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I tested these re-released classic wired earbuds with dual USB-C and 3.5mm connectivity for a week, and now I’m thinking of ditching my Bluetooth pair
1:00 pm | February 13, 2025

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Comments: Off

Master & Dynamic ME05: Review

10 years after their original release, the Master & Dynamic ME05 are back. Remastered for the modern era, these wired buds now include a Hi-Res USB-C adapter, meaning they’re able to seamlessly slot into your modern smartphone’s charging port. This revamped model also aims to provide “more expansive acoustics” and fit options, while still harnessing the strengths of their original, high-caliber build materials. But do these re-released classics still hold up?

Well, if we’re talking audio quality, the answer is yes – very much so. The re-released Master & Dynamic ME05 have an incredibly satisfying sound signature: it’s elegantly balanced, but adds a dash of warmth to ensure you get an exciting, yet tightly controlled listen. When I tuned in to I Want You by Moloko – a densely layered, all-action track – the Master & Dynamic ME05 captured each element with ease. The multiple synths, dramatic strings and thumping bass all sounded neatly separated and clear.

The details in this track weren’t lost either. For instance, bold vocals in the introduction maintained their breathy tone and the resonance of the piano wasn’t lost. The sudden crash of cymbals roused excitement without sounding harsh too, something I always listen out for in my epic quest to discover the best wired earbuds.

As I touched on earlier, there’s a pleasing degree of warmth to these buds, meaning you’ll hear clean bass that never sounds lethargic or muddied with lower-mids. When listening to Black Eye by Allie X, the hard-hitting drum machine could get admirably deep and sounded rhythmic and energetic.

If you’re a massive fan of bass-heavy bangers these might not quite offer the big boom you’re looking for, though. For instance, I threw on Splash Mountain by Yung Gravy and sub-bass didn’t have the raw power that’s meant to command the track. If that’s something you’re looking for, you may be better served by some of the best over-ear headphones, which are more capable of thunderous low-end output and customizable EQ.

Regardless, you’re getting fantastic high-resolution audio from these buds, whether you’re using the standard 3.5mm connector or the included USB-C adapter. This adapter supports up to 32-bit / 384kHz resolution audio, meaning you can indulge in higher-than CD quality sound with one of the best Android phones or best iPhones since the iPhone 15 switch to USB-C.

As well as the USB-C connector, the ME05 now come with a large selection of additional ear tips, including both gel and foam variants. This was something we hoped for in our review of the review of the original model back in 2017 – so kudos to Master & Dynamic for delivering! There’s also a premium-feeling carry case to keep your buds safe, adding some points in the value category.

On top of their stellar sound quality and generous fit options, the re-released ME05 have commendable build quality. The 8mm drivers are enclosed in sturdy and stylish brass casing. The metallic controller also feels durable and has well-sized button controls. Maybe some will find its central position a little unorthodox, but I liked it – sometimes wired buds place their controller too close to my cheek, which can be irritating when adjusting volume. And although it’s not detachable, the cable is up-to-scratch too – it's tangle-resistant and slim, and it really checks all the boxes.

There’s also a mic that’s handily positioned higher up the cable. This includes wind reduction tech for clear calling, which I’m happy to report works well. To test mic quality, I made a voice recording and found that there was a bit of static in the background, though my speech was still extremely clear-cut and natural-sounding.

At this stage, you may think I have little to no complaints about these remastered classics – and you’d be right. But they’re not quite perfect. That’s mainly because these buds aren’t ideal for when you’re out and about. I did experience quite a lot of cable noise – something that’s admittedly common with most wired buds – but they couldn’t mute this as effectively as models like the Sennheiser IE 200.

And although they’re comfortable in-ear, they are fairly heavy-feeling – not to mention the lack a waterproof rating, meaning you may want to look elsewhere if you need some earbuds for workouts or runs.

One more small thing before I start gushing again – don’t expect particularly stand-out noise isolation from the re-released ME05. When listening to a bass-heavy track between 40% and 50% volume, the sound of typing in my office was dulled, but I could still hear it a decent amount. That’s in part down to the more relaxed fit of these buds, meaning you’re not getting an ultra-tight seal. But still, there’s a silver lining here – I was happy to listen with these for hours on end. So, even if a model like the Shure SE215 has superior passive noise isolation, they were nowhere near as pleasing to keep in for long listening sessions.

With that said, I’d still class the Master & Dynamic as a top-drawer pair of in-ears. With awesome audio quality, eye-catching design and dual connectivity options, there’s just so much to like. At $199 / £169 (about AU$320), they’re not cheap but they are good value. A lot of audiophile-friendly buds will cost double that amount… or even more. And for the level of detail on offer, I think these are well worth your consideration.

Sure, if you want top-tier noise cancelling and waterproofing, you may be better off with a pair of the best wireless earbuds instead, but for those of you looking for a wonderful wired option, I can recommend these with ease.

Master & Dynamic ME05 with USB-C adapter and carry case

(Image credit: Future)

Master & Dynamic ME05 review: Price and release date

  • $199 / £169 (about AU$320)
  • Re-launched in December 2024

The Master & Dynamic ME05 re-released in December 2024, almost an entire decade after their original launch in 2014. They have a list price of $199 / £169 (about AU$320), which is by no means cheap, but nowhere near the price you’ll pay for more premium models like the Sennheiser IE 900 or the Campfire Audio Solaris Stellar Horizon. The re-released ME05 model is available in four classy colorways: Gold/Black; Gunmetal (Gray)/Black; Palladium (silver)/Black; and Palladium/White.

Master & Dynamic ME05 review: Specs

Master & Dynamic ME05 USB-C adapter

(Image credit: Future)

Should I buy the Master & Dynamic ME05?

Buy them if...

You’re an audiophile that doesn’t want to spend a fortune
If you’re on the hunt for some high quality, yet still affordable wired earbuds, the Master & Dynamic ME05 are an awesome option. At less than $200 / £170, you’re not splashing out the kind of cash that some audiophile-grade buds demand. For instance, quality options like the Sennheiser IE 600 come in at around $500 / £500 / AU$1000… when on sale – yikes!

You want something with style
These earbuds are a good-looking option thanks to their metallic casing, premium-feeling controller and tangle-proof cable. They’re also available in four shiny color options, all of which ooze class.

Don't buy them if...

You’re seeking workout-ready earbuds
If you want some earbuds to accompany you on runs or through workout sessions, these aren’t going to be the best. They have no waterproof rating and aren’t the most snug fitting in-ears I’ve ever tried either. If you’re a fitness fanatic, I’d personally recommend checking out our guide to the best open ear headphones.

