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PSB Alpha iQ speakers review: an all-in-one wireless hi-fi wonder

11:00 pm | December 17, 2023

Author: admin | Category: Audio Computers Gadgets Hi-Fi Speakers | Tags: HDMI | Comments: Off

PSB Alpha iQ: One-minute review

The Alpha iQ from Canada’s PSB Speakers is the company’s first active-streaming model: a very compact bookshelf design that nevertheless produces superb sound with surprising dynamic and bass abilities. Like other examples of the best wireless speakers, On-board Wi-Fi, USB, and aptx HD Bluetooth give users plenty of streaming options, and it uses the BluOS ecosystem for multiroom playback and control.

The BluOS Controller iOS/Android app (MacOS and Windows versions are also available) used by the Alpha iQ is highly capable but occasionally quirky to navigate, though AirPlay and Roon (the Alpha iQ is “Roon Ready”) provide further streaming options. The iQ also has a turntable-ready phono input and an HDMI eARC port for the best TVs, so connection flexibility here is excellent.

Listeners who value accurate, true-to-life musical sound will be well pleased, though those seeking maximum head-bang-per-buck may be disappointed. Nonetheless, the Alpha iQs are more than ready to fill any up to solidly medium-sized room with convincing levels of lifelike musical sound.

PSB Alpha iQ wireless speakers — (Image credit: Future)

PSB Alpha iQ review: Price & release date

Released September 2022
Priced at $1,299 / £1,099

The PSB Alpha iQ was released in September 2022 and is available in the US, UK, Europe and directly from the PSB Speakers website. At the time this review posted, the price for the Alpha iQ had dropped to $999 in the US.

PSB Alpha iQ review: Specs

PSB Alpha iQ wireless speakers back views — Hardwired connection options include HDMI eARC, MM phono, 3.5mm analog and a subwoofer output (Image credit: Future)

PSB Alpha iQ review: Features

Powered speaker pair
HDMI eARC and phono inputs
BluOS app used for setup and control

The Alpha iQ’s two speakers are not identical, though each builds in a pair of amplifiers, of 30 and 60 watts respectively, for the tweeter and woofer. But the “secondary” speaker has no rear-panel features at all beyond an IEC power-cord socket and a pinhole reset-button access. All connections are on the main speaker, which can be assigned left or right status at setup, while the secondary speaker receives a digital signal wirelessly from its mate. (I could not find official word on the Alpha iQ’s internal or inter-speaker resolution, but believe it to be 24-bit/192 kHz.) The crossovers, driver EQ, and smart limiting are DSP-based.

Inputs on the main speaker include HDMI eARC, phono (moving-magnet cartridges only), an optical digital audio port, and a 3.5-inch stereo minijack input. Other connections include a subwoofer output, Ethernet network port, a USB port, and an AC power input.

A small play/pause/skip touch-panel is handsomely set into the main speaker’s top panel. No remote control is provided, as it is presumed that the BluOS app will serve as the primary user interface. This puts the BluOS app, which bakes in access to every major streaming service (and quite a few more) and is also required for installation and setup, front and center.

The new BluOS 4.0 app that’s used for streaming and control of the Alpha iQs proved a very worthwhile update – really, an overall re-design. Where I found the previous BluOS version to be occasionally confusing, and needlessly (I thought) complicated, 4.0 proved simpler, smoother, and altogether more logically laid out and organized.

That said, this is a review of the Alpha iQ speakers not of the BluOS app, so I’ll be brief. The new BluOS app’s Home Screen shows your most-used sources or services, recent stations, and a quintet of icons across the bottom to select Favorites, Music (streaming services, inputs, or network “shares”), Players (you might have multiple BluSound speakers or components in different rooms), and a Search panel.

Navigation is fairly straightforward – much more so, in my view, than the earlier versions of the app. A “now playing” bar across the bottom, which shows the current player, track and scrolling title data, a mini album-art panel, and play/pause and volume buttons. This last is a two-step process; you must first touch the Volume icon, which switches to a volume slider that you can then adjust.

Features score: 5/5

PSB Alpha iQ wireless speakers app screens — Screenshots of the BluOS app used to control streaming and speaker setup (Image credit: Future)

PSB Alpha iQ review: Sound quality

Natural sound balance
Stable and precise stereo imaging
Finite level and bass extension

The PSB Alpha iQs scored highly when it came to sound quality. Both male and female vocals were consistently natural and projected well out into the listening space. The little Alphas also went to about 45 Hz or so with honest tonality and definition. For example, on a track like Bonnie Bramlett’s rendition of the standard “Cry Me a River,” the low “F” in the bass guitar (about 44 Hz) was solid, but the low “C” below it was audibly a bit lighter when compared directly to a much larger, fuller-range speaker.

Classical chamber music and small-combo jazz were unmitigated delights, and even orchestral recordings (Stravinsky) and reference-grade rock (Steely Dan) sounded suitably big, balanced, and impressively detailed and defined, with tight, stable stereo imaging, and plenty of output. Volume, however, was finite: when asked for more, the Alpha iQs simply failed to increase loudness, while their onboard “smart” limiting and equalization forestalled any audible distortion.

Connecting a powered subwoofer to the Alpha iQ's sub output automatically applies a high-pass filter at 80 Hz, which achieves two advantages. First, it extends system response downwards to the capability of the sub; second, it removes the burden of reproducing deep bass from the little Alpha iQs, yielding a significant gain in overall clean level.

With my everyday subwoofer connected, the Alpha iQs became the crux of a full-range, full-level system, one that proved entirely capable of delivering a big, demanding recording like Charles Ives’ “A Concord Symphony” (the “Concord” piano sonata brilliantly orchestrated by the late Henry Brant) with visceral impact, breadth, and deep, reverberant, symphonic-bass-drum thwacks.

Imaging was fairly “tight.” By that I mean it didn’t expand much beyond the speakers or deliver an exaggerated illusion of front-to-back depth, but it was very precise in locating instruments and voices on the soundstage, and in projecting centered voices or soloists well out into the room.

Partly inspired by this trait, I tried the Alpha iQs for a bit as desktop speakers. Despite the fact that they’re a little big for such deployment, they sounded terrific up close this way, with generally fine accuracy and a more dramatic, close-in stereo effect. But the PSBs suffered a bit from a more blousy mid-bass and slightly congested vocal range, likely due to sonic reflections from the desk and computer monitor screen surfaces. The lack of any DSP equalization for such placement, as many similar designs incorporate, was a missed opportunity here.

I briefly used the HDMI eARC input to confirm operation with my Sony OLED TV, which worked as expected. I also spun a few LPs from my classic Rega Planar turntable with its equally classic Shure V-15III moving magnet cartridge doing the honors, and this sounded as excellent as I expected. And as already mentioned, connecting my compact sub to the Alpha iQ’s subwoofer output transformed the little PSBs into a full-blown, full-range, high-end experience.

Sound quality score: 5/5

PSB Alpha iQ wireless speakers close up of top surface — Top panel controls for volume adjustment (Image credit: Future)

PSB Alpha iQ review: Design

Compact bookshelf design
Blue, orange, yellow, black or white matte lacquer finishes
2-way “tweeter under” configuration

The PSB Alpha iQ speakers are compact-bookshelf size and borderline small enough for desktop use. They are available in blue, orange, yellow, black or white matte lacquer finishes. My black pair showed first-rate fit and finish and attention to detail.

The Alpha iQs have an unusual, “tweeter-under” design, meant to be located “upside-down” with the 4-inch woofer above the 0,75-inch tweeter to direct the “in-phase lobe” (i.e. the best-balanced sound) to the listener’s ears. With a multi-color LED integrated into the tweeter, and slim bright-work accent rings around each driver, it’s a very handsome rig. The cabinets are vented by rear-panel ports (the rear panel and front baffle are aluminum, while speaker’s top, bottom, and sides are the usual MDF wood-composite).

Design score: 4/5

PSB Alpha iQ review: Value

Pricier than similar options
Can accommodate both analog and streamed sources
Added value if already in BluOS ecosystem

The PSB Alpha iQs are relatively pricey compared to similar options such as the SVS Prime Wireless Pro ($899.99) and Elac Debut ConneX ($399.98). Both the PSB and SVS feature an array of digital and analog inputs for connecting external sources, including HDMI ARC for a TV connection, and the SVS also features DTS Play-Fi for high-res multiroom streaming.

Where the PSB shows its value is in its excellent BluOS streaming and control app, wide-ranging connectivity, and great overall sound quality. The compact wireless streaming speakers category is a competitive one, however, with basic streaming-only options from brands like Sonos and Apple eating up much of the pie, so the ultimate value of the Alpha iQs will primarily lie in how sold you are on the BluOS app and ecosystem.

Value score: 3.5/5

PSB Alpha iQ wireless speakers on table with turntable — (Image credit: PSB)

Should you buy the PSB Alpha iQ?

Buy it if…

Don't buy it if…

PSB Alpha iQ review: Also consider

PSB Alpha iQ review: How I tested

Tested with music streamed via BluOS app from Qobuz, Tidal and other services
Auditioned in same studio as several compared speakers and in “desktop audio” setup
Tested over several weeks, listened to for more than 20 hours hours total

I had the PSB iQ pair for well over a month, and used them for casual music and TV audio for a week-plus before critical auditions. I played music via BluOS from Qobuz, Tidal, Apple Music/Classical, and my own local music file library, including both high-resolution and standard-rez/lossless sources. I also (briefly) streamed via Bluetooth from my iPhone XS and (also briefly) LPs from a decades-old but still-capable Rega Planar turntable.

I had several active and passive speakers, including my long-term Energy Veritas 2.2 monitors, SVS Prime Wireless, and KEF LS-60 in the same studio for direct comparison.

You can read TechRadar's review guarantee here.

First reviewed: December 2023

Bang & Olufsen Beolab 8 review: a luxury high-end speaker with a premium price to match

8:00 pm | December 16, 2023

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Comments: Off

Bang & Olufsen Beolab 8: Two-minute review

The Bang & Olufsen Beolab 8 is, in many ways, about as Bang & Olufsen a product as it’s possible to imagine. As far as its broad functionality is concerned, it’s ‘just’ a wireless speaker with a fairly unremarkable specification (if you ignore the ‘Mozart’ platform that offers a degree of technological future-proofing). It doesn’t do anything that any number of more affordable alternatives can do.

What very few alternatives can do, though, is look quite so decorative, so elegant and, yes, so expensive while they’re doing, though – in fact, I can really only think of Devialet’s ‘Phantom’ range of speakers that have anything like the visual drama of the Beolab 8. So if you want a speaker that looks, as well as sounds, the part, stick with me…

Play to its strengths and the Beolab 8 is an energetic and energising listen, able to balance considerable attack against deft detail resolution with real skill. Where the most visceral aspects of music-making are concerned, this Bang & Olufsen is one of the best wireless speakers around. If you try to lumber it with some more soothing, less lively content, though, you’ll find it’s rather intolerant. And no matter what you listen to, don’t listen to it at big volumes – that can skew the speaker’s sonic balance a little.

There’s an elephant in the room, though – and just because it was introduced early on, that doesn't make it any less elephant-like. The Bang & Olufsen Beolab 8 is stunningly expensive compared to the best wireless speakers, which means you’ll have to do some negotiating with yourself before any of the other stuff becomes a consideration…

Bang & Olufsen Beolab 8 review: Price and release date

The Bang & Olufsen Beolab 8 on a table — (Image credit: Future, Simon Lucas)

Release date: November 2023
Price: $2,749 / £2,199 / AU$4,499

The Bang & Olufsen Beolab 8 is on sale now, and it sells for a minimum of $2,749 in the US, £2,199 in the UK and AU$4,499 in Australia. That’s for the ‘natural’ aluminium chassis with grey ‘mélange’ grille and table-stand though.

