Epson Pro Cinema LS9000: One minute review

The Epson Pro Cinema LS9000 is the latest, and least expensive, member of Epson's LS series of projectors. At $3,999 / £2,999 / AU$7,299, this entry-level dedicated home theater projector is notably cheaper than comparable options from JVC and Sony, yet still comes with a bevy of great features and performance to match.

Epson’s Pro Cinema LS9000 follows in the footsteps of the Epson LS12000 model that currently sits a the top of TechRadar’s Best Projectors list. The Epson Pro Cinema LS9000 aims to continue this excellence, employing the same 15-element glass VRX lens structure, laser light engine, and 3LCD technology as the LS12000.

Similar to the step-up LS12000, the Pro Cinema LS9000 supports 4K 120Hz signals, has relatively low input lag for gaming, and is compatible with the HDR10+ high dynamic range format. Its motorized lens shift, zoom, and focus make setup adjustments easy, and out of the box in Natural picture mode, it delivers accurate colors and a crisp image.

Even with all the great inclusions, some missing features reflect the LS9000’s entry-level status. The most glaring is a lack of dynamic tone mapping, which is also missing from the other LS series projectors that were originally released a few years ago, but is starting to show up in some less expensive home theater models. With a rated 2,200 lumens brightness (white and color), it’s also best suited for a home theater room with decent ambient light control, as opposed to a multi-purpose living space with light streaming in through windows.

Still, the Epson Pro Cinema LS9000 offers incredible performance for the price. It’s a solid projector that’s easy to set up, but still offers the ability to tweak and play with image settings that a new (or frugal) home projection enthusiast is sure to love.

Epson Pro Cinema LS9000 review: Price & release date

• Release date: July 2025
• Price: $3,999 / £2,999 / AU$7,299

The Epson Pro Cinema LS9000 made its debut in July 2025 at the Audio Advice Live show in Raleigh, North Carolina. It’s the least expensive of Epson’s Pro Cinema laser projectors, coming in at $3,999 / £2,999 / AU$7,299. For comparison, the Home Cinema LS11000 retails for $4,499 (up from $3,999 when released) and the LS12000 now goes for $5,999 (up from $4,999 at release).

Epson Pro Cinema LS9000 review: Specs

Epson Pro Cinema LS9000 review: Design & features

• Motorized zoom, focus, and lens shift
• 4K 120Hz support
• Motorized lens cover

The Epson Pro Cinema LS9000 shares the same look as its bigger siblings, the Pro Cinema LS12000 and Home Cinema LS11000, and the high-lumen Epson QB1000 released in late 2024. The chassis is large and a bit heavy (the Sony Bravia Projector 7 weighs less, but the JVC DLA-NZ5 weighs a little more), but I find the design and its black color to look sleeker than its heft lets on. All connections are on the back panel alongside touch controls if the remote is misplaced.

The look is not where the similarities to the LS11000 and LS12000 end. Inside, the LS9000 uses the same VRX lens with a 15-element glass structure and has Epson’s 4K 3LCD design architecture with three 0.74-inch LCD panels.

As is the case with all Epson projectors, the LS9000 uses pixel-shifting technology to achieve a 4K resolution from 1080p chips. Some enthusiasts complain about this not being “True 4K” and as lesser than the use of native 4K chips, but the 4K image from the LS9000 (and every other Epson that uses pixel-shifting technology) is detailed and crisp, especially from a normal viewing distance. The chip also allows for a maximum refresh rate of 120Hz.

The laser light source is specified for 2,200 lumens of both color (IDMS rated) and white (ISO rated) light output and has up to 20,000 hours of life in all modes. This is where the LS9000’s performance separates from the LS11000 and LS12000, which are rated at 2,500 and 2,700 lumens, respectively, and partially accounts for the difference in pricing. The blue laser diode array emits light through a fixed yellow phosphor (first released with the LS12000), as opposed to a phosphor wheel, to create white light, and the laser light source and fixed phosphor allow it to run silently.

The lower lumen output makes the LS9000 more suitable for a dark room – or at the very least, a light-controlled room — than the more expensive, higher light output projectors. But as I’ll discuss below, it still delivers enough brightness for daytime viewing.

