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I spent six weeks listening to the Samsung Music Frame and it kept missing the beat

5:07 am | March 12, 2025

Samsung Music Frame: One-minute review

I love the idea of hiding a speaker in plain sight – in fact, I refuse to have bookshelf speakers because I really don’t like how they look on my, well, bookshelf and, despite offering great sound, I’m not too enthused by the design of the best wireless speakers either. Call me fussy, but when Samsung launched the Music Frame, it looked like something that would fit right into my home – playing my tunes and potentially showcasing my photography as well.

I’m impressed by how well built the Samsung Music Frame is, but weighing in at close to five kilos, I’m hesitant to wall mount it. Moreover, as a renter in Sydney, Australia, I’m not allowed to bore a hole in my wall, so I can’t really comment on how well it would perform with sound waves bouncing off a hard surface directly behind it. That said, Samsung thoughtfully provides a dampener in the box precisely for this purpose. It still looks lovely on its stand.

Changing the artwork is easy, but you have to have photos or images that would look good within a 8x8 inch square space – as a nature photographer who typically shoots in a 4:3 aspect ratio, it was hard to find one of my own prints to fit within the Music Frame.

To match its lovely design, Samsung has managed to make a speaker that fills a large room with sound. The Music Frame can get quite loud, much louder than the Ikea Symfonisk Picture Frame Wi-Fi speaker, with strong, expansive sound. And there are plenty of wireless streaming options to choose from, so it doesn’t have to be part of Samsung’s SmartThings ecosystem to work as a standalone speaker, but the app is necessary for the initial setup.

What it lacks is detailed and dynamic sound. While it’s just bassy enough for the average listener who isn’t too fussed about the soundstage to enjoy some tunes or pair with a Samsung The Frame TV, it will be a disappointment to anyone who cares about sound quality and wants to use it as a standalone speaker.

Also taking into consideration that the front panel isn’t a digital screen that would display, say, album art or double as a digital photo frame, I am struggling to justify its price.

Samsung Music Frame on a table beside a vase — There's no denying that the Samsung Music Frame has 'presence' (Image credit: Sharmishta Sarkar / TechRadar)

Samsung Music Frame review: price & release date

Made its debut at CES 2024; launched in April 2024
List price: $399.99 / £399 / AU$699

The Samsung Music Frame isn’t brand new – it made its public debut at CES in January 2024, then was released to select markets in April that year. It became a bit more widely available later in 2024 and can be picked up for $399.99 / £399 / AU$699 at full price.

Samsung was offering a discount in some countries when the Music Frame launched and, since then, we have seen offers that make the speaker a little more affordable. For example, I’ve seen the price drop to as low as $150 in the US and AU$499 in Australia.

While you can display printed photos within the Music Frame, compatible acrylic panels can be ordered from select third parties for an additional cost, plus shipping, but note that you may need to keep the rear studs safe or source more to reattach the new artwork panel back into the Frame.

Samsung Music Frame review: specs

Samsung Music Frame review: features

SmartThings app required for setup
Dolby Atmos support with two-channel output
Built-in Q-Symphony support

The Music Frame’s feature set is quite impressive on paper, perhaps exactly what you want from a “lifestyle” product (as Samsung calls it) to widen its appeal. From plenty of wireless streaming options – including AirPlay 2 and Google Cast – to built-in voice assistant support for Alexa but, strangely, not Samsung’s own assistant Bixby, there's a lot going on here.

You can’t get things started without Samsung’s SmartThings app, though, and that requires you to create a Samsung account or use an existing one. Setup from there on in is very simple and I had no issues when using a Samsung phone or an iPhone – just following the onscreen steps will take you about 30 seconds to get going.

You’re also going to need the app to get the best sound setup too. You can play around with the seven-band equalizer in the Standard mode within the app, but if you opt for the Music or Adaptive Sound mode, you only get bass and treble controls.

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Screenshots from the SmartThings iOS app for the Samsung Music Frame — You need the SmartThings app for initial setup, whether on Andriod or iOS... (Image credit: Sharmishta Sarkar / TechRadar)

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That done, you have the choice to pair the speaker with your phone or tablet via Bluetooth 5.2 or cast via the built-in Chromecast. iPhone or iPad users will immediately see AirPlay as an option when they open the Apple Music app, but you also get Spotify Connect and Tidal Connect support, all of which are better than using Bluetooth connectivity due to a slight lag that’s evident when using the SmartThings app as they pass control of streaming to the speaker itself rather than using the phone. Despite this tiny lag, I never experienced any connection dropout during my weeks-long testing, which probably says something about how well Samsung has executed the connectivity options.

There’s Dolby Atmos support too, although it comes with a major caveat: it’s received only via Wi-Fi – there’s no HDMI ARC/eARC port here and the optical input isn’t Atmos compatible – and works with only select Samsung TVs with a two-channel output. That means you can’t use this as a soundbar alternative, but you can set it up as an additional speaker for Samsung The Frame TV or the Samsung QN95D, even as a pair if you have the cash to spare for a second Music Frame.

Samsung Music Frame and a lamp on a table in front of a window — Samsung's Adaptive Sound feature didn't work when there were power-tool noises just outside the window (Image credit: Sharmishta Sarkar / TechRadar)

Tap-to-Play is also available but, again, it only works with compatible Samsung phones. I had the Samsung Galaxy Z Flip 5 during my testing, which is supposed to be compatible, but no amount of tapping anywhere on the Music Frame triggered the functionality. Another feature Samsung promises is on board is its AI-powered Adaptive Sound technology, which adjusts clarity and volume in real time to any changes in ambient sound and, once again, I didn’t notice any changes when a landscaper outside my window was using a power tool.

What I did enjoy, however, is playing music through both my Ikea Symfonisk Picture Frame and the Music Frame for bigger stereo sound. Thanks, AirPlay!

• Features score: 4 / 5

Samsung Music Frame review: sound quality

Loud, room-filling sound
Decently bassy, but lacks the meatiness offered by other brands
Sound lacks detail and nuance

To match the impressive connectivity and streaming options, the Music Frame has a heck of a lot of power, although Samsung doesn’t reveal how much. However, the six drivers with built-in amplification in the Music Frame belt out a lot of volume. The first tune I played on the speaker immediately after setting it up – Gimme All Your Love by Alabama Shakes via Google Cast from the aforementioned Galaxy Z Flip 5 – it was LOUD with the volume set at level 17, enough to make me want to turn it down a notch. The louder it got, though, the muddier the audio sounded.

The rear of the Samsung Music Frame speaker — It looks like there are just two speakers in the rear of the Music Frame, but there are, in fact, six (Image credit: Sharmishta Sarkar / TechRadar)

Several music streaming apps, like Apple Music and Tidal, don’t have built-in volume controls and I found that, when using the Samsung phone’s controls, each incremental increase or decrease made a significant difference. It was a different experience when using an iPhone 13 Pro’s volume control (streaming via AirPlay 2), where the changes were smoother and more appealing.

Pro Tip

I got the best sound using the Music mode within the SmartThings app, along with the SpaceFit Sound feature turned on.

Out of the box, the Music Frame offers decent bass but, compared to the 2024 Beats Pill Bluetooth speaker and the Ikea Symfonisk Picture Frame, it can sound airy (or tinny if you prefer) with the high-mid frequencies being the focus. You can adjust this via the bass control or the equalizer in the SmartThings app, but I struggled to find my sweet spot.

The Music mode on the SmartThings app adds warmth to the music, while SpaceFit Sound uses the speaker’s built-in mic to analyze the room and adjust the sound accordingly. It will work wonders for the average listener by improving the vocals on a track, but it might still disappoint if you really care about good overall audio as it lacks detail. For example, Ellie King’s Ain’t Gonna Drown sounds good but not great as it doesn’t deliver the dynamic contrasts in her vocals. JJ Cale’s Magnolia sounds flat, lacking the wistfulness and melancholy I normally associate with it.

I accidentally also found out that there’s some muffling due to the front artwork panel. This happened when I was listening to KD Lang’s After The Gold Rush, and decided on a whim I would try to swap out the artwork while still playing. The track lacked depth but, once the front panel came off, it sounded better.

Samsung Music Frame on a table beside the Ikea Symfonisk Picture Frame Wi-Fi Speaker — I like the look of the Samsung Music Frame (right), but prefer the audio quality of the Ikea Symfonisk Picture Frame (left) (Image credit: Sharmishta Sarkar / TechRadar)

Listening to Dolby Atmos tracks like M.I.A’s Marigold and Freddie Hubbard’s Weaver of Dreams is immersive, but I’ve experienced better from the Sonos Era 300, although Sonos is known for putting details front and center. This is exacerbated by the fact that, when playing a Dolby Atmos track, its volume level dips significantly – I had to bump up the volume by five levels to get the same effect when listening to other tracks. The best way to enjoy Dolby Atmos here would be to make it part of an existing setup, combining it with a soundbar.

As much as I appreciate its room-filling performance, I expected better overall sound quality from a premium wireless speaker that costs more than several of its competitors.

• Sound quality score: 3 / 5

Front view of the stand of the Samsung Music Frame beside a propped up Galaxy Z Flip 5 phone — The stand for the Samsung Music Frame is demure and not an eyesore (Image credit: Sharmishta Sarkar / TechRadar)

Samsung Music Frame review: design

Beautiful design with thin bezels and hidden controls
Removable frame panel to change artwork, but cost of customization can add up
Can be wall mounted, but the cable might be an eyesore

I might have been disappointed by the sound from the Music Frame, but I really love the design. It’s not as square as it appears, measuring 35cm along the base and stands 36cm high. It’s about 14cm thick and has a heft to it, tipping the scales at over 9lbs / 4.5kg. I’d be hesitant to wall-mount it as Samsung provides just the one screw for it to hang off, but its corners are sharp too. If it gets nudged off its perch for any reason – even if it’s on its stand – it can cause injury to toddlers and pets.

I love that stand, though – it’s easy to slip on but not remove (which is probably a good thing), and it doesn’t stand out, if you get my drift. So all your attention is on the actual Music Frame.

The thin black bezels surrounding the matte acrylic panel makes for a great aesthetic, but if you don’t like the dark border, Samsung will sell you white snap-on panels for an additional cost – although this is only available in select markets.

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The removable art panel of the Samsung Music Frame lying on the speaker — Removing the art panel isn't difficult... (Image credit: Sharmishta Sarkar / TechRadar)

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The rear of the removable art panel of the Samsung Music Frame — ..and it doesn't take much effort to change the print inside, if you have one that will fit (Image credit: Sharmishta Sarkar / TechRadar)

Removing the top panel to change the artwork isn’t difficult, but it requires a little elbow grease and best done by placing the speaker flat on its back. People with slim fingers will find it easy to get a grip on an edge, but I wish Samsung had included a pry tool to help those of us with sausage fingers. The panel is held in place by ball studs that fit into sockets on the black frame, and a removable plastic sheet on its rear allows you to change the artwork. While the panel measures 13x13 inches, only the central 8x8 inch cutout will showcase the artwork. Samsung says you can use 8x10 or 8x8 inch prints, but I suspect that using a print smaller than the actual size of the panel will give it room to slide around inside and look misaligned.

The Music Frame comes with a generic image pre-installed, but you’ll find an extra one in the box. I had hoped to use a print of one of my own photos, but none that I had handy would fit the frame. Samsung has partnered with some third parties to make custom acrylic panels that you can order and get shipped to you but, again, this customization will cost extra and you’ll need to bear the shipping cost too.

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Indicator lights at the bottom of the Samsung Music Frame — You can barely see the indicator lights as they're practically hidden in the gap between the art panel and the frame (Image credit: Sharmishta Sarkar / TechRadar)

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The ports on the rear of the Samsung Music Frame — You can use a SmartThings Dongle (middle port) here, but it needs to be purchased separately (Image credit: Sharmishta Sarkar / TechRadar)

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The rear of the Samsung Music Frame showing the speakers and the power cable — The visible part of the power cable is a light one, but it does have an adapter and a thicker cable (Image credit: Sharmishta Sarkar / TechRadar)

I asked Samsung why the front panel wasn’t a digital screen to use as a photo frame or at least display album art of the track being played, and I was told the cost would increase. I’m not entirely sold on this argument, but if we can have smart displays like the Amazon Echo Show 15, it’s doable and would likely broaden the appeal of the Music Frame. The Frame TV already has the ability to display digital wallpapers and I wish Samsung had figured out how to carry that over to the speaker too.

It’s important to note that the Music Frame will need to remain plugged into the mains to work, so you get a thin, kinda translucent cable in the box that will go into a small power brick connected to a thick black power cord. While I’m really not a fan of power bricks, I appreciate that the thin cable isn’t as noticeable as the one of the Ikea Symfonisk Picture Frame, and the heavy cable and adapter can be tucked away.

The physical controls, in the form of four buttons are hidden away on a rear edge, which makes them hard to see. They’re also extremely sensitive and even the lightest touch can change the volume, switch the mic on or off, or switch sources (Bluetooth, Wi-Fi, optical). Plus, every time you press one, indicator lights that are also tucked away between panel and the frame light up. There is no play/pause option here, so you are left with using the app’s controls for that.

The back of the unit looks like it only has two speakers, but there are six hiding underneath, playing through two channels. Plus there are three ports: the optical input, a USB port for the SmartThings dongle to connect to an existing smart home setup, and the power input.

• Design score: 4.5 / 5

Side profile of the Samsung Music Frame on a table

The Samsung Music Frame looks lovely no matter where you place it (Image credit: Sharmishta Sarkar / TechRadar)

Samsung Music Frame review: value

Retails for a price higher than several premium big-brand wireless speakers
You’d expect excellent performance at this price point
Falls short against the competition in both price and performance

With a retail price of $399.99 / £399 / AU$699, the Samsung Music Frame doesn’t come cheap. When discounted, though, it might be worth considering, provided the offer available at the time of purchase undercuts the competition significantly.

That said, if you’re an audiophile or, at the very least, a discerning listener, you might well be disappointed by the lack of detail from the Music Frame. In comparison, the Ikea Symfonisk Picture Frame Wi-Fi Speaker with Sonos sound is only $199 / £179 / AU$249 and, while not as loud as its Samsung counterpart, offers a more balanced and dynamic soundstage that’s also bassier.

Even some of the other best wireless speakers that the Music Frame is contending with are cheaper at full price. In our Sonos Era 100 review, for example, we said you’d get sound quality with “lots of clarity and punch” for a list price of $249 / £249 / AU$399.

Perhaps if Samsung had added a digital screen with a SmartThings interface or even just made it into a digital photo frame, it might have been easier to justify the price. If the sound quality and functionality were to be improved, I think the second-generation Music Frame could likely give the likes of Sonos a run for its money.

• Value score: 2.5 / 5

Should you buy the Samsung Music Frame?

Buy it if...

You want a wireless speaker for a small space

The Music Frame is a 2-in-1 device – you don’t need an additional picture frame for your memories, and you get a speaker too.

You own a Samsung The Frame TV

Setting it up as an additional speaker for a compatible Samsung TV will make the most of the Music Frame, offering you a more engaging home cinema experience.

Don't buy it if...

You’re an audio purist

If you’re after a speaker with excellent audio, you’ll need to forgo the good looks for a speaker that was made for a more dynamic soundstage.

You’re on a tight budget

It might be hard to recommend the Music Frame at its current retail price, but if you want a good speaker sans the frame, there are plenty of options that cost less.

Samsung Music Frame review: also consider

If you’re looking for alternatives to the Samsung Music Frame, the most similar ‘lifestyle’ or ‘arty’ product would be the Ikea Symfonisk Picture Frame Wi-Fi Speaker, which is still available at most Ikea stores around the world. However, if you’re after better wireless speakers, consider the two options listed below.

JBL Authentics 200
If it’s detailed sound you’re after, the JBL Authentics range is where you should be focusing. While there’s an expensive model that would be out of reach for most people, the Authentics 200 balances price, features and sound performance marvelously well. While it costs less than the Music Frame, it does have a rather retro boxy look that may not be to everyone’s liking.

Read our full JBL Authentics 200 review for more details

Sonos Era 100
For a smaller speaker that won’t look too out of place in most homes, consider the Sonos Era 100. It packs quite the mighty punch, though, with detailed sound and boosted bass, not to mention a plethora of sources available too. And it will cost you a lot less than the Samsung Music Frame too.

Read our in-depth Sonos Era 100 review to learn more

How I tested the Samsung Music Frame

Listened to it nearly every day for six weeks in different rooms
Used AirPlay 2 on an Apple iPhone 13 Pro and cast using the SmartThings app on a Samsung Galaxy Flip 5
Predominantly streamed from Apple Music, but also tried Spotify and Tidal

Samsung Music Frame on a table beside some books and a vase — (Image credit: Sharmishta Sarkar / TechRadar)

I’ve had the Samsung Music Frame in my apartment for about six weeks at the time of publication and, in that time, tested the speaker in various rooms, including an open-plan living and dining area. During this time, the Music Frame became my primary speaker, replacing the Ikea Symfonisk Picture Frame Wi-Fi Speaker. I also had the opportunity to compare the audio with two Bluetooth speakers – the 2024 Beats Pill and the JBL Charge 4.