Things being what they are at Bang & Olufsen, of course, it’s possible to spend plenty more than this if the fancy takes you. The version I’m testing, for instance, is in ‘natural’ aluminium with slatted natural oak cover and table-stand – and it sells for £2,699 in the UK.

It’s worth noting that the Beolab 8 has very little price-comparable competition, even at its most affordable. It’s really only Devialet (a company just as distinctive as Bang & Olufsen, at least in some ways) and its bonkers Phantom wireless speaker that competes in anything like the same area of the market.

Bang & Olufsen Beolab 8 review: Features

Bang & Olufsen Beolab 8 app screenshots — (Image credit: Future, Simon Lucas)

300 watts of Class D power
24bit/192kHz DAC
Wired and wireless connectivity

As seems only reasonable, given the asking price, the Beolab 8 is a sensibly and thoroughly specified device. Your options for getting audio content on board, for instance, are numerous. There are wired and wireless options available, naturally. Dual-band wi-fi and Bluetooth 5.3 (with SBC and AAC codec compatibility) take care of the wireless stuff, and you also get the option of Apple AirPlay 2, Chromecast and the ‘Connect’ versions of both Spotify and Tidal.

On top of this, the control app features access to Bang & Olufsen Radio, which brings a huge number of broadcasts from around the world into the Beolab 8’s orbit. There’s DLNA compatibility too, so any content on a local server is available too. Wired connectivity runs to a couple of Ethernet sockets and a USB-C input, all of which are just slightly fiddly to access at the rear of the cabinet.

No matter how you access your content, though, it’s pored over by a DAC chipset of 24bit/192kHz resolution and compatibility with most worthwhile file formats. It’s then delivered by a 15mm tweeter, 76mm midrange driver and 136mm bass unit – the Bang & Olufsen has a total of 300 watts of Class D power available, with the bass driver taking 200 watts of that and the remaining 100 watts divided equally between the other two drivers.

Before you get to the point of actually listening to music, though, the Beolab 8 would like to optimise its performance to your specific environment. There’s an ‘advanced room compensation’ routine available in the control app - it takes next-to-no time to maximise the output of the speaker. ‘Adaptive bass linearization’ [sic] does something similar, but with greater emphasis on the possibly problematic low frequencies. After that, it’s simply a question of deciding which of the ‘beam width control’ options (‘wide’ or ‘narrow’) you prefer – and then you’re in business.

During the early part of 2024 Bang & Olufsen will introduce a feature of interest to those who are running a couple of Beolab 8 as a stereo pair. ‘Fluid sweet spot’ intends to use the position of your smartphone to optimise the stereo image to suit, which sounds like an intriguing idea.

The Beolab 8 is built on Bang & Olufsen’s increasingly ubiquitous ‘Mozart’ platform, which gives it compatibility both forwards and backwards. Because the platform is adaptable and modular, the Beolab 8 has been proactively designed to be easily upgradable to take account of new technologies not currently on the radar. And because ‘Powerlink’ is part of the ‘Mozart’ platform, the Beolab 8 is compatible with Bang & Olufsen audio and video products dating back three decades and more.

Controlling the Beolab 8 can be done in a couple of (well-implemented, reliable) ways. The glass top-plate is home to some illuminated capacitive touch controls – they’re woken by a proximity sensor. Here you can take care of ‘play/pause’, ‘volume up/down’, and ‘skip forwards/backwards’ - and it’s also where you can access your four presets, and where you can initiate Bluetooth pairing.

The real action, though, lies with the Bang & Olufsen control app that’s free for iOS and Android. It remains one of the more useful and better-looking examples of its – and it covers every eventuality. For instance, EQ adjustment is available both via ‘bass’ and ‘treble’ sliders and via the lovely ‘target’ graphic alternative. Playback controls, software updates, forming a stereo pair or creating a multiroom system, running the ‘room compensation’ calibration routine, accessing presets, switching between ‘wide’ and ‘narrow’ sound dispersal characteristics… you name it, the app has it covered.

There’s no voice control available here, though. Given how effective the control app and the touch controls are, it’s not a massive miss - but then again, I can’t help but think that All This Money ought to buy as many niceties as are available…

Features score: 4.5 / 5

Bang & Olufsen Beolab 8 review: Design

A close-up of the Bang & Olufsen Beolab 8 — (Image credit: Future, Simon Lucas)

290 x 189 x 165mm (HxWxD)
4.1kg (without stand)
Several stand options

Obviously, whether or not you enjoy the design of the Beolab 8 is very much a matter of taste. But there are some aspects of ‘design’ I feel able to discuss without fear of contradiction.

For instance, there’s no arguing with the impeccable nature of the way this speaker is built and finished. It’s hard for a piece of audio equipment of this sort of size to justify its asking price where the look (and, for that matter, the feel) is concerned, but Bang & Olufsen has nevertheless given it a shot. At 290 x 189 x 165mm (HxWxD) the Beolab 8 is big enough to look purposeful, but small enough to be either decorative or discreet depending on your preference.

As mentioned, the £2,199 I quoted at the outset buys you a speaker in ‘natural’ aluminium with a grey ‘mélange’ grille, sitting on a table-stand. Of course, you may prefer the slatted oak grille of my sample (it’s a finish that features on quite a few Beolab models) - this can be yours along with the ‘natural’ aluminium finish for £2,699. This is also the price that ‘gold tone’ with light oak grille or ‘black anthracite’ with dark oak grille will set you back.

There are also options where stands are concerned. A wall bracket and a floor stand are both available - and both make a lot of sense if you’re running a stereo pair of Beolab 8 or (for the extraordinarily well-heeled) using them as rear speakers in a surround-sound set-up. The wall bracket (which can also be a ceiling bracket) adds £100 to the price, the floor stand is an extra £200.

Design score: 4.5 / 5

Bang & Olufsen Beolab 8 review: Sound quality

Close up of speaker in the Bang & Olufsen Beolab 8 — (Image credit: Future, Simon Lucas)

Detailed, energetic sound
Good low-frequency presence and control
Can get a little toppy at volume

Has your Beolab 8 calibrated itself to your specific environment? Have you experimented with ‘wide’ and ‘narrow’ beam width? Investigated your B&O Radio preferences and given the control app access to all the music you have stored on a common network? Well then, you’re good to go.

A 24bit/96kHz FLAC file of Los Campesinos’ You! Me! Dancing! gives the Beolab 8 ample opportunity to explain a fair bit about the way it goes about things, and the news is almost entirely positive. From the get-go, the Bang & Olufsen strikes a balance between ‘forcefulness’ and ‘deftness’ that brings the song vividly to life.

It summons impressive low-frequency presence, for example. Bass sounds are deep, properly shaped and textured, and carry plenty of fine detail regarding tone and timbre along with a serving of straight-ahead punch. Control of the bottom end is good, which means rhythmic expression is confident, and the speaker maintains the momentum of the recording in fine style. Bass sounds stay carefully in their lane, and leave the midrange alone to get on with doing its thing without sticking their oar in.

‘Its thing’ turns out to be communicating in a pretty direct and eloquent style. There’s an absolute stack of character and attitude in the tune’s vocal line, as well as some endearingly approximate technique, and the Beolab 8 makes it plain without sounding in any way analytical or judgemental - it’s an engaged and engaging listen where singers are concerned, and it allows a stack of detail to emerge. There’s an articulacy to the way the Bang & Olufsen handles the midrange that’s by no means a given in any speaker – even one as optimistically priced as this one.

The story is similar at the top of the frequency range, at least where detail levels, control and insight are concerned. The top end attacks with crisp determination - there’s about as much brightness to treble sounds as is acceptable, but unless you’re really pressing on in terms of volume everything remains disciplined. If you enjoy bigger volumes, though, the top-end reproduction here gains quite a lot of ill-deserved confidence, and the result is a skewing of the frequency balance towards the top - and there’s hardness and edginess there as a result.

The entirety of the frequency range is quite smoothly integrated, with scant suggestion of handover at any of the crossover points. The Beolab 8 is a quite spacious and well-defined listen, able to describe space between the competing elements of a recording while maintaining focus at the same time. Dynamic headroom is considerable, and the distance it’s capable of putting between the quietest and the loudest moments in a recording is considerable. It’s similarly attentive to the more minor, but no less significant, dynamic and harmonic variations apparent when listening to an unaccompanied voice or solo instrument.

There’s a definite sensation of directness and positivity to the sound the Beolab 8 makes, no matter the attitude of the music it’s playing. In most circumstances, this works just fine - it’s not as if the speaker is feral in its delivery, but it most certainly knows how to attack. On occasion, though, its determination to impose its ‘up-and-at-’em’ attitude bumps up against recordings that require a gentler, less forthright touch - something like a 24bit/96kHz FLAC file of Arooj Aftab’s Last Night, for instance - and the result is a compromise that doesn’t really suit either party.

Sound quality score: 4 / 5

Bang & Olufsen Beolab 8 review: Value

Bang & Olufsen Beolab 8 from above — (Image credit: Future, Simon Lucas)

Priced beyond its performance...
...but Bang & Olufsen customers tend not to mind
Looks as distinctive as it sounds

Obviously you can buy comparable sound quality for a fair bit less than this. So the question of ‘value’ really rests on how much you enjoy the Beolab 8 aesthetic, and how much you admire Bang & Olufsen’s commitment to premium materials and individualistic design (as well as its determination to make its products both future-proof and compatible with its older models).

Value score: 3.5 / 5

Should I buy the Bang & Olufsen Beolab 8?

Buy it if...

Don't buy it if...

Bang & Olufsen Beolab 8: Also consider

How I tested the Bang & Olufsen Beolab 8

Tested in different positions in my home
Tested with a variety of digital audio file types…
…and with a variety of genres of music

I used the Beolab 8 for well over a week, and it occupied quite a few different positions in my home during that time - always on its table stand, of course. As the review makes plain, this speaker has its preferences as regards the type of music you ask it to play - but it turns out to be admirably unfussy about the quality, or resolution, of the digital audio information you feed it. And as long as you don’t position it on a shelf with another shelf directly above, it’s not all that bothered about where you place it, either.

Edifier NeoBuds Pro 2 review: Three-minute review

Edifier might not be a household name but if the Edifier NeoBuds Pro 2 are anything to go by, then the firm really needs to garner more attention. Available for £129.99 / $129.99 / AU$229.99, the Edifier NeoBuds Pro 2 are deceptively cheap for a feature set that includes active noise cancellation, hi-res audio support, Bluetooth 5.3, and a snazzy looking app and case. They must be fairly poor, right? Wrong.

While the Edifier NeoBuds Pro 2 struggle with some very middling battery life that's bordering on not good enough, everything else about them is impressive. When it comes to ANC quality, I don't even mean impressive for the price, I mean good for any of the best noise cancelling earbuds.

Walking along a busy road and barely hearing a thing is the dream. It's possible to hear that there is traffic flying past, but it's entirely background noise and doesn't detract from what you're listening to in the slightest.

Alongside that, the Edifier NeoBuds Pro 2 sound great with the 10mm dynamic driver paired with a balanced armature driver ensuring they sound balanced. Crisp sounds as you listen to the latest from Taylor Swift right back to some soothing classical music all ensures the Edifier NeoBuds Pro 2 are a delight.

App support means you can adjust things via the EQ which is nice but not necessary for anyone other than the most avid of audiophiles. If you want a little more punchiness though, you can't go wrong with the Dynamic Mode which worked well with Muse's back catalogue.

With ANC enabled, even with the charging case, you'll only be able to listen for about 16 hours at the absolute most which isn't great but that's a small bugbear for most people and one that I'm willing to accept at this price point.

Similarly, the look of the Edifier NeoBuds Pro 2 is a little Star Trek: The Next Generation ish rather than as sleek as some competitors like the Apple AirPods Pro 2, but these are still a bargain that richly deserve a place among the best wireless earbuds.

