I’m a huge Atlus fan, and when Raidou Remastered: The Mystery of the Soulless Army was revealed back in March, I was absolutely over the moon. See, I never got a chance to play the original JRPG – which first released on the PS2 – but had always hoped to get in on some demon-filled investigative action.

And Atlus has truly served up a full-blown remaster of Raidou’s first adventure, bringing the Devil Summoner’s story to just about every modern platform with full voice acting, fleshed-out 3D environments, enhanced visuals and audio, as well as evolved combat.

Atlus has produced banger after banger for decades, including some of the best RPGs like Metaphor: ReFantazio and Persona 5 Royal. So, can the Switch 2 game Raidou Remastered rise to those same heights

Well, perhaps not quite. But it’s still a fantastic remaster. Here’s what I made of the game after spending more than 30 hours playing it on Nintendo Switch 2.

Where lies man, so lies dark

In 1930s Japan, a young lady approaches the Narumi Detective Agency with a shocking request. She wants you to kill her. But before you can hear exactly why, she’s kidnapped by mysterious individuals in red capes.

So, in steps Raidou Kuzunoha XIV, an apprentice detective at the Narumi Detective Agency who aims to serve the capital – not only by helping citizens with their day-to-day needs, but also by keeping things in check within the Dark Realm – a curious juncture between the real world and the netherworld, where demons lurk.

And now it’s down to Raidou and his allied demons to solve the mystery of the kidnapped girl... which, in turn, leads you to unveil a far greater conspiracy than you could ever imagine.

Of course, I don’t want to give away too many details plot-wise. But I can assure you that there are plenty of twists and turns as the mystery unravels – and that mystery remains gripping throughout. In addition, you don’t have to sit through hours of warm up before the story really gets going.

Yep, you’re flung straight into the middle of a dark case, in a city flooded with characters in need of your support – sometimes in the main story, and other times through brief, yet enjoyable side quests called Case Files. And you’ll meet a real range of individuals throughout the game’s runtime. No really, I ran into everyone from a yakuza captain through to a zany demon-fusing scientist – and that’s just in the real world!

These characters help to expose many of the game's key themes, which are tightly interwoven with the 1930s setting. There are frequent questions around the morality of war and the role of economic injustice on people’s everyday lives, for instance.

And I felt that I could connect to the cast thanks to newly added voice acting – one of the best inclusions in this remaster. Whether it's the somewhat lazy, yet playful Detective Narumi or rival Devil Summoner, Rasputin, expressive voice acting injects so much more personality into each character. Even the demons have some incredibly entertaining – sometimes bizarre dialogue that add so much whimsy to the experience. The commanding voice of Hayataro or the iconic hee-ho’s of Jack Frost even made me reluctant to fuse them into something else.

Your feline companion, Gouto, is also at hand to guide you through the case's key plot points and provide pointers if you get a bit stuck. Those tips are often handy, and generally, Gouto is far less invasive than a certain other cat that Atlus fans will be well acquainted with. I won’t name names of course... but it starts with ‘M’ and ends in ‘organa’.

Raidou’s revamped

So, there’s an engaging plot and intriguing cast to match, but what about gameplay itself. Well, this is where the picture starts to get a little more mixed.

I’ll start with combat. You’re not getting the turn-based press turn battle system from Shin Megami Tensei titles, with this game instead taking a real-time action approach. However, the combat system has been significantly overhauled in Raidou Remastered, when compared to the original game.

There are no more pesky random encounters, Raidou can now use two demons in battle (as opposed to one in the original), you’ve got the ability to lock on to enemies, and much, much more. These alterations are all most welcome and have made combat feel way more fluid than before.

When doing battle, you’ll want to focus on draining MAG, which is expended when demons use magic attacks, such as the fire spell Agi or volt attack Zio. In order to get your MAG back, Raidou can dish out light attacks, which fill up the bar swiftly, enabling you to regularly exploit enemy weaknesses, and as a result, stagger them for an easier route to victory.

Other than those light attacks I mentioned, Raidou can use heavy attacks, fire his gun, cast magic abilities of his own (Summoner Skills) and unleash highly punishing moves like Devil’s Bane and Spirit Slash. You'll gain new Summoner Skills as the game progresses, and you'll also be able to allocate stat boosts to Raidou when he levels up across strength, magic, vitality and luck.

