesses have been exposed, and it has been used in all weather conditions in the hills, mountains and at the coast. While the Tilopa would function perfectly in urban environments, I typically use lower-capacity backpacks in the city.

First reviewed March 2025

Tecno unveils Camon 40, Camon 40 Pro, Camon 40 Pro 5G and Camon 40 Premier 5G
7:17 pm |

Author: admin | Category: Mobile phones news | Comments: Off

Tecno premiered four Camon 40 smartphones at the MWC 2025, as promised. They are all focused on premium camera experience featuring a large 50MP OIS primary camera. Tecno Camon 40 is the most basic member of the series with a 6.78-inch 1080p 120Hz AMOLED screen and powered by the Helio G100 chip by MediaTek. The Camon 40 features a 50MP OIS primary camera on the back, accompanied by an 8MP ultrawide shooter and an additional small camera, probably a depth sensor. The front camera is 32MP with a fixed focus. The Camon 40 is available with 8GB RAM and either 128GB or 256GB storage....

I rode a dragon, sizzled as a sausage, and won a dance-off with a monkey in Split Fiction, and that’s not even the half of it
7:02 pm |

Author: admin | Category: Computers Gadgets Gaming | Tags: | Comments: Off

Split Fiction is an explosive co-op game with a kaleidoscope of mechanics. If you’ve played either of Hazelight Studios’ previous multiplayer masterpieces, then you’ll know what I mean by this – there’s a level where you literally have to navigate your way through one of those colorful rotating toys, but for those of you who have not (go play them now) I'm more so referring to the various game types it has managed to pack into it, from platforming and puzzling to action-adventure role-playing game and racing (and that’s only a small flavor of what you’ll find).

Indeed, the studio is waving the co-op flag high and I’m all for it as it’s great to see such an under-served area of gaming getting the attention it deserves.

Review info

Platform reviewed: PS5
Available on: PS5, Xbox Series X|S, PC
Release date: March 6, 2025

Stepping into the incredibly imaginative minds of two writers who get trapped in a simulation of their own fictionalized sci-fi and fantasy worlds is an ingenious premise for a multiplayer, multi-genre game. It’s a lot different to two criminals trying to escape a prison like in A Way Out or a married couple that gets turned into their child’s toys in It Takes Two, making it feel like a completely fresh take on the co-op adventure gaming genre that Hazelight is repping.

A screengrab from the game Split Fiction

I could’ve easily spent more hours wandering around the virtual imaginations of the game’s two main characters (Image credit: Hazelight Studios)

In Split Fiction, you can choose to play as either a decisive sci-fi lover called Mio Hudson (voiced by Kaja Chan) or an emphatic fantasy fan known as Zoe Foster (voiced by Elsie Bennett). Each character has unique abilities – for example, Mio gets to use her dragon to glide in one level as Zoe uses her dragon’s tail to climb up obstacles.

While I played as Mio, who I think has the more exciting abilities, a lot of care has been taken to make sure whichever character you play as you get a chance to experience a new mechanic that’s introduced throughout the gameplay – whether that’s being the one to tilt the screen to help your partner navigate across a series of obstacles or move objects to create new pathways.

A screengrab from the game Split Fiction showing a cyberpunk city

(Image credit: Hazelight Studios )

The game's nemesis is the CEO of Radar Publishing, who Mio and Zoe discover is trying to steal their ideas without their consent. However, before you get to inevitably challenge him, you and your co-op partner will have to face a series of bosses, including a rogue AI robot, an evil cat, and a Hydra of Lerna-type mythical dragon beast, just to name a few, as you move through glitches to escape the idea stealing machine. Each battle is different and requires a combination of maneuvers to get past, which you’re introduced to as you proceed through each level, such as timed jumps, shapeshifting, dodges, target shooting, and more.

A screengrab from the game Split Fiction

Any gamers recognize this sword?! (Image credit: Hazelight Studios)

A multiverse game

Despite the back and forth between different sci-fi and fantasy styles, neither style suffers from a dev overload with each level being crafted in absolutely stunning detail. Sure, Hazelight has clearly invested more time and resources into Split Fiction this time as it’s noticeably more polished, but that also means it has less of that rustic indie dev charm that you might find with their previous two games or from titles like Campo Santo’s Firewatch or Moon Studio’s Ori and the Blind Forest.

I'd say it's almost certainly needed for a game with this much ambition, though, and you’ll see why when you get to the final chapter. It’s a AAA game from a passionate indie studio, what more could we ask for?