You want amazing noise blocking
These earbuds assume a decently loose and gentle fit rather than forming an ultra-noise resistant seal. That was fine by me, but if cutting out external noise is a key priority, you could instead opt for some wired buds with top-tier passive noise isolation, like the Shure Aonic 3. If you’re open to nabbing some wireless buds, you could pick an option from our list of the best noise-cancelling earbuds and enter into the world of active noise cancellation.

Master & Dynamic ME05 review: Also consider

Sennheiser IE 200
If you want even more affordable audiophile-grade audio, the Sennheiser IE 200 could be the perfect fit for you. With fantastic all-round sound, brilliant build quality and a lightweight design, you’re getting an incredible package. There’s no in-line mic or controller included with these and they use a 3.5mm connector, but if that’s okay with you, then the IE 200 are easy to recommend. Read our full Sennheiser IE 200 review.

SoundMagic E80D
And if you’re looking for an even cheaper option, look no further than the SoundMagic E80D. They have a USB-C connector with an onboard DAC, meaning you get a surprisingly detailed listen for some sub-$50 / £40 buds. The built-in controller isn’t as good as the ME05’s and audio won’t be quite so premium, but if great value is what you’re after, the E80D are well-worth considering. Read our full SoundMagic E80D review.

Master & Dynamic ME05 review: How I tested

Controller of Master & Dynamic ME05

(Image credit: Future)
  • Tested for one week
  • Used in the office and while on walks
  • Predominantly tested using Tidal

I tested the Master & Dynamic ME05 re-release over a one week period. During this time, I predominantly listened to music using Tidal on the Samsung Galaxy S24 FE via its USB-C port, but I also tried them out using Spotify via my Windows laptop’s headphone port. I tested these buds in the office and while out on walks in windy conditions, in order to test both noise isolation and wind noise-reduction capabilities

When I threw on some music, I bumped tracks from the TechRadar testing playlist, which contains songs from a variety of genres – though I also spent hours tuning into songs from my personal library. Where appropriate, I also used the Sennheiser IE 200 to compare aspects including audio presentation, style and build.

  • First reviewed: February 2025
  • Read more about how we test
The Anker Soundcore Boom 2 Plus is a bass-heavy Bluetooth speaker that I love for blasting party bangers
4:00 pm | February 11, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Tags: | Comments: Off

Anker Soundcore Boom 2 Plus: Two-minute review

The Anker Soundcore Boom 2 Plus is a Bluetooth speaker that does exactly what it says on the tin. It blasts onto the scene with booming bass output, high volume levels and blaring LED lights – this thing is by no means subtle! And at $249.99 / £199.99 / AU$359.99 it’s by no means cheap, either – so let’s find out if the Boom 2 Plus is worth the cash.

It only seems right to start with the main attraction: bass. With BassUp 2.0 activated you’re going to get deep pumping low-end output, ideal for genres such as EDM or hip-hop, and for occasions such as house parties. Without it, you may find that bass is a touch underwhelming, so it’s worth toggling it on for when you really want to ramp up any low-frequency audio. Still, I didn’t find the Anker Soundcore Boom 2 Plus could offer quite as ground-shaking bass as the Tribit Stormbox Blast 2.

All-round sound quality is up-to-scratch, too. I found mids and highs to be clear and free of tinniness – a big relief. On top of that, there’s a nine-band EQ so you can get a more neutral sound if that’s what you’re after. The Anker Soundcore Boom 2 Plus isn’t going to supply the phenomenal attention to detail that some of the best Bluetooth speakers can offer, but it does include the AAC codec this time around, so it's a little better for Apple users in particular.

This speaker comes with a nice set of features, all of which can be accessed via the free-to-download Soundcore app. You can pick from preset or custom EQ calibrations, toggle BassUp, and alter light settings. The LED lights attached to the side of the speaker can sync up to audio output for a more immersive listening experience, and watching them rumble as the speaker pumps bass is highly satisfying.

The lights were one of many features already included in the original Anker Soundcore Boom 2. Now, don’t get me wrong, the standard-sized model is a decent budget option, but the Boom 2 Plus is an upgrade in almost every way. You get more power – as much as 140W for hitting high volumes – a more curved, quality-looking design, and a strap for carrying the speaker over long distances.

But the Boom 2 Plus isn’t without its drawbacks. Of course, its far more expensive – yet still only has the IPX7 waterproof rating, meaning it still lacks a dustproof score. On top of that, the Boom 2 Plus actually offers less playtime than the standard Boom 2, with just 20 hours on offer. Now, that’s not too bad, but considering rivals like the Earfun UBoom X can muster 30 hours, you may be left wanting more.

But overall, the Anker Soundcore Boom 2 Plus is still an adept party speaker. You’re getting plenty of bass and plenty of ways to personalize both its sound and appearance. If you can grab it at a cut-price, I’d argue it's an option well-worth considering, but unfortunately there’s some really stiff competition in this price range. And if you’re able to stretch your budget a little bit further, I’d recommend going for the Tribit Stormbox Blast 2 instead, which ultimately packs more of a punch and better protection against the elements.

Reverse side of the Anker Soundcore Boom 2 Plus

(Image credit: Future)

Anker Soundcore Boom 2 Plus review: Price and release date

  • $249.99 / £199.99 / AU$359.99
  • Launched in May 2024

The Anker Soundcore Boom 2 Plus is significantly pricier than the standard Boom 2 model, coming in with a list price of $249.99 / £199.99 / AU$359.99. That’s compared to the usual Boom 2’s launch price of $129.99 / £119.99 / AU$219.99. I’ve spotted it on sale for around $200 / £170, though, so keep your eyes peeled for a bargain.

This 2024-issued model is available in a number of color options – all of which cost the same. The colorways available to you are: Adventure Green; Explorer Green; and the variant I tested, Phantom Black.

Anker Soundcore Boom 2 Plus review: Specs

Anker Soundcore Boom 2 Plus with strap attached

(Image credit: Future)

Anker Soundcore Boom 2 Plus review: Features

  • Nine-band custom EQ
  • Customizable LED lights
  • 20-hour battery life is decent, but nothing special

In terms of features, the Soundcore Boom 2 Plus is almost identical to its standard-sized sibling. Button controls enable you to toggle on the low-end-boosting BassUp option, sift through light show settings and pair to a second speaker via PartyCast 2.0. And once again, there’s a USB-C port which enables the Boom 2 Plus to become a power bank.

If you download the Soundcore app, however, you get access to even more features. The standout is EQ adjustment, which grants access to a nine band equalizer and a small selection of presets: Soundcore Signature, Voice, Treble Boost and Balanced (as well as BassUp). I would maybe have liked to see a few genre-specific options, but there’s still plenty of customizability here.