Edifier NeoBuds Pro 2 review: Price and release date

Edifier Neobuds Pro 2 in case — (Image credit: Future)

Released in August 2023
Officially priced at £129.99 / $129.99 / AU$229.99

The Edifier NeoBuds Pro 2 was released in August 2023 for $129.99 in the US, £129.99 in the UK and AU$229.99 in Australia. The earbuds are currently available in the US, UK and Europe.

Two color choices are available – either black or ivory. Fairly ordinary colors, either could end up discounted at some point but the Edifier NeoBuds Pro 2 are very shrewdly priced already.

Outside of sales, the Edifier NeoBuds Pro 2 are roughly similarly priced to the Sony WF-C700N at $119 / £99 / AU$199 and the standard Apple AirPods with a wired charging case (although these are often discounted). Notably, the standard AirPods lack ANC although the Sony earbuds still offer it.

Edifier NeoBuds Pro 2 review: Specs

Edifier NeoBuds Pro 2 review: Features

Edifier Neobuds Pro 2 case — (Image credit: Future)

Wear detection
Great app
No multipoint support

The Edifier app is one of the best around with all the features you could want. That includes adjusting different levels of ANC to your liking, setting up head-tracking and tweaking the EQ. You can even change the color of the LED on the charging case which is a cute touch.

The Edifier NeoBuds Pro 2 also offer wear detection which is mostly very accurate. Once in a while, I found it not detect me removing the buds from my ears but for the most part, it was a delight to put them in and have music kick straight back in.

There isn't multipoint support so you can't connect two devices at once but the Edifier NeoBuds Pro 2 remain ideal for your commute or keeping permanently hooked up to your phone. There's also Bluetooth 5.3 support to ensure no dropouts.

Features score: 4/5

Edifier NeoBuds Pro 2 review: Battery life

Up to 22 hours with ANC off/up to 16 hours with ANC on
15 minute quick-charge gives back 2 hours

The Edifier NeoBuds Pro 2 are fine when it comes to battery life but a little weaker than some of the competition. There's up to 22 hours including the case when ANC is disabled led but you'll likely want it switched on. Enabled and with Hi-res audio kicking in, you can see just two to three hours of playback with four hours usually experienced with ANC on.

Mileage will vary here and I didn't find it a dealbreaker as a pair of earbuds for the daily commute, but if you need to use them for extended periods, you may be disappointed by the Edifier NeoBuds Pro 2's performance.

Battery life score: 3/5

Edifier NeoBuds Pro 2 review: Sound quality

Edifier Neobuds Pro 2 charging port — (Image credit: Future)

Crisp audio
Great ANC
Adjustable EQ

The most exceptional thing about the Edifier NeoBuds Pro 2 is how good the ANC is. Wireless earbuds are rarely competing with the best noise-cancelling headphones given their design but I'd go so far as to say the Edifier NeoBuds Pro 2 felt class leading. Walking along a busy road, noise was easily cancelled out and reduced to being quiet background noise ensuring I could hear every moment of Taylor Swift belting out Bad Blood.

Via the app, there are plenty of noise cancellation modes to choose from depending on the situation. I mostly lived with them on the strongest setting but it was useful to be able to switch to milder levels or an ambient mode to hear the key details going on around you. A wind reduction mode was particularly useful in this part of the country where the wind seems to never calm down.

Similarly, out of the box, the Edifier NeoBuds Pro 2 sound good. The mids are crisp and the highs detailed with little issue here. Bass isn't booming but it feels smooth and punchy nonetheless. While bassheads may prefer an even louder response, it's a pretty balanced result here. Tracks like the reworking of Welcome to New York by Taylor Swift feel as exciting as it's meant to sound, making even the gloomiest of days feel a little livelier. Classics like God Only Knows have just the right amount of sparkle while feeling bright throughout.

There are adjustments that can be made via the app and they work well, particularly if you want to add more punchiness to your listening but mostly, there's no need to make any tweaks unless you truly feel in the mood.

The only minor issue comes from a soundstage that could maybe be a little wider but as detailed as it is, I'm not complaining. Add on the Hi-Res audio support with the latest LHDC 5.0 HD codec, and the Edifier NeoBuds Pro 2 are packing some hefty weight for the price.

Sound quality score: 5/5

Edifier NeoBuds Pro 2 review: Design

Angular case
Dated version of the future
Touch sensitive controls

Despite lacking the battery life of some earbuds, the Edifier NeoBuds Pro 2 have a fairly sizeable case. Angular in design, it'll take up more room in your pocket than other earbuds like the Apple AirPods. Despite all that room, there's no wireless charging with charging solely via the USB-C port.

There's also room for an LED light bar on the front with the app allowing you to choose from eight different colors. It's a little gimmicky but it pumps out more light than you'd expect, as I discovered while going for a dawn walk. Otherwise, the case isn't exactly good looking.

The earbuds themselves are fairly hefty too but that's beneficial as the tips ensure a balanced design that mean they fit snugly in your ears without ever feeling like they could drop out of your ears any time soon, even when running. It's not the most attractive of designs but it's certainly practical.

On the earbuds are a touch area for light touches and long presses. Thanks to the effective wear detection, you may find you don't need these very often but they're great for taking calls.

Design score: 4/5

Edifier NeoBuds Pro 2 review: Value

Edifier Neobuds Pro 2 design — (Image credit: Future)

Very competitively priced
Premium features for less

The Edifier NeoBuds Pro 2 are very shrewdly priced. The ANC is better than most along with other key features. Competition arises from the standard Apple AirPods which lack ANC or the Sony WF-C700N which are slightly cheaper.

Ultimately, the Edifier NeoBuds Pro 2 is punching above its weight making it great value if you don't mind slightly lesser battery life and other minor issues.

Value score: 4/5

Should I buy the Edifier NeoBuds Pro 2?

Buy them if...

Don't buy them if...

Edifier NeoBuds Pro 2 review: Also consider

How I tested the Edifier NeoBuds Pro 2

Edifier Neobuds Pro 2 in charging case — (Image credit: Future)

Tested over 10 days in many different situations
Listened against the Apple AirPods 3, Apple AirPods Pro 2, and Marshall Motif II
Listened to Apple Music, Spotify, YouTube videos and Twitch

The Edifier NeoBuds Pro 2 were my trusty companion over 10 days or so, replacing my usual earbuds.

That meant they were with me during each of my morning walks amongst the busy rush hour commute. They were also used walking around even busier areas where, normally, I wouldn't have been able to hear what I was listening to. To make matters noisier, I also dealt with some fairly strong winds and storms so it was a strong test of the earbuds' ANC.

Besides being worn for walks, I also used the Edifier NeoBuds Pro 2 on a couple of runs to check they fit snugly and securely.

During my evenings, I used them to watch Twitch streams and YouTube videos, while the daytime was mostly spent with Apple Music and Spotify to try out different types of music. Genres ranged from pop, jazz, classical, soundtracks, to a friend's album which wasn't as heavily processed as others.

I've been reviewing audio products for about 10 years now and am pretty picky with what sounds good as well as what feels right in my ears. It's always good to feel like you're rediscovering a favorite thanks to the earbuds you're using.

Read more about how we test

First reviewed in December 2023.

iFi hip-dac 3 review: delicious audio and features in a beautiful portable DAC

8:00 pm | December 9, 2023

Author: admin | Category: Audio Computers Gadgets Hi-Fi | Tags: DAC | Comments: Off

iFi hip-dac 3: Two-minute review

USB-C ports and Titanium finishes are just so hot right now – and nothing is more desirable than this cheeky little audio accessory next to your shiny new iPhone 15. Even if you don't have Apple's freshest-baked iPhone (or a smartphone toting a USB-C port) your music al-desko from your laptop or tablet is about to get a whole lot better.

iFi hip-dac 3's bid to enter our best portable DACs buying guide is a strong one: no sooner had Apple's quartet of iPhone 15 handsets rolled out in late September 2023 – a clutch of devices that finally ditched Apple's proprietary Lightning port in favor of USB-C as you doubtless know – a range of some of the best USB-C-toting DACs also arrived, wanting to turn your new iPhone into a hi-res audio music player.

But none of those looks more resplendent next to your iPhone 15 Pro or iPhone 15 Pro Max in Natural Titanium than iFi's hip flask-esque hip-dac 3. If Apple were ever to make a DAC, I wager Tim Cook's engineers would seek to deviate from the ice-white AirPods aesthetic in favor of this gorgeous hue. It is referred to by its UK makers as 'Titanium Shadow', because it was purported to "change tone in different lights, with hints of bronze and vintage gold." And this is true, reader; while photographing the thing I struggled to capture its occasionally buttery hues, but these are quite beautiful.

And it's not all TikTok-able looks! Merely a trifle it is not, this thing comes from strong stock. Allow your eyes to feast upon original 2019 hip-dac in 'Petrol Blue', plus the hip-dac 2 (which I helped review for TechRadar's sister publication, What Hi-Fi?) the color of which looks for all the world like a good single malt but is actually called 'Sunset Orange'. As the name suggests, hip-dac 3 is the third in a lineup of excellent hip-prefixed DACs. And this iteration is by far the best.

iFi hip-dac 3 held in hand on white background — Yes, it does look like a fine single malt should be involved (Image credit: Future)

What are you getting for the 2023 update, aside from my favorite finish yet? There are now two USB-C ports in its base; the right-hand side for charging (it glows different colors to denote current onboard battery capacity), and the other for audio, thus maintaining a dedicated audio input for the purest signal path, which also means you can use the hip-dac 3 while connected to the mains – and that is rare against the competition. For clarity, the previous two hip-dac generations used USB-A for audio, and in the first-gen model, it was quite a deeply recessed male USB so not all spare cables played nice with it.

There is an additional switch on the back of hip-dac 3’s casework now too, which grants you iFi’s IEMatch technology. It's a proprietary circuit designed to optimize the amp’s output to better suit high-sensitivity 3.5mm or 4.4 mm-ended headphones and earphones. Simply plug in your pickier 3.5mm or 4.4mm IEMs, flick the switch to 3.5mm or 4.4mm and you're away – particularly useful for some of the best wired headphones we've tested.

Ultimately, a standalone portable DAC's viability lies in whether it can make its supplementary presence worth it; you don't expressly need it (your iPhone has a tiny DAC in it, after all) but oh, once you've heard it, you'll struggle to go back to listening without it for detail, neutrality and clarity…

iFi hip-dac 3 review: Price and release date

Released October 6, 2023
Priced: $199 / £199 / AU$349

The iFi hip-dac 3 is selling for $199 in the US (thus making it the same price as the Helm Audio Bolt) which means it slips into iFi's considerable DAC lineup somewhere above the cheaper iFi Uno (yours for around $79 / £79 / AU$119) and below the flagship iFi xDSD Gryphon ($599 / £599 / AU$899).

It's worth mentioning that the inaugural February 2020 hip-dac retailed for $149 / £149 / AU$249 at launch, (and the hip-dac 2 cost $189 / £189 /AU$279) so there is an ongoing increase at play here – although it's a more palatable $20 / £20 hike rather than the $40 / £40 surcharge between the first and second iterations.

Now, in 2023 the market does not want for reasonably affordable USB DAC/headphone amps – everyone from Chord to Astell & Kern has something for you. None are built quite like this though and honestly, few sound like it either.

iFi hip-dac 3 review: Features

iFi hip-dac 3 detail of USB-C charging port, on black table — The dedicated USB-C charging port that also gives battery life is game-changing (Image credit: Future)

Dual USB-C ports plus 3.5mm and 4.4mm balanced headphone outs
384kHz PCM, DSD256 and MQA compatibility
IEMatch vastly reduces background hiss

Let's get granular (gran-u-lar! I wanna get granular…): hi-res PCM and DXD audio data is supported at sample rates up to 384kHz here, alongside DSD from 2.8MHz to 12.4MHz (DSD64, 128 and 256, aka a sample rate that's 256 times as high as a regular CD). Full decoding of MQA is also supported by the iFi hip-dac 3, performing the full ‘three unfold’ decoding process (as opposed to just the final unfold in the manner of an MQA ‘renderer’ – and yes, there is still plenty of MQA content available on Tidal).

