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New OnePlus phone coming with 6.83″ screen, Dimensity 9400+ chipset
10:41 pm | March 11, 2025

Author: admin | Category: Mobile phones news | Comments: Off

OnePlus is currently working on a new upper-midrange phone with a flagship chipset - a 'flagship killer', if you will. It's still unclear what this will be called, but the two options seem to be Ace 5V or Ace 5S. Either way it's going to be the successor to the Ace 3V which came out in March of last year. The new device is rumored to have a 6.83-inch "1.5K" LTPS OLED flat screen with a 120 Hz refresh rate, and it will be powered by MediaTek's upcoming Dimensity 9400+ SoC. Its main camera will be a 50 MP snapper, and it won't have a telephoto on its back. OnePlus Ace 5 Pro The...

vivo Y29s 5G announced with Dimensity 6300 and familiar design
9:14 pm |

Author: admin | Category: Mobile phones news | Comments: Off

The vivo Y29s is the third and latest member of the Y29 series. It brings a familiar design that matches the recently launched vivo Y04, but there are some key upgrades to the specs. The big one is the Dimensity 6300 chipset, which brings 5G connectivity. You also get 8GB RAM and 256GB storage as standard. The Y29s boots the latest Funtouch OS 15 based on Android 15, unlike the Y04, which launched with version 14 based on Android 14. It also gets a 50MP main cam which is joined by a VGA auxiliary lens. The remaining specs are taken straight from the Y04, including the 6.74-inch...

Google Pixel 9a leaks in another hands-on video
8:01 pm |

Author: admin | Category: Mobile phones news | Tags: | Comments: Off

Google is expected to finally make the oft-leaked Pixel 9a official later this month, and it should become available to purchase by the end of March. Ahead of that we've already seen a ton of leaks regarding the handset, including a hands-on video and today there's a new one. Here it is embedded below for your viewing pleasure. Since we've already seen the phone so many times in so many leaks, nothing stands out anymore, but we do get yet another look at the oval-shaped camera island that barely protrudes out of the phone's back. This is the Obsidian colorway we're seeing here, which...

The Honor Pad V9 is the mid-range, Android-powered iPad rival you’ve been looking for
7:16 pm |

Author: admin | Category: Computers Gadgets Tablets | Tags: | Comments: Off

Honor Pad V9 review: One-minute review

It’s hard not to view the Honor Pad V9 through the lens of its potential as a rival to the new base-model iPad (2025) – it came out just days before (for roughly the same price), has comparable specs, and half of the best Android tablets on the market are trying to take on Apple’s market-dominating juggernauts, anyway.

The more I used the Honor Pad for this review, the more I recognized its strengths – it takes the basic iPad principle, strips away the unnecessary extras, and adds in some useful productivity tools.

Take, for example, performance: instead of burdening its tablet with more processing power than you’d ever practically be able to use, Honor has given the Pad V9 a more restrained mid-range processor. But it’s compensated with twice the storage of the basic iPad, and more RAM. From my testing, using the device felt as smooth and snappy as anyone would need it to.

Software is another important thing to note. In the tablet space, Android used to struggle compared to iOS, but a lot has changed in the last few years, with plenty of similar productivity and multi-screen features between the two operating systems. What's more, instead of burdening the slate with a million first-party apps that you may or may not ever use, Honor has only added a few useful apps to the default Pad V9 package. Some of these proved pivotal to my experience, too.

Specifically, there's a suite of pre-installed Microsoft Office-like apps that each offer some useful functions, like the ability to convert your docs into PDFs (or other file formats), compile documents from various apps, and also mark up PDFs. Where was this technology when I was doing my degree?

The Pad V9 is a dab hand at entertainment, too: it has eight speakers, unlike the iPad’s two, and I found it great for streaming music or creating a surround-sound effect when streaming movies and TV shows. The display, while only using LCD tech, supports a 144Hz refresh rate and 2.8K resolution, which should sate spec-heads.

Most of my gripes with the Honor Pad V9 are pretty minor, and ones you can level at the vast majority of Android tablets: there’s no 3.5mm headphone jack, you can’t expand the storage, and there are some irritating software quirks – I’m talking specifically about the weird design of the quick settings menu, which is unduly cramped.

Like its Apple rival, I can see the Pad V9 being useful to students, or people who need a lightweight business companion and think a laptop is too bulky. It’s not as fully featured as it needs to be to be classed as a creativity powerhouse, and it’s a bit too advanced for those who want a simple on-the-go movie tool. That said, a few extras over the new base-model iPad mean it manages to beat Apple’s tablet at its own game (on paper, at least – we're currently in the process of reviewing the latter).

Honor Pad V9 review: price and availability

The Honor Pad V9 on a bronze table.

(Image credit: Future)
  • Costs £399.99, but only on sale in limited regions
  • Bundled with some accessories, depending on region

You can pick up the Honor Pad V9 for £399.99 (roughly $515, AU$820) in the UK. At the time of writing, it’s only on sale in a handful of European countries, as well as in Saudi Arabia and the UAE, though Honor does sell some tech in the US and Australia.

The device you get varies by country. In the UK, there’s only one variant on sale, which has 8GB RAM and 256GB storage, and you get a flip cover and stylus included in the box. Other countries have different combinations of storage, memory, and bundled accessories. So, in the interests of fairness, I’ve treated the tablet as independent of its accessories when weighing up its value.

At the time of writing, Honor's website (in the UK, at least) doesn't actually list any accessories to buy individually. So make sure you don't lose or break the ones you get in the box, because replacements may be hard to find.

The price roughly puts the slate in the mid-range of Android tablets, a fact reflected in its positioning in Honor’s line-up: it beats the Honor Pad 9 and Honor Pad X9, but doesn’t match the Honor MagicPad 2. For context, Apple’s new base-model iPad starts at $349 / £329/AU$599 for 128GB storage.

Its price marks the Honor Pad V9 as pretty good value for money when you consider its specs and features. It doesn’t quite veer right into ‘drop what you're doing and buy it now!’ territory, but if you find a deal that reduces its price tag by a healthy margin, I'd say it's a must-buy.

The Honor Pad V9 was announced at the global tech expo MWC 2025 in February 2025, and went on sale shortly afterwards.