While I predominantly listen to the blues, I played a wide variety of genres through the Music Frame, mostly via the Apple Music app on an iPhone and the Samsung Galaxy Z Flip 5. I also briefly streamed via the Spotify and Tidal Android apps.

I tweaked the settings in the SmartThings app – both on iOS and Android – across various genres to see how the audio changed, and even tried various bass and treble adjustments.

While I tried out as many of the features as possible, I didn’t use the built-in Alexa support very much, and there were a few other things I wasn’t able to test due to the lack of additional hardware, namely the SmartThings Dongle and a compatible Samsung TV. And due to restrictions placed on wall-mounting it in my home, I wasn’t able to test how the Music Frame sounds when hung up against a wall. I did, however, prop it up against a wall (without its stand) to emulate wall-mounting as best as possible.

Audioengine A2+ review

Designed for desktop use, and living rooms where even bookshelf monitors claim too much space, this compact Bluetooth speaker package from Audioengine punches above its weight when it comes to versatility and design. But can the A2+ also hit the right notes when it comes to musicality?

I fostered a pair, eager to find out if pint-sized speakers really can deliver a reassuringly big sound to match the best stereo speakers.

The Audioengine A2+ Bluetooth speakers are tailored for near-field listening. Measuring a mere 152 x 101 x 134mm, these titchy enclosures offer a wealth of connectivity, including Bluetooth aptX-HD, USB, and analogue stereo input/outputs via RCA phonos and 3.5mm minijack. They lack a digital audio input though.

Available in a choice of matte (blue or black), and gloss finishes (red or white), build quality is excellent. My glossy red review set oozed premium appeal, their reflective glossy finish contrasting beautifully with the black drivers.

The cabinets themselves have decent heft. Made from MDF, they stand just slightly taller than a Snickers bar and should be easy to accommodate on untidy desks, or even as part of a minimalist Hi-Fi setup.

The left speaker is the active model, with connectivity, built-in amplification and volume control, while the right is its passive partner. The power supply is separate from the active enclosure, thankfully the brick isn’t too large.

Each cabinet houses a 70mm aramid fibre woofer and 19mm silk dome tweeter, with venting at the base to enhance low-frequency performance.

Unsurprisingly, given their size, these speakers are not volume monsters. The system is rated at 15W RMS per channel at 4 ohms, with a peak power output of 30W per channel.

When it comes to system configuration, there’s the option of USB audio, stereo RCA inputs, and a 3.5mm minijack input. There’s also a subwoofer output should you want to add extra bass, in the form of Audioengine’s S6 subwoofer.

Audioengine A2+ viewed from the rear — (Image credit: Future)

Despite this versatility, I expect most buyers will probably do the majority of their listening via Bluetooth. Here, aptX HD ensures high-resolution wireless audio streaming (when connected to an aptX HD compatible smartphone), though there's no Wi-Fi, unlike most of the best wireless speakers. My system was ready to connect as soon as it powered up.

Also included in the box are 2m of connecting speaker wire, a minijack audio cable, plus a USB lead to connect your PC. All of this, plus the speakers, comes packed in microfiber cloth bags for protection. There’s no remote control included (although you probably don’t need one).

Setup is nice and straightforward: just connect the passive right speaker to the powered left with the included speaker cable, connect the power brick, and you’re good to go.

It’s worth noting that the A2+ is not a smart system; there’s no voice assistance from the likes of Amazon Alexa or Google Assistant.

Audioengine A2+ held in a man's hand, showing the compact size — (Image credit: Future)

Straight from the box, the A2+ are an enjoyable listen, not least because they’re capable of true stereo imaging, something of a rarity in the predominantly one-box Bluetooth speaker market. Tracks like Stevie Nicks’ Edge of Seventeen showcase this well, with the choppy guitar riff anchored on the left and percussion neatly spread across the stage. Their spatial presentation is coherent and involving.

Clarity and detail are also good; the A2+ reward hi-res audio sources, finding subtle nuance in Pearl Jam’s Present Tense (24-bit/48kHz) and Radiohead’s sonically layered Burn the Witch (24-bit/48kHz). They definitely have a knack for detail retrieval.

Given their compact size, low frequency performance is understandably limited. Chase and Status’ thumping Baddadan lacks the visceral low-end thump associated with this drum and bass belter. If you want more slam, you’ll need to add that subwoofer.

The mid-range is the sweet spot here. From Dire Straits’ Sultans of Swing, where the interplay between tweeter and woofer handles intricate riffs effortlessly, to the soaring piano of In This Moment’s Into the Light, the A2+ system proves adept across genres – those treble highs always as clear as crystal.

I’d hesitate to call the A2+ speakers musical, though. I never felt myself carried away by its beats, and I was always aware sounds were emanating from the two shiny enclosures, rather than hanging in the air before me. That said, what the A2+ offers is precise and performative.

Loren Allred’s pleading vocals in Never Enough, from The Greatest Showman soundtrack, manages to elicit an emotional tingle, exactly as it should.

While 15W per channel is perfect for desktop use (Audioengine optimistically quotes 60W peak power output), these speakers struggle to serve larger rooms. They’re also quite directional, sounding sharpest when aimed squarely at eye/ear level, so position accordingly.

Audioengine A2+ volume dial being turned by a man's hand — (Image credit: Future)

Audioengine A2+ review: Price & release date

£255 / $269 / AU$449
Launched August 2024

The Audioengine A2+ Bluetooth speakers are available now for £255 or $269 (US), which undercuts many of their main rivals, including the likes of the Kanto Ren, which are around twice the price.

The S6 subwoofer (£299 / $299) pushes up the system price quite considerably, though, and you certainly can find other Bluetooth stereo speakers for a similar price or cheaper, including from the likes of Edifier and Majority.

Audioengine A2+ review: Specs

Should you buy the Audioengine A2+?

Buy them if…

You want big sound from small speakers
You’ll have no problem sitting them either side of a PC monitor, and they’ll look great in situ too. It’s worth springing for the bespoke stands from Audioengine, which help angle the drivers upwards.View Deal

You want multiple connectivity options
Bluetooth aptX HD is the big draw, but there are plenty of other options, including USB for direct connection to a PC or laptop, and analog stereo for a turntable (if it has a built-in phono stage) or DAP (digital audio player).View Deal

You want premium design and build
There’s nothing cheap looking about the A2+. The design is stylish and the quality of finish is high.View Deal

Don't buy them if…

You want big bass out of the box
One inevitable consequence of the A2+’s diminutive design is a lack of bass. It’s not that they sound thin, it’s just that they can’t drop deep. For desktop use this shouldn’t be an issue, but for open space listening, adding a subwoofer makes sense.View Deal

You want advanced wireless features
The inability to connect more than one wireless device at a time could prove an issue for households with multiple users, and there's no Wi-Fi streaming.View Deal

Audioengine A2+ review: Also consider

Ruark Audio MR1 Mk2
Perennial favourites, these compact Ruark desktop speakers are known for both their clarity and overall musicality. They go surprisingly low, thanks to a canny bass reflex design, but can be augmented with an additional subwoofer if required. Bluetooth aptX is available for streaming, and there’s both analogue and digital audio inputs for local source devices. Read our full Ruark Audio MR1 Mk2 review for more.View Deal

Kanto YU4 Active Bluetooth speakers
Slightly larger than rivals, these well specified compact speakers are another strong compact hi-fi option. In addition to Bluetooth connectivity, there’s a pair of optical digital audio inputs, as well as analogue phono (with ground) and a 3.5mm Aux minijack. The driver complement comprises silk dome tweeters and Kevlar mid-range woofers, and if the bass reflex cabinet design doesn’t go low enough for you, there’s also a subwoofer output.View Deal

How I tested the Audioengine A2+

Over the course of a week, I evaluated the Audioengine A2+ in various settings, focusing on near-field desktop use. Material was streamed via aptX HD Bluetooth and played through a wired high-resolution music player. Tracks ranged from classic rock to EDM and orchestral pieces, allowing me to assess tonal balance, clarity, and stereo imaging.

Speaker width was dictated by the supplied speaker cable which links the two enclosures, which were positioned at head height (or thereabouts) for optimal performance.

First reviewed: March 2025
Read TechRadar's reviews guarantee

I tested this suave Bluetooth speaker from Sweden and it left me with mixed feelings – here’s why

12:30 pm | March 1, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Tags: EQ, Sweden | Comments: Off

Happy Plugs Joy Speaker review: two-minute review

The Happy Plugs Joy Speaker aims to offer good vibrations, a pleasing design and stunning, portable build. Don’t worry, it’s only a Bluetooth speaker. And for the most part, this diminutive portable speaker achieves what it sets out to do. It has an eye-catching shape fit for fashionistas, decent all-round audio and impressive build quality. But unfortunately for the Happy Plugs Joy Speaker, it just falls short of its competitors in a couple of crucial areas.

Before we get into that, though, let’s start with a sound assessment. Due to its tiny size, the Happy Plugs Joy Speaker is pretty limited in terms of the quality and volume it can produce. It has a single 45mm, 5W full-range driver that produces typically clear, tonally-accurate audio. Some sounds can get a touch edgy at times – especially those in the treble range while listening at higher volumes.

But again, I still felt that the Happy Plugs Joy Speaker sounded fine given its intrinsic limitations. Specifically, I was surprised by the meatiness of the bass on offer. Next to the not-much-smaller JBL Go 4, I found the Joy speaker capable of dishing up superior low-end impact. You won’t find the extra serving of detail that some of the best Bluetooth speakers can deliver, though, with more subtle sonic ornaments often hard to uncover. It’s also worth noting that the speaker only harnesses the basic SBC Bluetooth codec, so you won’t be able to enjoy higher-quality aptX files at their very best.

Perhaps unconventionally, the draw of this speaker isn’t all too much to do with sound – it’s about style. Happy Plugs refers to the Joy Speaker as “fashion tech designed in Sweden”, giving it a real sense of identity. Its rounded look, attractive color options and lace attachment certainly give it that je ne sais quoi, something that can often be overlooked in a cheaper, more bare bones speaker such as this.

Speaking of price, this Happy Plugs product will set you back just $49.99 / £39.99. Realistically, that’s pretty standard stuff for a speaker in this weight class but still, it's a looker for the money. Competitors like the JBL Go 4 and Sony SRS-XB100 have very similar list prices. Other than its winsome design, the Happy Plugs Joy doesn’t really do enough to set itself apart from some pretty fierce competition, in my view.

That predominantly comes down to its disappointing feature-set. Sure, the built-in mic works to a commendable standard and the ability to pair another Joy Speaker for stereo sound is handy, but that’s about it as far as features go, bar the inclusion of an AUX port for wired listening. There’s no companion app or way to adjust EQ – something I’d expect for a speaker released in 2025.

Another issue is the poor dust- and waterproofing offered by the Joy Speaker. It is only IPX4 rated, meaning it can withstand some water splashes or rainfall, but little else. Given you see a whole bunch of competitors, like the Ultimate Ears Miniroll, offering IP67-rated protection against dust and water submersion, IPX4 just feels a bit underwhelming, I’m afraid.

When you pair the fairly feeble protection against the elements with the speaker’s 5W maximum power output, it’s safe to say the Joy Speaker is better suited to bedroom use, rather than taking into the great outdoors or a party environment.

And if a small, personal speaker is all you’re looking for, the Happy Plugs Joy is still an OK option at a reasonable price. Its stylish edge will no doubt earn its fair share of plaudits, even if there’s a shortage of features and undercooked protection against the elements. Overall, I’d still say you’re better off with the JBL Go 4, or even one of the best waterproof speakers like the excellent Tribit Stormbox Micro 2 – both of which offer impressive audio in a similarly mini package, but one that can also be dunked fully in a pool and survive.

Happy Plugs Joy Speaker in someone's hand — (Image credit: Future)

Happy Plugs Joy Speaker review: price and release date

$49.99 / £39.99 (about AU$80)
Launched in January 2025

The Happy Plugs Joy Speaker released at the beginning of 2025, carrying a very modest list price of $49.99 / £39.99 (about AU$80). That price applies to each of the four color variants this speaker comes in, namely: Black; Blue; Green; and Pink. The Happy Plug Joy Speaker’s main competitors at this price-point include the excellent JBL Clip 5 and supremely durable LG XBoom Go XG2T – more on those in the ‘Also Consider’ section.

Someone undoing rubber tab on the Happy Plugs Joy Speaker — (Image credit: Future)

Happy Plugs Joy Speaker review: specs

Happy Plugs Joy Speaker review: features

Lacks companion app and EQ adjustment
Middling battery life
Has effective built-in mic

I don’t like to do this, honestly I don’t – but I’m going to start on a negative note. The Happy Plugs Joy Speaker has a pretty limited set of features. For a speaker released in 2025, that’s pretty disappointing – even for a small one like this.

A lot of that stems from the omission of a companion app, which instantly restricts what this thing can do. You won’t find any ways to adjust EQ, view connected devices or get the visual on battery life, for example. That’s a bit of a let down when you consider that small options like the JBL Go 4 offer all of this and more (we’ll talk more about this little treasure later).

There are some features of note, though, like the inclusion of a built-in mic, stereo pairing and an AUX port for wired listening. Now, in fairness, the inbuilt microphone is above average – I found call quality to be slightly superior to my phone in speaker or earpiece mode. Similarly, when recording a voice note, I felt that my speech was clear at varying distances, even if there was a bit of feedback lurking in the background.

Stereo pairing is a handy inclusion, especially as this speaker can’t get too loud – more on that later. AUX is cool too if you’re into wired listening, but I suspect most will stick with Bluetooth. This uses version 5.3, which is plenty good enough – although some competitors are using version 5.4 as of the time of writing.

On top of this, you’re getting up to eight hours of playtime with the Happy Plugs Joy. That’s fairly average stuff. Sure, it’s superior to the seven hours offered by the JBL Go 4, but it’s vastly inferior to the fantastic 16 hours you’ll get with the Sony SRS-XB100. A strong battery life would’ve added some much needed credit into this speaker’s account, but ultimately it just feels a bit uninteresting, feature-wise.

Features score: 2.5/5

Button controls on the Happy Plugs Joy Speaker — (Image credit: Future)

Happy Plugs Joy Speaker review: sound quality

Decently clear all-round audio
Surprisingly full bass output
Fairly weak power output

Sound-wise, I was left with conflicting thoughts on the Happy Plugs Joy Speaker. Right off the bat, I can tell you that the manufacturer’s claim of “high quality audio” is stretching the meaning a bit. When tuning into That Lady Pts. 1 & 2 by The Isley Brothers, I found some percussive elements to be a touch tinny-sounding at high volumes and side-by-side with the JBL Go 4, vocals occasionally lacked control.

But overall, I still felt that sound quality was solid for both its size and price. And in some areas it outclassed the Go 4. For instance, when bumping Dasha - Tour Mauborg Remix by Fusion Affair, the bass thump running throughout hit with significantly more impact and weight when listening via the Happy Plugs Joy Speaker. Similarly, I was impressed by the depth of the drum machine in Black Eye by Allie X, even if the speaker wasn’t quite dynamic enough to replicate the bouncing effect of the bass bounding throughout the intro.

In addition, I sensed that the acoustic guitar running through Come sweet death, second impact by Megumi Hayashibara was fairly expressive and tonally accurate. It was also pleasantly forward until vocals entered the fray and deservedly assumed the limelight. I will caveat that with a note that densely layered tracks, such as I Want You by Moloko, aren’t expertly emulated, with synths, vocals, percussion, strings and more sometimes bunching up to create a slightly restricted-sounding result.

But much of that is down to the inherent limitations of speakers this small. You’re rarely going to be smacked by a majestically broad, nuanced soundstage or massively full-sounding profile from a model this mini – I have tested enough speakers of this size to know it. I wasn’t getting a huge dose of detail out of my favorite tracks either, with more granular sonic elements often left under wraps. That reminds me: this speaker only supports the basic SBC codec – no aptX or LDAC for less-compressed Bluetooth streaming this time out, I’m afraid.

Another issue that’s pretty typical of tiny speakers like this is relatively low power output. And the Happy Plugs Joy Speaker doesn’t look to buck that trend. It has a single 5W 45mm driver that can’t get all too loud. Sure, it will have enough power for solo bedroom listening, but if you’re turning up to the party with this, you’re going to be left wanting more. On that note, if you’re more of a party animal, it's well worth checking out our guide to the best party speakers.

So here I am, left with pretty mixed feelings. Overall, I’m leaning towards a positive outlook on the Happy Plugs Joy Speaker – and not just because of the name. It offers generally clear audio, surprisingly attention-grabbing bass output and stereo sound – if you have two paired in stereo mode. But there are some imperfections, too, including occasionally tinny output, restricted volume potential and a lack of detail.

Sound quality score: 3.5/5

Someone pressing a button on the Happy Plugs Joy Speaker — (Image credit: Future)

Happy Plugs Joy Speaker review: design

Small, stunning appearance
Outdated IPX4 waterproofing
Beautiful color options

But arguably the main strength of this lil’ speaker is its eye-catching design – after all, Happy Plugs itself describes the Joy Speaker as “a statement piece”. I’m not sure if it’s quite the fashion revolution that it's made out to be, but still, I really like the look of this speaker. (Is it worth mentioning that some of the TechRadar team call this review sample Grogu? I suppose I just have.)