Best bit

A screengrab from the game Split Fiction

(Image credit: Hazelight Studios)

Split Fiction has taken the best bits of It Takes Two and A Way Out, and made a varied co-op adventure with a dynamic storyline. The final level ties into the title in a way that made for a crescendo of a finale that will forever stay with me.

One aspect I love is how Hazelight's passion for playing games is beautifully integrated into its homages to the mechanics that make great games alongside a huge amount of pop culture references and easter eggs. For example, throughout the game you’ll wallrun and grapple in a similar fashion to Star Wars: Jedi Survivor.

Other times you’ll find yourself in a side-scroller with a simple black and white colorway that’s reminiscent of Limbo or a 2D platformer that will give you those nostalgic Mega Man and Sonic vibes or a dance battle with a monkey that has a section where you play the retro mobile game Snake – there’s even a level where you have to use portals, which is absolutely a nod to the best co-op game ever made: Portal.

A screengrab from the game Split Fiction

Split Fiction is already a co-op icon (Image credit: Hazelight Studios)

This additional consideration becomes a fun activity to spot in itself and provides some of the most enjoyable moments in the game. I loved guessing which movies a section of the game was referencing. Some are more obvious than others, like the cutscene that sees you change into your next character style in true Sailor Moon fashion or the bit of dialogue where one of the bosses says something about, “You think darkness is your ally?”, which felt like a nod to The Dark Knight Rises, while others are less subtle like the level where you’re lowered by your teammate down an air vent having to dodge lasers that had me feeling like Tom Cruise in Mission Impossible. It feels like the developers had a lot of fun weaving these references into the game and they sure make for brilliant sections.

Side note: keep your eye out for the fun little things the devs have had fun including, my personal fav was the revolving doors that would stop if you rushed and tried to push them a nice touch that anyone who’s ever been inpatient in one would have experienced.

My favorite part of the game, though, is the chaotic multiverse final level. This completely blew my mind and is a testament to the creative genius of Hazelight Studios. It’s like nothing I’ve ever played before, mixing different level’s skins with gaming elements in a way I’ve never seen done before.

A screengrab from the game Split Fiction

Is that tree Groot? (Image credit: Hazelight Studios )

Bringing new players together

What I love most about this is that a game like this has really wide appeal – I’m not just talking about veteran gamers who will get a kick out of all the old game references but also those that the closest they’ve ever gotten to a game is something like Tetris. When It Takes Two came out, I noticed people that I never would have thought to play video games, raving about the experience they’d just had, and to me that’s what makes this even more special.

You don’t have to be a serious gamer to enjoy this entertaining adventure. It’s so varied and mixed that I don’t doubt it will be played many times again and again. Split Fiction is another great success in a co-op arena Hazelight is beginning to dominate.

Should you play Split Fiction?

A screengrab from the game Split Fiction

Well, this was unexpected... (Image credit: Hazelight Studios)

Play it if…

You love gaming with a buddy
It's an easy one but an important one: Split Fiction is best enjoyed with a pal. However, don’t worry if you don’t have someone in your household, because you can play Split Fiction both locally and online with Friends Pass. Hazelight Studios has also added crossplay options for even more frictionless pairing.

You want a genre-bending game
You’ll go from platforming and puzzles to top-down RPG, racing, rhythm battles, and more. This is primarily an action-adventure platformer, but there are so many mini-games within it that it’ll keep you on your toes. Split Fiction manages to incorporate all this while still following a linear storyline.

You enjoy high-quality graphics
Split Fiction is truly gorgeous. Given that the two main styles are fantasy and sci-fi, it’s mesmerizing to navigate through each level but the mini-games are even more different as some completely abandon the two main styles to bring you a new whacky, weird, and wonderful game look.

Don’t play it if…

You’re looking for challenging puzzles

Compared to It Takes Two, the puzzles weren’t as challenging in Split Fiction. This does mean that you and your buddy will likely not get stuck on any level, so don’t expect anything like the Water Temple conundrum in The Legend of Zelda: Ocarina of Time to keep you scratching your head.

You’re not an adaptive gamer
The camera perspectives change at the drop of a hat in Split Fiction as you enter new mini-games and levels, making some of the transitions a bit jarring. If you’re familiar with the game references, you’ll likely intuitively know what to do but if you’re not familiar with these then I expect there will be a sight learning curve for some.