There’s a generous +/- 24% horizontal and +/- 96% vertical powered lens shift on the LS9000, along with powered zoom (a ratio of 1-1.2) and focus that can be controlled from the remote to make setup adjustments easy. The projector’s throw ratio is 1.35-2.84:1. There’s also vertical and horizontal keystone correction (+/- 30 degrees), but with the amount of lens shift available, keystone correction likely won’t be necessary (and should always be avoided, if possible, as it can negatively affect the picture).

The LS9000 is compatible with an anamorphic lens kit (sold separately) and third-party options. A memory feature allows you to save image adjustments and lens positioning for different aspect ratio setups, and the lens is also protected by a motorized lens cover that opens and closes with the power cycle.

The LS9000 supports HDR10, HLG, and HDR10+ high dynamic range, and has two HDMI 2.1 inputs that support 4K 120Hz. While that’s great news for gamers, the projector doesn’t support ALLM, so you’ll need to manually switch the image processing from Fine to Fast for the lowest input lag. HDMI2 also supports eARC, so if you decide to connect a streaming stick directly to the projector, you can send out audio including Dolby Atmos, Dolby TrueHD, DTS Master Audio, and DTS:X formats.

One thing missing from the Epson Pro Cinema LS9000 is dynamic HDR tone mapping. Instead, there’s an HDR Dynamic Range slider that allows you to manually adjust the brightness of the HDR image.

The projector’s remote is a bit chunky, but the keypad is backlit and has all the necessary buttons to make easy adjustments while viewing. There are dedicated buttons to call up features like Fine/Fast (for gaming), different lens memory positions, signal information, lens adjustment, and color modes.

• Design & features score: 4.5/5

Epson Pro Cinema LS9000 review: Picture quality

• Accurate image in Natural picture mode
• HDR10+ support
• No dynamic tone mapping

The LS9000 has five different picture modes — Dynamic, Vivid, Bright Cinema, Cinema, and Natural — and they are the same for both standard and high dynamic range sources. Each mode produces a watchable image out of the box, although all of them have some degree of blue tint to the grayscale, with Natural being the most accurate choice for both SDR and HDR.

The default color temperature setting of 6500K is still slightly on the blue side, but switching it to 6000K causes the color temperature to be a little too red. If you choose to do a professional calibration, you can use two different picture modes – one for SDR and one for HDR – and save them with the Image Memory setting.

Out of the box SDR measurements in Natural picture mode had an average Delta E of 2.8, with some grayscale reaching above 4 because of the blue bias. A calibration can get all dE down below 2.1, with many under 1. UHDA-P3 color gamut coverage measured 90.25%, while BT.2020 came in at 66.86%.

Brightness in Dynamic mode with my unit was 2,062 lumens, but that’s still within the measurement tolerance of ISO lumens, and due to the positioning of my projector, the image was zoomed in a bit, which causes the brightness to come down. It’s enough brightness for a watchable image in a room with ambient light (even with Natural picture mode, which is visibly less bright than other modes), but there’s a loss of shadow detail due to the light reflecting on the screen.

Where the projector really excels is when the lights are off. Colors look accurate and inviting, detail in both SDR and HDR is sharp, and the projector exhibits great contrast and shadow detail with the Dynamic Contrast setting at High Speed. The contrast isn’t as impressive as on the LS12000, which I evaluated a few years ago, but for the price, the LS9000 does an excellent job.

The HDR image does require some tweaking at times. Occasionally, bright highlights can cause some clipping — such as when the shark cage is lowered into the water in The Meg, and we can see the bright sun refracting through the ocean water. In this instance, I adjusted the dynamic range slider from its default of 8 to 10 (which slightly backs off the scene brightness).

Through most of my viewing, I played around with the slider, not just to address high brightness clipping, but also to see its effect on image depth. Generally, I found myself setting it between 8 and 10, with the Battle of Pelennor Fields in Return of the King at 8 and day scenes during Mad Max: Fury Road at a 9 for a bit more depth. None of the adjustments were life-altering, and I wouldn’t suggest changing the dynamic range slider mid-movie, but you’ll learn your preferences. This is where dynamic tone mapping is missed.

Home theater projectors have historically struggled to provide input lag low enough for gaming, but with two HDMI 2.1 ports that are capable of 4K 120Hz, the LS9000 is screaming to be used as a gaming projector. The Image Processing menu allows you to select a setting of Fine or Fast (which provides a lower input lag). With the Fast setting and a 4K 60Hz signal, the lag measured at 20ms (it’s 44ms with the Fine setting). Unfortunately, there’s no ALLM (Auto Low Latency Mode), so you’ll need to manually switch the setting when you game or watch content.