While my pick of the 3 best wireless DACs can level up the quality of music from your phone, they cannot support these kinds of hi-res figures over Bluetooth.

On either side of the hip-dac 3's rotary volume control you'll find a pair of LEDs that change color to indicate the format and sample rate of the incoming audio, with seven different colors: yellow for PCM 44.1/48kHz, white for higher-res PCM files up to 3384kHz, teal for DSD 64/128, red for DSD 256, lime green for MQA, blue for MQA Studio, purple for original sample rate files (MQB).

Yes, this DAC wants to get overtly specific about your file (more specific than most rivals), although teal and lime are pretty similar, and of course, it's tough to keep that information in your noggin at all times.

Another point of note is that hip-dac 3’s USB-C audio input is asynchronous, meaning the data rate is regulated solely by the hip-dac 3’s specialized audio clock circuitry for accurate, jitter-free data transfer from the source device.

Including a separate USB-C port (I mentioned above but just to reiterate: you get two USB-C ports here) for charging maintains a dedicated audio input – ergo, you can still use the hip-dac 3 while charging it.

Why is the Southport UK firm's IEMatch tech a great feature? It reduces background hiss and enhances detail and dynamic range while increasing the useable range of the volume control, that's why.

You still get the fan-favorite XBass button too. All in all, it's hard to know what else iFi could've been thrown into the hip-dac 3 to make me like it more.

Features score: 5 / 5

iFi hip-dac 3 review: Sound quality

iFi hip-dac 3 held in a hand — (Image credit: Future)

Excellent detail and insight
Extra clarity through the leading edges of notes
Spacious and refined across the frequencies

If you're considering this DAC, I urge you to subscribe to one of the best music streaming services. Then, simply by plugging the iFi hip-dac 3 into your phone and tapping up the service’s app (I might nudge you to Qobuz or Apple Music – and away from Spotify here) means you'll hear that hi-res file as fully as possible.

And you're in for a treat at this level. A 24bit/96kHz FLAC file of Peter Gabriel's Sledgehammer has oodles of funk and showcases Gabriel's textured and smiling vocal with surgical skill, which is nonetheless given extra space to shine in an expansive mix. The playlist continues to Solsbury Hill where guitars, strings, shakers and the driving beat are beautifully relayed with admirable timing and cohesion, but never losing focus – that is, never losing the brilliance of Peter Gabriel.

The age-old debate of refinement, detail and clarity over oomph, zealousness and fun once again comes into play here – an argument I like to call 'hi-fi, or fun?' although that's the issue at its most simplistic and something we could all muse on at length. What you need to know is that the iFi hip-dac 3 falls into the former camp, but I do not mention it to do this DAC down – it'll depend on what you prioritize. I favor the detail and extra insight here. I like that in Stormzy's Angel in the Marble the intentionally heavy bassline is held back just enough to allow me to detect a trilling female vocalist sample in the mix. I like that I hear everything, in its place, at the right time, even if I sacrifice an iota of dynamic oomph.

Supplementary vocals, gunshots and the fizzing of sparkling liquid being poured are expertly layered and accurately placed throughout Freddie Gibbs' Toe Tag – and despite my observation, this is a rousing performance and one that can go loud even with my multi-driver Campfire Audio IEMs.

Do I like this DAC for this money? I do. I really do.

Sound quality score: 5 / 5

iFi hip-dac 3 review: Design

iFi hip-dac 3 detail, IEMatch switch on the reverse of the unit — iFi's new IEMatch switch is another excellent addition (Image credit: Future)

Dedicated USB-C charging port provides battery life info
Short USB-C to USB-C and USB-C to USB-A cables provided, no Lightning adapter
Exposed volume knob can mean accidental tweaks

The hip-dac 3 is a well-made little thing – which is hardly surprising considering the quality of its older siblings. Several important but less headline-grabbing changes have been made to this update's innards too, including circuitry enhancements and new metal film capacitors. In addition, the DAC section features an upgraded version of iFi’s GMT (Global Master Timing) circuitry, including a new crystal oscillator to further reduce phase noise, all contributing to its purer, crisper sound.

Other than these changes, the hip-dac 3 retains all the features that made the hip-dac 2 a winning portable USB DAC/headphone amp and one I still love.

The hip-dac 3's sleek, robust aluminum enclosure measures just 10.2 x 7x 1.4cm so it'll slip easily into a pocket or bag – but do accept that it'll probably have your colleagues thinking you're not averse to a wee dram at your desk.

According to iFi, the hip-dac 3’s battery will extend to 10 hours of playing time, but this will depend on your listening volume level and how demanding your headphones are; I got just over 8 hours from it, from full to red-flashing-light flat. A lovely touch here is the LED under the USB-C charging port, which changes color depending on battery status: glowing white for more than 75 percent, green for more than 25 percent, red for over 10 percent, and flashing red when you’re in dire need of juice.

Any gripes? A tiny one: I love the exposed power/volume knob, which rotates silently and like a warm knife through butter, but it is very easy to whack the volume up inadvertently in my pocket – and there's no way to set the volume and hold it there. It's more an observation rather than a complaint, really… especially because its amp stage is capable of offering up to 400mW into a 32-ohm load for compatibility with a wide array of headphones, while the balanced output's 6.3V into 600 ohms basically means even high-impedance options can be used without issue.

In summary, the iFi hip-dac 3 is a thing of beauty and a musical companion I soon never left behind.

Design score: 5 / 5

iFi hip-dac 3 review: Usability and setup

iFi hip-dac 3 on a black table, next to a smartphone — It does look good next to a smartphone, no? (Image credit: Future)

Make sure it's charged. Switch it on
Plug one end into your smartphone or laptop
Plug some headphones into the other end
Consider Power Match, IEMatch and XBass. Enjoy

I charged the hip-dac 3 for around two hours upon receiving it, by plugging a cable into its dedicated USB-C (5V only) charging port. Then, I switched it on by turning its rotary power and volume knob clockwise. The lights come on, the DAC is home.

Now, connect to a sound source by USB-C – the one on the adjacent to the charging port. Next, go to the top end of the hip-dac 3 and hook up some 4.4mm balanced or 3.5mm unbalanced headphones using the correct port.

Now, you can play music, noting the LED indicator silently judging your file choices and their resolution. As well as adjusting the volume, you can now deploy the XBass and/or PowerMatch buttons next to the LEDs (the latter increases gain for larger cans, or reduces it for IEMs) and finally, head to the back of the unit to consider IEMatch, selecting 3.5mm or 4.4mm if your listening gear is of the more delicate in-ear variety.

That's all folks. It's more whistles and bells than you'll get with a dongle DAC and all in all, it's a lovely little proposition for the money.

Usability and setup score: 5 / 5

iFi hip-dac 3 review: Value

Affordable considering the features
Excellent sound-per-pound value

Considering the build quality and extra features plus the fact that it's still a fair chunk of aluminum, despite its pocketable dimensions, you're getting a lot of product for the money here. And the sound is as detailed as this money can buy, by quite a margin.

Of course, iFi can sell you something cheaper still if you'd prefer, see the iFi Uno. Given this cheaper DAC's five-star review, that could put the cat among the pigeons somewhat. The entry-level unit boasts different connectivity options and even 'EQ' filters for different content, including ‘game’, ‘movie’ and ‘music’. For me, the iFi hip-dac 3 outdoes it easily when hooked up to my MacBook Pro, but at more than double the price, so that was to be expected.

Value score: 5 / 5

Should you buy the iFi hip-dac 3?

Buy it if...

Don't buy it if...

iFi hip-dac 3 review: Also consider

How I tested the iFi hip-dac 3

iFi hip-dac 3 on a table, next to a smartphone — It was a Peter Gabriel kind of day (Image credit: Future)

Used for over two weeks
Connected to an Apple MacBook Pro and an iPhone 12 Pro smartphone
Wired to Sennheiser IE600 (with custom Sennheiser ear tips), Campfire Audio Solaris Stellar Horizon and Audeze Euclid IEMs

OK: the more your source of music has to work in order to reach your ears, the less effective it is – I don’t make the rules, it is what it is. Thus, when unplugging headphones as capable as those listed above from the headphone socket of my laptop (or the Lightning port of my iPhone 12 Pro, where an additional adaptor purchase is required) and listening again using the iFi hip-dac 3's simple setup, the differences in quality are night and day – like removing a muffling veil from your music, or liberating a track from a tunnel.

And I challenged my listening with the Edifier Stax Spirit S3 wireless headphones too – as an aural challenge only loosely related to this review. Even these detailed planar magnetic cans (emphatically some of the best wireless headphones in their category) struggle to match the performance of good wired headphones when the iFi hip-dac 3 is also plugged into my MacBook Pro as a music source.

Read more about how we test

First reviewed in December 2023

Samsung Galaxy Buds FE review: Great ANC and app but limited to Android devotees

3:00 pm |

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Tags: ANC | Comments: Off

Samsung Galaxy Buds FE review: Two-minute review

Think of the Samsung Galaxy Buds FE as the Samsung equivalent of the Apple AirPods and you're not far off. Keenly priced, they're immediately no good for iPhone owners due to the lack of iOS app. However, if you have a Samsung or other Android phone, things get more tempting for those on a budget.

The earbuds themselves are small and comfy to wear, albeit lacking potent protection from water or dust. While small, they have respectable battery life of up to nine hours with active noise cancellation switched off or about six with it switched on. Throw in the 21 hours from the charging case and these are some buds that won't need charging too often throughout the week, no matter how busy things get. That's fortunate given the lack of wireless charging is one that bothers you just a tiny bit more than it probably should.

Still, at $99 / £99, concessions need to be made and that's not a bad loss. Elsewhere, the Samsung Galaxy Buds FE sound reasonably good for the price. They're able to rival the best budget wireless earbuds, thanks to their reasonably clear sound. There are occasional wobbles – for instance, they're not great for bass fans – but for a standard listening experience, you can't fault them.

The highlight is the ANC, which is great. Switch it on and the Samsung Galaxy Buds FE will block out all those pesky surrounding noises like a dehumidifier, neighbours doing construction work and so forth. Skip the Samsung Galaxy Buds FE if you're an Apple user but for everyone else, there's a decent amount of value to them. They look good, feel good, and they're simple to use.

Samsung Galaxy Buds FE review: Price and release date

Samsung Galaxy Buds FE case — (Image credit: Future)

Released in September 2023
Price: $99 / £99 / AU$149

The Samsung Galaxy Buds FE was released in September 2023 in the US, UK and Australia. Priced at $99 / £99 / AU$149, they've already seen price drops around Black Friday, bringing them down to $70 / £75 / AU$135. There's also no difference in price between the two colors available – white and graphite, with graphite being a fancy name for black.

Such a price puts them alongside earbuds like the Sony WF-C700N in terms of value and slightly pricier than something like the EarFun Air Pro 3 – both of which we rate among the best noise cancelling earbuds. It's a busy field with many budget earbuds available around this price range.

Samsung Galaxy Buds FE review: Specs

Samsung Galaxy Buds FE review: Features

Samsung Wearables App — (Image credit: Future)

Patchy wear detection
Useful Lost mode
No iOS app

The amount of features you get from the Samsung Galaxy Buds FE truly depends on your phone or tablet choice. There's no iOS app so iPhone and iPad owners need to give these a miss, no question about it. Without the app, there's no way to adjust the ANC, the equalizer, or benefit from voice assistant support. The ideal scenario is you having a Samsung Galaxy phone or tablet.

Have the right hardware and you'll be happy with the Samsung Galaxy Buds FE for the price. They lack some finer details. For instance, there's no true Multipoint. Also, wear detection is there but it's pretty patchy and temperamental. I never felt entirely confident when pulling the buds out that my music would pause.