The app also lets you personalize the Boom 2 Plus’ lights remotely. There are six effects available: Flash, Flame, Lightning, Scan, Cyclone and Bounce. On top of that, you can play around with a color wheel to get an even more tailored look to the speaker’s LEDs. The lights are on passive radiators which rumble violently during bass-heavy tracks, and this was enjoyable to watch, especially in dark rooms. They sync up to sound output, which makes for an immersive audiovisual experience, but if that’s not to your taste, you can switch them off entirely.

One benefit of going lightless is that you’ll save some battery life. And that might be useful, because the Soundcore Boom 2 Plus actually offers less playtime than the standard Boom 2. That’s a little disappointing and given rivals such as the Earfun UBoom X can serve up an impressive 30 hours, its fair to say this speaker’s battery life is a bit unimpressive. 20 hours is by no means bad, but it’s worth noting that BassUp – like the lights – will contribute to faster drainage.

One thing you do get over the standard edition, however, is an aux-in port, which enables wired listening – pretty neat. Otherwise, you’ll be relying on Bluetooth 5.3, which is plenty good enough, and there’s also Google Fast Pair for a speedy setup.

  • Features score: 4/5

Button controls on the Anker Soundcore Boom 2 Plus

(Image credit: Future)

Anker Soundcore Boom 2 Plus review: Sound quality

  • Booming bass with BassUp 2.0 on
  • But won’t offer massively sophisticated all-round audio
  • Impressive volume levels thanks to max 140W power output

Just by hearing this speaker's name, you probably know exactly what you’re going to get here. And if you guessed big, booming bass – congrats, you were right. Well, that is if you have BassUp 2.0 turned on – without this bass isn’t actually that impactful for a speaker of this size. But don’t get me wrong, having BassUp 2.0 on will definitely mean the low-end soaks up most of the limelight. For a party speaker, though, that’s not necessarily a bad thing.

When tuning in to Favorita by kryptogram, I was impressed by the speaker’s bass output with impactful, deep drum kicks instantly grabbing my attention. Similarly when listening to a house track, Dasha - Tour Maubourg Remix by Fusion Affair, the speaker showcased solid low-frequency response, with dominant, pumping bass. When I threw on Diva Bonita by bbno$, the track’s imposing sub-bass came through with authority, something that you’ll miss out on from a lot of cheaper models.

When I put the Boom 2 Plus next to the Tribit Stormbox Blast 2, however, I did find the latter offered considerably weightier power in the low end – even with its XBass feature turned off. Of course, that model is a little more expensive, but if you want ultimate bass performance, I’d recommend it over this Soundcore speaker.

Regardless, the Boom 2 Plus can get very loud. That’s in part thanks to its high maximum power output of 140W – 100W of which comes from the two 50W woofers, with the remainder stemming from the speaker’s dual 20W tweeters. Pair that with the Boom 2 Plus’ competence in the bass department and you’re looking at a speaker that’s primed for parties or outdoor events, where you want to power through excess noise.

If you want a speaker capable of delivering a highly nuanced listen, though, this isn’t a top option. Sure, you get AAC this time (meaning any tracks played in AAC on a compatible device will be played without conversion or other inteference – most notably for Apple Music users on Apple devices) rather than SBC (the standard Bluetooth codec) alone, and there’s a nine-band equalizer that can help you tune a more balanced sound – but I still found there was a lack of detail, particularly in the mid and treble frequency range.

When listening to I Want You by Molko, I wasn’t struck by a true-to-life cymbal crash or particularly natural-sounding, breathy vocals. The speaker also wasn’t highly capable of managing this track’s densely layered mix, so you may want to turn to a model like the Edifier D32 if you’re looking for stronger instrument separation.

Of course, that’s not something this model has to excel in. Ultimately, this is designed to be a party speaker that leans into its low-frequency talents and it does that well. Also, even if they’re lacking a bit of detail, mid-range and treble frequency sounds rarely sound tinny or harsh, even at higher volumes. I also found that I could get a fairly balanced sound profile out of this speaker after turning BassUp off in Soundcore Signature and slightly tweaking EQ.

  • Sound quality score: 4/5

Soundcore logo on the Anker Soundcore Boom 2 Plus

(Image credit: Future)

Anker Soundcore Boom 2 Plus review: Design

  • More curved, premium looking design this time out
  • Still only IPX7 rated
  • Eye-catching LED lights

In terms of looks, the Soundcore Boom 2 Plus is a huge upgrade on its standard-sized sibling. It’s less stubby and blocky looking, now donning a wider, more curved look. On top of that, the metallic speaker grille has a more premium feel and appearance, creating a far cleaner aesthetic overall.

Of course, much has remained the same – the LED lights on the side of the speaker are still bold and vibrant – they can also sync up to bass output for a more immersive listening experience. And the button controls on top of the speaker are again well-proportioned, clear and responsive.

But with this speaker’s added length comes added bulk – meaning Anker has had to make a change here. That’s right: this model comes with a strap included, which can be attached to hooks on the handle. This is pretty basic; there’s no shoulder pad or anything, but it’s still a nice addition if you’re going to carry the Boom 2 Plus over longer distances. This is also welcome as the Boom 2 Plus is more than twice as weighty as the standard model, coming in at 8.4lbs / 3.8kg – though this is still fairly lightweight overall.

Something that, perhaps disappointingly, has remained much the same, though, is this speaker’s ingress rating. Like the standard Boom 2, this is IPX7 rated. Now, the positive here is that the speaker can be submerged in up to a meter of water for as long as 30 minutes – something we’d expect from all of the best waterproof speakers. It's floatable too if you want to take it into the pool with you, for instance.

The bad? This thing skips on a dustproof rating again, meaning it might not be the best beachside companion. If you want a more rough and ready model, look for the IP67 rating, which a ton of competitors have, including the fantastic Bose SoundLink Max.

But enough moaning. I did like the small rubber tab on the reverse side of the Boom 2 Plus. Simply flick this up or down and you get access to the USB-C charging port – which can be used to charge the speaker or external devices – as well as the aux-in if you want wired listening.

I was also a fan of the multiple color options available. You can grab the Boom 2 Plus in Phantom Black, Explorer Blue or Adventure Green – all of these look neat and are discreet enough to bring out the best of light features in dark rooms.

  • Design score: 4/5

LED lights on the side of the Anker Soundcore Boom 2 Plus

(Image credit: Future)

Anker Soundcore Boom 2 Plus review: Value

  • Considerably more expensive than standard model
  • But does offer improved audio and design
  • Unfortunately rivals offer better bang for your buck

The Anker Soundcore Boom 2 Plus has a list price that’s almost double that of the standard model. So, with added price, you’re going to expect a massive improvement. Do you get that? In many ways, yes. I would argue that this model is far better looking and, perhaps unsurprisingly, has bassier, cleaner audio. If you want an all-out party speaker, it’s no contest – the Boom 2 Plus is far superior.