  • Value: 4 / 5

Honor Pad V9 review: specs

Here are the Honor Pad V9's specs at a glance:

Honor Pad V9 review: design

The Honor Pad V9 on a bronze table.

(Image credit: Future)
  • Lightweight and easy to carry or hold
  • USB-C port but no 3.5mm jack
  • Camera bump creates some wobble

Honor hasn't shaken up the tablet world with the V9's design, but it echoes the premium cleanliness of iPads (and most other Android tablets on the market right now).

The dimensions of the Honor Pad V9 are 259.1 x 176.1 x 6.1mm – yes, it’s nice and thin, so it won’t take up much space in a backpack. It weighs 475g, so it’s pretty light, and I found it easy to hold for long periods of time (at least, the length of time it takes to watch a movie in bed).

You can pick up the tablet in gray or white, and as you can see in the images included throughout this review, my sample was a gray model.

The Honor Pad V9 on a bronze table.

(Image credit: Future)

When holding the tablet in landscape, the power button is on the left edge while the volume rocker is on the top-left corner. There’s a USB-C port on the right edge but no headphone jack to speak of. Holding the slate in this orientation means that the front-facing camera is in the top bar of the bezel, which I find to be the best positioning for video calls.

On the back are two circular mounds. One, which barely sticks up from the surface of the slate, houses the flash, while the second holds the camera lens. It doesn’t stick too far up, but it does mean the slate has a little wobble when put flat on a table.

As far as I can tell, the Honor Pad V9 doesn’t have an IP rating against dust or water ingress, so keep it protected.

You can get some extra use out of the Pad V9 with some accessories; the slate supports a keyboard folio and a stylus, the latter of which comes with its own features. As mentioned, though, I didn’t receive either, so didn’t test them, and can only see them on sale in some regions. In other regions, they come bundled with the tablet in various combinations – it’s a bit confusing, in all honesty. If you can’t pick up the keyboard or stylus in your region, it’s very possible that third-party equivalents will go on sale before too long.

  • Design: 4 / 5

Honor Pad V9 review: display

The Honor Pad V9 on a bronze table.

(Image credit: Future)
  • Large 11.5-inch display
  • 1840 x 2800 resolution and 144Hz refresh rate
  • Range of eye comfort overlays

The Honor Pad V9 is pretty big, as mid-range Android tablets go – don’t go taking that ‘9’ in the title to be its screen size. Instead, the display measures 11.5 inches diagonally.

The display has a 2800 x 1840 pixel count, which is billed by Honor as a 2.8K resolution, and it supports a refresh rate of up to 144Hz (though you'll struggle to find an app or game that supports such a high figure). I couldn’t find a figure on the max brightness but suffice it to say, it’s really bright.

The screen uses LCD tech so it’s not got the same contrast or sharpness that your phone (or a more premium tablet) may have, but this kind of display is easier to see in direct sunlight if you’re working, say, in a well-lit cafe or coffee shop. And Honor is clearly pulling out all the stops to ensure it’s still valid as a streaming device.

The Honor Pad V9 on a bronze table.

(Image credit: Future)

The brand touts that the screen supports DCI-P3 color gamut and 10-bit color (basically, it can show a wide range of colors, making videos look realistic) and it’s also certified by IMAX Enhanced. This basically means that it reaches a set of standards in the visual and audio departments to accurately play IMAX content – this is mostly available on Disney Plus, according to IMAX’s website, though Bravia Core, iQIYI, and Rakuten TV also have some such content.

Like most rivals, Honor offers a few screen modes to benefit eye comfort or battery life. These include eBook mode (which makes the display grayscale), eye comfort (which reduces the prevalence of blue colors), and Dark mode (you've probably used this before, and it's a decent battery-saving option).

  • Display: 4.5 / 5

Honor Pad V9 review: software

The Honor Pad V9 on a bronze table.

(Image credit: Future)
  • Android 15 with MagicOS 9.0 laid over the top
  • Range of useful pre-baked working apps
  • A few user interface quirks to be ironed out

The default software for the Honor Pad V9 is MagicOS 9.0 – that’s Honor’s own skin, which is based on Android 15, and while it’s largely a graphical overhaul of Android, it brings a few useful extras.

One of these is Honor Docs, a pre-installed suite of document processing apps that look near-identical to the Microsoft Office equivalents (and may actually be them). There are extra tools, too, like the ability to convert various documents to PDF and the aggregation of documents across your tablet into one place, no matter their file format.

If you’re buying the Pad V9 for productivity reasons, I can see these tools being a core part of your user experience, and it was pretty handy to have them pre-installed on the tablet. They'll be especially useful for students, or people who already own Honor tech, as docs will be shared between devices.

The Honor Pad V9 on a bronze table.

(Image credit: Future)

Android software used to be poorly implemented on tablets, but in 2025, that’s not the case, with useful features that make the most of the large display size. It's still not perfect, though.

Case in point, the quick-settings menu on the Pad V9, which is summoned when you swipe down from the top-right edge of the screen, is unnecessarily cramped and clustered. It makes it rather hard to use, and I don’t see a reason why it has to be shoved so far to the side. Hopefully, an update can fix this. You can see it in the image above, and I don't understand why it can't be a bit wider to use more of the empty screen space.

All tech companies tout ‘AI features’ nowadays, and Honor has a few too, like the ability to create meeting minutes from your notes, summarize documents, or automatically add typesetting. They’re pretty light-touch, but that’s how I like it, and Honor hasn’t staked the entire use case of its tablet on a few AI features.

  • Software: 4 / 5

Honor Pad V9 review: performance and cameras

The Honor Pad V9 on a bronze table.

(Image credit: Future)
  • MediaTek Dimensity 8350 Elite offers middling processing power
  • 8GB RAM and 256GB storage (depending on region)
  • Impressive octo-speaker offering

Powering the Honor Pad V9 is a MediaTek chipset called the Dimensity 8350 Elite. Despite the name, this is a mid-range chipset that we’ve seen in a few Oppo phones and tablets before.

Multi-core benchmark results attest to this: over multiple tests, I got an average score of 4409, while the best chipsets on phones and tablets right now reach up to 6000. That goes to show that this is a tablet designed more for streaming and working than intensive processing.