However, the app is easy to use and allows you to switch between ANC, transparency and disabled. There are EQ options too although you can't adjust things to a custom setting.

Another neat feature is the Lost mode that helps you track down your earbuds if they happen to go missing, as well as setting off an alarm if you make the mistake of wandering off without them.

Features score: 3/5

Samsung Galaxy Buds FE review: Design

Samsung Galaxy Buds FE ear bud close up — (Image credit: Future)

Snug fit
Touch controls on earbud
Small case

The Samsung Galaxy Buds FE are pretty small in every way. With my small ears, they provided a neat and snug fit, never feeling like they'd fall out too easily. That goes for when I wore them while working out too seeing if a plethora of half-hearted burpees would ruin everything. It didn't.

Similarly, the case is lovely and neat. It isn't as small as the JLab JBuds Mini (is anything?) but it's easily dainty enough for putting in your pocket without really noticing.

There's no wireless charging support, frustratingly, so you're dependent on the USB-C port on the pack. Also, the Samsung Galaxy Buds FE have a barely worth mentioning IPX2 rating meaning you may get nervous during a rainy day.

Still, they look and feel good with touch controls being easily accessible at all times.

Design score: 4/5

Samsung Galaxy Buds FE review: Sound quality

Strong ANC
Reasonable quality
Limited EQ options

For tiny earbuds, the Samsung Galaxy Buds FE offer some impressively good ANC, especially at this price. They fit snugly so that's sure to help matters but it's a relief to don them and feel the world vanish into the background. You might hear the odd sound but it's far more dampened down than with other earbuds in this price range and all the richer for it.

Through the app, you can pick between transparency, ANC, or turning it off. Transparency mode isn't as ideal as some competitors like the Apple AirPods Pro 2 but remember the price? Exactly.

Listening to music is also reasonably good for the price. Working my way through a lively playlist, the Katy Perry back catalogue was vibrant enough before switching over to Rage Against the Machine's Killing in the Name Of and feeling a reasonable amount of punchiness. At times, there's a hint of distortion and not just at high volumes, but it's workable in this price range.

Frustratingly, there's an EQ within the app but one that doesn't allow for custom setups but it's worth experimenting and checking out modes like Bass Boost to find what suits your music taste.

Ultimately, it's all about tempering your expectations at the $99 / £99 / AU$149 price point with the Samsung Galaxy Buds FE offering better ANC than most.

Sound quality score: 4/5

Samsung Galaxy Buds FE review: Battery life

Samsung Galaxy Buds FE charging port — (Image credit: Future)

Up to 9 hours with ANC off or 6 hours with ANC on
Extra 21 hours from the charging case

The Samsung Galaxy Buds FE has respectable battery life. It's right in the middle of what's expected of ANC-based earbuds these days. Not too little and not so much that I'm excited at never needing to find a cable again.

With mixed usage, I found they lasted about the length of time that Samsung states and there's the usual advantage of bunging them in the charging case to do their thing before you grab them once more.

The only true downside is the lack of wireless charging which is understandable at this price but it's always good to not need to dig a cable out.

Samsung Galaxy Buds FE review: Value

Reasonably priced
Discounted already

The Samsung Galaxy Buds FE are relatively new but there are already discounts around, so we can only see these getting cheaper over time and potentially becoming part of our pick of the best cheap headphone sales.

They're already cheaper than many rivals. When you consider these are basically the earbuds for Samsung owners, they're far more competitively priced than anything AirPods flavored for Apple users.

Value score: 4/5

Should I buy the Samsung Galaxy Buds FE?

Buy it if...

Don't buy them if...

Samsung Galaxy Buds FE review: Also consider

How I tested the Samsung Galaxy Buds FE

Tested for nine days
With a Samsung Galaxy Tab S9 FE+ and iPhone 14 Pro

Used in home office, on regular walks, while working out and running, and near busy traffic. Mostly tested with YouTube Music and Spotify on Samsung Galaxy Tab S9 FE+ with brief time on iPhone 14 Pro.

I swapped out my usual earbuds for the Samsung Galaxy Buds FE for nearly 10 days. I used them throughout the day via the Samsung Galaxy Tab S9 FE+ listening to music as I worked. It wasn't quiet during these times with never ending construction work by my neighbours along with a loud dehumidifier running in the background. At other points, I'd listen to music while doing HIIT workouts to test their fit. At other times, I took them with me on walks and while hanging around waiting for someone amongst busy traffic.

Mostly, I discovered that the Samsung Galaxy Buds FE can be worn for long periods without any issues. I mostly listened to energetic playlists on Spotify and YouTube Music but also switched to watching some YouTube videos and watching some Twitch streams too. There was a bit of gaming too with the latest Asphalt game for Android.

I've been testing audio products for over 10 years. I love using them during my workouts and walks, but also for blocking out distracting noises.

Read more about how we test

First reviewed in December 2023.

iFi Uno review: a small, but big way to boost your audio

6:00 pm | December 3, 2023

Author: admin | Category: Audio Computers Gadgets Hi-Fi | Comments: Off

iFi Uno: Two-minute review

The iFi Uno DAC/headphone amplifier may have a small price tag but the improvements to your sound experience are massive. After all, at some point we’ve all been tempted to plug a pair of headphones into that headphone socket on our laptop, haven't we? But, as we all know, no good can come of it. Oh, sound comes out – of course it does. But it’s far from satisfactory.

A quite modest sum put iFi’s way for its Uno DAC/headphone amplifier changes all that. As long as you don’t intend to listen at either miniscule or massive volume levels, the sound of your laptop once the Uno is involved is improved dramatically – you don’t need to be any kind of golden-eared audio savant to recognise that it's up there with the best portable DACs.

Where detail retrieval, low-frequency extension, sound staging, transient response, stereo focus and all the minutiae that go towards delivering enjoyable and convincing sound reproduction is concerned, the iFi Uno is a battleship and your laptop is a pedalo.

iFi Uno review: Price and release date

Released in December 2022
Price: $79 / £79 / AU$119

The iFi Uno has been on sale for around a year. While it sells for £79 in the UK, it’s even more of a bargain at $79 in the US. In Australia, you’re looking at AU$119 or something quite like it.

The world’s not short of USB DACs ready to put a rocket up the sound of your laptop – brands as credible as Astell & Kern, Audiolab and Audioquest are all in the market, and that’s just the ‘A’ section. So while iFi has a reputation as solid as any of those rivals, the Uno is hardly operating in isolation…

iFi Uno review: Features

ESS Sabre Hyperstream DAC
Three EQ presets
3.5mm and stereo RCA outputs

The Uno may be tiny, but that hasn’t prevented iFi from squeezing in an impressively thorough specification. For desktop use in particular, the little Uno has everything you might realistically require.

On the front panel, there’s an ‘EQ’ button that scrolls through the digital filters iFi considers most appropriate for ‘game’, ‘movie’ and ‘music’ – a corresponding light on the top of the device indicates which one you’ve selected. Or, at least, it does if you squint – the icons are pretty indistinct.

Next to this is a ‘power match’ button - there are two positions, designed to align with the broad power requirements of various headphones and features what iFi describes as ‘dynamic range enhancement’. Let's call them ‘high’ and ‘low’. In the centre there’s a (relatively) large dial that functions both as a ‘power on/off’ switch and volume control. A little light above the dial glows in one of five different colours to indicate the file type and size that’s being processed. iFi being iFi, of course, at least two of these colours are really quite similar.

On the right-hand side there’s a 3.5mm analogue headphone socket. It incorporates iFi’s ‘S-balanced’ circuitry to keep crosstalk and noise to a minimum, and is gold-plated for superior conductivity.

On the rear there’s a USB-C socket that's used for both power and data transfer. A pair of gold-plated stereo RCA outputs complete the Uno’s external features.

On the inside, iFi has deployed hugely (and possibly disproportionately) capable ESS Sabre Hyperstream digital-to-analogue conversion circuitry. It’s able to deal with PCM files of up to 32bit/384kHz resolution and DSD256 – and it’s able to function as an MQA renderer too. Given the use the Uno is likely to be put to, this would seem to be ample. It’s similarly over specified where the less glamorous bits and pieces are concerned, too – muRata and TDK capacitors, for instance, tend to show up in rather less affordable devices than this.

Features score: 5 / 5

iFi Uno review: Sound quality

The iFi Uno on top of a laptop — (Image credit: Future)

Detailed and eloquent
Good organisation and focus
Slight treble overemphasis at bigger volumes

First things first: if you’ve been plugging headphones directly into the headphone socket of your laptop, introducing the iFi Uno into the chain will be little short of a revelation. Laptops, almost by default, don’t sound any good – but with the crucial digital-to-analogue conversion processing being dealt with by the Uno, suddenly your computer can become a valid source of music.

Mind you, the Uno is far from the only little DAC-cum-headphone amp that can put a rocket up the performance of your laptop. What makes it so compelling is just how accomplished a listen it is when you keep its asking price uppermost in your mind.

During the course of this test it’s almost exclusively fed via its USB-C socket by an Apple MacBook Pro loaded with both the Tidal app and some Colibri software that allows the machine to play properly high-resolution content from its internal memory. Headphones including (but not restricted to) Sennheiser IE900 in-ear monitors and FiiO FT3 over-ears are plugged into the 3.5mm socket on the fascia. Music includes MQA files of Maps by Yeah Yeah Yeahs and Stoned at the Nail Salon by Lorde, a 24bit/96kHz FLAC file of While My Guitar Gently Weeps by The Beatles, and a DSD64 file of Stevie Wonder’s He’s Misstra Know-It-All.

And as long as you’re judicious with your volume levels, the effect the Uno has is nothing but positive. In every meaningful respect, it – how best to put this? – wipes the floor with the unassisted sound of the MacBook. Detail levels are far higher. The iFi is able to identify even the most fleeting, most minor occurrences in a recording and integrate them into the overall presentation with real confidence. The frequency range, from bottom to top, is smoothly integrated and evenly realised – no area is underplayed or given undue prominence. And the soundstage the Uno creates is far more focused, better separated and more coherent than the laptop is anywhere near capable of mustering.

Low frequency sounds are deep and solid, but properly controlled to the point that the Uno can express rhythms with real positivity. At the opposite end of the frequency range there’s a similar level of detail revealed, plenty of the attack necessary to give treble sounds some bite but sufficient substance to keep everything composed and coherent. In between, the iFi communicates through the midrange with absolute conviction – it gives a vocalist every opportunity to express their character, their technique and their commitment.

Really, it’s only possible to put the iFi Uno off its stride by setting volume levels to ‘very quiet’ or ‘very loud’. When listened to quietly, the ‘left/right’ presentation goes awry somewhat, there’s more activity apparent through the right channel than the left. Nudge the volume up just a touch, though, and things even themselves out. At big volumes, meanwhile, the sound gets just a little toothy – treble sounds, previously so well judged, get just fractionally edgy and hard, and the overall presentation hardens up somewhat as a result.

These are extremes I’m talking about, you understand. ‘Extremely quiet’ or ‘very loud indeed’ are states that don’t especially suit the iFi Uno, everything in between is as good as gold.

Sound quality score: 5 / 5

iFi Uno review: Design

Small (26 x 88 x 81mm : HxWxD)
Light (92g)
Vaguely ovoid

There’s not an awful lot of it, but what there is of the Uno is a) perfectly well constructed, and b) recognisably an iFi product. This isn’t the first time iFi has deployed the mildly ovoid, slightly ruby ball-shaped chassis for one of its products, and I very much doubt it will be the last.

There’s absolutely nothing special about the quality of the plastics iFi has deployed here. But then again, the Uno is one of the more affordable examples of its type around.

The dimensions are usefully small, ideal for a desktop device, but not so small that all the controls and outputs are crammed too close together. And iFi has done very good work with the Uno’s feet – they keep the unit secure on the surface it’s standing on, and prevent it being towed around by the headphone cable you’re using.