At the same time, you get a smaller battery life and there are some lingering issues such as the lack of a dustproof rating. Perhaps a larger problem for the Boom 2 Plus, though, is that it’s sitting in an awkward spot price-wise. If you go cheaper, you can grab the Earfun UBoom X, which also packs plenty of bass, as well as highly customizable audio. And if you can push your budget just a little more you can get the mighty Tribit Stormbox Blast 2, which is a top-tier party speaker in my book – it can also double up as a karaoke machine if you’re into that kinda thing!

In its own right, though, the Soundcore Boom 2 Plus is still a solid Bluetooth speaker and plenty good enough to keep the party moving. If you can get it for less than $200 / closer to the £150 mark, it’s a model well worth considering. Nonetheless, there is some stiff competition, which can’t be ignored.

  • Value score: 3.5/5

Rubber tab open to expose USB-C and AUX ports on the Anker Soundcore Boom 2 Plus

(Image credit: Future)

Should I buy the Anker Soundcore Boom 2 Plus?

Buy it if...

You want a bass-heavy party speaker
If you want a Bluetooth speaker for house parties or events, the Anker Soundcore Boom 2 Plus has you covered. With a maximum power output of 140W and BassUp feature for booming low-end output, you’re certainly going to keep your guests entertained.

You want a lightweight option
Some boombox-like speakers can be heavy. Really heavy (I’m looking at you Tribit Stormbox Blast 2). But much like the standard model, the Boom 2 Plus bucks that trend, coming in at 8.4 lbs / 3.8kg. Combine that with the included strap and this speaker is pleasingly easy to take with you on the go.

Don't buy it if...

You want premium all-round sound
If you want a nuanced, supremely separated sound, this speaker isn’t for you. With the right tuning, you can get clear, decently balanced audio, but still, you’re not going to uncover the finest details.

You want a speaker that can brave any environment
The Soundcore Boom 2 Plus skips on a dustproof rating, meaning it’s not totally primed for all outdoor environments. There are a ton of options with the coveted IP67 rating, but you can go a step further with the LG XBoom Go XG8T, which actually has military-grade protection against the elements.

Anker Soundcore Boom 2 Plus review: Also consider

Earfun UBoom X
Like this Anker speaker, the Earfun UBoom X won’t offer the most detailed, revealing sound quality. But it does still pack quite the low-end punch, has some integrated LED lights and a wired connectivity option. The real win is that this model has a 30 hour battery life and super-low price for a speaker of its size, making it a very viable candidate to be your next party speaker. Read our full Earfun UBoom X review.

Tribit Stormbox Blast 2
I’ll keep it simple: the Tribit Stormbox Blast 2 is one of the best portable party speakers money can buy. It’s only a bit more expensive than this Anker model, but has superior bass output, more playtime and an IP67 dustproof and waterproof rating. It doesn’t get much better than that. Read our full Tribit Stormbox Blast 2 review.

Anker Soundcore Boom 2 Plus review: How I tested

Hook on the Anker Soundcore Boom 2 Plus

(Image credit: Future)
  • Tested over the course of one week
  • Mainly used at our music testing facility at Future Labs
  • Predominantly listened to tracks via Tidal

I listened to the Anker Soundcore Boom 2 Plus for hours at our music testing facility at Future Labs. I blasted a bunch of tracks from my own music library alongside tunes from the TechRadar testing playlist, which we use to assess audio performance across a variety of genres. I connected to the Stormbox Blast 2 with the Samsung Galaxy S24 FE and mainly listened to songs via Tidal.

Further to this, I played a podcast episode on Spotify and watched video content on YouTube in order to assess vocal clarity across different platforms. When appropriate, I used the Tribit Stormbox Blast 2 to compare elements like sound, design and ease of use.

  • First reviewed: February 2025
  • Read more about how we test
I reviewed Sony’s LinkBuds Speaker, and it’s the Bluetooth speaker that best fits into my real home life, thanks to unique features
5:00 pm | February 6, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Tags: | Comments: Off

Sony LinkBuds Speaker: Two-minute review

Sony has released a fair few speakers in its day but the new LinkBuds Speaker is the first to be released under its LinkBuds branding; the original Sony LinkBuds were novel for having open-ring designs so you could hear your surroundings while also streaming music, but the name now just seems to be used for a range of lifestyle audio options instead of applying to that particular open design, so here we are.

I often having to get name whingeing out of the way early when I review products like the Sony LinkBuds Speaker, because I want to save the rest of the review to focus on compliments on the device (and because I love a good name-whinge).

Don’t make the mistake I did when I first started using the speaker – unlike many other entries into our annals of the best Bluetooth speakers, this creation isn’t designed for house parties or loud gatherings. Instead, it’s a svelte house-trained pet that does its best work when you keep it domestic.

That’s most evident from the charging cradle, which was my favorite aspect of the entire speaker. It charges the speaker when you’re not using it (or when you are), acting as a hub that you can easily whisk the speaker away from when you’re marching into another room.

But there’s more evidence as to the LinkBuds Speaker’s introverted state. Its understated design means it fits snugly into your home decor, but it's not as rugged as the best waterproof speakers. Its microphone means you can use it as an ersatz home assistant (via your phone, at least) and a range of other features such as a programmable musical alarm clock and hourly time alerts all indicate that this is a housebound gadget.

That doesn’t mean you’ll be left in the lurch if you take it outside, especially with a surprisingly big 25-hour battery, but you might not find the audio fits parties or summer cookouts. That’s doubly the case with audio which proves quite directional, and doesn’t quite equal some rivals on the market in terms of energy and vibrancy – if you’re looking for a party speaker, the Sony will disappoint.

I was pleasantly surprised with the feature set offered by Sony, with its Sound Connect app boasting quite a few handy features – some are ones I haven’t seen on rival devices, which is a neat touch. Admittedly some of these features are hidden deep in the app – I still have no idea how I enabled the aforementioned hourly notification – and not all of them work wonders.

But it’s another illustration of how the Sony offers brains over the raw brawn of some of its rivals. It’s no slouch in the audio department, but it’s found a different way to best the likes of the JBL Flip 6: the features.

I should cap this intro by saying one more thing if you like the ideas of these extra features: only buy this if you use Spotify, Amazon Music or Endel. Loads of the extra features require a subscription to one of these three streaming services so you're not going to be able to use all the features if you use Tidal, Apple Music or YouTube Music.

Sony LinkBuds Speaker review: Price and release date

  • Released in October 2024
  • Officially priced at $179.99 / £139 / AU$249

The Sony LinkBuds Speaker was announced in October 2024, alongside two new earbud additions to the brand: the LinkBuds Fit and LinkBuds Open.