Most games I tested on the tablet ran just fine, but noticeably not as snappily or quick as tablets or phones running top chipsets. When graphical options were available, I didn’t push to the top graphics due to fear of how the slate would respond, and the same was true of framerate. So, the Pad V9 will be fine for gamers, but there are better options out there.

The Honor Pad V9 on a bronze table.

(Image credit: Future)

The slate has various memory configurations depending on where you live. In the UK, it’s on sale in a sole 256GB storage and 8GB RAM model, but the version I tested had 12GB RAM, and certain regions have models ranging from 128GB to 512GB storage. There’s no memory card slot, so you’ll have to stick to the storage of whichever variant you pick up.

I mentioned earlier that the tablet is IMAX Enhanced; that extends to the speakers too, with a whopping eight of them around the slate (on other tablets, you’re lucky to get four). They make movies and TV shows sound a little bit better, with audio spread out to the left and right as well as up and down (depending on the video you watch). However, the max volume isn’t exactly deafening – streaming a movie in bed was fine, but when I tried to put on some Netflix while I was cooking, I sometimes struggled to hear what was being said over the various cooking noises.

On the camera front, you’re looking at a 13MP rear camera and an 8MP front-facer. They’re fit for scanning documents, conducting video calls, and facial recognition, but you’re not exactly going to take artistic snaps with sensors like these. There was noticeable noise in darker areas of pictures (even fairly well-lit ones), and I couldn’t see a difference in images taken in portrait mode versus the standard mode.

  • Performance: 3.5 / 5

Honor Pad V9 review: battery

The Honor Pad V9 on a bronze table.

(Image credit: Future)
  • 10,100mAh battery will see you through multiple days of use
  • 33W charging is slow for a battery of this size

The Honor Pad V9 packs a 10,100mAh battery, which is a sliver bigger than the ones seen on some comparably priced rivals.

Practically, this gets you about two days of heavy use before the tablet needs to be charged. In my testing period, which saw me replicate my usual tablet use (some word processing here, a movie night there, and a fair amount of music streaming), I reached about five days of charge before the slate needed powering up.

If there’s a slight disappointment with the Pad V9's battery, it’s the charging speed, which caps at 35W – on the global release of the slate, at least, though the Chinese version gets 66W. You’re looking at a charging time of several hours to fill that big battery, so remember to plug it in early if it needs a charge!

I found it easiest to charge the tablet up in dribs and drabs, so I could ensure it always had some charge, but never needed to part with it for an entire working day.

  • Battery: 4/5

Should you buy the Honor Pad V9?

Buy it if…

You're a student
If I'd bought the Honor Pad V9 when I was a student, I'd have saved hours of wrangling various apps and trying to use various features that the tablet can handle out the gate.View Deal

You like streaming movies and TV
Its display is good, but its speakers are great: the Honor Pad V9 is dependable for streaming entertainment.View Deal

You want an iPad, but running Android
Are you an Android fan who wants an iPad-like tablet? The Honor Pad V9 is one of your best picks, and it roughly matches its Apple rivals in price.View Deal

Don’t buy it if…

You need lots of storage space
While the Honor's 256GB built-in memory is extensive, that's all you'll get without relying on cloud space or external hard drives.View Deal

You like wired audio
There's no 3.5mm headphone jack on this tablet, so audiophiles will have to rely on USB-C converters, which can be annoying if you also want to charge the slate.View Deal

Also consider

Not convinced by the Honor Pad V9? Here are a few other options to consider:

iPad 11 (2025)
The natural rival, Apple's newest iPad will win fans simply by being an iOS device. But it's more expensive (when considering like-for-like storage), doesn't offer the same speaker quality, and will make you pay more for accessories. We've currently got the device in for review, so we'll have a full verdict on its quality soon.

Oppo Pad 3 Pro
For only a little bit more, you can get Oppo's new tablet, which boasts a more powerful chipset, a higher-res display, and faster charging.

Read our full Oppo Pad 3 Pro review

How I tested the Honor Pad V9

I tested the Honor Pad V9 by using it in lieu of my normal tablet (an iPad Pro from years ago) for several weeks, for all the tasks I normally use my iPad for.

This included typing up and editing documents, watching movies, playing games, and checking out the news. The model I tested had 12GB RAM and 256GB storage, and I used it without first-party accessories.

I've been reviewing products for TechRadar since early 2019, covering everything from tablets and smartphones to headphones, fitness trackers, and electric scooters.

Why you can trust TechRadar

☑️ 100s of smartphones reviewed
☑️ 15 years of product testing
☑️ Over 16,000 products reviewed in total
☑️ Nearly 200,000 hours testing tech

First reviewed March 2025

I tested Sennheiser’s HD 505 wired headphones, and they give you a taste of the high end at a real-world price
7:00 pm |

Author: admin | Category: Audio Computers Gadgets Headphones | Comments: Off

Sennheiser HD 505: two-minute review

The new Sennheiser HD 505is a refresh of one of the cornerstones of its model ranges: entry-level, open-backed, hard-wired over-ear headphones. This new design uses a variation on a proven transducer, and makes pragmatic choices where materials are concerned to produce a headphone that’s light, comfortable and built to last.

The Sennheiser HD 505 are fine-sounding headphones in many ways, too. The open-backed element of the design of these headphones allows them to sound open and expansive, and they’re organized and authoritative too.

Their tonal balance is just somehow correct, their frequency response is judicious and they have the sort of dynamic headroom that allows the changes in volume or intensity in your favorite recordings to be completely apparent.

They’re far from the last word in bass heft or punch, though – so despite the amount of low-frequency detail they reveal and the naturalistic way they have with rhythms and tempos, there’s no doubt some listeners will want more, bass-wise, than the HD 505 are prepared to give.

Those listeners are invited to check out other options among the best wired headphones – and notably the company’s own HD 600, which have been around long enough to be available at regular discounts that bring them very close to the price of the HD 505.

The rest of us, though, can just go ahead and marvel at how open, revealing and, yes, entertaining the HD 505 sound.