Input lag is low enough on the LS9000 to satisfy a non-competitive gamer (my son still enjoyed his time playing Minecraft). During my second playthough of Clair Obscur: Expedition 33, which relies on dodge and parry reactions during combat, I was able to still make it through combat without issue. Someone who regularly plays first-person shooter games will likely feel a difference between the LS9000 and one of the best gaming TVs, but for the vast majority of us, the Epson will deliver a great gaming experience.

• Picture quality score: 4.5/5

Epson Pro Cinema LS9000 review: Value

• Great performance for the price
• Solid gaming projector
• Missing an important home theater feature

The Epson Pro Cinema LS9000 is not only the least expensive model in the LS series, it’s one of the most affordable premium home theater projectors – the JVC DLA-NP5, which is a lamp-based model, retails for $6,000, as does the Sony VPL-XW5000ES, which came out three years ago.

Not only is the LS9000 brighter than both of those projectors, it also has a collection of features neither of them has, including a high-quality laser light engine, HDMI 2.1 ports with 4K/120Hz and eARC support, an excellent lens with motorized adjustments and lens cover, zoom and image memory, and 2,200 lumens of brightness.

There are still some compromises that must be made. Its biggest flaw is a lack of dynamic tone mapping, which we’re seeing in projectors half the price of the LS9000, like the Valerion VisionMaster Pro2. The LS9000 also doesn’t have 3D support, isn’t as bright as the step-up options from Epson, and is missing ALLM for gaming. But even so, the projector delivers a detailed picture with accurate color, which looks very engaging in a dark room. Also, the 20ms input lag time and 4K 120Hz support make gaming a joy on the big screen.

• Value score: 4/5

Should I buy the Epson Pro Cinema LS9000?

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How I tested the Epson Pro Cinema LS9000

• Evaluated under various viewing conditions
• Measured and calibrated with professional software and hardware
• I am ISF-certified and have years of experience reviewing projectors

The Epson LS9000 laser projector was connected to my ceiling mount, approximately 11 feet from an Elite Screens CineTension 3 ISF-certified CineWhite screen. Using the Epson’s zoom and lens adjustment controls, the image was adjusted to fit the 100-inch diagonal screen.

I watched a wide range of content with both ambient light from the sun and ceiling lighting during the day and a dark, light-controlled environment at night. Movies and TV shows were streamed with an Apple TV 4K from the Disney+, HBO Max, and Hulu apps. I also used a Kaleidescape Strato V for high-quality movie playback, along with 4K Blu-ray discs played on an Oppo UDP-203 disc player. Games were played on an Xbox Series X.

For objective measurement testing, I used an X-rite i1 Pro 3 spectrophotometer, Murideo Seven-G 8K pattern generator, Konica Minolta LS-100 luminance meter, and Calman calibration software by Portrait Displays. Input lag tests were made with a Leo Bodnar 4K lag tester.

I’ve been testing projectors and other displays for a couple of decades, and am an ISF Level III certified calibrator.

• First reviewed: November 2025
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Epson QB1000: two-minute review

The Epson EH-QB1000 is a fantastic projector, and in terms of performance, specifications and features, no other beamer comes close at this price.

The QB1000 uses a three-chip LCD design and laser light source that’s capable of producing an incredibly bright 3,300 lumens, which is higher brightness than many of the best 4K projectors can manage. In addition, thanks to excellent out-of-the-box accuracy the resulting images are not only bright but also naturally saturated. There’s a very low input lag, 4K 120Hz high frame rate support, and even HDR10+ high dynamic range support, making this beamer a cracking all-rounder.

The SDR performance is clean and detailed, with good motion handling and great accuracy. The HDR images are even better thanks to the dynamic tone mapping that gets the most out of the specular highlights and expanded shadow detail. The result is a rich and nuanced image with plenty of visual pop. The same goes for HDR10+ content, with its additional dynamic metadata.

Epson includes a host of higher-end features that are often absent from competing projectors. These include fully motorised lens controls and up to 10 lens memories for those using a ‘Scope ratio (2.35:1) screen. The menus themselves are comprehensive but simple to navigate, plus there are also extensive picture controls if you fancy getting your new beamer professionally calibrated.

The build quality is excellent, with a solid chassis and a choice of matte black or white finishes. There’s an extensive selection of connections, including two HDMI 2.1 inputs, along with a well-designed remote control that has a very useful backlight. There’s even a motorised lens cover to keep out dust, which is important because the light path on an LCD projector isn’t sealed.