The Joy speaker almost has a rounded trapezoid structure, with a classy-looking fabric speaker grille on its front and reverse side. It also has five small, easy-to-use button controls on the top, which subtly blend into the rubber casing that coats the edge of the device. These include play/pause, call and volume controls, as well as power on/off and Bluetooth. There’s a small LED that flashes to indicate if the speaker is charging or in pairing mode, which is a useful visual prompt as well.

On the side of the Joy Speaker, you’ll discover a tab, under which lies a USB-C port that can charge the speaker from 0-100% in two and a half hours, as well as an AUX port. This will let you play music via a wired connection, if you feel so inclined.

One more highlight – I’m a big fan of the color options available here. I tested out a broccoli-shade green model, but there’s also a dusty pink or blue and a deep black variant available. These colorways compliment the speaker’s “fashion tech” identity to a tee and make for a nice break from the plain, single color direction a lot of rivals go in.

This is all positive stuff so far, but when it comes to practicality, this speaker is a bit of a mixed bag. First, the pros. The lace attached to the side of the speaker looks sleek and is super effective for hanging it off a backpack or nearby attachment. There are also four mini rubber feet on the speaker that keep it in an upright position, even if it gets knocked a little. But I have one major gripe: the dust and waterproof rating.

The Happy Plugs Joy Speaker is only IPX4-rated, meaning it’s resistant to light rain and splashes of water, but little more. For a speaker in this age, that’s simply not cutting it. Almost every major manufacturer is putting out IP67 – or at least IPX7-rated speakers, which enables them to survive submersion under water for extended periods of time. IPX4 isn’t ideal for listening at the beach or in the shower, for instance, whereas a speaker like the Ultimate Ears Miniroll will easily be able to pull through.

Design score: 4/5

Happy Plugs Joy Speaker against pink background — (Image credit: Future)

Happy Plugs Joy Speaker review: value

Price is in-line with competition
Sound is about what you’d expect in this range
But competitors offer superior feature-set and durability

At $49.99 / £39.99, the Happy Plugs Joy Speaker very much blends in with rivals including the JBL Go 4 and Sony SRS-XB100. It’s by no means expensive, but not a crazy bargain either. Due to its age, you can occasionally find the Go 4 for less than $40 / £30, which is phenomenal value for money, so with time, I’d hope to see the Joy Speaker discounted to a similar level.

For a speaker of its size, the Joy Speaker does perform pretty well where it matters most – sound. Of course, you’re not going to get perfectly crisp, detailed or booming audio, but for the most part it's expressive and clear enough to keep you engaged and enjoying your queued tunes. And of course, it is very easy on the eye. There’s not a lot of power here and it's not so well protected against the elements, but if you’re just looking for a speaker to use in your bedroom, it will do the trick, no problem.

Ultimately, there are a host of better-value options out there. I mentioned the JBL Go 4 there, which can sound a little thinner through the low-end but does have EQ adjustment options, a useful companion app and superior protection against the elements. Even the LG XBoom Go XG2T – which I marked down for limited EQ presets – still had some… and it offered superior battery life.

In its own right, the Happy Plugs Joy Speaker is fine value-wise. It gets the basics right, but just skips out on a few too many niceties to outdo its rivals. Unless you’re a real lover of its design, I’d wager that you’ll be tempted to consider some of those other options.

Value score: 3.5/5

Happy Plugs Joy Speaker on table — (Image credit: Future)

Should I buy the Happy Plugs Joy Speaker?

Buy it if...

You’re all about style
If the most important thing for you is stunning looks, the Happy Plugs Joy Speaker is well worth considering. It comes in four neat colorways, has a mini, curved build and dons well-sized buttons to boot.

You’re on a budget
The Happy Plugs Joy isn’t outrageously cheap for a speaker of this size, but it’s definitely not overly expensive either. At $49.99 / £39.99 it’s a nice option if you’re on a budget, although there are some small competitors, like the LG XBoom Go XG2T, that can be found at a similar pricepoint on sale, so make sure to weigh your options.

Don't buy it if...

You want top-tier sound quality
Given that it’s a small-sized speaker, the Happy Plugs Joy sounds decent. But if you want a beautiful sonic experience for this size, you’ll be better off with an option like the Tribit Stormbox Micro 2 – more on that below.

You’re looking for a speaker that’s shower or beach-ready
One of my biggest gripes with this speaker is its weak dust and waterproofing. It’s just IPX4 rated, meaning it can survive water splashes, but not submersion or anything. That’s not great considering a lot of competitors, like the JBL Go 4, can withstand being dunked a meter underwater for 30 minutes.

Happy Plugs Joy Speaker review: also consider

JBL Go 4
The JBL Go 4 is a diminutive, stylish and solid-sounding speaker that’s ideal for on-the-go listening. It offers pretty controlled audio given its size and surprising levels of loudness. On top of that, it has a superior IP67 waterproof rating, in-app EQ adjustment and cool color options to match. Read our full JBL Go 4 review.

Tribit Stormbox Micro 2
Tribit has been putting out some amazing value audio tech over the past two years and the Stormbox Micro 2 is no exception. With excellent sound quality, fantastic protection against the elements, an awesome 12-hour battery life and the ability to charge your phone, there’s just so much to love here. Read our full Tribit Stormbox Micro 2 review.

Happy Plugs Joy Speaker review: how I tested

Tested for one week
Mainly used at our music testing space at Future Labs
Predominantly tested using Tidal

I spent hours playing music on the Happy Plugs Joy Speaker. I tried it out in a handful of environments, but mainly at our music testing room at Future Labs to best judge the audio quality in a quiet, controlled space.

When blasting tunes, I mainly took to Tidal using my Samsung Galaxy S24 FE, where I streamed tracks from our carefully curated TechRadar reference playlist, as well as my personal library. I also tested the Happy Plugs Joy Speaker alongside the JBL Go 4 to compare sound quality, design elements and loudness.

First reviewed: February 2025
Read more about how we test

I reviewed EAT’s C-Dur Concrete turntable, and you’d be amazed how delicate and detailed a slab of real concrete can be with your vinyl

7:00 pm | February 23, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Turntables | Comments: Off

EAT C-Dur Concrete: two-minute review

‘EAT’ = ‘European Audio Team’. ‘C-Dur’ = ‘C-Major’ in German. ‘Concrete’ = ‘a blend of aggregates bound together by a hydraulic binder’. Put the three together and you’ve one of the most individual and dramatic-looking record players around, not to mention one of the more expensive.

The C-Dur Concrete has the technical foundations to back up the asking price, though. The turntable itself, its ‘C-Note’ aluminum/carbon fibre tonearm and its ‘Jo No.8’ high-output moving coil cartridge are all painstakingly engineered and work together harmoniously – and the result is a record player that, in the right system, is a pleasure to listen to in many respects.

It’s a staggeringly insightful device, for starters, even among the best turntables – no detail of a recording is too fine, too minor or too transient to elude it. It’s organized, too, able to describe a soundstage with complete confidence and make the spaces on it just as significant as the occurrences. Low-frequency control is absolute, so rhythmic expression is utterly convincing. And when it comes to big dynamic shifts, it is just as accomplished as it is with low-key harmonic variations.

A lack of outright scale undermines the C-Dur Concrete, though – it doesn’t sound especially big, and although it’s organized and controlled, the soundstage it generates is undeniably positioned between the speakers you’re listening to. And when you’re talking about this sort of money for a record player, this has to count as a fairly significant shortcoming.

The EAT C-Dur Concrete turntable viewed from above — (Image credit: Future)

EAT C-Dur Concrete review: Price & release date

The EAT C-Dur Concrete is on sale now, and in the United Kingdom it costs £6,499. That’s the price for the turntable and its bespoke C-Tone tonearm – if you want to add the (recommended) Jo No.8 high-output moving coil cartridge (which is how this review is conducted), that price rises to £8,098. That’s because the cartridge costs £1,999 when purchased separately, or £1,599 if purchased at the same time as the turntable.

In America you’ll have to fork out around $7,499 for the turntable, plus an additional $2,495 for the cartridge – a discounted price for the pair is likely to be available, but there was nothing confirmed at the time of writing. No pricing is available for Australia as yet, but a quick look at today’s exchange rates suggests something like AU$12,999 plus AU$3,999 for the cartridge will be in order.

Not cheap, is it (he said helpfully)? And yet you’ve a stack of choice when it comes to alternatives. None of them is made of concrete, admittedly, but models from brands as credible as Linn, Pro-Ject and Rega (to name just three) are all available at comparable money.

The EAT C-Dur Concrete turntable's cartridge — (Image credit: Future)

EAT C-Dur Concrete review: Features

33.3, 45 and 78rpm
254mm aluminum/carbon tonearm
High output moving coil cartridge

Undeniably, some of the ‘pull’ of the C-Dur Concrete is, well, the concrete that’s used in its construction. But this is no mere design exercise, this is a deadly series turntable with the feature-set to back up the giddy asking price.

For instance, the chunky (5.2kg) platter is internally damped with a thermoplastic elastomer that offers both density and stability. A 900g aluminum sub-platter gives the platter even more isolation from the motor. The bearing block adds another 1.8kg to the overall weight and uses a polished stainless steel spindle to support an inverted ceramic ball that functions as the main bearing. This pairs with a Teflon plate for even greater rotational stability.

The drive system, meanwhile, isolates the motor in a steel ring positioned in the concrete chassis itself, enhancing the platter’s chances of stable and uniform rotation. It also reduces resonance transfer (already extremely low, thanks again to all that concrete). The motor has two areas for connection to a drive belt – and the turntable is supplied with two different belts, both of anti-static polished rubber.

The first is relatively broad and flat, sits on the upper part of the motor and allows for 33.3 and 45rpm. The other is a ‘string’ shape and fits over the motor’s lower portion – this is the belt you fit if you want the platter to turn at 78rpm.

The pre-fitted C-Note tonearm is, at 254mm, longer than the norm, is made from aluminum and carbon fiber for maximum rigidity, and is internally damped with silicon grease for as much resonance rejection as is realistically possible. It’s a unipivot design, which ought to guarantee its cardan bearing is never overloaded – and the bearing itself is designed to offer minimum resistance and maximum stability.

The over-engineering of the tonearm makes a lot more sense when you get a look at the cartridge it’s designed to support. The Jo No.8 high-output moving coil cartridge features a nude Shibata stylus on a boron cantilever, with high-end copper windings (which is the sort of specification the asking price demands) – but it’s the 19.2 x 25.1 x 28.3mm (HxWxD) dimensions that are most immediately striking. ‘Oversized’ only begins to describe it.

So this is incredibly well-specced and thought-out when it comes to the functional features of being an impressive turntable – but it's very much just a core turntable, so don't expect any 'modern' features such as Bluetooth connectivity or USB output here.

Features score: 4 / 5

The EAT C-Dur Concrete turntable's tonearm — (Image credit: Future)

EAT C-Dur Concrete review: Sound quality

Remarkable insight and detail retrieval
Organized, controlled and yet dynamic presentation
Sounds rather small-scale and confined

The ‘pros’ are more numerous than the ‘cons’ where the sound of the C-Dur Concrete is concerned – but the ‘cons’ are significant, so we may as well start there before moving on to the many ways in which this is a straightforwardly admirable player.

The sound of the C-Dur Concrete is on the small side. Everything that happens, happens within the confines of the outer edges of the speakers you’re listening to – and consequently it’s never easy to shake the idea of a ‘point source’ of sound.

The outer edges of the cabinets of your speaker define the outer edges of the soundstage the EAT can create – in this respect it sounds unlike any price-comparable alternative, and not in a good way. It doesn’t matter if it’s a big ensemble (such as that involved in Miles Davis’ Concierto de Aranjuez) or just a voice and a guitar (like Nick Drake’s Parasite); the presentation is organized and controlled, but undeniably confined.

Get beyond this not-insignificant shortcoming, though, and the C-Dur Concrete is an extremely adept and accomplished device. Its facility with detail retrieval is approaching staggering – there isn’t a fleeting occurrence in a recording that’s too minor or too deep in the mix to evade it. And having teased out all these fine details, the C-Dur has absolutely no problem putting them into convincing context. Even if it’s the most transient harmonic variation in the strum of an acoustic guitar, this EAT turntable lets you know all about it.

The soundstage the turntable creates is believable, and it somehow manages to give elbow-room to every element of a recording even though the stage itself is nowhere near as expansive as it could (and should) be. Its tonality is carefully neutral, which allows the inherent sound of a recording to be expressed without any overt interference. And it balances the frequency range carefully, giving no undue prominence to any area.

Low-frequency information is robust and substantial, and is controlled with such certainty that rhythmic expression (often held up as one of the most obvious strengths of the vinyl format) is entirely natural. Midrange expression, too, is accomplished – the voice during I Kicked a Boy by The Sundays is intimate, immediate and direct. And the top of the frequency range has bite and brilliance in fairly equal measure, so treble sounds shine without threatening to become edgy or glassy.

Everything hangs together in an unforced and convincing manner – there’s a genuine sensation of singularity and unity to the C-Dur Concrete’s presentation that makes me want to reach for the dreaded word ‘musical’. And the spaces and silences in recordings are not only given their due emphasis, they’re as dark and as quiet as from any turntable I’ve ever heard. This inky backdrop from which sounds occur is one of the most gratifying things about this whole EAT listening experience.

Sound quality score: 3.5 / 5

The EAT C-Dur Concrete turntable's platter viewed from the side — (Image credit: Future)

EAT C-Dur Concrete review: Design

170 x 496 x 396mm (HxWxD)
32kg in weight
Supported on three conical, height-adjustable, damped aluminum feet

If it’s a little visual drama you’re after, you’ve come to the right place. EAT will sell you a version of the C-Dur built of MDF and finished in black or plum for quite a lot less money than this – but once you’ve seen (and touched) this concrete version, it’s hard to resist from a design standpoint.

At 170 x 496 x 396mm (HxWxD) it’s fairly big, although not too big to be accommodated by a standard equipment rack. At 32kg with its platter in place, it’s heavier than the heaviest turntable you’ve ever encountered – and all of that weight is supported on a trio of pointed aluminium feet.

They’re ideal for isolating the deck from external vibration, and can help in getting the turntable absolutely level, but they concentrate the whole 32kg on to three tiny points, which means that an extremely robust and hard-wearing shelf is in order if the C-Dur Concrete isn’t just going to drive itself into the surface it’s standing on.

The standard of build and finish is, as seems only reasonable when you consider the asking price, basically impeccable. Any tiny flaws in the concrete (each plinth is unique, of course) only add to the character, and the tonearm feels as good (and as expensive) as it looks. Even the cartridge body – which is polished chestnut – offers a bit of pizzazz.

Design score: 5 / 5

The EAT C-Dur Concrete turntable's tonearm and counterweight — (Image credit: Future)

EAT C-Dur Concrete review: Usability & setup

Automatic speed change
Semi-balanced five-pin DIN to RCA cable
Optional (and cost-option) power supply upgrade

As with a lot of turntables, there’s a degree of fairly fiddly set-up required to get the EAT C-Dur Concrete ready for action. Unlike quite a few turntables, though, once you’ve been through the set-up process then operating the EAT is quite a painless process.

As usual, the counterweight and anti-skate setting need to be attended to. After that, though, it’s simply a question of fitting your preferred drive belt (which, let’s be honest, is going to be the broader of the two that lets you listen to 33.3 or 45rpm discs), connecting the semi-balanced five-pin DIN end of the cable to the deck and its left/right RCAs to your (pre)amplifier at the other, and plugging in the power adapter. Speed change is facilitated by two of the big buttons on the plinth – the other is used for putting the turntable into ‘standby’.

It’s worth mentioning that both the cable and the power supply can be upgraded. A fully balanced cable is (inevitably) a cost option (£175, or £499 for the silver alternative if you’re feeling super-flush), and EAT will also sell you a linear power supply (£1,349 if purchased individually, a trifling £1,079 if you buy it at the same time as the turntable).

EAT is confident the C-Dur Concrete’s AC generator, which uses the DC current from the power supply, generates an almost entirely clean AC signal for the motor – but if you want to make it as noiseless as possible then the linear power supply is what you need.

Usability and setup score: 5 / 5

The EAT C-Dur Concrete turntable focusing on the concrete material — (Image credit: Future)

EAT C-Dur Concrete review: Value

Requires add-ons to reach full potential
Not a class-leading performer for the price
But it's hard to argue with its physical impact

I almost wrote that it’s impossible to put a price on an aesthetic as striking and individual as this, but demonstrably it’s not. In the context of the sound it makes, the C-Dur Concrete is far from the last word in value for money (and becomes less so if you take the company up on its offer of an upgraded power supply), but that’s not the same as saying it doesn’t sound splendid in many ways.

And if you find yourself smitten by the looks, the areas in which it’s not a class-leading performer might be easier to overlook – but with my hardest ‘consumer advice’ head on, it’s hard to make a watertight case for this turntable representing authentic value.