The Sennheiser HD 505 headphones with a hi-res audio player

(Image credit: Future)

Sennheiser HD 505 review: Price and release date

  • Release date: February 10th 2025
  • Price: $249 / £229 / AU$449

Obviously the HD 505 have had no time to become any more affordable, so they find themselves competing with the likes of Beyerdynamic (with its DT 900 Pro X) and Grado (with its SR325x). They also, rather unfortunately, find themselves competing with their HD 600 siblings, which have had plenty of time to come down from their £399 launch price to something much closer to HD 505 money…

Sennheiser HD 505 review: Specs

The Sennheiser HD 505 headphones showing the cable connection

(Image credit: Future)

Sennheiser HD 505 review: Features

  • 38mm dynamic drivers
  • 1.8m cable with 3.5mm/6.3mm termination
  • 120Ω nominal impedance

Given that this is a fairly affordable pair of wired over-ear headphones, you shouldn’t really expect a whole host of features – and, sure enough, the HD 505 focus on the essentials. That doesn’t mean that those features aren’t entirely fit for purpose, though.

Sennheiser has drawn on the relatively long-serving 500-series transducer in an effort to maintain sonic transparency, but added a little low-end heft and substance. And the result, so it says, is that the 38mm dynamic driver design is now good for a frequency response of 12Hz - 39kHz – which in layman’s terms is ‘extremely deep’ to ‘very high indeed’.

A nominal impedance of 120Ω isn’t the most promising number you ever heard, but nevertheless the HD 505 won’t be difficult for all but the most weedy smartphone or laptop to drive.

And really, there’s only the cable left to discuss where ‘features’ are concerned. The left earcup is hard-wired with a 2.5mm jack that connects via a ‘twist and lock’ method that ensure it won't be yanked out.

At the other end of the 1.8m cable there’s a 3.5mm termination with a screw-on 6.3mm adapter supplied. It would have been nice to see a balanced cable as an option too, but I guess you can’t have everything…

  • Features score: 4.5 / 5

The Sennheiser HD 505 headphones showing the design of the transducer assembly inside the earcup

(Image credit: Future)

Sennheiser HD 505 review: Sound quality

  • Detailed, dynamic and direct sound
  • Spacious, organized presentation
  • Will not satisfy bass-fanciers

The pluses, it’s fair to say, comfortably outweigh the minuses where the sound of the HD 505 is concerned. So while the deficiencies are not insignificant, it seems only polite with all the many things these Sennheiser cans get right.

Thanks in no small part to their open-backed configuration, the HD 505 are an expansive, wide-open listen – and they can control a soundstage just as confidently as they lay it out in the first place. Even in a recording with lots going on (Fela Kuti’s Colonial Mentality, for instance), the soundstage is properly defined and easy to follow.

Every element of the recording has a pocket of space to itself in which it can spread out and express itself, and the spaces in between are given the weighting and emphasis they deserve too.

They’re a fairly dynamic listen, too, able to put a lot of distance between the most contemplative and the most intense passages of a recording without sounding in any way stressed. They’re just as skilful when it comes to handling the dynamic aspects of harmonic variation, too – the moments of unaccompanied bass guitar during the Fela Kuti tune have their fluctuations described in eloquent fashion.

Tonality is pleasantly neutral, which allows the sound of a recording to take precedence over the sound of the headphones. Detail levels are high at every point of the frequency range – the top end is bright but substantial, and enjoys just as much variation as the swift, properly controlled bottom end.

In between, voices are given the space and the positivity to reveal the minutiae of their character and technique – a listen to Doechii’s Alligator Bites Never Heal lets you know the HD 505 are very adept indeed when it comes to allowing vocalists to properly express themselves.

The frequency range is handled with confidence, too – nothing is underrepresented, nothing is overstated, and the sweep from bottom to top and back again is smooth. But it’s at the bottom of the frequency range that the Sennheiser reveal themselves to be slightly less than the finished article.

The control of bass sounds is straight-edged and direct, so the headphones have no problem describing rhythms in a natural and unforced manner. Detail levels here, and tonal variation, are just as satisfying as they are elsewhere in the frequency range.

But there’s a definite lack of substance and weight to the bottom end, a bony and flimsy quality that is going to disappoint listeners who are used to (and probably expect) something approaching ‘punch’ from their new headphones. Certainly the Doechii album is done no favours whatsoever by this flyweight attitude.

  • Sound quality score: 4 / 5

The Sennheiser HD 505 headphones showing the mesh of the earcups

(Image credit: Future)

Sennheiser HD 505 review: Design

  • Covered memory foam at the contact points
  • Steel mesh earcup coverings
  • Concealed headband adjustment mechanism

There’s nothing especially luxurious about the Sennheiser HD 505 – they’re mostly made of plastic – but they’re built and finished to the sort of high standard the brand established ages ago.

Without the cable, they weigh just 237g, and allied to some nicely judged clamping force they prove a comfortable proposition even for longer listens. The amount of memory foam that makes up the inside of the headband (where it’s covered in synthetic leather) and the earpads (which are covered with synthetic velour) doesn’t do any harm in this respect, either.

The headband adjustment mechanism is concealed inside the headband itself, and operates with a sort of clicky positivity. The rear of the earcups is covered with a quantity of metal mesh, and carries some understated branding – but as design flourishes go, that’s going to have to do.

The details in the majority of the world are in a nice copper color – in China, there's a model with gold-colored details that certainly provides more bling.

  • Design score: 4.5 / 5

The Sennheiser HD 505 headphones showing the headband material

(Image credit: Future)

Sennheiser HD 505 review: Value

  • Informative, entertaining but slightly lightweight sound
  • Properly built and finished, although far from tactile
  • Light and comfortable

In truth, the HD 505 aren’t much to look at, and they’re not exactly tactile either. This doesn’t mean that they’re not properly built, you understand, or that they won’t last for the long haul – and there’s always the cachet of that brand name to add to your the pride of ownership.

Add in the trim weight of the headphones and, even more so, the deftly accomplished sound they make, and there’s unarguable value for your money on offer here.

However, as I mentioned further up, you can get the Sennheiser HD 600, which are the 'step-up' versions of these headphones, for very close to the same price as these in the real world. So it's hard to say the HD 505 are the bargain of the century when the HD 600 might actually qualify for that moniker.