Aside from the possibility of dust blobs, the only other limitation is the black level, which could be deeper. It’s also worth pointing out that the Epson isn’t native 4K, but can still produce higher-resolution images thanks to pixel-shifting technology. So when you add it all up, you really won’t find a more highly specified or better performing 4K HDR home cinema projector for the money.

Epson QB1000 review: price and release date

• First available: December 2024
• Price: £4,799 / $7,999
  

The EpsonQB1000 is the new entry-level model in the brand’s range of Premium Residential projectors and is available now in a choice of matte black or matte white finishes. The QB1000 currently retails for £4,799 in the UK but costs more in the US, where it will set you back $7,999.

Epson QB1000 review: Specs

Epson QB1000 review: design

• Fully motorised lens controls
• 10 lens memory positions
• Backlit remote control

The Epson QB1000 looks identical to the earlier Epson LS12000, with the same matte black or white chassis and central lens flanked by large forward-firing cooling grilles. The bodywork is solid and well-built, the motorised lens cover is retained, and there are basic controls at the rear, along with a removable cover to keep things tidy. There’s also an optional ceiling mount if required.

Setup is simple thanks to a generous throw ratio and motorised lens controls that include 10 lens memories for those using a 2.35:1 screen. The QB1000’s increased brightness makes it ideal for rooms with lighter-coloured walls, and as a bonus, the weak contrast ratios won’t be as obvious. There are also various picture modes, along with extensive calibration controls.

The connections are located in a long recess at the rear of the unit, where you’ll find two HDMI 2.1 inputs with support for 4K 120Hz, eARC, HDCP 2.3 and HDR10+, alongside regular HDR10 and HLG. There are also three USB ports, a 12V trigger output, an Ethernet port and RS-232C serial connector, along with support for various integrated control systems when used in a custom installation.

• Design score: 5/5

Epson QB1000 review: features

• Dynamic HDR Tone Mapping
• Support for 4K 120Hz high frame rate
• Support for HDR10+ with dynamic metadata

The Epson QB1000 incorporates the same 3LCD design the brand uses on all its projectors, and this particular technology is limited to Full HD (1920 x 1080 pixels). However, the QB1000 can accept and display 4K content (3840 x 2160 pixels) by using pixel-shifting technology that literally shifts each pixel diagonally to increase the perceived resolution and create more detailed images.

Despite using the same laser light source as earlier models it has a claimed peak brightness of 3,300 lumens, which is massive, and an average lifespan of 20,000 hours. As with all beamers that use LCD display technology the black levels are poor, with the QB1000 producing a claimed native contrast ratio of 5,000:1, although the dynamic laser feature can boost this to 5,000,000:1.

New this year is dynamic tone mapping that analyses HDR10 content and optimises the image, allowing the QB1000 to deliver improved performance with HDR compared to the earlier LS12000. As with the earlier model there is also support for HDR10+, which means the QB1000 can use the format’s dynamic metadata to deliver an image optimised to its inherent capabilities.

The QB1000 has improved motion handling and upgraded frame interpolation. As a result, it can deliver smooth and detailed motion with sport, although I’d recommend leaving the frame interpolation off when watching film-based content. The Epson also supports higher frame rates up to 4K 120Hz, which makes this beamer a great choice for any next-generation gamers.

• Features score: 5

Epson QB1000 review: picture quality

• Incredibly bright HDR images
• Impressive HDR tone mapping
• Very low input lag for gaming

The Epson QB1000 impresses right out of the gate, with the kind of bright, detailed and saturated picture that makes big-screen projection so enjoyable. With quality content, primary colours are punchy, while the uniformity of the LCD chipset is good with no signs of patchiness, banding or dust blobs. The latter can be an issue with LCD due to the light path not being sealed.

The out-of-the-box accuracy is excellent in the Cinema mode, with whites that aren’t awash in blue. The same goes for the skin tones, which look suitably natural, while the image itself is pleasingly sharp thanks to effective 4K upscaling and the three LCD panels being well-aligned.

Despite its inherent brightness, the QB1000 is surprisingly quiet, although the noise levels will increase if you use the higher laser settings. However, there’s so much brightness available that you don’t need to move the power up too high to illuminate even a large projection screen.