I went for a mixed strength / magic build, and my main strategy in battle was to whack out as many light attacks as possible, fueling one demon’s use of healing magic and another’s devastating elemental damage. You can also use items in battle, but I basically never needed to do this.

Most of the time, my strategy proved to be a sure-fire way to win battles, meaning that combat could get a little repetitive. Also, despite enhanced battle mechanics – which includes more fluid maneuvering – I found that Raidou could feel a little clunky to control, especially in the air. This was rarely a huge issue, but if you’re expecting incredibly seamless, ultra-smooth movement from this title, you might be a little disappointed.

Boss fights are still good fun, though, and can often pose a decent challenge. Here, I found that blocking and dodging was a bit more important. Just spamming my light attacks and expecting my demons to do the rest was rarely good enough. I’m sure this would ring even more true if you’re playing on hard mode, but I played on Private Eye difficulty – which is essentially the standard level of challenge.

Before we continue talking gameplay, though, I just wanted to flag that this game has a great soundtrack – there are some seriously catchy tunes here. I still can’t get the theme from Narumi’s Detective Agency out of my head.

Battling our demons

Anyway, let’s continue chatting gameplay – and the real highlight here, for me, is filling out the demon compendium and fusing the most powerful creations imaginable.

You can recruit demons pretty much hassle free – not always the case in other Atlus entries (I’m looking at you, SMT 4). And you can also request the help of the peculiar Dr. Victor in the Goumaden, who enables you to fuse multiple demons together and forge new, stronger companions to take into battle. You can also fuse swords, spears or axes for Raidou, which come which come with fresh abilities as well as differing stat boosts.

During demon fusion specifically, you can pass on abilities and passive skills which will help you target the weaknesses of opponents in the Dark Realm – just make sure you keep an eye on their Investigation Skills, which will come in use outside of battle.

And that brings me onto what is, without doubt, the weakest part of Raidou Remastered – solo investigations. These occur when Raidou is unable to progress through an area himself, and he instead enlists the help of his demons (which most humans are unable to see in the real world). You can send a demon out to gather clues or investigate blocked off locations, which sounds interesting, but ends up being just boring.

Most demons move pretty slowly, and the sprint button doesn’t work when they’re out investigating. On top of that, retrieving clues usually just consists of pressing a single button to search an area, read a mind, or squeeze into a tight area. I just wish that these parts of the experience were more interactive, especially given that being a detective is central to the game’s plot.

Finally, a quick note on the experience playing on Nintendo Switch 2. Typically, I played with my Joy-Con 2 controllers, and the game controlled nicely. Switching between targets while locked on took a bit of getting used to – it could, at times, feel a little rigid. But everything else, from using attacks, summoning demons, sprinting and dodging felt totally fine.

Similarly, performance was very strong – though I would expect this given it's hardly the most demanding title out there. It runs at a maximum of 60fps at 1080p, which looks solid, though the lack of 4K may disappoint some.

Overall, though, I love how the game remains faithful, visually, to its PS2 roots, while still ensuring characters and backgrounds look polished. Oh, I also rarely experienced frame rate issues – that is unless I performed Raidou’s ultimate attack, Spirit Slash. This would sometimes cause a little bit of slowdown, but never to a degree that it cost me a battle or anything.

In the end, I had a blast with Raidou Remastered. I was keen to complete almost every Case File, the main story had me hooked, and of course, I loved summoning some of my favorite demons from the SMT series. Combat, though fairly layered, could sometimes get a little samey and I really wish solo investigations didn’t feel like a chore. But overall, Atlus did an excellent job with this remaster and I’m grateful that it’s enabled me – and so many other fans – to solve this mystery for the very first time.

Should you play Raidou Remastered: The Mystery of the Soulless Army?

Play it if...

Don't play it if...

Accessibility features

The game includes subtitles, button remapping in the controls section, a control stick sensitivity slider, and the ability to toggle vibrations on and off. There are some other subtle changes you can make, such as the option to simply hold the A button, rather than press it repeatedly to confine a demon. There are four difficult modes, including one which makes combat extremely basic for those who want to essentially focus on story alone. There isn’t a colorblind mode for anyone seeking that out, though.