Design score: 4.5 / 5

iFi Uno review: Usability and setup

Connects via USB-C
Outputs from either front or rear
…and that’s about it

This really won’t take long. As far as setup and usability are concerned, it’s a question of making three connections, maximum: the USB-C input is where the Uno gets its power and from where it receives the digital audio information you want it to deal with.

Then you either plug in headphones at the front or stereo RCA connections at the rear - or both, if that suits your purposes. Then turn the dial to power the unit up, set your volume level and decide on your preferred digital filter – and that’s everything. You’re up and running.

Usability and setup score: 5 / 5

iFi Uno review: Value

One of the most affordable around
Priced competitively

As an affordable way of making a big improvement to your desktop audio system, it’s hard to lay a glove on the iFi Uno. If you judge a product on the amount of stuff your money buys you, then I’ll concede that this looks like $79 / £79 / AU$119 spent on next-to-nothing. But the difference it can make to your workstation audio enjoyment is, frankly, out of all proportion to both the outlay involved and the product’s, um, proportions.

Value score: 5 / 5

Should you buy the iFi Uno?

Buy it if...

Don't buy it if...

iFi Uno review: Also consider

How I tested the iFi Uno

A close up of the iFi Uno — (Image credit: Future)

Used for over a week
Connected to an Apple MacBook Pro and Samsung S21 Ultra
Wired to Sennheiser IE900 and FiiO FT3 headphones

The real beauty of the iFi Uno, of course, is how much better sounding it can make those devices you’d use anyway for audio playback. The Samsung has no headphone socket, of course, and listening to it using decent hard-wired headphones rather than the wireless equivalent is approaching revelatory. Much more so than listening to the MacBook Pro, anyway – because I’ve known for as long as I’ve owned it that the Apple is a truly rotten-sounding music player.

Read more about how we test

First reviewed in December 2023

Helm Audio Bolt review: punchy high-quality audio that’s ultra portable

2:00 pm | December 2, 2023

Author: admin | Category: Audio Computers Gadgets Hi-Fi | Comments: Off

Helm Audio Bolt: Two-minute review

The Helm Audio Bolt USB DAC/headphone amp is small, perfectly formed and elegant in its simplicity. It’s equipped to make the sound coming out of your laptop or smartphone far better than it otherwise would be, and it’s priced to make its talents available to as many people as possible.

Where high-resolution audio content is concerned, the Bolt is in its element – it can handle 32bit/384kHz, DSD256 and MQA stuff without alarms. It generates enough power to drive even quite tricky headphones to workable levels, and it’s small and light enough to accompany you even if you leave the house dressed for the summer.

Best of all, it’s a very enjoyable listen that's in line with some of the best portable DACs. If you really push on, volume-wise, it can sound a little hard and two-dimensional, but in every other circumstance it’s a pleasure to hear. Detail levels are high, frequency extension is impressive at either end of the range, the soundstage it creates is convincing, and – best of all – it’s entertaining. It’s a simple and affordable way to get the most audio enjoyment out of that device you already take everywhere with you.

Helm Audio Bolt review: Price and release date

Released in November 2020
Priced: $119.99 / £104.99 / AU$189

The Helm Audio Bolt DAC/headphone amp is selling for $199.99 in the US and and in the UK, you can pick one up for around £104. Meanwhile, in Australia, you’ll have to part with AU$189 or thereabouts. However, during 2023's Black Friday sales we did see it on sale, so you can get it cheaper.

The world’s not short of reasonably affordable USB DAC/headphone amps, of course – everyone from Astell & Kern to THX has one to sell you. Not all of them are as aggressively priced as this, though, and not all as capable where specification is concerned.

Helm Audio Bolt review: Features

USB-C and 3.5mm connections
384kHz PCM, DSD256 and MQA compatibility
Three-stage display

Helm Audio is coy about the details of the DAC chipset that’s inside the Bolt, but what’s for sure is that it’s able to deal with PCM files up to 32bit/384kHz resolution and DSD256. It’s also an MQA renderer, so TIDAL users in particular should be able to exploit their subscription fee (yes, there is still plenty of MQA content available on Tidal).

To call it an ‘interface’ is to glorify it somewhat, but the single LED on the metal block lights up in one of three different colours depending on the type of file it’s dealing with. Blue indicates a sample rate of less than 48kHz, red means over 48kHz, and purple indicates MQA content.

Other than that, there’s really only the little bag the Bolt arrives in and a tidy USB-C / USB-A adapter that count as ‘features’. But to be honest, I’m tempted to ask what more you might realistically expect?

Features score: 4.5 / 5

Helm Audio Bolt review: Sound quality

Detailed and insightful
Well-supervised punch and attack
Good separation and focus

If you subscribe to one of the best music streaming services, it’s possible to access a whole lot of high-resolution audio content – and if you have the service’s app on your smartphone, plugging the Helm Audio Bolt into its USB-C socket means you can hear it as fully as possible. And there’s no two ways about it, the sound of the Bolt is as far removed from the unassisted sound of any smartphone you care to mention as three courses at a decent restaurant is from a service-station sandwich.

It’s a rapid and politely attacking listen, the Bolt, with a whole lot of relevant observations to make about tone and texture – even the finest details can’t elude it. A 24bit/192kHz FLAC file of Chic’s I Want Your Love fairly motors along, the much-sampled bass-line delivered with straight-edged control and plenty of momentum. There’s decent brightness to the top of the frequency range, a similar level of attack and just as much detail revealed and contextualised. And in the midrange the Bolt communicates in generous fashion - the vocalists get more than enough room to express themselves, even when the strings and horns attempt to muscle their way to the front of the stage.

The frequency range is nicely integrated, and rhythmic expression is confident too. It’s not the last word in dynamic headroom, to be absolutely honest, but that’s more of an observation than a criticism. What’s important is that the Bolt retains everything that’s fun and energising about the recording, rather than neutering it in the long-established smartphone manner. It can sound a little hard and relentless if you really decide to wind the volume up, sure – but did no one ever tell you not to listen so loud?

Sound quality score: 4.5 / 5

Helm Audio Bolt review: Design

Mechanical isolation of USB-C from decoding hardware
Flexible braided cable
Mostly made of plastic and aluminium

If ever a product was ‘just enough essential parts’, the Helm Audio Bolt is it. At one end there’s a USB-C connection in a little plastic housing, and it’s connected via a short length of braided cable to a slightly larger metal block that contains all the necessary decoding and amplification hardware. This block has its single LED to let you know the broad state of play, and a 3.5mm analogue headphone output. It’s all very neatly put together and tidily finished.

Design score: 5 /5

Helm Audio Bolt review: Usability and setup

Pug one end into your smartphone or laptop,
Plug some headphones into the other end, and
That’s all that’s required

I’m not the sort of person to talk down to anyone, but if you can’t set up the Helm Audio Bolt in seconds flat, I’m not sure you should be allowed anywhere near electrical equipment. The process is – and I have first-hand evidence of this – so simple, a six-year-old can do it.

Plug the USB-C connection into the USB-C output of the smartphone or laptop you want to listen to. Plug some headphones into the 3.5mm analogue output. Put the headphones on your head and press ‘play’ on your music player. That’s job very much done.

Usability and setup score: 5 / 5

Helm Audio Bolt review: Value

Affordable compared to competitors
Offers great value

You can look at the Helm Audio Bolt one of two ways. The first view states that you’re spending more than $100/ £100 / AU$100 on a very small quantity of aluminium, and even smaller quantity of plastic, and a short length of cable joining them together.

The second states that your money is buying profoundly significant improvements to the sound quality you enjoy from your wired headphones while you’re out and about. I know which view I take, and that’s why I reckon the Bolt represents very decent value indeed.

Value score: 5 / 5

Should you buy the Helm Audio Bolt?

Buy it if...

Don't buy it if...

Helm Audio Bolt review: Also consider

How I tested the Helm Audio Bolt

The Helm Audio Bolt plugged into a phone — (Image credit: Future)

Used for over a week
Connected to an Apple MacBook Pro and a Samsung S21 Ultra smartphone
Wired to Sennheiser IE900 and Campfire Andromeda headphones

The more responsibilities your source of music has, the less effective a source of music it is - I don’t naked the rules, it’s just the truth. So when unplugging headphones as capable as these from the headphone socket of the laptop and listening again via the Bolt, the differences in quality are almost comical. And even the best wireless headphones struggle to match the performance of good wired headphones when the Bolt is plugged into a headphone socket-less smartphone’s USB-C connection…

Read more about how we test

First reviewed in December 2023

iFi xDSD Gryphon review: a stylish DAC and headphone amp that’s as portable as a hip flask

7:24 pm | November 30, 2023

Author: admin | Category: Audio Computers Gadgets Hi-Fi | Tags: DAC | Comments: Off

iFi xDSD Gryphon: Two-minute review

The iFi xDSD Gryphon represents a new area of flexibility for the company. iFi is one of the front-runners where audio products like this are concerned and has been for some time. This xDSD Gryphon wants to widen the operability and relevance of its DAC and headphone amp range by offering wireless, as well as wired, connectivity in a package small and light enough to be considered portable. And it’s only gone and pulled it off. The xDSD Gryphon ain’t cheap, but the way it performs justifies the outlay all day long.

Huge flexibility where connectivity and digital audio content is concerned, a completely confident and convincing sonic attitude, and a user interface that only just stops short of ‘impenetrable’ are what makes this iFi, the product it is. If you want something that’s capable of doing the audio business whether at home or in the wild, it’s almost a no-brainer.

‘Almost’ because it’s not without competition from the best portable DACs on the market. A lot of it is from in-house, admittedly – but the xDSD Gryphon is going up against the Chord Electronics Mojo 2, which is a massively capable device in its own right. Hear them both, and then make your mind up.

iFi xDSD Gryphon review: Price and release date

The iFi xDSD Gryphon next to a phone and heardphones — (Image credit: Future)

Release date: December 2021
Price: $599 / £599 / AU$899

The iFi xDSD Gryphon went on sale a couple of years ago, and in that time its reputation has grown in line with its asking price. As of the time of writing, it’ll set you back $599 / £599 / AU$899, which puts it up against some very well-regarded alternatives from companies as credible as Astell & Kern, Audiolab and Chord Electronics.

iFi xDSD Gryphon review: Features

The iFi xDSD Gryphon on a stool — (Image credit: Future)

Burr-Brown DAC
Extensive compatibility
Wired and wireless connectivity

iFi is not messing around where the feature-set of the xDSD Gryphon is concerned. The serious business is taken care of by a Burr-Brown chipset with enormous headroom and compatibility with a huge number of different digital audio file types. Use the USB-C input and it can handle PCM files up to 32bit/768kHz, DSD512 and DXD768 – and it can fully unpack MQA files too. The digital coaxial input is good up to 24bit/192kHz.

Regardless of the type or size of the file you’re interested in, though, you have plenty of options as to how to best deliver it to your headphones via its balanced 4.4mm or unbalanced 3.5mm analogue outputs.. Its ‘Xspace’ setting, for instance, strives to give the biggest soundstage possible. ‘XbassII’, I hardly need say, increases low-frequency presence and substance – and can be further assisted by a physical ‘bass and/or presence’ switch on the chassis. Content delivered digitally can also be breathed on by one of three digital filters: ‘standard’, ‘bit-perfect’ and ‘GTO’ (which stands for ‘Gibbs Transient Optimised’). The xDSD Gryphon can also be adjusted to best respond to the sort of headphones you’re using – high-sensitivity in-ear monitors, for example, can sometimes introduce hiss, so there’s an ‘IEmatch’ switch on the bottom of the chassis to help deal with that.