In fact, the QB1000 has sufficient brightness to handle rooms with light-coloured walls, and the option of a white finish also lends it to more lifestyle-friendly installations. The reflected light in this kind of setup has the added advantage of disguising the Epson’s poor contrast performance.

Black levels are the QB1000’s big weakness, with the contrast ratio only measuring 4,300:1 in my tests. To be fair at least this is close to the 5,000:1 Epson claims in its marketing, but it does mean blacks look more like a dark grey. You can use the dynamic laser feature to improve the contrast performance but in reality this only helps with fades to black and the rest of the time the blacks remain the same.

One area where Epson has improved the performance is in terms of motion handling, even with the frame interpolation turned off. When it’s engaged this feature results in smoother motion, which makes it very effective when watching fast-paced sports. However, make sure it's switched off for movies and TV dramas, so they don't end up looking like cheap video.

The inclusion of HDMI 2.1 inputs means the QB1000 can support frame rates up to 4K 120Hz. This makes it a great choice for gamers, and this appeal is only enhanced by the inclusion of ALLM (auto low latency mode), which automatically selects the Game mode when a console is detected. In Game mode the input lag measures a very impressive 19ms, with only Sony’s VPL-XW5000ES projector measuring lower.

The QB1000 supports high dynamic range, and really impresses with a bright and detailed image where the highlights pop and the shadows reveal more subtleties. The QB1000 doesn’t use a colour filter, which means it only covers 88% of the DCI-P3 wide colour gamut. However, thanks to the increased brightness and new dynamic tone mapping the results are often excellent.

For example, the Alfred Hitchcock classic North by Northwest was shot on the larger VistaVision film format and the resulting 4K disc is stunning. The QB1000 expertly delivers the sumptuous images, fleshing out the fine detail and rich colours with skill. The crop-duster attack is a particular treat, with the Epson’s increased brightness helping to bring the Indiana cornfields vividly to life.

Furiosa is the prequel to Mad Max: Fury Road and enjoys the same epic desert vistas and insanely detailed production design as the earlier film, along with a deliberately stylised colour scheme. The QB1000 handles all these visuals perfectly, while the excellent motion handling ensures all the frenetic vehicular action is delivered smoothly and without any annoying artefacts.

The WW1 thriller 1917 is about a mission across no-man’s land and boasts superb photography and HDR10+ encoding. As a result, the QB1000 can render all the detail in the native 4K image, as well as deliver bright and clean daytime vistas. The nighttime scenes are more of a challenge, and while the blacks could be better, the bright flares really cut through the darkness.

• Picture quality score: 4/5

Epson QB1000 review: value

• Fantastic value for money
• Cheaper than any direct competitor

The Epson EH-QB1000 is fantastic value for money value, especially when compared to its direct competitors. The Sony VPL-XW5000ES is currently £4,499/$5,999, and while it might be native 4K it doesn’t have motorised lens controls, dynamic HDR tone mapping, or HDR10+ and 4K 120Hz support. The JVC DLA-NZ500 is more expensive at £6,499/$5,999 and while it is native 4K, has better blacks levels and does include motorised lens controls, lens memories and HDR10+, it still lacks support for 4K 120Hz and doesn’t have a Game mode, so it’s not the best choice for gamers.

• Value score: 5/5

Should I buy the Epson QB1000?

Buy it if...

Don’t buy it if… 

Also consider...

How I tested the Epson QB1000

• Measured with Calman calibration software
• Evaluated using SDR and HDR content
• Reviewed in a dedicated home cinema

As with all my TV and projector reviews I use a combination of subjective viewing and objective measurements against the industry standards. For projectors, I also do all my testing in a dedicated home cinema with a completely blacked-out environment and high-quality screen.

The subjective testing is based around watching a variety of familiar scenes, primarily sourced from 4K and 1080p Blu-rays, plus the Spears & Munsil UHD Benchmark 4K disc. Any test scenes have been specifically chosen to evaluate a display’s black levels, contrast performance, colour accuracy, upscaling, image processing, motion handling, and HDR tone mapping.

For the objective testing, I measured the QB1000’s brightness, greyscale and colour gamut in SDR, before doing the same in HDR. I also evaluated the accuracy of the HDR tone mapping, along with the colour gamut coverage for DCI-P3. To do this I used a pattern generator and colour meter combined with Portrait Displays’ Calman calibration software. I measured the QB1000’s input lag in milliseconds using a specialised Leo Bodnar tester.

First reviewed: January, 2025

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