You can buy the speaker for $179.99 / £139 / AU$249 so it costs a little more than rivals in the area such as the JBL Flip 6, Ultimate Ears Boom 4 or Bose SoundLink Flex, but it roughly matches the Sonos Roam 2 which we rate as the best Bluetooth speaker.

I should point out that at the time of testing, three months after the LinkBuds Speaker’s release, it’s already on offer from some retailers, so it’s worth hunting around to find a discount as they're easy to find.

The Sony LinkBuds Speaker on a shelf beside a bed.

(Image credit: Future)

Sony LinkBuds Speaker review: Specs

The Sony LinkBuds Speaker on a shelf beside a bed.

(Image credit: Future)

Sony LinkBuds Speaker: Features

  • A 25-hour battery life
  • Lots of features thanks to Sound Connect app
  • Many tools require Spotify, Amazon Music or Endel

The Sony LinkBuds Speaker offers a surprisingly admirable 25 hours of battery life, which laps most of its close rivals – you can expect between 10 and 15 hours of listening time on its competitors.

Thanks to how the aforementioned charging cradle fits into my real-world experience, I never actually had to test this figure the hard way, but that’s not the end of the world – it just goes to prove that you’ll never have battery anxiety with the LinkBuds Speaker.

You can get many more features from the LinkBuds Speaker by using Sony’s Sound Connect app – until recently called Headphones Connect.

One useful feature is auto-play, so you can set your speaker to start auto-playing from Spotify, Amazon Music or Endel at certain times on certain days, basically like an alarm clock. In my testing, I was unable to choose which playlist Spotify auto-played from, and it default to carrying on whatever I last listened to, but the writing in the app suggests that I should be able to pick them. Hopefully a software update will change this.

As I'll discuss in the Design section of this review, the speaker has a quick access button. Using the app, you can map this to use two of: Spotify Tap, Amazon Music Play Now or Endel Quick Access (all three bring up a curated playlist from the app of choice). As you can tell, these are the only three apps supported by Sony’s app – sorry, Tidal fans – but you can use other streaming platforms for standard speaker playback. You just can’t use the extra features.

Audiophiles will also be pleased to hear that there’s an in-app equalizer. It’s a five-band one with an extra Clear Bass dial to increase or decrease bass prominence between -10 and 10. You can save two different custom EQs, and there are no presets. In my experience I didn’t find that the equalizer made much of a difference on the sound quality.

Sony’s auto-EQ mode is back, but I’ve not previously been impressed by this, and the LinkBuds Speaker didn’t change that. The way it works is that the app presents you with five different EQ mixes and you have to choose your favorite; you do this twice and the app creates a custom mix for you. The problem is that the mixes it suggests to you are often so indistinct that I can never tell the difference between them, so it’s not a good way of gauging my actual tastes.

I was impressed by a few of the quality-of-life features Sound Connect offers. You can choose the auto-power-off length, toggle on a battery-saving mode that stops you overcharging the speaker, connect two multiple devices (including LinkBuds earbuds, which can automatically switch your music from the buds to the speaker when you get near) and can enable a Sony-made audio decompression feature to improve the sound of music on lossy streaming services. They all just improve the way you use the speaker in small but meaningful ways.

A feature I got really close to liking is the ability to set hourly reminders. This was surprisingly convenient to help mark the passage of time through the day, reminding me that it was lunchtime or that my working hours were finished… except there's no way in the app to silence it for certain hours. I was woken several times by the speaker announcing that it was 2am or 3am and so turned this otherwise-handy feature off.

I’ll briefly touch on pairing: when I first started using the LinkBuds Speaker, I simply couldn’t connect to it via Bluetooth pairing. However as soon as I opened the Sound Connect app, it immediately recognized and paired. So if you’ve just bought this gadget and can’t get it to connect, download the app now!

  • Features score: 4/5

The Sony LinkBuds Speaker on a shelf beside a bed.

(Image credit: Future)

Sony LinkBuds Speaker review: Design

  • Black or gray squoval
  • Has a hook for hanging; charging pad in box
  • A fair range of buttons

The Sony LinkBuds Speaker basically looks like a small furry squoval. (It's a real word! A portmanteau of square and oval!) Compared to lots of other portable speakers it’s a little plain looking, but I liked how it blended into the background of my home more than other speakers I test. Sometimes nondescript is good. The fabric cover also gives it a premium look that many other rivals lack.

It’s not a huge speaker, measuring 11cm tall and with body dimensions of 8.4 x 9cm, but it’s a little heavier than you’d think at first glance at 520g.

The ‘back’ of the speaker – a word I use because the sound is pretty directional, as I’ll get into in the sound quality section – has its power button as well as the USB-C charging port (which you can use instead of the included base plate, another feature I’ll explain later on). It also has a hook that you can use to hang the speaker on a hook in the bathroom, on the back of a chair or wherever works – but it’s not that big so it was hard to clip onto certain objects, plus the way the speaker hangs has problems with the directional sound (yet another tease about a future point to discuss).

On top of the speaker are buttons: volume up, volume down, play/pause/accept phone call, and the quick access button. There’s also a small light: white when the speaker is on and red when it’s off, and purple sometimes… for some reason? If there’s a way of turning the LED off, I couldn’t find it, which was a little annoying at night.

I’d be remiss not to include mention of the LinkBuds Speaker’s base plate, because it became an integral part of the experience during my testing. Included in the box is a charging cradle, which you plug into a USB-C charger, and it holds the speaker firm and slowly charges it up. Once I set this up in my office, it became a ‘home’ of sorts for the speaker – when I was listening during work, it would power up so that there was charge for when I was taking it out and about. Super convenient, two thumbs up from me.

You can buy the speaker in black or light gray, and your choice will affect the base plate as well as the speaker itself. It has an IPX4 rating so it’s protected against splashes of water but not solid jets or submersion, so it may not be at home at a pool party.

The Sony LinkBuds Speaker on a shelf beside a bed.

(Image credit: Future)
  • Design score: 4/5

Sony LinkBuds Speaker review: Sound quality

  • Good, not great audio quality
  • Volume fine indoors but not loud enough for outdoors
  • Directional audio poses a problem

The Sony LinkBuds Speaker combines a tweeter and woofer in a classic two-way system; I couldn’t find much information on either component from Sony's materials.

There’s no use beating about the bush; the LinkBuds Speaker doesn’t quite sound as great as rivals I’ve tested at this price point from Ultimate Ears and JBL. It offers a balanced audio mix, but lacks the 'oomph' that portable Bluetooth speakers generally need.

For example: there’s ample bass, but not as much as you’d get on an outdoor speaker; clear treble, but a distinct lack of shine to some instruments; the same lack of soundstage that you get on smaller speakers like this thanks to mono audio. The maximum volume is sufficient if you plan to use the speaker exclusively at home or in your garden, but in wider open spaces, it might prove hard to hear. Unlike its rivals, Sony hasn't turned any one element up to 11.