Value score: 3 / 5

Should I buy the EAT C-Dur Concrete?

Buy it if…

You’re a fan of visual (as well as audio) excellence
Once you get up to this area of the market, there are a few turntables that offer a bit of visual drama – but none of them makes use of concrete…View Deal

You value sonic detail and insight above all else
Between them, the turntable, the C-Note tonearm and the Jo No.8 cartridge are capable of unearthing the finest of fine details and handing them over without fuss.View Deal

You have a system that justifies the outlay
Don’t imagine you’ll hear the C-Dur Concrete at its best unless its partnering amplification and speakers are equally capable (and, inevitably, equally pricey).View Deal

Don't buy it if…

You’re expecting appreciable scale of sound
For all its many talents, the C-Dur Concrete is far from the most expansive-sounding turntable around.View Deal

You don't like having to pay more to complete the set
Paying big money for a cartridge is fair enough, but at this price, the EAT really should come with its optimum connection incuded and power-cable options as standard.View Deal

Your shelves are of soft (or even soft-ish) wood
32kg balanced on three tiny pointy points will damage a soft-ish shelf almost immediately.View Deal

EAT C-Dur Concrete review: Also consider

Rega Planar 10
The more money you spend on a Rega turntable, the less it seems to buy you – but never doubt that it’s buying remarkable audio fidelity. The Planar 10 (£7,395 with RB3000 tonearm and Alpheta 3 cartridge) is entirely lacking when it comes to visual drama, but most certainly has it where sound quality is concerned. It’s an open, revealing, wide-screen listen with an absolute stack of pertinent observations to make about both your recordings and the vinyl on which they are pressed. Unless you want your record player to be interesting even when it’s not working, the Planar 10 absolutely demands your attention if this is your budget range.View Deal

How I tested EAT C-Dur Concrete

I listened to the C-Dur Concrete for well over a week, with a variety of music on vinyl in a variety of conditions. It was positioned on the top shelf of my Blok Stax 2G equipment rack (which is how I know the weight of the turntable can damage wooden shelves), and connected via its supplied semi-balanced cable to a Chord Huei phono stage, which it turn was connected to a Naim Uniti Star acting as a volume control and pre-amplifier.

The Naim was connected to a Cambridge Audio Edge W stereo power amplifier, which drove a pair of Bowers & Wilkins 705 S3 Signature loudspeakers on their bespoke FS-600 S3 stands.

First reviewed: February 2025
Read TechRadar's reviews guarantee

The Cambridge Audio Evo One is my new favorite wireless speaker after a month of testing it – here’s why

6:00 pm | February 19, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Tags: TV | Comments: Off

Cambridge Audio Evo One: two-minute review

The Cambridge Audio Evo One is a high-end wireless speaker that's capable of playing audio at up to 32-bit/192kHz. But that’s really only part of the picture: it’s also a multi-room speaker, an internet radio, a soundbar, and a turntable phono stage. It’s almost quicker to list the things it can’t do. The Evo One packs a lot of skills into its substantial frame, making it a natural choice for anyone who wants to cover every base but doesn’t have the space or the cash to splash on buying a whole system of hi-fi separates.

Once the Cambridge Audio Evo One was optimized for my listening space – you can manually adjust its sound for the reflectivity of your room and its distance from the wall – it rewarded me with lush, well-rounded sound. The low end is warm and yet tight – there’s none of the unfortunate swampiness you get with cheaper, bass-heavy speakers. Meanwhile, trebles are well handled, neither succumbing to timidity nor becoming so strident that they grate. This means that rather than facing off aggressive overtures from above and below, the mids are allowed the proper space to express themselves, letting the harmonics of vocals and instruments shine.

The Evo One’s separation is right up there with the best wireless speakers on the market. Listening to Wasting My Young Years by London Grammar was a revelation – the strings are beautifully expressed, feeling vibrant despite their low volume, while the reverb on those gorgeous vocals is given plenty of room to breathe. Its soundstage isn’t quite as impressive though: it offers decent stereo spread without extending far beyond the bounds of the unit, but any single-unit speaker is never going to beat a true pair of the best stereo speakers.

Pitch-perfect streaming is just one of this speaker’s talents though: it offers a wide range of additional sources, from internet radio to TV audio via eARC. To test its mettle when it comes to movie audio, I hooked it up via HDMI and watched Ari Aster’s Midsommar – it expertly handled the swelling drone of its forbidding bass, while giving dialogue sufficient clarity and presence. Using its built-in phono stage, I also hooked up my turntable and span a selection of records – it did an excellent job with the likes of Black Sands by Bonobo and Kingdoms In Colour by Maribou State, expressing both with plenty of dynamism and clarity.

When it comes to design, the Cambridge Audio Evo One is hardly the kind of speaker you’ll want to hide away – its charcoal speaker mesh and smooth walnut surface make it an item of furniture you’ll want to show off, and I certainly felt that it earned pride of place in my living room.

Meanwhile, its front display gives you a stronger connection to the artist you’re listening to, although it’s not quite as bright as I’m used to in this era of ubiquitous 1,000-nit phone screens. However, let's be clear that you probably should think of it as an item furniture – it's big.

With its wide array of connectivity options, polished, poised audio and sophisticated looks, the Cambridge Audio Evo One is a worthwhile purchase, even taking into account its not inconsiderable price. Personally, I’m happy to give the Cambridge Audio Evo One a full-throated endorsement, and I doubt you’ll be disappointed with its performance or capabilities. If you want something that's also wonderful for sound but less expensive, the Bowers & Wilkins Zeppelin Pro is also a highly capable wireless speaker for nearly half the price.

Cambridge Audio Evo One review: price & release date

Released on August 9, 2024
List price is $1,499 / £1,299 / AU$2,495

The Cambridge Audio Evo One was released on August 9, 2024. It retails for $1,499 / £1,299 / AU$2,495 for this single unit – that's not exactly the cheapest price you’ll find a wireless speaker going for, but once you scratch the surface of the things this device can do, that asking price becomes much more reasonable. When a speaker is this capable, you really are paying for what you get.

The rear of the Cambridge Audio Evo One showing its various ports. — (Image credit: Future)

Cambridge Audio Evo One review: specs

A closeup of the Cambridge Audio Evo One's ports in detail. — (Image credit: Future)

Cambridge Audio Evo One review: features

Multi-talented feature set
Crammed with well-amplified drivers
Manual room optimization

Given its bulk, you won’t be surprised to hear that the Cambridge Audio Evo One is absolutely crammed full of drivers. It has 14 in total: four one-inch silk dome tweeters, four 2.25-inch aluminum cone mid-range drivers, and an utterly absurd six 2.75-inch long-throw woofers. Each of those drivers has 50W of amplification behind it, so it’s reasonable to expect that this beast is going to have gargantuan sound.

Such a well-furnished setup makes sense when you see how Cambridge Audio has positioned the Evo One. While it’s nominally a wireless speaker, it has plenty more tricks up its sleeve than just cueing up tunes from your Roon. Designed to sit at the heart of your home audio ecosystem, it really is a renaissance speaker, able to tackle the vast majority of listening tasks you throw at it.

First off, as well as offering Bluetooth 5.1 connectivity, it’s capable of streaming hi-res audio at up to 24-bit, 192kHz from streaming services, offering you significantly better quality than even CDs can muster. You can do this via built-in streaming services like Tidal and Spotify, or using its multi-room functionality to stream over Google Home, Apple AirPlay 2 and Roon. You can also stream radio over the internet, should you fancy letting someone else take over DJ responsibilities, or play direct via USB at the frankly ludicrous high quality of 32-bit/384kHz.

But its talents don’t stop there. Hook it up to your TV using an eARC cable and you can use it as a substitute soundbar – it won’t give you Dolby Atmos or height channels, but it will give your TV’s flimsy inbuilt sound a colossal boost. You can also hook up an external source through its RCA line-in, or plug one of the best turntables into its integrated phono stage and spin your records through it. It really does offer an astounding level of functionality that puts less gifted wireless speakers to shame.

Beyond sources, the Cambridge Audio Evo One offers some excellent functionality to help you polish the sound you’re getting. It offers a seven-band EQ to tailor its audio profile to your tastes – while this isn’t quite as versatile as the nine-band that some speakers offer, realistically it’s going to be plenty granular enough to tweak the sound balance.

Even more helpful are the Evo One’s room-calibration settings, which allow you to adjust its sound profile to account for how reflective your room is and how close the speaker is to a wall. I actually prefer this to the auto-calibration some speakers offer – it really allowed me to use my own judgement and knowledge of my space to get the sound just right, which I’m sure fellow audiophiles will appreciate.

All told, the Cambridge Audio Evo One is an incredibly well-specified speaker, offering a ton of functionality that even similarly high-end wireless speakers aren’t necessarily always capable of. If you’re just looking for a setup that allows you to stream hi-res audio, then maybe that will prove unnecessary window dressing, but if you’re looking for a Swiss Army Knife of a speaker that will sit at the heart of your home audio system, then it’s hard to argue with what’s on offer here.

Features score: 5/5

The Cambridge Audio Evo One with its remote propped up in front of it. — (Image credit: Future)

Cambridge Audio Evo One review: sound quality

Once calibrated, it sounds beautifully well balanced
Excellent separation
Not the widest soundstage

Hand on heart, I was a bit underwhelmed by the Cambridge Audio Evo One’s sound at first. Listening to Black Eye by Allie X, the saw-edged bass synth sounded full but a little swampy, and there was a slightly echoey vibe to the kick, while a lot of the mix sounded muddier in the middle. That’s when I realised I hadn’t adjusted its room-optimization settings…

And boy, did tweaking those settings make a difference. Lowering the setting for room reflectivity and increasing the slider for how far the speaker was from the wall tamed the boom back and upped the transients. The bassline was tight while still being deliciously warm, the detail of the percussion became much more crisp, and the vocal rose above everything without obscuring anything. Suddenly it was like hearing my favorite songs for the first time, and it rapidly transformed my opinion of what this speaker is capable of.

Once properly calibrated, it’s not just the bass that sings; the rest of the frequency range sounds great too. When I listened to I Want You by Moloko, everything was so tightly integrated in the mids; that tight funky guitar lick and the timbre of the strings rang through clearly, while Róisín Murphy’s voice glued the whole mix together, from the nice warm sub end of the funky bass to the transient bite of the snare hits. And it masterfully handles songs that can be make or break in terms of treble – it deftly handles the crisp harmonics of the strummed guitars and snare and tom hits on You Can Go Your Own Way by Fleetwood Mac, while giving them sufficient body to stop the whole mix feeling aggressively bright.

But the Evo One isn’t just great at balancing different frequencies; it has real poise when it comes to separation as well. I stuck on Claire de Lune by Kamasi Washington and the results were exquisite. Those honey-sweet horns feel so richly textured that you could almost take a bite out of them, while the pluck of the double bass feels like it’s almost it’s in the room with you. Even the piano, oft overshadowed when listening to this mix on weaker speakers, cascades out when appropriate – everything has a palpable sense of space that makes everything feel much more real and evocative.

The Evo One doesn’t just handle digital audio sources well. I hooked up my Audio-Technica AT-LP60XBT turntable to the speaker via its built-in phono stage and cued up Kingdoms In Colour by Maribou State. The overall sound was faithful and gave everything a sizable presence and, while it wasn’t quite as remarkable as its hi-res audio output, I put this down more to my budget deck than the Evo One’s innate capabilities.

One area where this wireless speaker doesn’t quite trounce the competition though is its stereo soundstage. Don’t get me wrong: firing up Daydreaming by Radiohead I could absolutely appreciate how the snatches of Thom Yorke’s vocal echoed to the left and right, while the guttural reversed strings that end the track swam convincingly from side to side. However, unlike some speakers, including the Sonos Era 300, the sound doesn’t extend much beyond the confines of the cabinet, and there’s no attempt to convince you there’s real height here. I’d argue that’s not really its whole vibe though – the Evo One aims for hi-res sound that’s very well reproduced, rather than high-tech trickery.

To test how the Evo One handled TV audio, I wired it up to my TV via ARC and settled in to watch Ari Aster’s hallucinogenic horror Midsommar. The Evo One delivered an appreciable improvement over the TV’s built-in speakers, giving the movie’s ominous soundtrack much more warmth and gravitas; Voice Clarity mode in particular helped the speech in the movie ring clear, while letting the droning bass continue to create suspense. While not a home theater soundbar replacement – you’re not going to get Dolby Atmos height channels or significant width here – it certainly represents an upgrade over TV sound alone.

Ultimately, the sound on offer here is impressive, particularly given how many tools it has in its box. If you’re wanting a premium, single-unit speaker that will cover all the bases, this is likely your best bet at this price range.

Sound quality: 4.5 / 5

A closeup of the walnut top panelling of the Cambridge Audio Evo One, with its remote control laying on top. — (Image credit: Future)

Cambridge Audio Evo One review: design

Elegant, high-end design
It’s a big fella
Display is a little dim

In light of its price and the brand behind it, I’m sure I’m not going to shock anyone by saying that the Cambridge Audio Evo One offers smart, premium design. Everything about it is designed to form a focal point in your home, from its FSC-certified walnut panelling to its charcoal-colored fabric speaker grille. It definitely looks suitably high-end – although an alternate color would have been a great option to include, as beige cloth and a lighter wood such as birch or beech would look amazing alongside airier interiors.

Naturally, with all the drivers, amplification and other sundries inside its frame, this isn’t a small unit – in fact, at 26.6 x 5.1 x 11.4 inches / 675 x 129 x 290mm and 32lbs / 14.5kg, it’s a bit of a beast. But there’s something dependable about its big frame – it makes it feel like a genuine item of furniture that you’re pleased to show off. The only caveat here is if you want to place it in front of your TV to really take advantage of its eARC connectivity: it's no small fry height-wise, and will likely block the bottom of your screen, so you’ll want an entertainment unit that can accommodate both.

The main focal point of its front is the 6.8-inch, 1280 x 480 LCD display. Offering a range of options from track information and artwork to a stereo pair of VU meters, the display offers an attractive way of connecting more closely to the tunes you’re listening to. It’s not a very bright display, though, but expecting the kind of 1,000-nit HDR displays that have become commonplace in phones and tablets was always going to be a stretch. It’s plenty bright enough to carry out its intended function, even if you’re not going to be reveling in sumptuous, vibrant colors.

The Evo One’s remote control is well designed, nicely balancing functionality with simplicity. Standard controls are all idiot-proof – you can play, pause, skip forwards and backwards, raise and lower the volume, and power the unit on and off – but there are also some convenient presets that allow you to fire up your favorite sources, stations or playlists at the press of a button. You can also adjust the display’s brightness and switch between its various screens. You’ll need to reach for your phone to do anything particularly complex, but it's nice to be able to use it like a hi-fi separate when you want some screen-free time.

All in all, the Evo One oozes premium style, without too many unnecessary bells and whistles piled on top. Sure, the display could be brighter, and you’re out of luck if you're not into the dark wood and charcoal upholstery Cambridge Audio has opted for. But make no mistake: this is a luxury speaker that feels like an item of furniture in its own right.

Design score: 4.5 / 5

The Cambridge Audio Evo One at a side angle on a worktop in front of a pink background. — (Image credit: Future)

Cambridge Audio Evo One review: value

On the one hand, the Cambridge Audio Evo One is unarguably expensive for a single-unit speaker – $1,499 / £1,299 / AU$2,495 is not pocket change for anyone. On the other hand, this isn’t just a single-unit speaker. When you view the Evo One in terms of all of the gadgets it potentially replaces – wireless speaker, streamer, soundbar, phono stage – the value equation shifts significantly in its favor. For the price, it’s incredibly versatile, and is an excellent all-in-one option for someone who finds a whole range of hi-fi separates too extravagant an investment in terms of money and/or space.

And there are few rivals that can beat it for value. For example, while the Naim Mu-so 2nd Gen offers a premium, single-unit speaker for $1,299 / £899 / AU$1,299, it doesn’t have a screen, and nor does it offer eARC connectivity or a phono stage. Conversely, the gorgeous Ruark R410 does offer everything you can get here – wireless streaming, multi-room, Bluetooth, DAB+ radio, eARC input, built-in phono-stage – but it’s also just as pricey, coming in at $1,799 / £1,299 / AU$2,599.

Value score: 4/5

Should I buy the Cambridge Audio Evo One?

Buy it if…

You want a feature-packed single-unit speaker
The Evo One is an impressive all-in-one package, taking the place of four or five home audio separates. So if you want a set-it-and-forget-it sound solution that minimizes the cable chow mein choking up your living room, this is a very good option.

You want lush, confident sound
When properly optimized and fed some hi-res material, the Evo One offers exquisite balance and impressive separation of different elements. It’s a polished and impressive performer that will happily sit as the jewel in the crown of your multi-room speaker setup.

Don’t buy it if…

You actually want a soundbar
Stop the presses: the Evo One isn’t one. It’ll add some much-needed poise and gravitas to soundtracks, but if you’re expecting height channels and a wide soundstage, you really do need to invest in an actual soundbar.