A screengrab from the game Split Fiction

Who else loved SSX 3? (Image credit: Hazelight Studios )

Accessibility features

Hazelight Studios has added plenty of features to make Split Fiction a very frictionless experience. The checkpointing is generous, with an option to jump between saved points. There are plenty of settings to modify the buttons, including key binding, camera rotation assistance, and reducing enemy damage. Unfortunately, you can't change the size of subtitles but you do get the option to add solid backgrounds to the text to boost its visibility.

Meanwhile, the voiceovers of the characters in Split Fiction have been recorded in seven different languages, including English, German, French, Spanish, Italian, Chinese (simplified) and Japanese. There are also nine different language subtitles – German, French, Spanish, Italian, Brazilian Portuguese, Polish, Japanese, Chinese (traditional and simplified), and Korean. Like It Takes Two, the game has an ESRB rating of teen for 13-year-olds and upwards, which makes it more widely accessible for different ages (unlike A Way Out, which has a mature rating due to its subject matter).

A screengrab from the game Split Fiction

Tron anyone? (Image credit: Hazelight Studios )

How we reviewed

I played Split Fiction for around 19 hours on a PS5 Pro and still didn’t earn every trophy. Out of the 21 available, I only got three for completing all side stories, finishing the game, and feeding a dragon (although this was purely accidental as I had not seen all the trophies until after I finished). I don’t doubt that anyone taking more time could clock up even more hours on this game, making it great value for the completionists out there.

The graphics looked incredible on a Sky Glass TV and the audio was fully immersive on a Sonos surround sound setup made up of the Beam (Gen 2), two Era 100s, and the Sub Mini.

I tested Audioengine’s tiny wireless speakers with a beautiful design and surprisingly impressive audio performance
7:00 pm |

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Audioengine A2+ review

Designed for desktop use, and living rooms where even bookshelf monitors claim too much space, this compact Bluetooth speaker package from Audioengine punches above its weight when it comes to versatility and design. But can the A2+ also hit the right notes when it comes to musicality?

I fostered a pair, eager to find out if pint-sized speakers really can deliver a reassuringly big sound to match the best stereo speakers.

The Audioengine A2+ Bluetooth speakers are tailored for near-field listening. Measuring a mere 152 x 101 x 134mm, these titchy enclosures offer a wealth of connectivity, including Bluetooth aptX-HD, USB, and analogue stereo input/outputs via RCA phonos and 3.5mm minijack. They lack a digital audio input though.

Available in a choice of matte (blue or black), and gloss finishes (red or white), build quality is excellent. My glossy red review set oozed premium appeal, their reflective glossy finish contrasting beautifully with the black drivers.

The cabinets themselves have decent heft. Made from MDF, they stand just slightly taller than a Snickers bar and should be easy to accommodate on untidy desks, or even as part of a minimalist Hi-Fi setup.

The left speaker is the active model, with connectivity, built-in amplification and volume control, while the right is its passive partner. The power supply is separate from the active enclosure, thankfully the brick isn’t too large.

Each cabinet houses a 70mm aramid fibre woofer and 19mm silk dome tweeter, with venting at the base to enhance low-frequency performance.

Unsurprisingly, given their size, these speakers are not volume monsters. The system is rated at 15W RMS per channel at 4 ohms, with a peak power output of 30W per channel.

When it comes to system configuration, there’s the option of USB audio, stereo RCA inputs, and a 3.5mm minijack input. There’s also a subwoofer output should you want to add extra bass, in the form of Audioengine’s S6 subwoofer.

Audioengine A2+ viewed from the rear

(Image credit: Future)

Despite this versatility, I expect most buyers will probably do the majority of their listening via Bluetooth. Here, aptX HD ensures high-resolution wireless audio streaming (when connected to an aptX HD compatible smartphone), though there's no Wi-Fi, unlike most of the best wireless speakers. My system was ready to connect as soon as it powered up.

Also included in the box are 2m of connecting speaker wire, a minijack audio cable, plus a USB lead to connect your PC. All of this, plus the speakers, comes packed in microfiber cloth bags for protection. There’s no remote control included (although you probably don’t need one).

Setup is nice and straightforward: just connect the passive right speaker to the powered left with the included speaker cable, connect the power brick, and you’re good to go.

It’s worth noting that the A2+ is not a smart system; there’s no voice assistance from the likes of Amazon Alexa or Google Assistant.

Audioengine A2+ held in a man's hand, showing the compact size

(Image credit: Future)

Straight from the box, the A2+ are an enjoyable listen, not least because they’re capable of true stereo imaging, something of a rarity in the predominantly one-box Bluetooth speaker market. Tracks like Stevie Nicks’ Edge of Seventeen showcase this well, with the choppy guitar riff anchored on the left and percussion neatly spread across the stage. Their spatial presentation is coherent and involving.