The mono audio problem can be fixed, according to the Sony website, by simply buying a second speaker and pairing them together to get stereo sound. That will, of course, double the amount you’re paying to listen.

My main concern when I started listening to the LinkBuds Speaker was simply that audio didn’t sound as energetic or exciting as on many other portable speakers I’ve tested; lots of rivals are designed as party devices and going in with the same expectations here will leave you disappointed.

This was underlined when I used the LinkBuds Speaker to play music at a gathering; after a few drinks, balanced audio isn't as important as vibrant bass. However once I figured out that the Sony is designed for a different use case – namely home listening – I could appreciate it a little more.

The LinkBuds Speaker’s sound depends a lot on the direction you are to it – that’s not uncommon in speakers, as 360-degree audio is a rare treat. But it makes a marked difference in the LinkBuds Speaker, and it’s doubly annoying for two reasons.

Firstly, due to its design, it’s pretty hard to glean which way the front is from a glance – close up, you can see the way the buttons are facing and where the hook is. If the speaker is in the corner of a room, you’ll have to guess if you’re getting the full experience. Secondly, when you use the hook to hang the speaker up, its positioning means that the tweeter and woofer point downwards – the only person getting optimal audio is the downstairs neighbor.

Sony boasts about its Sound Diffusion Processor in the LinkBuds’ web post, which is supposed to spread sound from the speaker out into a wide area, but I can only assume this listing was written on opposite day because my experience was that music sounded so much better when the speaker was facing you.

The Sony LinkBuds Speaker on a shelf beside a bed.

(Image credit: Future)
  • Sound quality: 3.5/5

Sony LinkBuds Speaker review: Value

I can't go so far as to say that the Sony LinkBuds Speaker is outstanding value for money, but it ticks all the boxes that you want when you're paying this much.

The range of features, the audio quality, the design; I'm pretty sure I'd be able to accurately predict the LinkBuds' price because it's in line with expectations.

That changes a little if you can find the speaker discounted, though, and if you find it nearing the $100 / £100 / AU$180 mark, it may tip more into 'must-buy' territory.

  • Value score: 3.5/5

The Sony LinkBuds Speaker on a shelf beside a bed.

(Image credit: Future)

Should I buy the Sony LinkBuds Speaker?

Buy it if…

You're a homebody
Looking for a Bluetooth speaker that you plan to use at home, rather than in outdoor events? Look no further.

Battery life is important
No-one likes that most gadgets take constant charging. You can put it off for 25 hours at a time with the LinkBuds Speaker, and top it up super-easily.

You want to be woken up by music
The LinkBuds Speaker's musical alarm clock feature has woken me up for the last week, and I'm all for it.

Don’t buy it if…

You're a party planner
The LinkBuds Speaker lacks the max volume, overwhelming bass or rugged design needed to make it a real party speaker.

You're not an app fan
Some people don't like having to use an app to control their speaker or headphones, and that's a fair stance, but you won't like the LinkBuds Speaker in that case.

Sony LinkBuds Speaker review: Also consider

JBL Flip 6
It's been around for years, but it remains a stalwart rival in the Bluetooth speaker space. It has a balanced sound and a hardy design, though it lacks some features (and the long battery life) that the Sony has – you can dig into it in our full JBL Flip 6 review.

Bose Soundlink Flex Gen 2
Another well-received rival from Bose, this gadget takes some party speaker DNA but not as much as some other rivals. It provide balanced audio, but perhaps doesn't quite have the charm of the Sony, but you can read more in our full Bose SoundLink Flex Gen 2 review.

Meze Audio 105 AER open-backed headphones are a lesson to high-end audio brands: you can let us mere mortals in on it too
1:30 pm | February 1, 2025

Author: admin | Category: Audio Computers Gadgets Headphones | Comments: Off

Meze Audio 105 AER: Two-minute review

Meze Audio doesn’t just stick to the super-high end with its headphone designs – it just seems that way sometimes, because its super-high end headphones are so very good. Mind you, its idea of what constitutes ‘entry level’ won’t chime with everyone – these 105 AER open-backed, wired, over-ears are $399 / £369 / AU$799 a pair.

That money does buy a nicely designed, beautifully finished pair of headphones, though certainly they’re a notch or two up from the equivalent Grados, say, where perceived value is concerned. And while the lack of a balanced cable option is a bit stingy, there’s no arguing with the lengths Meze Audio has gone to where the dynamic drivers that do the audio business are concerned.

And in pretty much every respect, there’s no arguing with the way they sound either. In every meaningful respect, the 105 AER get the job done in fine style: they’re an easy listen in the most positive way. Detail levels are high, soundstaging is solid, dynamic headroom is considerable, low-end presence is impressive... you name it, the Meze Audio understand it. Some of the best wired headphones money can buy then? Oh certainly, if you'll accept their open-backed nature.

If you’re in the market for wired, open-backed headphones – with all of the caveats those descriptions imply – and you have this sort of money to spend, it would be grossly negligent not to check the 105 AER out.

Meze Audio 105 AER headphones in a hi-fi testing room, on gray background

(Image credit: Future)

Meze Audio 105 AER review: Price & release date

  • Released December 1, 2024
  • Priced: $399 / £369 / AU$799

Meze Audio isn't often seen in the sub $400 space – see the $1,999 / £1,799 / AU$3,399 Meze Audio Liric for reference, (now into their second iteration), however, the company has dipped its toes into more consumer-accessible pools recently, perhaps most notably with its $159 Alba in-ears.

At this price, Meze knows it could turn some heads – most pertinently from music lovers used to seeing such fees from Bose (whose QuietComfort Ultra cans are just a bit pricier) and Sony's top-tier wireless designs. Will the bid win them over? It depends – wireless audio has, and will always have, its perks. But on audio quality alone, there really is no contest…

Meze Audio 105 AER headphones in a hi-fi testing room, on gray background

(Image credit: Future)

Meze Audio 105 AER review: Specs

Meze Audio 105 AER headphones in a testing room

(Image credit: Future)

Meze Audio 105 AER review: Features

  • 50mm full-range dynamic drivers
  • 5Hz - 30kHz frequency response
  • 112bB sensitivity, 42 ohms impedance

Just like every other pair of wired over-ear headphones, the Meze Audio 105 AER are not exactly overburdened with features. But just like every other pair of Meze Audio headphones I’ve tested, the 105 AER features are very thoroughly implemented.

Let’s be honest, though; when I talk about ‘features’, really I’m talking about the drivers that deliver sound to your ears. Everything else about the 105 AER is more correctly found in the ‘design’ section – so let’s talk about the drivers, shall we?