Wireless connectivity is handled by Bluetooth 5.1, and there’s codec compatibility from SBC and AAC to aptX (HD, Adaptive and Low Latency), HWA and LDAC. So you should be able to find something to best suit your needs. All the most significant (and noisiest) circuitry – amplification, Bluetooth and digital-to-analogue conversion – is kept isolated in order to minimise cross-talk and other sonic gremlins.

Power comes from a battery, of course – it’s a portable device, after all, and anyway it’s a cleaner and more efficient way to drive electrical equipment than noisy, dirty old mains power. The iFi has a 3600mAH lithium-ion battery that’s good for around eight hours before it needs recharging. From ‘flat’ to ‘full’ should take a couple of hours.

Peripheral features extend to a quite generous selection of high-quality (although admittedly quite short) connecting cables. If your needs aren’t met by USB-C / USB-C, USB-C / Lightning or USB-C / USB-A cables, then what exactly are you attempting to attach?

Features score: 5 / 5

iFi xDSD Gryphon review: Design

The iFi xDSD Gryphon — (Image credit: Future)

19 x 75 x 123mm (HxWxD)
215g
Unhelpful user interface

This isn’t the first iFi product with a strong suggestion of the hip flask about it, and I strongly doubt it will be the last. At 19 x 75 x 123mm (HxWxD) its proportions are most definitely hip-flask-y, and it’s halfway between being truly pocket-sized and more suitable for desktop use.

If you do decide to take it out and about, though, its 215g weight is no kind of burden. A lot of that is down to its aluminium construction – its ridged and contoured design is quite interesting and tactile – and is broken only by the little mirrored strip on the top surface. There’s a crisp, bright white OLED display beneath it, which makes it easy to understand what the xDSD Gryphon is up to.

Getting it to the stage where it’s doing what you want it to is more trouble than it really should be, mind you. iFi has plenty of previous where unintelligible user interfaces are concerned, and the Gryphon is just the latest example of the company’s commitment to end-user confusion.

A push/turn control in the centre of the fascia takes care of volume, power and menu navigation. Nearby there’s a ‘settings’ button - it turns ‘Xspace’ and ‘Xbass II’ on or off if you use quick presses, while a longer press summons the on-screen menu. Here’s where you can select your preferred digital filter, set a maximum volume level and adjust screen brightness. An adjacent button handles input selection and Bluetooth pairing. There are also those balanced 4.4mm and unbalanced 3.5mm headphone outputs on the fascia, as well as five vanishingly small LEDs. One of them is embedded into the push/turn dial, and shines in one of five different colours (to indicate volume level) or flashes (indicating the Gryphon is muted). One reveals whether or not ‘Xbass II” and/or ‘Xspace’ is switched on. One reveals the input that’s in use (and so can shine in one of four different colours), and one reveals the audio format of the digital file currently on board (so shines in one of seven different colours, two of which are so similar as to be indistinguishable). All clear? Of course it bloody isn’t.

Meanwhile, the rear panel features two USB-C sockets (one for charging and one for data input), balanced and unbalanced analogue inputs and a 3.5mm digital coaxial input. There’s also the three-stage switch to select the ‘Xbass II’ tone (‘bass’, ‘presence’ or – hey! – ‘bass and presence’). It’s small, but it’s not as small as the switch on the bottom that controls the ‘IEmatch’ circuitry.

Design score: 3.5 / 5

iFi xDSD Gryphon review: Sound quality

The iFi xDSD Gryphon being held in a hand — (Image credit: Future)

Fast, detailed and articulate sound
Dynamic and precise in equal measure
Not impressed by inferior headphones

It makes sense to start listening to the iFi xDSD Gryphon in its most ‘pure’ state, which means filters set to ‘min’ and with ‘Xbass II’ and ‘Xspace’ switched off. Heard this way, and with content ranging from a 256kbps MP3 file of Eartheater’s Pure Smile Snake Venom to a DSD64 file of Stevie Wonder’s Pastime Paradise incoming from an Apple MacBook Pro via USB-C, the iFi is an uncomplicated, satisfying and thoroughly entertaining listen.

Its fundamental character is one of energy and speed. It creates proper momentum at the bottom of the frequency range without sacrificing any substance or extension. It powers through bass information with pace and precision, controlling low-frequency information with absolute authority – so the low end stays in its lane, underpinning everything going on above.

It’s similarly confident and accomplished at the opposite end of the scale, too. Treble sounds have brilliance and bite, but there’s no suggestion of edginess or splashiness, even if you’re listening at volume – and the Gryphon is most certainly capable of summoning significant volume. What you get at the top end is enough substance to counteract the shine, and – just as with the rest of the frequency range, impressively high levels of detail retrieval.

In between, the midrange is handled with complete assurance. Vocalists as idiosyncratic as the two mentioned above are given complete expression, their character and attitude and emotional state made absolutely plain. There’s real articulacy to the way the iFi deals with singers of all levels of competence, and as a result they communicate in the most direct and positive fashion.

The frequency range is properly integrated, and with its settings left well alone the Gryphon enjoys a nicely neutral and unshowy tonal character. It’s adept at creating a sensation of singularity and ‘performance’ to a recording, even if the recording itself isn’t the result of a group of musicians all playing in the same room at the same time. Dynamic range is considerable, so both harmonic variances and big changes in intensity or attack are tracked without apparent effort. And the soundstage it’s able to create inside your headphones is spacious, organised and utterly believable.

Fiddling with filters and what-have-you can result in small differences around the edges of the DAC’s overall performance, but in truth its fundamental characteristics don’t change all that much. And this is true regardless of which of the wired or wireless inputs you use - although naturally the quality of the wireless source (and its codec compatibility) has an effect on the final sound. Of more concern to the Gryphon, it seems, is the quality of the headphones you attach to it – it can happily drive even uncooperative headphones, but it gets a bit sniffy about less capable pairs and isn’t about to disguise that fact.

Sound quality score: 5 / 5

iFi xDSD Gryphon review: Value

Getting more expensive rather than more affordable
Performance to back up the asking price…
…but not so much the appearance

Unlike plenty of rival products, the price of the iFi xDSD Gryphon has gone up, rather than down, in the time it’s been on sale. This suggests that it’s been a roaring success, sure – but it also makes it slightly less compelling than previously. That the sound it makes is worth the money is not up for question, but if you judge as much by appearances as by performance you might end up wondering what all that money has bought you…

Value score: 4 / 5

Should you buy iFi xDSD Gryphon?

Buy it if...

Don't buy it if...

iFi xDSD Gryphon review: Also consider

How I tested the iFi xDSD Gryphon

Tested indoors and out
Tested with numerous file types and sizes
Tested with a number of different pairs of headphones

Really, that’s the whole story. I used the iFi xDSD Gryphon as a desktop DAC and headphone amp connected to a laptop, and I used it wirelessly when out and about connected to a smartphone.

I listened to a huge variety of file types and sizes, I used a number of different headphones, and I listened to lots of different types of music. I investigated its various options where filters and what-have-you are concerned, and I listened to some competing products too.

Read more about how we test

First reviewed in November 2023

Majority Oakington review: a DAB radio, CD player and Bluetooth speaker audio package

4:22 pm | November 29, 2023

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Tags: AAA, DAB, EQ | Comments: Off

Majority Oakington: Two-minute review

The term ‘all-in-one audio system’ gets bandied about a lot to refer to a speaker that has multiple uses but Majority has taken the term to heart with the Oakington as there’s very little it can’t do – or play.

The Majority Oakington lets you play from CDs, tune into FM, DAB or DAB+ radio, plug in a device via an aux cord or USB cable, and connect via Bluetooth to stream music. This Swiss army knife of a music machine is only missing Wi-Fi streaming and it’d fill out the bingo card of all the modern ways of listening to music (sorry, vinyl fans, but I said ‘modern’).

This range of features is impressive enough when you consider its £159 ($200 / AU$300) price tag – that’s a great price for a device this versatile, especially with the Oakington boasting the design flair of a designer speaker of 10x that price.

Perfect it is not, however. There’s no one massive flaw with the Majority Oakington, but I did butt up a few little quirks and kinks that stop this being an otherwise glowing review.

The Oakington is a little complicated to set up and use, which admittedly only means that it’s harder to use than a simple press-and-play speaker, but I did have to spend some time poring over the instruction manual when using the device.

That is to say, people who are technophobic might find the Oakington a little overwhelming. I've tested countless audio devices for TechRadar, including some of the best DAB radios and best Bluetooth speakers, and I'm slightly ashamed to admit that a large number of problems I had with the device were solved by randomly hitting different buttons until something worked.

Jumping between all of the Oakington's audio inputs did raise another annoying issue, and that's that volumes varied quite a bit between them. I'd barely be able to hear Bluetooth music and then deafen myself when jumping to DAB. Am I being dramatic? A little, and I don't want to seem to accentuate the negatives, because overall this is a handy multi-functional device with just a few teething problems.

Majority Oakington: Price and release date

The Majority Oakington's remote by its volume dial — While you can connect your phone to the Oakington to stream music, it also comes with a handy remote. (Image credit: Future)

Released in 2018
Originally priced at £159 ($175 / AU$265)

The Oakington was first released in 2018 and it’s remained a popular entry in Majority’s line-up of digital radios ever since.

The device originally cost £159 ($200 / AU$300). But five years after its release, it’s generally sold for £139 ($175 / AU$265), which is the price that every online retailer sells it for at the time of writing and so we’ve reviewed it with this lower price in mind. Just note that Majority mainly ships its products in the UK, and while it does offer a few products in the US, we couldn’t find the Oakington on sale there.

That’s a fair price for this speaker given that it doubles as a radio and a Bluetooth speaker. For context, our top-rated DAB radio, the Roberts Revival RD70, currently goes for £179 (roughly $225 / AU$340). While you can of course get any old DAB for a fraction of the price, this all-in-one audio tool justifies its price when you consider it’s also a Bluetooth speaker, CD player and so on.

However, if you’re interested in the Oakington, you might also want to check out Majority’s Homerton 2, which costs the same amount and has Wi-Fi for extra connectivity like Spotify Connect and other Wi-Fi streaming apps.

Majority Oakington review: Specs

Majority Oakington review: Features

The rear ports and buttons of the Majority Oakington — The Oakington has a vintage look and comes in two color choices: (yes, you guessed it) oak or walnut. (Image credit: Future)

Long list of connectivity types
Mains connection but AAA batteries for remote
Tricky set up process

As previously mentioned, the Majority Oakington has a long list of ways to listen to audio. You can connect it to your phone for Bluetooth, extend the antennae to catch some FM, DAB or DAB+ channels (the latter ensures that it’s future proof), plug in either an aux or USB cable to listen to tunes or simply pop in a CD. Such a wide swathe of listening options puts the Oakington in good stead for people who like variety.

As you’d expect, audio quality varies by input, as does volume – more so than you’d expect for such a device. When I first set up the DAB channels I’d just been listening to Bluetooth by streaming music and had to crank up the volume pretty high to hear anything streamed that way. Suffice to say, turning the radio on resulted in a really huge volume increase. This continued through the testing period when changing inputs, which means you’ll have to have your finger on the volume rocker on the remote or ready to spin the dial on the machine itself if you like to change input a lot. It’s easy to switch input thanks to the remote, though. Depending on what you’re switching to, the Oakington will sometimes take a few moments to get its act together to actually switch over.

Being a mains-powered speaker, you don’t need to worry about battery life here… except for the remote, which takes two AAA batteries. You get two with the radio, but once those run out you’ll need to pick up some more.

There are more features on offer here too. You can use the Oakington to charge your phone or another device via its USB port, which is particularly handy if you’re streaming music from the device. There’s an alarm function that turns on your music at a certain time, perfect for people who like to wake up to the radio. There’s also a headphone port that you can use if you want to listen quietly – however, there’s a catch on this last one. You can’t use headphones that have a built-in microphone which, in this day and age, is the vast majority of them. In fact, I don’t own a single pair of headphones that don’t have a microphone (and I test audio; I’ve got many), which limits this functionality somewhat.