  • Value score: 4 / 5

The Sennheiser HD 505 headphones showing the earcup outside

(Image credit: Future)

Should I buy the Sennheiser HD 505?

Buy them if…

You admire an open, rapid and informative sound
If this sort of money buys a more spacious sound, allied to such impressive detail levels and outright drive in a pair of headphones, I’ve yet to hear them.View Deal

You want a comfortable listen
A light (but appropriate) amount of clamping force, a relatively light weight, and well-padded headband and earcups all mean that the HD 505 are good for longer listening sessions.View Deal

Don't buy them if…

You like a bit of bass
To be fair, the HD 505 create varied, textured bass and properly control it in every circumstance. What they don’t do is punch with any sort of conviction.View Deal

You’re blessed with larger-than-average ears
A circumaural ear coupling is all well and good, but the HD 505 is on the tight side if you’ve even biggish ears…View Deal

You're in a shared space
Just because the HD 505 aren’t the leakiest open-backed headphone around, that doesn’t mean they should be worn in the office.View Deal

Sennheiser HD 505 review: Also consider

Sennheiser HD 600
You should keep an eye out for one of those occasions when the Sennheiser HD 600 dip down very close to HD 505 money – because it happens more often than you might think. They're excellent headphones for that price.View Deal

Grado SR325X
The Grado SR325X are a bit of an acquired taste where looks are concerned, but there’s no denying they’ve got it where it counts – and in a pretty big way. They're the same price as the Sennheiser HD 505, but have more of an on-ear fit, so if that's your preference, they're a great choice.View Deal

Beyerdynamic DT 900 Pro X
Notably cheaper than the HD 505 – if a rather more judicious, pseudo-studio emphasis sounds like your sort of thing, the Beyerdynamic DT 900 Pro X will work very nicely.View Deal

How I tested Sennheiser HD 505

  • Connected to a FiiO M15S, to an Apple MacBook Pro and to a Naim Uniti Star
  • With a lot of different types of music, from a number of different formats
  • Alone, of course, because to do otherwise would be rude

‘Quiet time’ is necessary to listen to the Sennheiser HD 505, if for no other reason than they let a distracting amount of sound leak out of the back of their earcups, as all open-back cans do.

So I sat at my desk with them attached to my laptop and to my digital audio player (via its unbalanced output, tragically) and sat rather more comfortably with the headphones attached to a network streamer that also preamplified a turntable and a CD player.

So lots of different formats were available, as were lots of different types of music – and a week of this (on and off) was long enough to learn all there is to know about these headphones.

Read more about how we test

First reviewed: March 2025

iQOO Neo 10R first impressions
6:59 pm |

Author: admin | Category: Mobile phones news | Comments: Off

iQOO introduced the Neo10 and Neo10 Pro last November, and today, the brand unveiled the Neo 10R after a month-long promo campaign. However, while the Neo10 and Neo10 Pro remain China-exclusive, the iQOO Neo 10R will be sold in India - at least initially. We spent some time with the iQOO Neo 10R, and here are our first impressions of the smartphone. The iQOO Neo 10R - aimed at students, especially those playing games - comes in a black-colored retail box, including a protective case, a SIM ejector tool, some documentation, a USB cable, and an 80W power adapter. The iQOO Neo 10R is built...

Sony’s super wide-angle 16mm F1.8 prime shoots fast and travels light, but relies on distortion correction
6:08 pm |

Author: admin | Category: Camera Lenses Cameras Computers Gadgets | Comments: Off

Sony FE 16mm F1.8 G: two-minute review

Every lens comes with some kind of compromise, but Sony’s done well to disguise it on the FE 16mm F1.8 G. Yes, it lacks the versatility of a wide-angle zoom like the FE 16-35mm F2.8 GM II. But if you’re in the market for a super wide-angle prime with plenty of creative potential, it’s a real box-ticker.

You’ve got the 16mm focal length favored by architecture and landscape fans, plus a fast f/1.8 aperture to satisfy night-sky enthusiasts. You’ve got speedy autofocus and a good set of manual controls. Then you’ve got the dimensions: Sony has cleverly packaged the FE 16mm F1.8 G to make it a lens that’s easy to travel with. All at a price that’s firmly in the reasonable bracket.

Sony might be marketing its 16mm prime at your traditional wide-angle users, but that list makes it a compelling proposition for anyone keen to experiment with a wider field of view. So where’s the catch?

In the minor category, there are a couple of marks against the FE 16mm F1.8 G. To achieve its low weight and matching price, Sony has used a fair amount of plastic in the build. And while it’s a moisture-resistant lens, it doesn’t have full weather seals. But this isn’t a G Master lens. For the money, neither one of those factors should be a dealbreaker.

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Sony FE 16mm F1.8 G lens indoors

(Image credit: Chris Rowlands)
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Sony FE 16mm F1.8 G lens indoors

(Image credit: Chris Rowlands)
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Sony FE 16mm F1.8 G lens indoors

(Image credit: Chris Rowlands)

What could be is the barrel distortion. While prime optics mean the FE 16mm F1.8 G can shoot sharp in the center at its widest aperture, detail drops off to softness in the corners. This is because of how much correction is taking place at the very edges of the frame. Shoot in RAW and you’ll need to compensate quite heavily, costing you sharpness in the stretched pixels.

While this reliance on lens corrections might not sit well with purists, Sony is not alone in leaving software to address optical imperfections. Nor is it an issue which only affects prime glass. It’s a growing trend among wide-angle lenses as a whole, as we found in our review of the Canon RF 15-35mm F2.8L IS USM. Sony’s own FE 16-35mm F2.8 GM II is guilty of it, too.

In reality, if you’re willing to live with some corner softness, the FE 16mm F1.8 G is an excellent super wide-angle prime for the price. Shooting at f/1.8 not only lets you make the most of the available light, but also allows you to play with defocused backgrounds when your subject is close to the lens.

It’s true that videographers and travel photographers will probably be better served by a 16-35mm zoom, even if that means accepting a slower maximum aperture. The Sony FE 16-35mm F2.8 GM II has the versatility to cover both wide angles and tighter 35mm street shots with edge-to-edge detail. For those who want get creative at 16mm, though, the FE 16mm F1.8 G isn’t far off the sweet spot.