You’re looking to save some cash
No two ways about it: the Evo One is an expensive speaker. At $1,499 / £1,299 / AU$2,495, it’s more comparable to the Ruark R410 or the Bang & Olufsen Beosound A5 – you’re paying a premium price for a premium speaker.

Cambridge Audio Evo One review: also consider

Naim Mu-so (2019)
If you love the form factor and are yearning for superlative-sounding, hi-res streaming without extra features such as a phono stage or eARC, but for a lower price in exchange, the Naim Mu-so 2nd Gen is an excellent choice. At $1,299 / £899 / AU$1,299, it's a powerful and impressive speakers, as our full Naim Mu-so (2019) review explains.

Bowers & Wilkins Zeppelin Pro
Following in the footsteps of the classic airship-shaped iPod dock from the 2000s, the Zeppelin Pro is a powerful wireless speaker capable of rich, hi-res sound. Admittedly it’s less talented than the Evo One – again, there’s no connectivity options like phono in or eARC and it has considerably fewer drivers. But it is much more affordable, coming in at just $799 / £699 / AU$1,349, and still sounds exquisite for the price, as we dig into in our full Bowers & Wilkins Zeppelin Pro review.

How I tested the Cambridge Audio Evo One

I tested it for a month
I used it for a wide range of audio, from hi-res streams to TV audio via eARC
I have decades of experience using and reviewing audio gadgets

I tested the Cambridge Audio Evo One over the course of a month. First of all, I used the TechRadar testing playlist, as well as many of my own standard testing tracks, to see how its sound stacked up. I listened to a wide range of different sources, from hi-res streaming on Tidal to Spotify’s lowest-quality tier to see how it coped with different audio quality.

I also tested all of its additional features. I listened to several vinyl albums, both via line-in and through its built-in phono stage, using my Audio-Technica AT-LP60XBT. I also connected it to my TV via eARC and tested its AV sound by watching multiple TV shows and movies. Finally, I tweaked its various sound optimization settings, and played with the EQ settings to test out how they impacted the sound balance.

I’ve spent many years covering audio gadgets, from headphones to speakers, and use a wide variety of sound setups at home, from Bluetooth speakers to my system of hi-fi separates. On top of this, I’ve spent decades making and producing music, which has given me a great deal of insight into how to assess the balance of frequencies and breadth of soundstage.

First reviewed: February 2025
Read more about how we test

I reviewed Sonus Faber’s luminous Lumina II stereo speakers, and they’re a winner for Italian-crafted sound and looks

6:00 pm | February 18, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Speakers | Comments: Off

Sonus Faber Lumina II: Two minute review

Since the early 1980s, Sonus Faber has been creating high-performance, high-end loudspeakers and charging a (generally perfectly justifiable) arm and a leg for them. But in a move not many people saw coming, the company decided to democratize its ‘Made in Italy’ cachet by launching a pair of speakers that sell for an almost-mainstream $1,499 / £999 /AU$2,200 per pair. They’re called the Sonus Faber Lumina II.

In many ways, the Lumina II are Sonus Faber business as usual. The standard of build and finish is impeccable, the materials are premium (although the company’s customary use of real leather will no doubt alienate as many people as it excites), the look is sophisticated and understated. And, sure enough, there’s a little ‘Made in Italy’ sticker on the cabinet's rear, just to let you know you're dealing with something a little special even among the heady brands that make the best stereo speakers.

In many ways, the Sonus Faber Lumina II sound like their money’s-worth, as well as looking and feeling like it. They’re a balanced, insightful and nicely detailed listen, are able to organize a soundstage well, and with unarguable talent where frequency response and tonal fidelity are concerned. No, they’re far from the punchiest speakers around – they run out of meaningful puff quite early in the bass frequencies – and they’re not enthusiastic about bigger volume levels, either.

But for some people, the fact that this is Sonus Faber we’re talking about will be enough to overlook these (admittedly fairly mild) shortcomings. The harder-headed consumer, though, knows that the Sonus Faber Lumina II are far from the only choice at this sort of money – the likes of the KEF LS50 Meta loom large.

Sonus Faber Lumina II on a stone surface — (Image credit: Future)

Sonus Faber Lumina II review: Price and release date

Released June 15, 2021
$1,499 / £999 / AU$2,199

The Sonus Faber Lumina II are on sale now, and in the United Kingdom a pair will cost you £999. In the United States, you’re looking at $1,499, while in Australia they’ll set you back AU$2,199.

Passive standmounting speakers at this sort of money are not exactly a rarity, of course. So, apart from the ‘handmade in Italy’ cachet, what does Sonus Faber have up its beautifully tailored sleeve?

Sonus Faber Lumina II review: Features

29mm ‘damped apex dome’ tweeter
150mm pulp/fibre mid/bass driver
Front-facing bass reflex port

As a pair of small and (relatively) affordable passive loudspeakers, the Sonus Faber Lumina II aren’t exactly awash with features, but those they have are of high quality and are utterly fit for purpose.

So, reading from the top of the front of each speaker, there’s a 29mm tweeter of Sonus Faber’s own ‘damped apex dome’ design, which features a silk diaphragm and is mounted using a visco-elastic baffle to effectively isolate the vibration it produces from the cabinet. Below here there’s a 150mm mid/bass driver – a cone made from a combination of natural fibres and cellulose pulp. It sits in what Sonus Faber describes as an ‘ultra-free compression basket’, and the promise is of high linearity and dynamic performance.

The speakers stand on a little plastic plinth – there’s a little gap between the main cabinet and the plinth where a bass reflex port faces forwards. This makes the Lumina II nicely forgiving of positioning in your room, notwithstanding a few rather unusual positioning issues thrown up further down in the ‘design’ section.

The overall arrangement is good for a frequency response of 55Hz - 24kHz, according to Sonus Faber. Crossover is at an unremarkable 1.8kHz, sensitivity is an equally ordinary 85dB, and nominal impedance is four ohms. The manufacturer suggests that any worthwhile amplifier with 50 watts or more available should be able to drive the Lumina II without issues.

Features score: 4 / 5

Sonus Faber Lumina II review: Sound quality

Detailed and spacious presentation
Organized and unflappable…
…unless you decide to listen at bigger volumes

If you’re familiar with any of Sonus Faber’s products from the turn of the century onwards, the overall emphasis of the Lumina II sound isn’t going to come as much of a surprise. No matter the sort of stuff you like to listen to, and no matter the source of it, these speakers are a balanced, naturalistic and periodically absorbing listen.

The tonal balance of the Lumina II is carefully neutral, so a nicely organic recording like Nico’s The Fairest of the Seasons enjoys a true-to-life depiction of the small string section, acoustic guitar, and expressive and unmistakable vocal. There’s plenty of detail revealed and contextualized at every part of the frequency range, and the Sonus Faber travel from top to bottom in a smooth and undemonstrative manner. No part of the frequency range gets overstated and, apart from the very lowest frequencies, no part is underplayed. The crossover between tweeter and mid/bass driver is all-but imperceptible.

The speakers do good work with harmonic variations, and are quite explicit where soundstaging is concerned, too. There’s a respectable degree of dynamic headroom available, and a willingness to track even the smaller changes in attack or intensity carefully.

Switch to a copy of Aw, Shoot! by CMAT and the Lumina II’s ability to open up a fairly compressed and dense recording is straightforwardly impressive. It can create appreciable space on the soundstage, and where less accomplished speakers present this recording as a sort of aural wedding cake, with element piled on top of element, the Sonus Faber bring some order to bear. Detail levels are good all over again, and the ability to tease out the finer, more transient occurrences in a recording and let them enjoy a little breathing space is not to be sniffed at.

There’s appreciable bite and shine at the top of the frequency range, but nothing too threatening or hard-edged – there’s real refinement to the treble response here. The midrange is eloquent and revealing, and – up to a point – low frequencies are just as substantial and well-resolved as everything going on above them.

The Lumina II don’t so much run out of extension at the bottom of the frequency range – not by the standards of reasonably compact standmounters, anyway – as run out of conviction. There’s a lack of power and drive towards the bottom of their frequency response which can make for a slightly lightweight rendition of whatever it is you’re listening to. Low frequencies are nicely controlled, so rhythmic expression is convincing, but outright ‘punch’ is in rather short supply.

It’s equally safe to say that volume is a factor in the Sonus Faber comfort zone. At moderate volumes the Lumina II are a composed, insightful and well-organized listen, with talents that extend well beyond ‘unflappability’. But if you up the ante, volume-wise, a fair bit of that composure deserts them, along with some of their powers of organization. The can begin to sound just fractionally two-dimensional and ever-so-slightly stressed. Dial the volume down just a little and normal service is quickly resumed.

Sound quality score: 4 / 5

Sonus Faber Lumina II review: Design

Choice of three finishes
Leather-covered sides and top surface
304 x 180 x 263mm (HxWxD)

Obviously you’ll make up your own mind as to the decorative potential (or otherwise) of the Sonus Faber Lumina II. What can’t be argued with is the quality of construction or finish – these are impeccably made loudspeakers. The company’s ongoing determination to cover a good portion of its speakers in leather (both sides and the top of this model) won’t sit well for those who’d prefer a vegan option, but as far as ‘craftsmanship’ is concerned, the Lumina II have plenty in evidence.

Each speaker is a tidy 304 x 180 x 263mm (HxWxD), and if you choose either of the ‘walnut with maple inlays’ or ‘wenge with maple inlays’ the front baffle is of multilayered wood with real wood veneer. The piano black alternative is glossy, all right, and also built of multilayered wood but it’s quite reflective, so is not perhaps the first choice for those who may wish to use their Lumina II as part of a home theater set-up in a darkened room.

At the rear of each cabinet there are four nickel-plated speaker binding terminals that can be used with bare wire, banana plugs or spade connectors. Biwiring or biamping is perfectly straightforward.

Although the configuration of the speakers makes them quite forgiving of room position, the liberal use of leather does not. The company is quite unequivocal: you should not position your Lumina II near windows or sources of heat, and they should not be exposed to direct sunlight. Perhaps lots of leather isn’t such a brilliant idea after all…

Design score: 4 / 5

Sonus Faber Lumina II review: Value

‘Made in Italy’ seldom comes cheap, and in a market dominated by speakers that have been ‘designed and engineered’ in one place and then inevitably ‘made in China’, it’s quite a prestigious point of difference. And where materials, build quality and the standard of finish are concerned, it’s hard to argue that you’re not getting full value here.

And up to a point, that’s all true when it comes to sound quality, too. But a look at the ‘also consider’ section below lets you know that if you’re prepared to forgo a bit of the undeniable Sonus Faber cachet, better pound-for-pound performance is available…

Value score: 4 / 5

Sonus Faber Lumina II review: Should you buy them?

Buy them if...

You’re a sucker for Italian design
Like every Sonus Faber product, the Lumina II are a visual and tactile treat.

You enjoy open, detailed and naturalistic sound
These speakers have a real talent for opening up a recording and peering deep inside.

You do your listening in a darkened room
The leather finish means these speakers are more affected by sunlight than most.

Don't buy them if...

You’re vegan
The leather finish might be a dealbreaker.

You like to listen loud
The composure that’s such an admirable part of the Lumina II's sound can go astray at big volumes.

You consider ‘wallop’ to be a positive word
Other speakers of comparable size and price can dig deeper and hit harder.

Sonus Faber Lumina II review: Also consider

KEF LS50 Meta
All price-comparable speakers tend to look a bit agricultural next to the Sonus Faber Lumina II but KEF’s outstanding LS50 Meta have a strong look of their own and, most importantly, the sort of all-around excellence the Lumina II can’t quite match. The ever-expanding number of available colors and dramatic visuals of the driver array don’t do any harm, either…View Deal

Sonus Faber Lumina II review: How I tested

Connected to a Naim Uniti Nova, listening to Qobuz and Tidal tracks
Also hooked up a Rega Apollo for CDs; Cambridge Audio/Clearaudio for vinyl

During my spell listening to the Sonus Faber Lumina II, they were powered by a Naim Uniti Nova streamer/amplifier capable of delivering 70 watts of power per channel. I also used the Naim for listening to Qobuz and Tidal, as it is both a streamer and an amplifier.

I listened to compact discs using a Rega Apollo player, and vinyl via both the Cambridge Audio Alva TT v2 and Clearaudio Concept turntables.

The Lumina II remained in my listening space for the test's entirety – the area is nothing too sophisticated, it’s a fairly ordinary (though not particularly reflective) room that works excellently for my purposes. Using this disparate sources, I listened to myriad different recordings, from a plenty of genres, and from a wide range of eras.

First reviewed: February 2025
Read more about how we test

I reviewed the Bowers & Wilkins Zeppelin Pro wireless speaker, and this beauty is the best one-box wireless speaker you can get for this price

2:00 pm | February 14, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Speakers | Comments: Off

Bowers & Wilkins Zeppelin Pro Edition: Two-minute review

The Bowers & Wilkins Zeppelin Pro Edition is part of a great lineage. It’s been almost 20 years since the first Bowers & Wilkins Zeppelin launched – back then it was an iPod dock with a 30-pin connector. It’s moved with the times, of course, so now this version offers aptX Adaptive Bluetooth codec compatibility and the ability to host numerous music streaming and internet radio services within the ‘Music’ control app it has in common with other Bowers & Wilkins wireless audio products.

The look of the Zeppelin Pro is, of course, the look. The Zeppelin line is very much its own thing, and build quality and the standard of finish are predictably good. And when it comes to business, the Pro Edition features a reworked tweeter array and uses the titanium dome unit found in the class-leading B&W 600 S3 series of passive speakers. That's along with a couple of mid-range drivers and a relatively large (150mm) bass driver, plus 240 watts of power to drive them; the on-paper specification is promising to say the least.

And in practice, the Zeppelin Pro Edition makes good on that paper promise. It’s simple and quick to get it up and running, and once the listening starts in earnest there’s next-to-nothing to take issue with.

It’s a detailed, spacious and vigorous listen, able to tease out the finest details yet hit with real determination at the same time. The tonal balance is convincing, the frequency range is integrated smoothly, and there’s an openness to the presentation that’s far superior to any other one-box option among the best wireless speakers at this budget. It’s not the last word in dynamic expression, true – but nevertheless, the ‘plus’ column is far, far longer than the ‘minus’ where sound quality is concerned.

Bowers & Wilkins Zeppelin Pro Edition review: Price and release date

Costs $799 / £699 / AU$1,349
Launched in late 2024

The Bowers & Wilkins Zeppelin Pro Edition is on sale now, and in the United Kingdom it costs £699. American customers will have to part with $799, while in Australia it’s more like AU$1,349.

You’re not short of choice where wireless speakers at this sort of money are concerned, of course. The excellent Naim Muso Qb Gen 2 is down to this sort of money nowadays, and things like JBL’s Authentics 500 are well worth considering too…

Bowers & Wilkins Zeppelin Pro Edition review: Features

A close up of the Bowers & Wilkins Zeppelin Pro Edition wireless speaker and the B&W logo

(Image credit: Future)

Bluetooth 5.0 with aptX Adaptive codec compatibility
240 watts powering a five-driver array
35Hz - 24kHz frequency response

In most respects, the Zeppelin Pro shares a feature-set with the 2021 incarnation of the Zeppelin. Bluetooth 5.0 with aptX adaptive codec compatibility, 240 watts of Class D grunt powering a five-driver array, compatibility with the exemplary Bowers & Wilkins ‘Music’ control app, a claimed frequency response of 35Hz - 24kHz… so far, nothing has changed.

In fact, the only major difference where features are concerned is regarding 40 percent of the driver array. The Zeppelin Pro uses the same 150mm low-frequency driver and the same pair of 90mm ‘FST’ (fixed suspension transducer) mid-range drivers as the 2021 model – although the mid-range drivers have had their cone damping upgraded in an effort to minimize cone break-up.

The tweeters in the Zeppelin Pro, though, are 25mm versions of the titanium dome design that’s currently in use all across the company’s 600 S3 range of full-size passive loudspeakers. This, it’s fair to say, is an upgrade on the double-dome tweeters fitted to 2021’s Zeppelin. Revised digital sound processing is deployed to take account of the new and improved tweeter line-up.

As with previous Zeppelins, the Pro features built-in multi-room functionality - it can be paired with other Zeppelins or members of Bowers & Wilkins’ ‘Formation’ range of wireless speakers (in case anyone remembers them). The Pro can also be used in conjunction with any of the company’s current (and excellent) line-up of wireless headphones and earbuds.

And as with previous Zeppelins, the Pro is only part-smart. Bluetooth connectivity is all well and good, of course, and the fact that it can sit on your home network and access your favourite streaming services (or, at least, some of them) is good news too – but there’s no DLNA or UPnP compatibility, so network connectivity only takes you so far, and the speaker has no truck with voice assistants either.

Features score: 4.5 / 5

The Bowers & Wilkins Zeppelin Pro Edition from above on a wooden shelf — (Image credit: Future)

Bowers & Wilkins Zeppelin Pro Edition review: Sound quality

Wide and organized presentation
Punchy and detailed in equal measure
Dynamic, but not to the extent separate speakers

Everything’s relative, of course, but while the idea that the Zeppelin Pro creates a true sense of stereo separation is hard to get behind, there’s no denying it generates a wider and more spacious sound that pretty much any other price-comparable single-unit wireless speaker is capable of.