The ‘feature’ here is a 50mm full-range dynamic driver – or, more correctly, two of them. It’s closely based on the driver Meze Audio fits to its considerably more expensive models, with some minor adjustments to the frame and driver membrane to keep weight (and costs) down.

The ‘W’-shaped dome is made of a carbon-fibre/cellulose composite. Meze Audio prizes it for its durability and light weight, and reckons it rejects resonances more effectively than any alternative material. The torus – the ring that surrounds the dome – is made of semicrystalline polymer. It too is light and responsive, and its impressive damping characteristics keep vibrations and resonances to a minimum. Finally, there’s a copper/zinc alloy stabiliser around the outside of the membrane to further reduce distortion.

This arrangement results in a frequency response of 5Hz - 30kHz, manageable impedance of 42 ohms, and helpful 112dB sensitivity. So while the 105 AER are light on features, they are demonstrably fit for purpose.

  • Features score: 5/5

Meze Audio 105 AER headphones in a testing room

(Image credit: Future)

Meze Audio 105 AER review: Sound quality

  • Impressive powers of resolution
  • Big, unified and poised sound
  • Great insight and variation

One of the major benefits of the open-backed arrangement, in theory at least, is a spacious and open presentation of music. The Meze Audio 105 AER are one open-backed model that validate this theory.

A 2.8MHz DSD file of Radiohead’s Reckoner delivered by the 3.5mm output of a FiiO M15S digital audio player proves the point in some style. This is a complex, element-heavy recording that modulates through a number of dynamic variations, but throughout it the 105 AER maintain a big, well-defined and properly organised soundstage on which every individual element gets plenty of space in which to express itself. The resolution of the stage is straightforwardly impressive, and even though the Meze Audio offer plenty of separation they nonetheless present the record as a singular, unified whole. There’s a coherence to the way the song is delivered that makes it seem of a whole, like a performance.

Detail levels are high across the board. The 105 AER load on the information at every point, but are especially adept at offering lots of variation at the bottom of the frequency range. The top end is substantial and detailed, sure, and the midrange is articulate too… but where bass is concerned, the Meze Audio are able to offer a great deal of textural and tonal variety while still maintaining straight-edged control and ample weight.

The whole frequency range hangs together nicely, and there’s a smooth transition from top to bottom – the 105 AER play no favourites and transitions from lowest to highest frequencies evenly. The tonal balance is quite carefully neutral, which allows recordings to reveal their balance without the headphones sticking their oar in too obviously. So a 16bit/44.1kHz file of Aretha Franklin’s How I Got Over is as warm as an 18 tog duvet, while similarly sized file of Kraftwerk’s Europe Endless has just the right sort of austerity.

The Meze Audio handle the dynamics of harmonic variation with just as much confidence and positivity as they do the dynamic shifts in volume or intensity. They offer convincing rhythmic expression and a naturalistic way with tempo management. In fact, they have the sort of direct, unequivocal overall personality that makes every listen an event and makes every recording sound like it deserves your attention.

  • Sound quality score: 5/5

Meze Audio 105 AER headphones in a testing room

(Image credit: Future)

Meze Audio 105 AER review: Design

  • 1.8m detachable cable with 3.5mm termination
  • Self-adjusting headband
  • Detachable velour earpads

I’ve previously described the design of some of Meze Audio’s pricier over-ear headphones as ‘overwrought’ – and at the time I thought I was being quite kind. So it’s nice to be able to report that having to keep costs down has resulted in a design that makes the 105 AER look coherent, quite elegant, and definitely no more than ‘wrought’.

The detachable ear pads are of velour-covered memory foam. They feel nice, sit comfortably without warming your head too quickly, and can easily be cleaned. The almost-semicircular outer headband that connects the two earcups is of slender stamped magnesium and the inner headband that’s the actual contact point is self-adjusting and made of PU leather. The outer part of the earcups is an interestingly organic design and made from ABS-PC thermoplastic. The result is Meze Audio’s lightest over-ear headphone to date – a very manageable 336g.

Each earcup needs wiring, and the 105 AER are supplied with a 1.8m length of braided cable that has the necessary pair of 3.5mm connections at one end and a single 3.5mm connection at the other. There’s also a 6.3mm adapter included. It’s a pity there’s no option of a balanced cable, but perhaps if we all pester Meze Audio then something might be forthcoming.

The 105 AER are supplied with a hard, zip-fastening travel case that’s a cut or two above the alternatives supplied by rival brands with their $399-ish over-ear headphones. A little pouch inside keeps your cable tangle-free when the headphones are not in use – and there’s enough room in there for a second cable, no problem. Just saying…

  • Design score: 5/5

Meze Audio 105 AER headphones in a testing room

(Image credit: Future)

Meze Audio 105 AER review: Value

  • Accomplished audio performance
  • Convincing standard of build and finish
  • Comfortable fit, coherent looks

It’s not even a question of ‘value’, really – but about the only way the Meze Audio 105 AER don’t make a strong-going-on-compelling case for themselves concerns the way they fit. Or, more correctly, the number of people they will fit – because although that headband is self-adjusting, it has upper and lower limits, and the lower limit isn’t all that low. In every other respect, though, it’s hard to make a justifiable complaint about the value that’s on offer here.

  • Value score: 4.5/5

Should I buy the Meze Audio 105 AER?

Meze Audio 105 AER headphones in a hi-fi testing room, on gray background

(Image credit: Future)

Buy them if...

You value balanced, insightful and organised sound
That description could conceivably be interpreted to mean the 105 AER are not much fun - but that’s not the case. It’s just that ‘fun’ isn’t all they are…

You do your listening alone
Open-backed headphones are quite anti-social at the best of times, and the 105 AER leak sound in the manner of a sonic colander

Your source(s) have unbalanced headphone sockets
A 3.5mm connection with a 6.3mm adapter is all well and good, but what about those of us whose source equipment has a balanced output too?

Don't buy them if...