Sony FE 16mm F1.8 G specs

Sony FE 16mm F1.8 G: Design

  • Compact and lightweight for a wide-angle prime
  • Protected against dust and moisture
  • Tactile focus and aperture control rings

It’s not a pancake prime, but Sony’s done some very clever packaging to keep the FE 16mm F1.8 G compact. By super wide-angle standards, this is about as small as they come with an f/1.8 aperture. It weighs in at a very manageable 10.7oz / 304g and measures just 73.8 x 75 mm (or roughly 3 inches on each axis). That makes it almost 10mm shorter than the Sony FE 20mm F1.8G.

Its lean build is achieved in part by use of plastic in the construction. The result is a barrel that doesn’t feel especially premium, but Sony hasn’t done a cheap job either. There’s no sense that corners have been cut here: the body is creak-free and the controls are nicely tactile. While you don’t get the weather seals of the G Master series, resistance against dust and moisture also adds to the sense of robustness.

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Sony FE 16mm F1.8 G lens indoors

(Image credit: Chris Rowlands)
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Sony FE 16mm F1.8 G lens indoors

(Image credit: Chris Rowlands)
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Sony FE 16mm F1.8 G lens indoors

(Image credit: Chris Rowlands)

The overall impression is one of functionality. That extends to the controls, most of which are thoughtfully placed within a finger’s reach. This is an easy lens to feel your way around one-handed. A few touches help to elevate the user experience above that of a basic prime, too: you’ve got a switch which gives you the option of clicked or smooth aperture ring rotation, for example, plus a programmable function button.

Some users might like a little more weight to the manual focus ring, but the resistance of the aperture ring feels perfectly judged. Together with switches for focus mode and Iris Lock, the FE 16mm F1.8 G is a lovely lens to use. It paired neatly with a Sony A7C II body in testing for a convenient wide-angle shooting setup.

Sony FE 16mm F1.8 G: Performance

  • Fixed ultra-wide 16mm focal length
  • Fast f/1.8 maximum aperture
  • Rapid autofocus with two linear motors

Frame up with the FE 16mm F1.8 G and you’ll instantly see just how wide a 16mm focal length really is. Whether you’re shooting buildings, interiors or landscapes, this is a lens designed to give you dramatic perspectives. And thanks to its wide maximum aperture, you can shoot those perspectives in a range of scenarios.

At f/1.8, this is pretty fast glass. Fast enough to capture sharp results in low lighting, whether that’s an evening street scene or a starry sky. Sony reckons the FE 16mm F1.8 G is a good option for astrophotography. Paired with a full-frame Sony E-mount camera, the 16mm’s light-gathering abilities certainly mean you can make the most of any available lumens.

The wide aperture also means you can play with a very shallow depth of field. The effect is strongest when shooting close-ups: with the right composition, you can draw a near subject into clear focus against a striking defocused background. This impression is enhanced by the fact that the wide field of view includes more of the backdrop than a standard macro lens.

Bokeh could be smoother and we did encounter some false color in blurred backgrounds. All the same, its close-focusing abilities add an additional string to the bow of Sony’s super wide-angle prime. It’s not a macro lens, but with a minimum focus distance of just 0.15m, the FE 16mm F1.8 G lets you get very close.

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Sony FE 16mm F1.8 G lens indoors

(Image credit: Chris Rowlands)
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Sony FE 16mm F1.8 G lens indoors

(Image credit: Chris Rowlands)
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Sony FE 16mm F1.8 G lens indoors

(Image credit: Chris Rowlands)

It helps that the autofocus system is rapid in all conditions. Driven by dual linear motors, focusing response is pretty much instant. That’s just as true up close and in low light as it is when shooting big subjects in broad daylight. Paired with a Sony A7C II, the lens demonstrated a commendable hit rate, giving no reason to doubt that it would find its target.

All of that translates to video, too. It’s easy to see why Sony touts the FE 16mm F1.8 G as a lens with vlogging potential. Its ultra-wide focal length and close-focusing abilities are both well-suited to self-shot videography, allowing users to comfortably record themselves at arm’s length. The proportions of the lens itself also make it easy to wield when paired with a vlogging-first camera like the Sony ZV-E1.

Focus breathing is kept to a minimum: shift focus while recording and the field of view stays consistent enough for most eyes. If you have a compatible Sony body, you can use the breathing compensation function to eradicate it entirely by applying a slight crop. Shooting video with a 16:9 aspect ratio also crops out any softness in the corners from the application of distortion correction (see below).

Sony FE 16mm F1.8 G: sample images

Images shot with the Sony FE 16mm F1.8 G are broadly superb. As with most prime lenses, there’s a sweet spot in the aperture range that nets you edge-to-edge sharpness with no vignetting. That’s exactly what you’ll find at f/4.

Wide open at f/1.8, the story is a little bit different. There’s some minor vignetting evident in RAW stills, which can be addressed in post or reduced significantly by stopping down to f/2.8. That’s unless you want the effect to complement the wide-angle look, leading the eye to the center of the frame.

More problematic is barrel distortion. This isn’t a surprise for such a wide-angle prime, but the result is a loss of detail where correction stretches pixels in the corners. Whether this is applied in-camera to JPEG stills or in the edit for RAW files, the result is the same: softness at the far reaches of the frame.

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Sample image shot with the Sony FE 16mm F1.8 G lens

(Image credit: Chris Rowlands)
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Sample image shot with the Sony FE 16mm F1.8 G lens

(Image credit: Chris Rowlands)
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Sample image shot with the Sony FE 16mm F1.8 G lens

(Image credit: Chris Rowlands)
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Sample image shot with the Sony FE 16mm F1.8 G lens

(Image credit: Chris Rowlands)
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Sample image shot with the Sony FE 16mm F1.8 G lens

(Image credit: Chris Rowlands)
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Sample image shot with the Sony FE 16mm F1.8 G lens

(Image credit: Chris Rowlands)
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Sample image shot with the Sony FE 16mm F1.8 G lens

(Image credit: Chris Rowlands)
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Sample image shot with the Sony FE 16mm F1.8 G lens

(Image credit: Chris Rowlands)
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Sample image shot with the Sony FE 16mm F1.8 G lens

(Image credit: Chris Rowlands)
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Sample image shot with the Sony FE 16mm F1.8 G lens

(Image credit: Chris Rowlands)

How much this loss of corner clarity is an issue will often come down to the composition. Naturally, the results of distortion correction are less noticeable when the area is defocused. In any case, you still get excellent center sharpness at f/1.8 and resolution remains decent across the frame up to f/11. Venture beyond that and you’ll find that sharpness drops off significantly, particularly as you approach f/22.