It’s this openness that’s the most immediately striking thing about the way the Bowers & Wilkins performs. You’d never confuse it for the sound of two stereo speakers, of course, but whether it’s playing a 16bit/44.1kHz file of The Wedding Present’s Dalliance or a 24bit/96kHz equivalent of Summon the Fire by The Comet Is Coming, the Zeppelin Pro musters a big, well-organised and entirely convincing soundstage on which a recording can fully express itself.

There’s a gratifying amount of attention paid to the spaces between instruments and voices, and the amount of elbow-room each element of a recording enjoys makes for a coherent and easy-to-follow presentation.

Low-frequency impact is significant, and there’s good control of the attack of bass sounds at the same time – so the low end doesn’t blur, and rhythms are confidently described. The mid-range benefits a great deal from the overall spaciousness – vocalists of all types and all competences get the chance to properly communicate, for better or for worse.

And at the top of the frequency range, the reworked tweeter arrangement allows for plenty of substance to accompany the top-end bite and attack the Zeppelin Pro can muster. Integration of the frequency range is smooth and unobtrusive, despite the numerousness of the drivers here.

The Pro maintains a nicely neutral tonality throughout, and manages to invest every part of the frequency range with plenty of broad and fine detail. It does good work with high-frequency transients, and gives the bottom end lots of texture and variation where lesser speakers can just thump along monotonally. And the mid-range is absolutely alive with personality – there’s an eloquence to the way the Bowers & Wilkins hands over a voice that is never less than engaging.

Only a slight inhibition during the bigger dynamic shifts in volume and/or intensity prevent the Zeppelin Pro from scoring full marks here. If ever a band indulged in the ‘quiet/LOUD/REALLY DAMN LOUD’ dynamic, it’s The Wedding Present – but when the angst really gets into full swing the Bowers & Wilkins just can’t quite breathe deeply enough to give it the fullest expression.

It’s not that everything happens at a fixed level of attack, you understand – it’s just that there’s greater distance between the most contemplative and most fierce moments in the recording than the Zeppelin Pro is able to describe.

Sound quality score: 4.5 / 5

Bowers & Wilkins Zeppelin Pro Edition review: Design

A close up of the Bowers & Wilkins Zeppelin Pro Edition — (Image credit: Future)

Choice of two new finishes
Choice of 15 (!) downlight colors
Still looks like a Zeppelin

If you’ve seen one Bowers & Wilkins Zeppelin, you’ve seen 'em all – which is not meant to be any kind of a put-down. In one guise or another, it’s a product that’s been in production for almost two decades, and it’s rapidly approaching ‘classic’ status – and the way it looks hasn’t done any harm in this respect.

So the Zeppelin Pro is recognizably a Zeppelin, and at 210 x 650 x 194mm it’s the same dimensions as the 2021 model. You’ll need a decently sized surface to stand it on, although at 6.6kg it’s hardly a burden where weight is concerned.

The speaker wears its relative bulk quite lightly, though, and this is helped in no small way by the two finishes – both new – in which it’s available. My review sample is in ‘solar gold’, and ‘space gray’ is also available. And within the stable, logical and extensive control app, there are no fewer than 15 different ‘ambient light’ colors with which to illuminate the speaker’s foot (and, if you’re anything like me, expose exactly how long it’s been since anyone did any dusting around here). Or you can turn it off altogether, of course.

Design score: 5 / 5

Bowers & Wilkins Zeppelin Pro Edition review: Usability and setup

A close up of the Bowers & Wilkins Zeppelin Pro Edition controls — (Image credit: Future)

Bowers & Wilkins ‘Music’ control app
Some physical controls
Swift and stable wireless pairing

The Zeppelin Pro is ‘just’ a wireless speaker, and as such it doesn’t take long to set up – unpack it, plug it in, let the ‘Music’ control app (free for iOS and Android) discover it, connect it to your local network, and you’re in business.

The control app is fairly thoroughly specified. As well as Bowers & Wilkins’ curated content, it’s also able to let you integrate your favourite music streaming service(s) – as long as they’re Amazon Music, Deezer, NTS, Qobuz, SoundCloud or TIDAL. Spotify Connect and AirPlay 2 provide alternative ways of getting music over to it. Internet radio is available via Last.fm and TuneIn.

EQ adjustment (or, more accurately, bass and treble adjustment) is available, and the app also lets you update firmware as and when, and for some reason has a switch to allow aptX Adaptive reception to be switched on or off.

There are a few physical controls at top of the rear of the speaker, too. ‘Bluetooth pairing’, ‘volume up/down’, ‘play/pause’ and ‘power on/off’ are all available.

Usability and setup score: 5 / 5

Bowers & Wilkins Zeppelin Pro Edition review: Value

Bowers & Wilkins devices are always of a very high standard
Not as pricey as some B&W devices, but just as impressive
Excellent specs and sound

If you know Bowers & Wilkins, you know there’s seldom any issue regarding the standard of build and finish of any of its products – and that’s as true of the Zeppelin Pro Edition as it is of a pair of its passive speakers costing tens of thousands of pounds.

Add in thorough specification, nicely executed control options and an intangible, but definite, pride of ownership and we’re well on the way to calling this wireless speaker ‘very decent value for money’. The way it sounds simply confirms things.

Value score: 4 / 5

Should you buy the Bowers & Wilkins Zeppelin Pro Edition?

Buy it if...

You know an icon when you see (and hear) one
There aren’t all that many current audio products around that can genuinely be referred to as ‘classic’. The Bowers & Wilkins Zeppelin is one.View Deal

You enjoy spacious, detailed and lively sound
By the standards of speakers in a single enclosure, the Zeppelin Pro sounds gratifyingly open – and it’s a perky, informative listen at the same time.View Deal

You think synesthesia is pretty cool
You won’t see colors because of the sound the Zeppelin Pro makes, but you get a choice of colors to accompany it.View Deal

Don't buy it if...

You don’t have significant shelf space
The Bowers & Wilkins Zeppelin Pro Edition remains one of the larger wireless speakers around, and it needs a correspondingly large shelf space in which to operate.View Deal

You want a fully smart speaker
The lack of wider networking compatibility, voice-assistant interaction and so on means the Zeppelin Pro Edition is not quite PhD ‘smart’.View Deal

You want to hear every bit of dynamic variation in a recording
The Pro Edition is a strong performer, but it lacks the lung capacity to give complete expression to the biggest shifts in intensity and/or volume.View Deal

Bowers & Wilkins Zeppelin Pro Edition: Also consider

Naim Mu-so Qb 2nd Gen
The closest smaller equivalent to the Zeppelin Pro, also made by a hi-fi legend. Far more compact, still a hugely impressive performer with tons of connectivity options. Here's our full Naim Mu-so Qb 2nd Gen review.View Deal

Cambridge Audio Evo One
A magnficient speaker that's also pretty wide, like the Zeppelin Pro – but it has a flatter and more traditional design that may suit some people. The screen on the front is nice too, and the built-in phono stage makes it well-suited to turntables.View Deal

How I tested the Bowers & Wilkins Zeppelin Pro Edition

I positioned my review sample on the top shelf of my Blok Stax 2G equipment rack, and then because it was preventing my turntable from sitting there I also positioned it on a necessarily large bookshelf.

I used my Qobuz and TIDAL accounts to stream music of many different varieties and file sizes, and I also checked out some favorite internet radio stations using TuneIn.

I can’t pretend it was any kind of hardship to do this for well over a week…

First reviewed: February 2025

The Anker Soundcore Boom 2 Plus is a bass-heavy Bluetooth speaker that I love for blasting party bangers

4:00 pm | February 11, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Tags: EQ | Comments: Off

Anker Soundcore Boom 2 Plus: Two-minute review

The Anker Soundcore Boom 2 Plus is a Bluetooth speaker that does exactly what it says on the tin. It blasts onto the scene with booming bass output, high volume levels and blaring LED lights – this thing is by no means subtle! And at $249.99 / £199.99 / AU$359.99 it’s by no means cheap, either – so let’s find out if the Boom 2 Plus is worth the cash.

It only seems right to start with the main attraction: bass. With BassUp 2.0 activated you’re going to get deep pumping low-end output, ideal for genres such as EDM or hip-hop, and for occasions such as house parties. Without it, you may find that bass is a touch underwhelming, so it’s worth toggling it on for when you really want to ramp up any low-frequency audio. Still, I didn’t find the Anker Soundcore Boom 2 Plus could offer quite as ground-shaking bass as the Tribit Stormbox Blast 2.

All-round sound quality is up-to-scratch, too. I found mids and highs to be clear and free of tinniness – a big relief. On top of that, there’s a nine-band EQ so you can get a more neutral sound if that’s what you’re after. The Anker Soundcore Boom 2 Plus isn’t going to supply the phenomenal attention to detail that some of the best Bluetooth speakers can offer, but it does include the AAC codec this time around, so it's a little better for Apple users in particular.

This speaker comes with a nice set of features, all of which can be accessed via the free-to-download Soundcore app. You can pick from preset or custom EQ calibrations, toggle BassUp, and alter light settings. The LED lights attached to the side of the speaker can sync up to audio output for a more immersive listening experience, and watching them rumble as the speaker pumps bass is highly satisfying.

The lights were one of many features already included in the original Anker Soundcore Boom 2. Now, don’t get me wrong, the standard-sized model is a decent budget option, but the Boom 2 Plus is an upgrade in almost every way. You get more power – as much as 140W for hitting high volumes – a more curved, quality-looking design, and a strap for carrying the speaker over long distances.

But the Boom 2 Plus isn’t without its drawbacks. Of course, its far more expensive – yet still only has the IPX7 waterproof rating, meaning it still lacks a dustproof score. On top of that, the Boom 2 Plus actually offers less playtime than the standard Boom 2, with just 20 hours on offer. Now, that’s not too bad, but considering rivals like the Earfun UBoom X can muster 30 hours, you may be left wanting more.

But overall, the Anker Soundcore Boom 2 Plus is still an adept party speaker. You’re getting plenty of bass and plenty of ways to personalize both its sound and appearance. If you can grab it at a cut-price, I’d argue it's an option well-worth considering, but unfortunately there’s some really stiff competition in this price range. And if you’re able to stretch your budget a little bit further, I’d recommend going for the Tribit Stormbox Blast 2 instead, which ultimately packs more of a punch and better protection against the elements.

Reverse side of the Anker Soundcore Boom 2 Plus — (Image credit: Future)

Anker Soundcore Boom 2 Plus review: Price and release date

$249.99 / £199.99 / AU$359.99
Launched in May 2024

The Anker Soundcore Boom 2 Plus is significantly pricier than the standard Boom 2 model, coming in with a list price of $249.99 / £199.99 / AU$359.99. That’s compared to the usual Boom 2’s launch price of $129.99 / £119.99 / AU$219.99. I’ve spotted it on sale for around $200 / £170, though, so keep your eyes peeled for a bargain.

This 2024-issued model is available in a number of color options – all of which cost the same. The colorways available to you are: Adventure Green; Explorer Green; and the variant I tested, Phantom Black.

Anker Soundcore Boom 2 Plus review: Specs

Anker Soundcore Boom 2 Plus with strap attached — (Image credit: Future)

Anker Soundcore Boom 2 Plus review: Features

Nine-band custom EQ
Customizable LED lights
20-hour battery life is decent, but nothing special

In terms of features, the Soundcore Boom 2 Plus is almost identical to its standard-sized sibling. Button controls enable you to toggle on the low-end-boosting BassUp option, sift through light show settings and pair to a second speaker via PartyCast 2.0. And once again, there’s a USB-C port which enables the Boom 2 Plus to become a power bank.

If you download the Soundcore app, however, you get access to even more features. The standout is EQ adjustment, which grants access to a nine band equalizer and a small selection of presets: Soundcore Signature, Voice, Treble Boost and Balanced (as well as BassUp). I would maybe have liked to see a few genre-specific options, but there’s still plenty of customizability here.

The app also lets you personalize the Boom 2 Plus’ lights remotely. There are six effects available: Flash, Flame, Lightning, Scan, Cyclone and Bounce. On top of that, you can play around with a color wheel to get an even more tailored look to the speaker’s LEDs. The lights are on passive radiators which rumble violently during bass-heavy tracks, and this was enjoyable to watch, especially in dark rooms. They sync up to sound output, which makes for an immersive audiovisual experience, but if that’s not to your taste, you can switch them off entirely.

One benefit of going lightless is that you’ll save some battery life. And that might be useful, because the Soundcore Boom 2 Plus actually offers less playtime than the standard Boom 2. That’s a little disappointing and given rivals such as the Earfun UBoom X can serve up an impressive 30 hours, its fair to say this speaker’s battery life is a bit unimpressive. 20 hours is by no means bad, but it’s worth noting that BassUp – like the lights – will contribute to faster drainage.

One thing you do get over the standard edition, however, is an aux-in port, which enables wired listening – pretty neat. Otherwise, you’ll be relying on Bluetooth 5.3, which is plenty good enough, and there’s also Google Fast Pair for a speedy setup.

Features score: 4/5

Button controls on the Anker Soundcore Boom 2 Plus — (Image credit: Future)

Anker Soundcore Boom 2 Plus review: Sound quality

Booming bass with BassUp 2.0 on
But won’t offer massively sophisticated all-round audio
Impressive volume levels thanks to max 140W power output

Just by hearing this speaker's name, you probably know exactly what you’re going to get here. And if you guessed big, booming bass – congrats, you were right. Well, that is if you have BassUp 2.0 turned on – without this bass isn’t actually that impactful for a speaker of this size. But don’t get me wrong, having BassUp 2.0 on will definitely mean the low-end soaks up most of the limelight. For a party speaker, though, that’s not necessarily a bad thing.

When tuning in to Favorita by kryptogram, I was impressed by the speaker’s bass output with impactful, deep drum kicks instantly grabbing my attention. Similarly when listening to a house track, Dasha - Tour Maubourg Remix by Fusion Affair, the speaker showcased solid low-frequency response, with dominant, pumping bass. When I threw on Diva Bonita by bbno$, the track’s imposing sub-bass came through with authority, something that you’ll miss out on from a lot of cheaper models.

When I put the Boom 2 Plus next to the Tribit Stormbox Blast 2, however, I did find the latter offered considerably weightier power in the low end – even with its XBass feature turned off. Of course, that model is a little more expensive, but if you want ultimate bass performance, I’d recommend it over this Soundcore speaker.

Regardless, the Boom 2 Plus can get very loud. That’s in part thanks to its high maximum power output of 140W – 100W of which comes from the two 50W woofers, with the remainder stemming from the speaker’s dual 20W tweeters. Pair that with the Boom 2 Plus’ competence in the bass department and you’re looking at a speaker that’s primed for parties or outdoor events, where you want to power through excess noise.

If you want a speaker capable of delivering a highly nuanced listen, though, this isn’t a top option. Sure, you get AAC this time (meaning any tracks played in AAC on a compatible device will be played without conversion or other inteference – most notably for Apple Music users on Apple devices) rather than SBC (the standard Bluetooth codec) alone, and there’s a nine-band equalizer that can help you tune a more balanced sound – but I still found there was a lack of detail, particularly in the mid and treble frequency range.

When listening to I Want You by Molko, I wasn’t struck by a true-to-life cymbal crash or particularly natural-sounding, breathy vocals. The speaker also wasn’t highly capable of managing this track’s densely layered mix, so you may want to turn to a model like the Edifier D32 if you’re looking for stronger instrument separation.

Of course, that’s not something this model has to excel in. Ultimately, this is designed to be a party speaker that leans into its low-frequency talents and it does that well. Also, even if they’re lacking a bit of detail, mid-range and treble frequency sounds rarely sound tinny or harsh, even at higher volumes. I also found that I could get a fairly balanced sound profile out of this speaker after turning BassUp off in Soundcore Signature and slightly tweaking EQ.

Sound quality score: 4/5

Soundcore logo on the Anker Soundcore Boom 2 Plus

(Image credit: Future)

Anker Soundcore Boom 2 Plus review: Design

More curved, premium looking design this time out
Still only IPX7 rated
Eye-catching LED lights

In terms of looks, the Soundcore Boom 2 Plus is a huge upgrade on its standard-sized sibling. It’s less stubby and blocky looking, now donning a wider, more curved look. On top of that, the metallic speaker grille has a more premium feel and appearance, creating a far cleaner aesthetic overall.

Of course, much has remained the same – the LED lights on the side of the speaker are still bold and vibrant – they can also sync up to bass output for a more immersive listening experience. And the button controls on top of the speaker are again well-proportioned, clear and responsive.

But with this speaker’s added length comes added bulk – meaning Anker has had to make a change here. That’s right: this model comes with a strap included, which can be attached to hooks on the handle. This is pretty basic; there’s no shoulder pad or anything, but it’s still a nice addition if you’re going to carry the Boom 2 Plus over longer distances. This is also welcome as the Boom 2 Plus is more than twice as weighty as the standard model, coming in at 8.4lbs / 3.8kg – though this is still fairly lightweight overall.