How I reviewed Raidou Remastered: The Mystery of the Soulless Army:

I spent more than 30 hours with Raidou Remastered: The Mystery of the Soulless Army, playing through the main story and the vast majority of Case Files. I had the game set on Private Eye difficulty – essentially normal. I’ve played a ton of Atlus titles before, from Shin Megami Tensei III: Nocturne through to Persona 3 Reload, so I was already plenty familiar with systems like demon fusion.

I played the Nintendo Switch 2 version of the game, which I downloaded digitally via a code supplied by Sega. Usually, I played in docked mode in 1080p at 60fps, but I did try playing for a while in handheld mode too. When docked, I had my Nintendo Switch 2 connected to the Sky Glass Gen 2, with audio playing from the Marshall Heston 120 soundbar.

First reviewed June 2025

If there’s anything a game can do to make a good first impression, it’s having its dual protagonists riding huge dragons in what feels like a cataclysmic event.

Having no skin in the game as far as Rune Factory as a series is concerned, it felt as though I’d skipped a whole host of chapters and was getting ready for the final battle between good and evil, and then… my character woke up.

Rather than charging into battle atop a mythical creature, I found myself cleaning up weeds and harvesting wood. The surprising part, however, is that in doing so, I came to fall in love with the depths of Rune Factory: Guardians of Azuma’s systems.

There’s combat here, sure, but in the 25 hours I spent in its charming world on Nintendo Switch 2, the biggest draws were getting to just the next upgrade for my burgeoning town, offering just the right gift on a character’s birthday, and enjoying quality time with its cast.

Rhythm is a dancer

Still, I’m getting ahead of myself. As I mentioned, I’ve never played a Rune Factory game before, but with multiple Switch 2 games dropping into the laps of gamers, I wanted to kick the tires somewhat even before this review in hopes of filling a knowledge gap.

Waking from a dream, my amnesiac hero finds himself in the quaint Spring Village. Here, the sacred tree has stopped blooming, and I was tasked with cleaning the place up in hopes that better times would return.

As it would happen, the protagonist is an Earth Dancer, able to tap into natural forces (isn’t that always the way?), allowing them to wield divine instruments that help plants grow and push back against a sort of blight that’s strangling this once-vibrant world.

That narrative setup leads into the main mechanic of Guardians of Azuma: Village management. If the game itself were a sacred tree, its village customisation and management tools would be the central trunk–absolutely everything feeds into it, and that’s what helped me sink so many hours in so quickly.

Making friends…

In the game’s opening hours, you’ll be led by the hand through all sorts of smaller pieces of village stewardship. You’ll meet its inhabitants to grow social bonds (more on that shortly), and spend time building up a designated area for fields and small buildings.

It doesn’t take long to build a couple of relatively humble abodes to help bring in new villagers, or harvest crops that can be sent elsewhere to raise capital for your village. In fact, before long, there’s the same kind of satisfaction you find in any other management game, as things tick along nicely.

The more villagers you can, the more they’ll be able to help with chores and tasks, and each has individual perks that help them fall more naturally into roles like Loggers, Farmers, or Miners.

Seeing my small patch of farmland from the game’s first hour gain a whole host of villagers to work on the harvest, or adding my first blacksmith, felt perfectly paced. The carrot on the proverbial stick of “I just need to get to the next upgrade” kept me up past 2 AM more than once, and there’s a really cosy quality to Guardians of Azuma that makes it a natural fit as a Switch 2 launch game.

…and influencing people

In between your daily routine of tidying things up, bossing people about, and trying to make a bit of gold, you’ll also have the chance to grow friendships with your companions and even branch out into romance with them.

This is achieved by making an effort to converse with them regularly, fulfilling any requests they may have, and eventually working with their likes and dislikes to select suitable gifts or suggest suitable activities.

It’s not as strictly structured as something like Persona, and while there is a day/night schedule (complete with debuffs for staying up late), it’s easy to fit multiple social engagements into one day.

That’s a good thing, because many of the characters are just so fun to talk to. Ulalaka, the divine spirit of the game’s first village, is relaxed and cordial but holds some deeper fears about the state of the world and her diminishing powers. And, while some characters are certainly more one-note (Murasame is the relatively generic swordsman, while Takumi is the affable, boisterous carpenter), they’re all brought to life with exuberant voice acting and great regionalisation.

A special shout-out, too, to Woolby. The game’s comic relief could have felt more irritating given how much he’s on screen in certain scenes, and I had feared he’d be akin to Persona’s Teddy or Morgana, but I ended up genuinely enjoying his appearances, and he didn’t grate much at all.