In stills captured facing into the sun, the FE 16mm F1.8 G displays a strong ability to deal with backlighting. There can be some washout at the widest apertures, but contrast is retained at f/4. The lens also keeps flaring under tight control and renders soft but attractive sunstars at narrower apertures.

Should you buy the Sony FE 16mm F1.8 G?

Buy it if...

You want to shoot wide angles in different lights

Thanks to its fast maximum aperture, Sony’s super-wide prime has the light-gathering abilities to shoot sharp in dim conditions. It can handle the bright stuff too, with attractive sunstars and decent flaring control.

You want a wide-angle that’s easy to wield

Courtesy of a polycarbonate construction, the 16mm weighs in at a relatively light 304g. It’s also compact for a super wide-angle prime, making it a tidy choice for shooting both travel stills and video.

You want to experiment with soft backgrounds

Blurred backgrounds aren’t a speciality for wide-angle lenses, but its wide aperture and short minimum focus distance mean the FE 16mm F1.8 G can produce strikingly soft backdrops when shooting close to a subject.

Don't buy it if...

You need total sharpness across the frame

Center sharpness is good on the whole and strong at the center of the frame, but drops off heavily in the corners when shooting at wide apertures, resulting in softness and a loss of detail.

You want perfection out of the camera

Substantial barrel distortion is the trade-off for a compact design. In-camera correction takes care of this for JPEGs, but it needs to be fixed in post for RAW files, along with noticeable vignetting.

You want the versatility of a zoom

Prime optics might be brighter, but a fixed focal length is less versatile. Many users will find the Sony FE 16-35mm F2.8 GM II zoom lens a more flexible choice for travel and video.

How I tested the Sony FE 16mm F1.8 G

  • Tested comprehensively for a week
  • Paired with a Sony A7C II body
  • Used in a range of conditions

Sony was only able to loan the FE 16mm F1.8 G to me for a seven-day period, during which time I shot with it extensively. Thankfully the weather was good during my time with it, so I was able to fully assess how it handles different lighting conditions, from bright backlighting to dimmer evening scenes.

As a 16mm would traditionally be considered a lens for shooting landscapes and architecture, I did both of those. But because Sony’s super wide-angle prime also boasts the defocusing potential of a fast maximum aperture, I also made sure to shoot up close with a range of subjects.

I used the lens with a Sony A7C II body. By shooting with it heavily over the course of a week, I was able to get a good understanding of the build quality and usability of the lens, particularly the feel of its focus and aperture rings.

  • First reviewed March 2025
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Full spoilers follow for The Wheel of Time season 2. Mild spoilers also follow for season 3's first three episodes.


I have a complicated relationship with The Wheel of Time's (TWoT) TV adaptation. The first season of Amazon's live-action series was terrific – indeed, I said it was everyone's next fantasy show obsession ahead of its April 2021 launch.

The Wheel of Time's second season was less impressive. Yes, it belatedly found its feet as it raced towards its thrilling finale, but it wasn't the epic second chapter I expected it to be. The so-called 'sophomore slump' was most certainly in effect.

So, thank goodness that, based on its three-episode premiere, The Wheel of Time season 3 is a magical return to form for a show whose future rests on its ability to prove that The Rings of Power isn't the only terrific high fantasy program in Amazon's TV arsenal.

Aes Sedai: civil war

Siuan Sanche using her magic in The Wheel of Time season 3

Season 3 kicks off with an almighty and brutal scrap in The White Tower's central chamber (Image credit: Amazon MGM Studios)

One month has passed since Rand al'Thor (Josha Stradowski) was officially declared the Dragon Reborn in Falme. However, despite the defeat of Ishamael and his Seanchan allies, the Shadow looms larger than ever over The Wheel of Time's world.

To prepare for the forthcoming Last Battle, Rand, Moiraine (Rosamund Pike), and company need to divide and conquer once more. Cue our heroes splitting up to not only tackle the threat that the Dark One and his subordinates pose, but also acquire the knowledge, skills, and weapons to defeat them once and for all.

The Aes Sedai battle is an astoundingly cold-blooded and brave entry point to this season

Before those events are set in motion, there's the small matter of a civil war erupting among the Aes Sedai. Trouble has been brewing at the all-female magic wielders' stronghold in Tar Valon since the show began. And, like the merciless Thanedd Coup event in The Witcher season 3 on Netflix, episode 1 of TWoT's third entry is the stage for tensions boiling over.

Aes Sedai fighting each other  in The Wheel of Time season 3 episode 1

The extended opening sequence of season 3's first episode is as incendiary as it is brutal (Image credit: Amazon MGM Studios)

Season 3, then, wastes no time throwing us into the thick of the action. Political infighting (there's still plenty of this once the dust settles on this bout, FYI) between The White Tower's various factions makes way for bloody, One Power-based warfare as those loyal to the Aes Sedai's leader Siuan Sanche (Sophie Okenedo), aka 'Mother', fight literal fire with fire against Liandrin (Kate Fleetwood) and her Black Ajah compatriots – i.e., the Aes Sedai who've now sided with the Dark One.

A microcosm of the wider war that'll eventually envelop TWoT's universe, it's an shockingly cold-blooded and brave reintroduction to one of the best Prime Video shows around. Nonetheless, I welcome any and all courageously creative entry points to new movies and shows or, the latter's case, new seasons, so consider me highly satisfied by this venture.