Something that, perhaps disappointingly, has remained much the same, though, is this speaker’s ingress rating. Like the standard Boom 2, this is IPX7 rated. Now, the positive here is that the speaker can be submerged in up to a meter of water for as long as 30 minutes – something we’d expect from all of the best waterproof speakers. It's floatable too if you want to take it into the pool with you, for instance.

The bad? This thing skips on a dustproof rating again, meaning it might not be the best beachside companion. If you want a more rough and ready model, look for the IP67 rating, which a ton of competitors have, including the fantastic Bose SoundLink Max.

But enough moaning. I did like the small rubber tab on the reverse side of the Boom 2 Plus. Simply flick this up or down and you get access to the USB-C charging port – which can be used to charge the speaker or external devices – as well as the aux-in if you want wired listening.

I was also a fan of the multiple color options available. You can grab the Boom 2 Plus in Phantom Black, Explorer Blue or Adventure Green – all of these look neat and are discreet enough to bring out the best of light features in dark rooms.

Design score: 4/5

LED lights on the side of the Anker Soundcore Boom 2 Plus — (Image credit: Future)

Anker Soundcore Boom 2 Plus review: Value

Considerably more expensive than standard model
But does offer improved audio and design
Unfortunately rivals offer better bang for your buck

The Anker Soundcore Boom 2 Plus has a list price that’s almost double that of the standard model. So, with added price, you’re going to expect a massive improvement. Do you get that? In many ways, yes. I would argue that this model is far better looking and, perhaps unsurprisingly, has bassier, cleaner audio. If you want an all-out party speaker, it’s no contest – the Boom 2 Plus is far superior.

At the same time, you get a smaller battery life and there are some lingering issues such as the lack of a dustproof rating. Perhaps a larger problem for the Boom 2 Plus, though, is that it’s sitting in an awkward spot price-wise. If you go cheaper, you can grab the Earfun UBoom X, which also packs plenty of bass, as well as highly customizable audio. And if you can push your budget just a little more you can get the mighty Tribit Stormbox Blast 2, which is a top-tier party speaker in my book – it can also double up as a karaoke machine if you’re into that kinda thing!

In its own right, though, the Soundcore Boom 2 Plus is still a solid Bluetooth speaker and plenty good enough to keep the party moving. If you can get it for less than $200 / closer to the £150 mark, it’s a model well worth considering. Nonetheless, there is some stiff competition, which can’t be ignored.

Value score: 3.5/5

Rubber tab open to expose USB-C and AUX ports on the Anker Soundcore Boom 2 Plus — (Image credit: Future)

Should I buy the Anker Soundcore Boom 2 Plus?

Buy it if...

You want a bass-heavy party speaker
If you want a Bluetooth speaker for house parties or events, the Anker Soundcore Boom 2 Plus has you covered. With a maximum power output of 140W and BassUp feature for booming low-end output, you’re certainly going to keep your guests entertained.

You want a lightweight option
Some boombox-like speakers can be heavy. Really heavy (I’m looking at you Tribit Stormbox Blast 2). But much like the standard model, the Boom 2 Plus bucks that trend, coming in at 8.4 lbs / 3.8kg. Combine that with the included strap and this speaker is pleasingly easy to take with you on the go.

Don't buy it if...

You want premium all-round sound
If you want a nuanced, supremely separated sound, this speaker isn’t for you. With the right tuning, you can get clear, decently balanced audio, but still, you’re not going to uncover the finest details.

You want a speaker that can brave any environment
The Soundcore Boom 2 Plus skips on a dustproof rating, meaning it’s not totally primed for all outdoor environments. There are a ton of options with the coveted IP67 rating, but you can go a step further with the LG XBoom Go XG8T, which actually has military-grade protection against the elements.

Anker Soundcore Boom 2 Plus review: Also consider

Earfun UBoom X
Like this Anker speaker, the Earfun UBoom X won’t offer the most detailed, revealing sound quality. But it does still pack quite the low-end punch, has some integrated LED lights and a wired connectivity option. The real win is that this model has a 30 hour battery life and super-low price for a speaker of its size, making it a very viable candidate to be your next party speaker. Read our full Earfun UBoom X review.

Tribit Stormbox Blast 2
I’ll keep it simple: the Tribit Stormbox Blast 2 is one of the best portable party speakers money can buy. It’s only a bit more expensive than this Anker model, but has superior bass output, more playtime and an IP67 dustproof and waterproof rating. It doesn’t get much better than that. Read our full Tribit Stormbox Blast 2 review.

Anker Soundcore Boom 2 Plus review: How I tested

Hook on the Anker Soundcore Boom 2 Plus — (Image credit: Future)

Tested over the course of one week
Mainly used at our music testing facility at Future Labs
Predominantly listened to tracks via Tidal

I listened to the Anker Soundcore Boom 2 Plus for hours at our music testing facility at Future Labs. I blasted a bunch of tracks from my own music library alongside tunes from the TechRadar testing playlist, which we use to assess audio performance across a variety of genres. I connected to the Stormbox Blast 2 with the Samsung Galaxy S24 FE and mainly listened to songs via Tidal.

Further to this, I played a podcast episode on Spotify and watched video content on YouTube in order to assess vocal clarity across different platforms. When appropriate, I used the Tribit Stormbox Blast 2 to compare elements like sound, design and ease of use.

First reviewed: February 2025
Read more about how we test

I reviewed Sony’s LinkBuds Speaker, and it’s the Bluetooth speaker that best fits into my real home life, thanks to unique features

5:00 pm | February 6, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Tags: Amazon Music | Comments: Off

Sony LinkBuds Speaker: Two-minute review

Sony has released a fair few speakers in its day but the new LinkBuds Speaker is the first to be released under its LinkBuds branding; the original Sony LinkBuds were novel for having open-ring designs so you could hear your surroundings while also streaming music, but the name now just seems to be used for a range of lifestyle audio options instead of applying to that particular open design, so here we are.

I often having to get name whingeing out of the way early when I review products like the Sony LinkBuds Speaker, because I want to save the rest of the review to focus on compliments on the device (and because I love a good name-whinge).

Don’t make the mistake I did when I first started using the speaker – unlike many other entries into our annals of the best Bluetooth speakers, this creation isn’t designed for house parties or loud gatherings. Instead, it’s a svelte house-trained pet that does its best work when you keep it domestic.

That’s most evident from the charging cradle, which was my favorite aspect of the entire speaker. It charges the speaker when you’re not using it (or when you are), acting as a hub that you can easily whisk the speaker away from when you’re marching into another room.

But there’s more evidence as to the LinkBuds Speaker’s introverted state. Its understated design means it fits snugly into your home decor, but it's not as rugged as the best waterproof speakers. Its microphone means you can use it as an ersatz home assistant (via your phone, at least) and a range of other features such as a programmable musical alarm clock and hourly time alerts all indicate that this is a housebound gadget.

That doesn’t mean you’ll be left in the lurch if you take it outside, especially with a surprisingly big 25-hour battery, but you might not find the audio fits parties or summer cookouts. That’s doubly the case with audio which proves quite directional, and doesn’t quite equal some rivals on the market in terms of energy and vibrancy – if you’re looking for a party speaker, the Sony will disappoint.

I was pleasantly surprised with the feature set offered by Sony, with its Sound Connect app boasting quite a few handy features – some are ones I haven’t seen on rival devices, which is a neat touch. Admittedly some of these features are hidden deep in the app – I still have no idea how I enabled the aforementioned hourly notification – and not all of them work wonders.

But it’s another illustration of how the Sony offers brains over the raw brawn of some of its rivals. It’s no slouch in the audio department, but it’s found a different way to best the likes of the JBL Flip 6: the features.

I should cap this intro by saying one more thing if you like the ideas of these extra features: only buy this if you use Spotify, Amazon Music or Endel. Loads of the extra features require a subscription to one of these three streaming services so you're not going to be able to use all the features if you use Tidal, Apple Music or YouTube Music.

Sony LinkBuds Speaker review: Price and release date

Released in October 2024
Officially priced at $179.99 / £139 / AU$249

The Sony LinkBuds Speaker was announced in October 2024, alongside two new earbud additions to the brand: the LinkBuds Fit and LinkBuds Open.

You can buy the speaker for $179.99 / £139 / AU$249 so it costs a little more than rivals in the area such as the JBL Flip 6, Ultimate Ears Boom 4 or Bose SoundLink Flex, but it roughly matches the Sonos Roam 2 which we rate as the best Bluetooth speaker.

I should point out that at the time of testing, three months after the LinkBuds Speaker’s release, it’s already on offer from some retailers, so it’s worth hunting around to find a discount as they're easy to find.

The Sony LinkBuds Speaker on a shelf beside a bed. — (Image credit: Future)

Sony LinkBuds Speaker review: Specs

Sony LinkBuds Speaker: Features

A 25-hour battery life
Lots of features thanks to Sound Connect app
Many tools require Spotify, Amazon Music or Endel

The Sony LinkBuds Speaker offers a surprisingly admirable 25 hours of battery life, which laps most of its close rivals – you can expect between 10 and 15 hours of listening time on its competitors.

Thanks to how the aforementioned charging cradle fits into my real-world experience, I never actually had to test this figure the hard way, but that’s not the end of the world – it just goes to prove that you’ll never have battery anxiety with the LinkBuds Speaker.

You can get many more features from the LinkBuds Speaker by using Sony’s Sound Connect app – until recently called Headphones Connect.

One useful feature is auto-play, so you can set your speaker to start auto-playing from Spotify, Amazon Music or Endel at certain times on certain days, basically like an alarm clock. In my testing, I was unable to choose which playlist Spotify auto-played from, and it default to carrying on whatever I last listened to, but the writing in the app suggests that I should be able to pick them. Hopefully a software update will change this.

As I'll discuss in the Design section of this review, the speaker has a quick access button. Using the app, you can map this to use two of: Spotify Tap, Amazon Music Play Now or Endel Quick Access (all three bring up a curated playlist from the app of choice). As you can tell, these are the only three apps supported by Sony’s app – sorry, Tidal fans – but you can use other streaming platforms for standard speaker playback. You just can’t use the extra features.

Audiophiles will also be pleased to hear that there’s an in-app equalizer. It’s a five-band one with an extra Clear Bass dial to increase or decrease bass prominence between -10 and 10. You can save two different custom EQs, and there are no presets. In my experience I didn’t find that the equalizer made much of a difference on the sound quality.

Sony’s auto-EQ mode is back, but I’ve not previously been impressed by this, and the LinkBuds Speaker didn’t change that. The way it works is that the app presents you with five different EQ mixes and you have to choose your favorite; you do this twice and the app creates a custom mix for you. The problem is that the mixes it suggests to you are often so indistinct that I can never tell the difference between them, so it’s not a good way of gauging my actual tastes.

I was impressed by a few of the quality-of-life features Sound Connect offers. You can choose the auto-power-off length, toggle on a battery-saving mode that stops you overcharging the speaker, connect two multiple devices (including LinkBuds earbuds, which can automatically switch your music from the buds to the speaker when you get near) and can enable a Sony-made audio decompression feature to improve the sound of music on lossy streaming services. They all just improve the way you use the speaker in small but meaningful ways.

A feature I got really close to liking is the ability to set hourly reminders. This was surprisingly convenient to help mark the passage of time through the day, reminding me that it was lunchtime or that my working hours were finished… except there's no way in the app to silence it for certain hours. I was woken several times by the speaker announcing that it was 2am or 3am and so turned this otherwise-handy feature off.

I’ll briefly touch on pairing: when I first started using the LinkBuds Speaker, I simply couldn’t connect to it via Bluetooth pairing. However as soon as I opened the Sound Connect app, it immediately recognized and paired. So if you’ve just bought this gadget and can’t get it to connect, download the app now!

Features score: 4/5

Sony LinkBuds Speaker review: Design

Black or gray squoval
Has a hook for hanging; charging pad in box
A fair range of buttons

The Sony LinkBuds Speaker basically looks like a small furry squoval. (It's a real word! A portmanteau of square and oval!) Compared to lots of other portable speakers it’s a little plain looking, but I liked how it blended into the background of my home more than other speakers I test. Sometimes nondescript is good. The fabric cover also gives it a premium look that many other rivals lack.

It’s not a huge speaker, measuring 11cm tall and with body dimensions of 8.4 x 9cm, but it’s a little heavier than you’d think at first glance at 520g.

The ‘back’ of the speaker – a word I use because the sound is pretty directional, as I’ll get into in the sound quality section – has its power button as well as the USB-C charging port (which you can use instead of the included base plate, another feature I’ll explain later on). It also has a hook that you can use to hang the speaker on a hook in the bathroom, on the back of a chair or wherever works – but it’s not that big so it was hard to clip onto certain objects, plus the way the speaker hangs has problems with the directional sound (yet another tease about a future point to discuss).

On top of the speaker are buttons: volume up, volume down, play/pause/accept phone call, and the quick access button. There’s also a small light: white when the speaker is on and red when it’s off, and purple sometimes… for some reason? If there’s a way of turning the LED off, I couldn’t find it, which was a little annoying at night.

I’d be remiss not to include mention of the LinkBuds Speaker’s base plate, because it became an integral part of the experience during my testing. Included in the box is a charging cradle, which you plug into a USB-C charger, and it holds the speaker firm and slowly charges it up. Once I set this up in my office, it became a ‘home’ of sorts for the speaker – when I was listening during work, it would power up so that there was charge for when I was taking it out and about. Super convenient, two thumbs up from me.

You can buy the speaker in black or light gray, and your choice will affect the base plate as well as the speaker itself. It has an IPX4 rating so it’s protected against splashes of water but not solid jets or submersion, so it may not be at home at a pool party.

Design score: 4/5

Sony LinkBuds Speaker review: Sound quality

Good, not great audio quality
Volume fine indoors but not loud enough for outdoors
Directional audio poses a problem

The Sony LinkBuds Speaker combines a tweeter and woofer in a classic two-way system; I couldn’t find much information on either component from Sony's materials.

There’s no use beating about the bush; the LinkBuds Speaker doesn’t quite sound as great as rivals I’ve tested at this price point from Ultimate Ears and JBL. It offers a balanced audio mix, but lacks the 'oomph' that portable Bluetooth speakers generally need.

For example: there’s ample bass, but not as much as you’d get on an outdoor speaker; clear treble, but a distinct lack of shine to some instruments; the same lack of soundstage that you get on smaller speakers like this thanks to mono audio. The maximum volume is sufficient if you plan to use the speaker exclusively at home or in your garden, but in wider open spaces, it might prove hard to hear. Unlike its rivals, Sony hasn't turned any one element up to 11.

The mono audio problem can be fixed, according to the Sony website, by simply buying a second speaker and pairing them together to get stereo sound. That will, of course, double the amount you’re paying to listen.

My main concern when I started listening to the LinkBuds Speaker was simply that audio didn’t sound as energetic or exciting as on many other portable speakers I’ve tested; lots of rivals are designed as party devices and going in with the same expectations here will leave you disappointed.

This was underlined when I used the LinkBuds Speaker to play music at a gathering; after a few drinks, balanced audio isn't as important as vibrant bass. However once I figured out that the Sony is designed for a different use case – namely home listening – I could appreciate it a little more.

The LinkBuds Speaker’s sound depends a lot on the direction you are to it – that’s not uncommon in speakers, as 360-degree audio is a rare treat. But it makes a marked difference in the LinkBuds Speaker, and it’s doubly annoying for two reasons.

Firstly, due to its design, it’s pretty hard to glean which way the front is from a glance – close up, you can see the way the buttons are facing and where the hook is. If the speaker is in the corner of a room, you’ll have to guess if you’re getting the full experience. Secondly, when you use the hook to hang the speaker up, its positioning means that the tweeter and woofer point downwards – the only person getting optimal audio is the downstairs neighbor.

Sony boasts about its Sound Diffusion Processor in the LinkBuds’ web post, which is supposed to spread sound from the speaker out into a wide area, but I can only assume this listing was written on opposite day because my experience was that music sounded so much better when the speaker was facing you.

Sound quality: 3.5/5

Sony LinkBuds Speaker review: Value

I can't go so far as to say that the Sony LinkBuds Speaker is outstanding value for money, but it ticks all the boxes that you want when you're paying this much.

The range of features, the audio quality, the design; I'm pretty sure I'd be able to accurately predict the LinkBuds' price because it's in line with expectations.

That changes a little if you can find the speaker discounted, though, and if you find it nearing the $100 / £100 / AU$180 mark, it may tip more into 'must-buy' territory.

Value score: 3.5/5

Should I buy the Sony LinkBuds Speaker?

Buy it if…

You're a homebody
Looking for a Bluetooth speaker that you plan to use at home, rather than in outdoor events? Look no further.

Battery life is important
No-one likes that most gadgets take constant charging. You can put it off for 25 hours at a time with the LinkBuds Speaker, and top it up super-easily.

You want to be woken up by music
The LinkBuds Speaker's musical alarm clock feature has woken me up for the last week, and I'm all for it.