Laying down the law of the land

You’ll want to spend time chatting up your cohorts, too. There are around two dozen romance options, but once any of their bond levels hit 1 (which is very, very easy to do), they’ll be able to accompany you on expeditions out of the village.

That’s important because while your town is busy working on items and weapons you can take out into the world with you, there are monsters to slay.

While the bright art style may suggest similarities, it’s not quite as deep as in something like The Legend of Zelda: Breath of the Wild. Many enemies can be felled with a few swings of your sword, but there are plenty of weapons to unlock, each with their own skill trees.

That applies to your party, too, so leveling your social bonds can be the difference between rolling into a boss fight with a relatively slapdash squad or with a team of hardened veterans.

There’s a breeziness to the action-based sword-swinging and bow-firing, and the option to slow time when you nail a ‘Perfect Dodge’ and follow up with a whirlwind flurry of attacks feels just as good here as it has in recent Zelda titles.

Some enemies will even turn into villagers, making seeking them out (and various other bonuses in the areas outside your village) a worthy endeavour.

Rinse, repeat

While there’s always something to do, be it a notjiceboard request or working towards the next village upgrade, the game’s structure won’t be to everyone’s liking.

Each chapter essentially adds a new village, and if you’ve not had a great deal of fun managing the minutiae of harvesting and selling crops in the first one, you’ll probably struggle to find the fun in the following villages.

Each comes with its own unique challenges, characters, and mechanics, but the overarching mechanics remain the same. That’s something I had a blast with, just constantly min/maxing my time, but it won’t be to everyone’s tastes.

I also found that there are some frame rate drops while playing on a TV at 4K, but those weren’t an issue in handheld. Given the option to sit back and do some village management while watching TV, though, I can see the latter being the way most people enjoy Rune Factory: Guardians of Azuma.

Should you play Rune Factory: Guardians of Azuma?

Play it if...

Don't play it if...

Accessibility

As far as I could see in the settings, there are no additional subtitle sizes on offer, but you can auto-pause dialogue when a sentence is finished. You can also adjust the speed at which subtitles appear.

Button mapping is very flexible, too, meaning players can customize their button inputs as much as they’d like, and the game does a great job of keeping button tooltips on screen, too.

How I reviewed Rune Factory: Guardians of Azuma

I played Rune Factory: Guardians of Azuma for 25 hours, completing the main story and mopping up a whole host of side quests.

I did so on Nintendo Switch 2, switching between docked with my Sky Glass TV and playing in handheld mode, and making use of the Switch 2 Pro Controller. It marks one of my favorite Switch 2 experiences alongside The Legend of Zelda: Tears of the Kingdom and Breath of the Wild, as well as Pokémon Scarlet and Violet, but up next it’s Hyrule Warriors Definitive Edition.

First reviewed June 2025

Deltarune fans have been waiting over five years for the release of the third chapter in developer Toby Fox's role-playing game, but the wait is finally over. To coincide with the release of the Nintendo Switch 2, Fox has released not one but two more (of the seven total) chapters of the indie gem, with the four chapters releasing as a launch title for Nintendo's long-awaited console.

Both were well worth the wait. Fox's charming adventure is the perfect companion for the new console, offering a surreal, personable world (well, worlds) filled to the brim with memorable, chaotic characters, brilliant writing, and tons of heart. Undertale fans will find a lot of familiarity here.

But, thanks to the overhauled battle system, the addition of party members, and a cast of bizarre new (and returning) characters, Deltarune is as welcoming for new players as it is for long-time Fox fans.

After over 15 hours with Deltarune, I'm itching for more – to return to its bewitching world and the characters I've grown to love across its four chapters. The wait for the last three chapters, likely to be released one to two years apart, is going to be excruciating.

Wake up

Straight off the bat, Deltarune lets you know this is not a story you have much control over. You begin Chapter 1, creating your "vessel," choosing their arms, head, legs, and... uh... favorite blood type.

It feels a bit fishy, but hey, if it's anything like Undertale, I knew to be prepared for weirdness. And I was right. Upon finishing your character, it's discarded: "No one chooses who they are in this world," a mysterious voice tells you.