Given the broad range of features, the Majority was a little finicky to set up. As I’ve already mentioned, I spent lots of the testing time glued to the manual, especially when setting it up and using the extra tools like switching to the aux input. This stops becoming an issue the more you use the speaker, but it’s worth pointing out if you’re not a tech-head.

Case in point, that has cropped up as I’m writing this – the remote has a few easy-to-press buttons to play from CD, Bluetooth, radio or USB, but to listen from the aux cable, you have to press the button on a different row of the remote simply titled ‘audio’. Or, like me, you can simply start pressing random buttons on the device until the aux-in starts working.

One feature missing from the Oakington is any kind of voice assistant, which is far from a deal-breaker but is worth flagging given how commonplace they are in Bluetooth speakers. If you want Alexa or Google to tee up your next song, you’re going to have to forget it.

Features score: 4.5/5

Majority Oakington review: Design

The Majority Oakington's volume dial. — You can use both the dial on the Oakington itself or the remote to adjust volume. (Image credit: Future)

Classy wooden design in two colorways
Not too big, but has top-mounted dials
Remote works most, but not all, of the time

Beauty is in the eye of the beholder, but in my eyes, the Oakington is a good-looking device – definitely more so than lots of its rivals. It comes in two color options, light or dark brown, with both using a wooden look to fit naturally into lots of home decor.

The front of the device offers two speakers, a small LED screen, eight buttons and a CD slot. The top of it has a dial that you can rotate to change the volume or press in as the device’s ‘select’ button, and the back has the power port and switch and four separate input or output jacks (more on these later).

Despite what pictures suggest, it’s not too big, measuring 40 x 20 x 13 cm and weighing just shy of 4kg. It’s not a portable device per se – nothing with a power cable really is – but it won’t take up too much space in your home. We wouldn’t recommend stacking other things on top of it though, not if you want to be able to change the volume without the remote.

Onto that remote: it gives you all the functions you need, with more functions than on the body of the Oakington, but I’d say it’s possibly too big and complicated for the device it controls. In the testing time, I was frequently having to consult the manual to work out how to enable simple tasks.

Some other reviewers have called the remote’s connectivity spotty, and this was the case for our review sample too – I’d sometimes have to press a button twice to have it pick up the signal. Saying that, I didn’t find it too much worse than most remotes that come packaged with TVs or similar devices.

A more annoying issue was that the Oakington has 32 volume levels, and as I’ll get into later, the volume varied a lot by input, so I found myself changing it a lot. On the remote, this can mean lots of hammering at the volume up or volume down button to have an audible difference – in these circumstances, I’d end up eschewing the remote and utilizing the rotating dial on the device since it was much quicker. It just involved standing up!

Design score: 3.5/5

Majority Oakington review: Sound quality

A good rather than great listen
CDs or Bluetooth streaming lacked bass
EQ presets offer minor tuning adjustment

The front of the Majority Oakington — (Image credit: Future)

The Majority Oakington provides good audio, but it falls short of ‘great’ for a few reasons. It doesn’t quite stack up to many Bluetooth speakers on the market, but if you’re only planning to use it for, say, FM radio functions, then that won’t matter to you.

When listening to a CD or Bluetooth streamed music, the lack of bass is palpable – if you want thumping bass then you might have to look elsewhere. You can adjust the EQ with a control on the remote, but this didn’t seem to have a huge impact in tests. There’s an EQ button as well that cycles through presets: normal, class (which we presume is meant to be classical), pop, rock and jazz, but the changes between each sounded pretty minor.

As mentioned before, I had trouble with the wildly variable volumes of different inputs, and for some the max volume was too low. Bluetooth music maxed out at such a low volume that I couldn’t make out the song at the other end of the same room, and couldn’t hear songs from one room over. To reiterate, that’s at maximum volume, so this is only good news for your neighbors.

The lopsided balance is easy to criticize but it’s not a deal-breaker here, and I can see some users finding the sound of the Oakington just fine. That’s particularly true thanks to the sound stage which, bass aside, provides a lot of depth.

Sound quality: 3.5/5

Majority Oakington review: Value

The front of the Majority Oakington at an angle — The Majority Oakington offers good value for its all-in-one solution and price point. (Image credit: Future)

Given that you're getting about five devices all packaged into one with the Majority Oakington, it's pretty easy to recommend as a good-value audio device.

Of course, you could get each of those five devices separately for a much lower price, but Majority crams them all into one body and at a price lower than all of them combined. I'd call it a good value device for the features and audio props you get.

Value score: 4/5

Should I buy the Majority Oakington?

Buy it if…

Don’t buy it if…

Majority Oakington review: Also consider

How I tested the Majority Oakington

Tested for two weeks
Tested with a range of audio inputs

I used the Majority Oakington for two weeks prior to writing this review. This was mainly split between Bluetooth streaming and DAB radio (as you can see from the images in this review!) but I made sure to spend time testing the other inputs too.

A lot of the testing time was spent scratching my head while staring at the manual. I should also flag that I moved the Majority about in my flat quite a bit, partly to test its signal and audio power in different locations, but mainly just to find a spot where I could play Bluetooth music and actually hear it.

I joined the TechRadar team in 2019 and spent several years testing just about every kind of tech under the sun (though my primary role was in the phones team). Since leaving to join TR's sister site What to Watch in late 2022, I've continued to provide tech reviews for TechRadar including headphones, running earbuds, portable speakers, smartphones, robot vacuums and more.

First reviewed in November 2023

Earfun Free Pro 3 review: they’re not perfect, but they’re cheap and cheery

7:00 pm | November 12, 2023

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Comments: Off

Earfun Free Pro 3: Two-minute review

The Earfun Free Pro 3 buds in a hand. — (Image credit: Future)

The Earfun Free Pro 3 stand out in the world of sub-$100 /£100 earbuds. The affordable earbud market can be a tricky one, rife with knockoffs and sketchy buds from unknown companies, but amongst the mess are a few gems, and the Free Pro 3 definitely counts.

At just $79.99 / £79.99 (no Australian release at the time of writing), these buds have prices to rival the newest Samsung, Sony and JBL models, but a few perks that might make you pick them over the competition.

The Free Pro 3 sound great. they’ve got pronounced bass and distinct treble, which means that music sounds great. There's no mealy audio with these buds – in fact, the audio rivals some of the best headphones, which is no small compliment.

Another great aspect of the buds is that the carry case is one of the smallest on the market, so it can really easily slip into a pocket and be left out of sight, out of mind. Despite their small form, the Earfun’s battery life is great, outlasting many big-name rivals like the AirPods Pro.

Not everything works perfectly though. Most importantly, the fit of the earbuds was unreliable, and in the testing period, they fell out a fair few times. This problem will depend on your ear size, but we’d be remiss if we didn’t flag it.

The earbud controls aren’t exactly stellar either, making it a little tricky to skip songs or change volume just by tapping them mid-song. It’s much easier to simply pick up your phone than start hammering on your head, hoping something will happen. That’s a small loss though, and is pretty easy to overlook given the great package you’re getting overall.

Earfun Free Pro 3 review: Price and release date

The Earfun Free Pro 3 buds with the case in the background. — (Image credit: Future)

Released in October 2023
Officially priced at $79.99 / £79.99 (roughly AU$125)

The Earfun Free Pro 3 were unveiled in October 2023, and were put on sale on the 30th of the month. These are fairly affordable earbuds, costing $79.99 / £79.99 (roughly AU$125, but at the time of writing it’s not available in Australia).

That’s a good price point for affordability, but not a great one for competition, with many big-name rivals also sitting at the high-two-figure-end of the spectrum. The Samsung Galaxy Buds FE, Sony WF-C700N, JBL Tune Flex and many, many more all sit within $20/£20 of the Free Pro 3, so these Earfun buds really need to impress.

Earfun Free Pro 3 review: Specs

Earfun Free Pro 3 review: Features

The Earfun Free Pro 3 in a man's ear. — (Image credit: Future)

Total battery life of up to 33 hours
EarFun Audio app brings audio customization
Nice and simple pairing

According to Earfun, the Free Pro 3 buds have a 7.5 hour battery life each, with the case’s battery bringing the set’s entire charge time to 33 hours. You can charge the battery via the USB-C port on the case. This is a great battery life in theory – in tests, the buds seemed to nearly reach this figure, though by turning on some of the features you’ll lose some time.

What features, you ask? Well the EarFun Audio app brings a few extra tricks that are pretty commonplace in headphones at this price tier. The Earfun Free Pro 3 work perfectly well without you downloading the tie-in app onto your phone, a strategy I wish other audio makers would embrace, but if you turn on the app you get some extra tricks.

This includes a noise cancellation mode as well as an ‘Ambient Sound’ tool to vary how much AMC is in use, an equalizer function, and a ‘Game Mode’ which improves latency for when you’re gaming. The earbuds would have worked fine without these features, but they’re neat extras for people who care about their sound.

You can also use the app to connect multiple devices to the earbuds, so you can easily switch between them. This is a handy feature for people who own multiple devices that you frequently use. Pairing the buds to a phone was easy and convenient, both for the initial set-up and for subsequent listening sessions.

Features score: 3.5/5

Earfun Free Pro 3 review: Design

The Earfun Free Pro 3 case with one earbud. — (Image credit: Future)

Very small carry case
Earbuds have awkward fit
Touch controls aren't perfect

A lovely aspect of the Earfun Free Pro 3 is that their carry case is one of the smallest on the market. The case measures just 67 x 50 x 31mm, and weighs in at a lightweight 41.5g.

In fact, it was so slender that it could fit into the watch pocket of trousers (you know, that tiny pocket inside the main pockets of many pairs of trousers). This portability made the Earfun a lot easier for me to carry around than some rival buds I’ve tested with much larger carry cases. There’s not much to the case – just space for the buds, and a USB-C charging port, but it’s still big enough to pack a fairly large battery, as you’ve already read about.

The buds themselves are equally lightweight, so you don’t feel like they’re dragging down your lobes every time you’re listening to tunes. Atop the buds are small rubber loops, seemingly designed to ensure they stay firmly lodged in your ear – unfortunately this doesn’t work very well. I found the Free Pro 3s to feel rather loose in my ear, and on several occasions when I moved my head too fast or didn’t lodge them in properly, they fell out, which wasn’t exactly ideal.

The Earfuns have on-board touch control, so in theory you can just tap once, twice, thrice or tap and hold for functions that you map out in the app. Unfortunately these proved incredibly temperamental in testing, so much so that I just ignored the feature after the tests. The buds also have an IPX5 rating against small particles but not water, so try not to get them wet.

Design score: 2.5/5

Earfun Free Pro 3 review: Sound quality

The Earfun Free Pro 3 case in a hand. — (Image credit: Future)

Fantastic for bass and treble
Less good for everything in between

When you’re paying this much for some wireless earbuds, audio quality isn’t something you can guarantee. That’s no dig at headphone makers – battery life, features and handy design can be even more important than sound for many users.

This isn’t an issue for the Earfun Free Pro 3 though because they sound surprisingly good, exceeding their price tag and then some. The buds surpass most rival earbuds (and even some headphones) for their meaty bass, with low-frequency sounds pronounced and clear. That’s not at the expense of treble though, resulting in music having a wonderful sound stage.

The maximum volume on the Free Pro 3 is surprisingly high, in that I can imagine it could be quite damaging if used for a long period of time, but that means no one can complain about it not being loud enough! At higher volumes, the sound can get a little tinny though.

The Earfuns have noise canceling that reaches up to 43dB, removing lots of ambient background sound and improving the listening experience. As previously stated you have some control in how prevalent the ANC is, and can get rid of it if you want to stay aware of your surroundings.

Sound quality: 3.5/5

Should I buy the Earfun Free Pro 3?

The Earfun Free Pro 3 in their case, on a window. — (Image credit: Future)