Don’t buy it if…

You're a party planner
The LinkBuds Speaker lacks the max volume, overwhelming bass or rugged design needed to make it a real party speaker.

You're not an app fan
Some people don't like having to use an app to control their speaker or headphones, and that's a fair stance, but you won't like the LinkBuds Speaker in that case.

Sony LinkBuds Speaker review: Also consider

JBL Flip 6
It's been around for years, but it remains a stalwart rival in the Bluetooth speaker space. It has a balanced sound and a hardy design, though it lacks some features (and the long battery life) that the Sony has – you can dig into it in our full JBL Flip 6 review.

Bose Soundlink Flex Gen 2
Another well-received rival from Bose, this gadget takes some party speaker DNA but not as much as some other rivals. It provide balanced audio, but perhaps doesn't quite have the charm of the Sony, but you can read more in our full Bose SoundLink Flex Gen 2 review.

The Tribit Stormbox Blast 2 shook me to my core and became my new go-to Bluetooth speaker for parties

7:20 pm | January 28, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Comments: Off

Tribit Stormbox Blast 2 review: two-minute review

The Tribit Stormbox Blast 2 is a true bass-heavy behemoth. This is the sequel to Tribit’s massively successful boombox speaker that won plenty of plaudits here at TechRadar (and beyond). But this speaker is much more than just a refined version of its predecessor, packing in a new, curved design and even karaoke functionality.

Let’s run through a few new sparkly additions and upgrades here. Yes, you’re getting karaoke, with dual-wireless or wired mic support, as well as built-in volume and reverb controls. On top of that, the Tribit Stormbox Blast 2 has an improved IP67 dustproof and waterproof rating, meaning it's suitable for almost any environment, from beachside to pool party. That’s not to mention you also get Bluetooth 5.4 connectivity and incredible 200W power output this time around.

But let’s drill down into the most important area – sound. Perhaps unsurprisingly, the Tribit Stormbox Blast 2 is another hit in the audio department, supplying controlled, earth-shaking bass that even beats out many of the best Bluetooth speakers. And thunderous bass is certainly the main attraction here, with an XBass option available if you want to go crazy with low-end output, maybe excessively so.

All-round audio quality is strong too; you’ll be able to hear individual instrumental elements clearly, with commendable levels of separation. You may find that the soundstage can get a touch cluttered at the highest of volumes, but otherwise, you’ll be in for an enthralling, bass-heavy listen, ideal for parties or outdoor events.

Even running on battery power, this speaker has double the output power of its predecessor, the Tribit Stormbox Blast, meaning you’ll get some serious volume. For those who crave more power, or perhaps want left/right channel stereo separation, you can pair a second model up to this speaker, too. And there are a bunch of other excellent features accessible via the Tribit app, including broad EQ options and LED light customization.

Speaking of the Stormbox Blast 2’s lights, they’re a tad classier in this iteration, but similarly illuminate the speaker’s drivers and edges. The overall look of this speaker is certainly an improvement on its predecessor, though, thanks to a curvier look – it’s not quite as blocky or clumsy looking in my view. But something that’s going to be divisive here is this speaker’s hefty nature. It’s a whopping 19.2lbs / 8.7kg, meaning it’s even weightier than the already heavy Stormbox Blast – an achievement in itself.

But there are some more practical elements to its design, including a USB-A port for charging external devices, the choice to charge with an AC adapter or USB-C cable and an incredible 30 hour battery life. There’s no voice assistant once more, meaning you won’t be able to bark orders or take calls hands free and there’s no option to connect over Wi-Fi either – perhaps to be expected at this price point – but overall, this is a well-designed speaker with plenty of nifty features to keep you entertained.

So, then, is the Tribit Stormbox Blast 2 worth its $299 / £257 (about AU$490) price tag? I’d say so. The true highlight is its excellent bass output, which is perfect for elevating the atmosphere at a house party or similar setting. It's a heavy beast and audio quality takes a bit of a dip at top volumes, but these issues aren’t dealbreakers as far as I’m concerned. In terms of value, it’s hard to look past the original Tribit Stormbox Blast, which you can grab for around $150 / £150 on sale, but if you want the additional power and karaoke functionality, I can certainly recommend the Tribit Stormbox Blast 2.

Left passive radiator and LED light strip on Tribit Stormbox Blast 2 — (Image credit: Future)

Tribit Stormbox Blast 2 review: price and release date

$299.99 / £257 (about AU$490)
Launched in October 2024

The Tribit Stormbox Blast 2 was released in October 2024 and carries a list price of $299.99 / £257 (about AU$490). However, I’ve already spotted it going for a little bit less. For instance, at the time of writing, the Stormbox Blast 2 is on sale for less than $240, so it’s worth keeping an eye out for price cuts.

At the $200-$300 range, the Stormbox Blast 2 is something of a mid-range option. It’s certainly not the cheapest Bluetooth speaker out there – the Anker Soundcore Boom 2, for instance – is often available for less than $100 / £100. But some similarly sized speakers can set you back significantly further. Take the JBL Boombox 3, for example, which commands a high list price of $499.95 / £373.

Tribit Stormbox Blast 2 review: specs

Tribit Stormbox Blast 2 review: features

Microphone ports
Generous 30 hour battery life
Customizable lights

There’s a lot to like when it comes to features on the Tribit Stormbox Blast 2. A lot of that comes down to the easy-to-use Tribit app, which opens the door to a bunch of options. For instance, there are a bunch of EQ presets: including XBass (which can be activated on the speaker) and genre specific options like Jazz or Rock. There’s also an X-3D preset for those seeking out more expansive, spatial audio. If you’d rather curate your own sound, you can save multiple personalized EQ calibrations and use a five-band equalizer to get your preferred tuning.

In addition, you can customize the lights on the Stormbox Blast 2 and set up three personalized looks. You can adjust which lights illuminate – including the side lights, light bars or middle light, which colors appear, brightness and whether they’ll flash to the rhythm of bass, treble or bass and treble. Alternatively, you can turn them off altogether if you’re hoping to save battery or want a more low-key listening sesh.

Speaking of battery, you get plenty here. You can expect as much as 30 hours of playtime if you listen at 50% volume with XBass and lights switched off. That will be more than enough to keep the party running into the early hours. In addition, this speaker can function as a power bank thanks to a USB-A output port. There’s a USB-C port for charging too, but it will take 12 hours to get to 100% using this, instead of the far superior 5 hours required when AC charging.

All of this is good and well, but there’s an elephant in the room here. Yes, that’s right, the Tribit Stormbox Blast 2 can double up as a karaoke machine. You can connect two microphones up with the 6.35mm wired ports, or just go wireless if you really want to show off. You can adjust volume and add reverb with built-in controls too. It’s worth noting, however, that there were no microphones to be found in the box here – you’ll need to purchase them yourself, separately.

There’s even more on offer with the Stormbox Blast 2 – an AUX port for wired listening, nice and up-to-date Bluetooth 5.4 connectivity and voice prompt options. Really, there’s not much I can criticize here. Tribit has again opted to exclude voice assistant compatibility with this model, which would be a nice-to-have feature at the least. And maybe I’d prefer the USB out port to be upgraded to USB-C for speedier external charging. But otherwise I was delighted with what the Stormbox Blast 2 had to offer. No moaning session required.

Features score: 4.5/5

Ports and karaoke controls under rubber tab on the reverse side of the Tribit Stormbox Blast 2 — (Image credit: Future)

Tribit Stormbox Blast 2 review: sound quality

Booming bass output
Decently clear mids and controlled highs
Not quite distortion-free at high volumes

As soon as I turned this giant of a speaker on, there was one thing that struck me instantaneously: gigantic bass, which hit with ground-shaking impact. Now, in part, that’s because the XBass feature – for enhanced low-end output – was on by default. I opted to switch this off to start with, however, so I could get a slightly more balanced sound out of the Stormbox Blast 2. And sure enough, I kept this speaker in the XBass Off EQ preset for the majority of testing, as it provided a huge helping of bass without overshadowing other sonic elements.

I started my testing by listening to Diamonds On the Soles of Her Shoes by Paul Simon and the bass thump was extremely rhythmic and deep. However, vocals were still nicely defined in the mix and the looping guitar riff running throughout had a pleasing degree of subtlety. Similarly, when tuning into Disco Ulysses by Vulfpeck, I found the decay of snare hits to be agile and the tone of the choppy electric guitar to be accurate at mid-volumes. The commanding, groovy bassline was deliciously deep and high-pitched piano trills were separated nicely, making for a surprisingly nuanced, cohesive and straight up enjoyable listen.

Despite offering solid all-round audio, it really is about bass with this speaker. I could make out every deep, dark note in The Boys Are Back In Town by Yung Gravy – something that a lot of cheaper competitors won’t be able to accomplish. And with XBass on, the imposing boom of the track’s sub-bass was mesmerizing – still, I’d recommend using this feature sparingly as it’s very bass dominant.

More generally, you’ll struggle to find a similarly-sized competitor that can outdo the Stormbox Blast 2 in the bass department, but I tried putting it side-by-side with the Earfun UBoom X for comparison. I sifted through a ton of House tracks, such as Relentless by Grant Nelson, but the UBoom X was no match for the Stormbox Blast 2, which had more controlled, deep low-end output, as well as better overall balance. Specifically, percussion and intermittent vocals were slightly muffled with the UBoom X, with its domineering bass taking all of the limelight, whereas the Stormbox Blast 2 offered more adept separation, despite maintaining well-needed emphasis on the low-end.

You won’t experience perfect audio output with the Tribit Stormbox Blast 2, however. At high volumes, clarity can take a slight dip. For instance, I listened to I Want You by Moloko – which had intoxicatingly deep bass and breathy vocals when listening at low-medium volumes, but when I cranked things all the way up to 90-100%, the soundstage got a little bit bloated, with sounds in the mid-range and low-end getting slightly muddied. I didn’t experience tinny or abrasive audio, however, not to mention the fact that this speaker gets extremely loud, meaning you’ll rarely listen with volume turned up this high.

Given its not-so-budget price, some may also hope to find ‘hi-res’ audio codec here, such as LDAC for Android users. However, there’s no such thing available with the Stormbox Blast 2, which only supports SBC – not even AAC. Don’t let that put you off, though, as plenty of budget audio tech includes fancy codecs, but with little to show in terms of quality.

This Bluetooth speaker combines an 80W subwoofer with dual 45W mid-range drivers and 15W tweeters. That means you’ll be able to get a maximum power output of 200W here, that’s if you’re using it while connected to a power source – otherwise you’ll get 180W. Either way – it gets loud, really loud. So much so, that you almost certainly won’t need to double up for added volume – though pairing to a second model is handy for those seeking out stereo sound.

Ultimately, this is intended to be a party speaker and it serves that purpose incredibly well. You get ground-shaking, yet well-regimented bass and enough loudness to send your neighbors into a frenzy. And although you won’t get the most detailed listen in the world, especially at top volumes, that’s a pretty small sacrifice to make for the boom that will bless your eardrums.

Sound quality score: 4.5/5

'Tribit' written on the front of the Tribit Stormbox Blast 2 — (Image credit: Future)

Tribit Stormbox Blast 2 review: design

Still chunky, but more curved this time around
Lights look classier too
IP67 rated

When we reviewed the original Tribit Stormbox Blast, design appeared to be its Achilles heel. Why? Well, our reviewer wasn’t a huge fan of the in-your-face LED lights or chunky build – fair enough. So, does the Stormbox Blast 2 make up for such shortcomings? Well, sort of.

The LED lights haven’t disappeared, but I’d argue that they look a bit classier this time around. The side bars go for a smoother look, rather than LED strips reminiscent of health bars. And generally, the lights illuminate this speaker’s drivers nicely while syncing up to audio output, making for a more immersive, exciting listening experience. If you still aren’t a massive fan, you can turn them off and save yourself some battery life – win-win, right?

As far as build goes, this is still a very hefty and, admittedly, fairly plasticky speaker. It’s not got the most gorgeous looks to its black casing and has a decently chunky handle once more, perhaps to be expected given its weight. However, this time around, you’re getting a smoother design overall. The speaker has a more curved look, making it far sleeker than its predecessor. The bass radiators still don’t go crazy, unlike those on the JBL Xtreme 4 for instance, but they do rumble when things get bassy.

So, you do get an upgrade in the looks department, but you also get a highly practical product. The Stormbox Blast 2 is a step-up on its IPX7 predecessor – this one’s IP67-rated, meaning it now has a high dustproof rating and can compete with some of the best waterproof speakers. That makes it a great candidate for beach-side listening, for instance, while its waterproofing also means it can withstand being submerged under a meter of water for up to 30 minutes – pretty cool, right?

And to top it all off, the Stormbox Blast 2 has some nifty controls and ports built-in. There are buttons for adjusting power/volume, pairing with another speaker and toggling XBass/Lights on and off. Behind a rubber panel, you can access the charging and microphone ports, as well as karaoke controls. This speaker really does have it all.

Design score: 4/5

Handle and button controls of the Tribit Stormbox Blast 2 — (Image credit: Future)

Tribit Stormbox Blast 2 review: value

More of a mid-range price tag
Significantly more pricey than the original Stormbox Blast
But for the audio quality and features on offer, it’s still worth it

I’ll get to the point, you can find plenty of rival speakers for considerably less than the Tribit Stormbox Blast 2. This is no budget option, carrying a list price of $299.99 / £257 (about AU$490). There are a ton of large options available for around $100 / £100, such as the aforementioned Earfun UBoom X and Anker Soundcore Boom 2.

But will they offer as much quality and versatility as the Stormbox Blast 2? No, not in my view. There’s the obvious – this speaker can double up as a karaoke machine if you want to belt out some of your favorite tunes. But there’s also the fact that this model delivers more regimented, powerful bass, cleaner all-round audio and a rock-solid build.

Those factors make it worth the extra cash in my view and if you can catch it for closer to $200 / £200 in a sale, you’re getting excellent value for one of the best party speakers around. It is worth noting, however, that its excellent predecessor can be found for around $150 / £150 – that’s an incredible deal well worth considering if you’re not all-in on karaoke and don’t need quite as much power output.

Value score: 4/5

Reverse side of the Tribit Stormbox Blast 2 — (Image credit: Future)

Should I buy the Tribit Stormbox Blast 2?

Buy it if...

You want to take your parties to the next level
If you’re looking for a big and bold party speaker, it’s not going to get much better than the Tribit Stormbox Blast 2. With phenomenal bass output and excellent battery life, you’ll keep everyone moving into the early hours, without needing to charge this speaker up.

You’re looking for a durable speaker that can brave the elements
The Tribit Stormbox Blast 2 has an IP67 rating, meaning it's well protected against water and dust. It’s also got a solid build and heavyweight feel that will make it hard to break down over the years.

Don't buy it if...

You want an incredibly detailed listen
The audio on offer from the Tribit Stormbox Blast 2 is often impressive, but it’s not going to offer you the most elegantly balanced, nuanced sound on the market. If you’re willing to lose a bit of that low-end power, you’ll have plenty of high-grade options to choose from, including the Bose SoundLink Max – see ‘Also Consider’ for more on this.

Portability is the most important thing for you
Let’s not beat around the bush: this is one chunky lad. At 19.2lbs / 8.7kg, you should take the term ‘portable speaker’ with a pinch of salt. Seriously, this thing takes quite a bit of work if you’re taking it for a long walk. A whole host of competitors are considerably lighter – take the Anker Soundcore Boom 2, for instance, which is just 3.66 lbs / 1.67kg.

Tribit Stormbox Blast 2 review: also consider

Earfun UBoom X
If you’re looking for a bass-heavy Bluetooth speaker but the Stormbox Blast 2 is a little bit out of budget, the Earfun UBoom X is a very solid alternative. Bass isn’t as controlled or imposing here, but it’s still very impactful. You also get excellent EQ options, a whopping 30 hour battery life and IP67-rated build. Not bad at all! Read our full Earfun UBoom X review.

Bose SoundLink Max
This robust Bluetooth speaker may cost a tad more than the Stormbox Blast 2, but you’ll still get plenty of bang for your buck. The Bose SoundLink Max plates up big and punchy yet deft audio, a beautiful design and Class D amplification. It’s not quite as big and booming as the Stormbox Blast 2, but if you want a more technical listen and subtle look, this may be more up your street. Read our full Bose SoundLink Max review.

Tribit Stormbox Blast 2 review: how I tested

Tested for one week
Mainly used in our music testing space at Future Labs
Predominantly tested using Tidal

I listened to the Tribit Stormbox Blast 2 for hours on end in our music testing space at Future Labs. During my time with the speaker, I played a ton of tunes from my own music library as well as tracks from the TechRadar testing playlist, which I use to assess performance across a variety of genres. When listening to music, I connected to the Stormbox Blast 2 with the Samsung Galaxy S24 FE and mainly played songs via Tidal.

In addition, I listened to a podcast on Spotify and watched video content on YouTube in order to judge vocal clarity across different platforms. When appropriate, I used the Earfun UBoom X to compare audio quality, design elements and usability.

First reviewed: January 2025
Read more about how we test

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