A dune prophecy

A group of people, including Rand and Moiraine, standing on a sandy cliff in The Wheel of Time season 3

Rand (middle right) and Moiraine (second right) travel to the Aiel Waste in season 3 (Image credit: Amazon MGM Studios)

But the Prime Video show's primary heroes aren't side-lined for long. As the dust settles on the conflict within The White Tower's walls and before they part ways to cover as much ground as possible, Rand and company actually spent a significant – well, significant by TWoT's standards – amount of time together in episode 1.

It's a pleasing albeit temporary respite from the dangerous adventures they've embarked on and will soon undertake again. Not only that, it also serves as a reminder of the tight bonds – especially between The Two Rivers quintet of Rand, Egwene (Madeleine Madden), Perrin (Marcus Rutherford), Nynaeve (Zoe Robins), and Matt (Donal Finn) – that they forged before the show began and have been seriously tested since.

Season 3 sacrifices the frustratingly slow and meandering start of its forebear in favor of faster-paced storytelling

The lull between last season's finale and the beginning of season 3's questing doesn't disrupt the pacing, though.

Episode 1's explosive opening, plus the plot exposition dumps we thankfully receive through character conversations, which fill in the narrative gaps between seasons, season 3 hits the ground running. Sure, it might feel like we've skipped an episode, but I'm relieved that TWoT's latest chapter sacrifices the frustratingly slow and meandering start of its forebear in favor of faster-paced storytelling with perpetual forward momentum.

Matt, Nynaeve, and Min speaking to someone wearing a hat  in The Wheel of Time season 3

Matt, Nynaeve, Min (all pictured), and Elayne travel to Tanchico in the series' third entry (Image credit: Amazon MGM Studios)

That much is clear in how quickly Rand, Moiraine, Egwene, Lan (Daniel Henney), and Aviendha (Ayoola Smart) journey to and arrive at the Aiel Waste. A vast and mysterious desert region that's steeped in history and home to the Aiel people (they call it the Three-Fold Land, FYI), its introduction in episode 2 is testament to propel the story into darker, narratively absorbing, and enigmatic territory.

Three episodes in, I'd argue this storyline is the most interesting so far in season 3. That might be down to the unmistakable parallels between this particular plot, and Frank Herbert's Dune book series and its live-action movie franchise – the pair of which I adore. After all, TWoT and Dune tell the tale of a prophesized messiah who reluctantly embraces their so-called destiny by traveling to an unknown land and unites its quarrelling factions. Stark comparisons between Rand and Paul Atreides notwithstanding, the Aiel Waste storyline is also full of compelling melodrama and fantastical revelations that'll please new and old fans alike.

The dark arts

Lanfear looking back over her left shoulder in The Wheel of Time season 3

Lanfear's return – and the arrival of more Forsaken – means nowhere is safe for our heroes (Image credit: Amazon MGM Studios)

That doesn't mean season 3 prioritizes one storyline over its brethren. Rand's arc is particularly important – you know, what with him being the Dragon Reborn and all – but, aware of its overreliance and favoring of some plots over others last season, TWoT's latest installment takes a proactive approach to managing the time it spends between its multiple narratives.

Whether it's Perrin's cathartic albeit life-threatening return to The Two Rivers, Nynaeve and Elayne's (Ceara Coveney) appointment as Siuan's 'hounds' to track down the Black Ajah and The One Power-infused relics they stole from The White Tower, or Matt battling his inner demons, season 3 skilfully maneuvers between its various storylines with confidence. That was something its forebear lacked, so I'm glad this season doesn't suffer from the same issue.

Season 3 skilfully maneuvers between its various storylines with confidence

That said, I was vexed by season 3's penchant for dragging out problems that have affected certain characters since season 1's second half. Sure, only a month has elapsed in-universe, so it's understandable that traumatic events that impacted some heroes, such as Egwene's post-traumatic stress disorder from her Seanchan imprisonment and torture, and Matt's ongoing mental health issues, in season 2 would continue to afflict them.

However, plot threads like Nynaeve's ongoing struggles to channel the One Power are growing tiresome. True, this is dictated by the storylines and character arcs that comprise season 3, but it's frustrating that plot elements like this, which began in TWoT's first season, haven't been resolved yet, nor allow for much character evolution for individuals who sorely need it.

Elayne and Aviendha looking at each other in The Wheel of Time season 3

Season 3 makes more changes from the novels, such as a budding romance between Elayne and Aviendha, that might annoy some fans (Image credit: Amazon MGM Studios)

TWoT devotees are sure to be disgruntled by further deviations from what's depicted in Robert Jordan's beloved book series namesake as well.

Again, such diversions are determined by the story that showrunner Rafe Judkins wishes to tell. That'll be of scant consolation to fans of Jordan's literary works, though, who may bristle at changes like Matt not being part of Rand's Aiel Waste-bound party. However, some tweaks to the source materials, such as the budding romance between Elayne and Aviendha – an evolution of the close friendship they share in the novels – feels less intrusive.

The natural expansion of TWoT's world and the character that inhabit it in season 3 is handled with purposeful precision, too. The introduction of new locations like Tanchico, Rhuidean, and Andor upscale the size and scope of Amazon's adaptation. Meanwhile, the live-action debut of Andor's royal family – aka Elayne's relatives – and more of Lanfear's (Natasha O'Keeffe) fellow Forsaken, plus devoting of more screentime to characters with bit-part roles in season 2 like Aviendha and Siuan, raise the stakes and suggest I should be worried for more characters than just Rand and Moiraine this season.

My verdict

With The Wheel of Time season 3, Prime Video not only conjures up the show's best season yet, but also finally cements its position as one of the greatest Amazon TV Originals.

Like many of the characters that inhabit its world, it's a coming-of-age success story that proves TWoT has the style and substance – and, whisper it quietly, longevity – to go toe-to-toe with Amazon's Lord of the Rings prequel series.

It remains to be seen if a wider audience will be receptive to the Prime Video series' bleakest and most daunting season yet. After all, TWoT's future hinges on how its third chapter performs on one of the world's best streaming services. Based on the spellbinding effect that its three-episode premiere had on me, though, I'm confident it'll perform well enough to keep its storytelling wheel spinning for some time yet.


The Wheel of Time season 3 launches exclusively on Prime Video with a three-episode premiere on Thursday, March 13. New episodes air weekly.


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