Instead, you're Kris, child of Undertale's Toriel, except the Undertale and Deltarune universes are not directly connected. They're parallel, with characters and references to Undertale appearing throughout Deltarune, but this Toriel is not the same as the one we knew.

This Toriel is Kris' doting mother, ushering him to school, where he's late. The punishment? Being teamed up for a group project with Susie, the class bully/badass monster. Sent on a mission by their teacher, Alphys, to find chalk (Susie ate it), the pair stumble across a closet that leads to the Dark World, where they meet adorable dork (and prince) Ralsei, who tells them they're part of a prophecy. Kris, Susie, and Ralsei are the Lightners, the heroes that will seal the Dark Fountains prophesied to destroy the world (both light and dark).

Across the three chapters, Susie, Ralsei, and Kris make their way through unique Dark Worlds to seal the fountains, meeting peculiar (and often hilarious) characters on their way and uncovering more about the link between the Dark and Light worlds.

Friend or foe?

The juxtaposition between Deltarune's Light and Dark Worlds is palpable. The Light World is an idyllic town with a diner, hospital, school, library, and friendly animal-like inhabitants (some of which will be familiar faces to Undertale fans.) Once Kris and Susie enter the Dark World, however, things get much weirder.

Chapter one sees Kris, Susie, and now Ralsei facing off against perhaps the worst bad guy in history – and I don't mean that in a ‘he's so fearsome’ way. Lancer, the young son of a tyrant king, tries his best to intimidate the heroes but spectacularly fails again and again, eventually having to get help from Susie. The writing throughout Deltarune is laugh-out-loud funny, with each character bubbling with personality and acting in unpredictable, unique ways.

For example, grumpy Susie initially hates being a hero and tries to pummel any characters you encounter – regardless of whether you want her to. But, as Ralsei warns you early on, acts of kindness are the most profitable in this game. You're actively encouraged to show mercy to the weird and wonderful ‘enemies’ you encounter. "Nah," says Susie.

But, throughout the four chapters, you grow to love Susie as she gradually lowers her walls, learns to be a ‘good’ hero, and awkwardly courts her crush, school nerd Noelle. Likewise, all the returning characters develop through the four chapters, opening up about their backgrounds, insecurities, and more. So, by the end of chapter four, I felt I knew these characters. These bizarre animal-like creatures were friends, I knew how they'd likely respond to something, what they'd say, or how they were feeling in a situation. They felt like real friends – a feeling I've not had with a game before.

So much of that is down to the writing. While there's a lot of it, and an auto-play feature would be helpful rather than clicking a button after each paragraph, the writing manages to capture and present the personalities of every character you meet seamlessly – both friends and foes. It never feels shoehorned, either.

You want to know more about each and every character because they're so interesting and unique, and you know the unveiling will likely have you laughing out loud. That's why you're so taken off guard when an emotional beat hits, like Susie's realization that her Darkner friends, Ralsei and Lancer, can't just go to school with her in the Light World. A tough pill to swallow when her Light World reality is much lonelier.

Alongside the writing, it's the design of Deltarune's characters and world that brings this adventure to life. Across the chapters, you'll go toe-to-toe with water coolers, mice, flamboyant weather people, and a three-headed cat that loves trees, boys, and sports as you traverse various Dark Worlds. In the first chapter, you work through a forest-like setting, the second sees you navigating a cyber world, the third takes you to a TV World (where you're a contestant on a deadly game show), and the fourth sees you working through a church-like setting. These pixelated worlds are stunning, with their atmospheres further boosted by unique, chiptune soundtracks. I dare you not to feel good listening to the Cyber City World tune.

Each of these worlds has its own, eccentric boss that you can't help but love. The bosses in chapters one to three are all pretty bad at their jobs and encounters with them result in some of the game's funniest moments, like chapter two's Queen who is obsessed with her "Sweetie Honey Darling Gravy" Noelle, but continually hides from her adoring peon Berdly. It's absurd, and utterly brilliant.

Acts of kindness

Ralsei's emphasis on acts of kindness is pivotal in Deltarune, because, unlike other RPGs, you are encouraged not to fight your opponents. This was a large part of Undertale's unique battle mechanics but is much more apparent here.

While Deltarune's encounters look similar to Undertale's and focus on turn-based combat, the battle system has been overhauled. Now, rather than fighting alone, you fight alongside your party members: Ralsei and Susie.