Clarity and detail are also good; the A2+ reward hi-res audio sources, finding subtle nuance in Pearl Jam’s Present Tense (24-bit/48kHz) and Radiohead’s sonically layered Burn the Witch (24-bit/48kHz). They definitely have a knack for detail retrieval.

Given their compact size, low frequency performance is understandably limited. Chase and Status’ thumping Baddadan lacks the visceral low-end thump associated with this drum and bass belter. If you want more slam, you’ll need to add that subwoofer.

The mid-range is the sweet spot here. From Dire Straits’ Sultans of Swing, where the interplay between tweeter and woofer handles intricate riffs effortlessly, to the soaring piano of In This Moment’s Into the Light, the A2+ system proves adept across genres – those treble highs always as clear as crystal.

I’d hesitate to call the A2+ speakers musical, though. I never felt myself carried away by its beats, and I was always aware sounds were emanating from the two shiny enclosures, rather than hanging in the air before me. That said, what the A2+ offers is precise and performative.

Loren Allred’s pleading vocals in Never Enough, from The Greatest Showman soundtrack, manages to elicit an emotional tingle, exactly as it should.

While 15W per channel is perfect for desktop use (Audioengine optimistically quotes 60W peak power output), these speakers struggle to serve larger rooms. They’re also quite directional, sounding sharpest when aimed squarely at eye/ear level, so position accordingly.

Audioengine A2+ volume dial being turned by a man's hand

(Image credit: Future)

Audioengine A2+ review: Price & release date

  • £255 / $269 / AU$449
  • Launched August 2024

The Audioengine A2+ Bluetooth speakers are available now for £255 or $269 (US), which undercuts many of their main rivals, including the likes of the Kanto Ren, which are around twice the price.

The S6 subwoofer (£299 / $299) pushes up the system price quite considerably, though, and you certainly can find other Bluetooth stereo speakers for a similar price or cheaper, including from the likes of Edifier and Majority.

Audioengine A2+ review: Specs

Should you buy the Audioengine A2+?

Buy them if…

You want big sound from small speakers
You’ll have no problem sitting them either side of a PC monitor, and they’ll look great in situ too. It’s worth springing for the bespoke stands from Audioengine, which help angle the drivers upwards.View Deal

You want multiple connectivity options
Bluetooth aptX HD is the big draw, but there are plenty of other options, including USB for direct connection to a PC or laptop, and analog stereo for a turntable (if it has a built-in phono stage) or DAP (digital audio player).View Deal

You want premium design and build
There’s nothing cheap looking about the A2+. The design is stylish and the quality of finish is high.View Deal

Don't buy them if…

You want big bass out of the box
One inevitable consequence of the A2+’s diminutive design is a lack of bass. It’s not that they sound thin, it’s just that they can’t drop deep. For desktop use this shouldn’t be an issue, but for open space listening, adding a subwoofer makes sense.View Deal

You want advanced wireless features
The inability to connect more than one wireless device at a time could prove an issue for households with multiple users, and there's no Wi-Fi streaming.View Deal

Audioengine A2+ review: Also consider

Ruark Audio MR1 Mk2
Perennial favourites, these compact Ruark desktop speakers are known for both their clarity and overall musicality. They go surprisingly low, thanks to a canny bass reflex design, but can be augmented with an additional subwoofer if required. Bluetooth aptX is available for streaming, and there’s both analogue and digital audio inputs for local source devices. Read our full Ruark Audio MR1 Mk2 review for more.View Deal

Kanto YU4 Active Bluetooth speakers
Slightly larger than rivals, these well specified compact speakers are another strong compact hi-fi option. In addition to Bluetooth connectivity, there’s a pair of optical digital audio inputs, as well as analogue phono (with ground) and a 3.5mm Aux minijack. The driver complement comprises silk dome tweeters and Kevlar mid-range woofers, and if the bass reflex cabinet design doesn’t go low enough for you, there’s also a subwoofer output.View Deal

How I tested the Audioengine A2+

Over the course of a week, I evaluated the Audioengine A2+ in various settings, focusing on near-field desktop use. Material was streamed via aptX HD Bluetooth and played through a wired high-resolution music player. Tracks ranged from classic rock to EDM and orchestral pieces, allowing me to assess tonal balance, clarity, and stereo imaging.

Speaker width was dictated by the supplied speaker cable which links the two enclosures, which were positioned at head height (or thereabouts) for optimal performance.

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