When you encounter an enemy, you're given several options: Fight, Act, Item, Spare, or Defend. While you can fight enemies, you ideally shouldn't. Not only is that because it's not quite in line with the game's ethos, but also because the foes you are kind to, and ultimately spare, can be recruited (officially in chapters two to four), with recruited allies helping you out in some way in the chapter's endgame. The recruited allies also move to Castle Town, your Dark World town base, with some building new shops you can take advantage of.

So, how do you win? Well, you kill them with kindness. By that, I mean, you use your turn to make each of your party members Act, which can involve flirting, talking, or complimenting your opponent, and increasing the Mercy meter of the enemy until they reach 100, allowing you to Spare and recruit them. Alternatively, you can tire them out and use Ralsei’s Pacify magic ability to spare them.

These enemies won't go easy on you during the encounter, however. They attack using the Bullet Board seen in Undertale. While in the Bullet Board, you must move around your soul (a heart icon) to avoid the enemy's bullet hell attacks. If you can Graze the bullets, and get close to them without getting hit, a white heart icon appears, and you gain TP (Tension Points) that allow you to use more powerful Acts and Magic.

The Bullet Board can be hard to get to grips with. While you're encouraged to move bit by bit, avoiding the bullets can be near impossible at times – potentially because the Switch 2’s controls are less accurate than a mouse and keyboard. It's a frustrating mechanic that I disliked in Undertale, too, but a critical aspect of all encounters.

What I do like is the extra mini-games that can crop up in encounters, like an ability that requires you to catch the mouse to increase the mercy bar, or to "knock the socks" off an enemy by shooting its... socks.

In between turns, your opponent will likely say and do ridiculous things, which makes these encounters much more entertaining as, especially in chapter one, they can feel a bit repetitive. Fortunately, unlike Undertale, Deltarune doesn't have random encounters, but chapter one's battles definitely get repetitive after a while. This issue eases up a bit in the following chapters, though, with fewer of the same enemy types and the recruit feature offering an incentive to work toward.

It feels like Deltarune finds its footing in chapters two to four and addresses any concerns about repetition we may have had in chapter one. As you progress through chapters, you come across new tools to use, Magic to utilize, and different obstacles and mini-games to complete, making each chapter feel unique but familiar.

Dark vs. Light

I can't sing Deltarune's praises loud enough. Toby Fox has created a refreshing witty, charming adventure that isn't afraid to be tongue-in-cheek and weird. At the same time, Deltarune's full of heart. Its emphasis is on the power of kindness and empathy for others, but its benevolent message is wrapped in a bizarre, coming-of-age RPG that is a joy to play.

There's no denying Undertale is the foundation upon which Deltarune is built, and the memorable pixelated gem Fox is building on that foundation is a stroke of genius. Keeping up that momentum across the next three chapters, however, will be the real challenge. And for fans like me, the years of waiting between them will be just as difficult.

Should I play Deltarune?

Play it if…

Don’t play it if…

Accessibility

Deltarune offers a few simple (but welcome) accessibility options. In the Config menu, you can select 'Controls' to remap the controls to a configuration best suited to your needs.

The Config menu also offers the ability to enable Auto-Run, which I advise for everyone. By default, Auto Run is toggled off, requiring you to hold the run button (B on Switch 2) to run. Kris moves slowly, but this can also prove tricky for those with dexterity issues. Enabling Auto Run means Kris runs everywhere without the need to hold the button.

I would have loved to see more accessibility options, especially for encounters. Some moves during encounters require you to quickly move the left toggle back and forth of the button bash, which proved especially challenging for me due to a recent wrist/thumb injury. The ability to hold a button or auto-complete these actions would be ideal.

How I reviewed Deltarune

I played Deltarune for 15 hours, with each of the four chapters taking around three to four hours to complete.

While I focused on the main story, I made sure to take the time to explore the game's various side routes where possible. Having previously completed Undertale, I was able to compare this game to Toby Fox's previous offering to give insight into the key similarities and differences between Deltarune and Undertale.

I reviewed Deltarune Chapters 1-4 on Nintendo Switch 2 with a Nintendo Switch 2 Pro controller, primarily playing in the console's TV mode with my Samsung Q80T QLED TV. I occasionally switched between the Pro and the Joy-Con 2 Charging Grip but found the Pro controller to be much more comfortable to use.

First reviewed June 2025