You’re after outright low-frequency wallop
The 105 AER are a balanced and nicely poised listen - which means low frequencies are given the correct sort of emphasis rather than being overstated

Your head is on the small side
The headband is self-adjusting, sure - but only up to a point. The more petite-headed among us may find it tricky to get a satisfactory fit

Meze Audio 105 AER review: Also consider

Sennheiser HD-660S2
The Sennheiser HD 660S2 look pretty purposeful where the Meze Audio 105 AER look relatively dainty, but the sound they make is balanced, poised very carefully neutral – and they come with a 4.4mm cable.
Read our Sennheiser HD-660S2 review for more

Grado Hemp
Grado's Reference Series Hemp may cost a little more but they’re very accomplished performers, with a botanical point of difference – it doesn’t prevent them looking like something the rear gunner might have worn during a bombing raid in 1944, mind you…
See our Grado Hemp review for the full story

How I tested the Meze Audio 105 AER

  • Connected to an Apple MacBook Pro, a Naim Uniti Star and a FiiO M15S
  • With a whole lot of different styles of music in a number of different formats
  • Alone, because I’m not a barbarian

Because they’re open-backed, the 105 AER aren’t really candidates for mobile use. So all my listening took place either at my desk, connected to my laptop or to a digital audio player (the 4.4mm balanced output of which went sadly unused), or in my listening space connected to a Naim Uniti Streamer. At the desk, listening consisted of digital audio files of various types and sizes, while the connection to the Naim allowed for vinyl and CD content as well as network-attached stuff. And this happened, on and off, for well over a week…

I tested the Bose QuietComfort headphones and the noise-cancelling is still flagship quality –but that’s not the full story
6:30 pm | January 30, 2025

Author: admin | Category: Audio Computers Gadgets Headphones Wireless Headphones | Tags: | Comments: Off

Bose QuietComfort headphones: One-minute review

The Bose QuietComfort over-ear headphones landed in September 2023. Although there’s now a (slightly) newer and more premium model from the brand on the market, the standard QuietComfort cans are still well worth considering. That’s because they present buyers with all of the basics, like great comfort levels, sound and ANC, done incredibly well with the Bose seal of approval.

Let’s get any confusion out of the way first. Where do these headphones sit in the Bose line-up? Rewind back to 2021 and the Bose Quietcomfort 45 over-ear headphones were released. The newer over-ear headphones we’re reviewing here, officially named just Bose QuietComfort, came out in September 2023 to replace them. Bose released the QuietComfort Ultra just a month later, in October 2023, but it's best to think of them as a solid step up from the QuietComfort headphones we’re reviewing here, making our best noise-cancelling headphones and best over-ear headphones guides.

But just because those top-tier cans have a bunch of upgrades, doesn’t mean the Ultras are for everyone, as we’ll get to soon. What we’ve got here is a high-end pair of headphones that perform well in every department, without overcomplicating things. These headphones feature Bose’s signature tech, and while it’s not especially groundbreaking in 2025, that’s part of the appeal. There’s nothing new to figure out or fuss over. Setup is a breeze, and the controls are refreshingly straightforward. Instead of fiddly touch panels, you get trusty manual buttons on the earcups. There’s also an app if you fancy more customization, but it’s optional, and the interface is clean with just a handful of modes to pick from – it just works (sorry Apple).

That’s why the Bose QuietComfort headphones might not be the absolute best on the market, but they strike a balance between quality audio, supreme comfort, and no-nonsense usability. For anyone looking for high-end Bose headphones in a sleek, slightly more affordable package, these could be the perfect fit.

Bose QuietComfort headphones: Price and release date

Someone holding the Bose quietcomfort headphones

(Image credit: Future)
  • Released in late 2023
  • Priced at $349/£349.95/AU$549.95
  • Available in black, off-white, green, blue, lilac, sandstone

The Bose QuietComfort headphones were priced at $349/£349.95/AU$549.95 at launch. However, because they’re a little older you will find some discounts available now from both third-party retailers and even through Bose directly. For example, on the Bose Australia website, the headphones are currently discounted from AU$549.95 to AU$448.95.

How does that compare to the rest in the Bose lineup? It makes them almost the same price as the Bose QuietComfort 45 that came before them, which cost $329/£329/AU$499.95 at launch.

The Bose QuietComfort Ultra are currently $429/£449.95/AU$649, which is a big step up of nearly $100. Then again, if you’re splurging on headphones and want the most bang up to date features, you might want to consider the flagship version. But we’ll get into some of the key differences later.

How does this compare to similar noise-cancelling over-ears? Well, the Sony WH-1000XM4 headphones are still at the top of our best noise-cancelling headphones guide. At launch, they were $349/£349/AU$549, the exact same price. But now, you can find them for much cheaper, around $249/£199/AU$399. This makes sense, as they were released in 2020. But it does mean that if you’re hunting for older, still very capable headphones, the Sony might just be a better shout – especially if you’re a fan of Sony and its LDAC support.

When it comes to the broader market, there’s a lot of variation these days. If you wanted, for example, to prioritize good ANC, great specs, an energetic sound and excellent battery life, the Cambridge Melomania P100 over-ears would cost you considerably less, at $279/£229/AU$479. If you’re looking for similar features but don’t care so much about the Bose brand name or getting a high-end pair, you can easily get a decent pair of noise-cancelling over-ears for a mid-range price, like the excellent Sony WH-CH720N headphones, which cost $149/£99/AU$259.

Bose QuietComfort headphones: Specs

Bose QuietComfort headphones: Features

The Bose QuietComfort headphones

(Image credit: Future)
  • Up to 26 hours of battery
  • Excellent ANC
  • Simple buttons

The Bose QuietComfort headphones aren’t packed with the cutting-edge features that you’ll find from the latest over-ears, but that’s not the point here. They focus on doing the essentials really well. If you’re looking for reliability and ease of use, they’ll deliver without overcomplicating things.

Let’s start with the app. It’s slick, intuitive, and has that Apple-esque feel, by which I mean minimal, clean, and user-friendly. The best part? You don’t need the app to enjoy the headphones, but I’d recommend using it to explore customization options. For example, there’s an adjustable 3-band EQ. You can manually tweak bass, mids, and treble or select presets like Bass Boost or Treble Reduce. While the EQ options are more limited than some competitors, it gets the job done for those who want great audio without endless tinkering. Personally, I didn’t feel the need to touch the EQ at all.

You’ll also find different audio modes, like "Quiet" for noise cancellation and "Aware" for transparency. These can be toggled using the action button on the left earcup, and you can add two additional custom modes in the app for specific scenarios.

A standout feature is multipoint connectivity, which allows you to pair the headphones with two devices simultaneously. This is a standard on most high-end headphones these days, but it’s good to see it included in this pair – seamlessly switching between a laptop for work and a phone for music or calls is a must for me now.

The manual buttons on the earcups deserve praise, too. They’re tactile, easy to use, and customizable via the app. For those who prefer a wired option, Bose includes a 3.5mm to 2.5mm audio cable with an in-line mic – a nice touch for versatility.

Bluetooth 5.1 powers the connectivity (so no scope for Auracast, which requires the newer 5.2 and beyond), with support for AAC and SBC codecs. While it doesn’t include advanced features like Qualcomm’s Snapdragon Sound – the Ultras do have this, mind you – it’s solid enough for most users. Bose SimpleSync is also on board, letting you pair the headphones with compatible Bose soundbars and speakers to sync audio across devices, which is a great addition if you’re already in the Bose ecosystem.

Battery life is another area where these headphones hold their own but don’t lead the pack. Bose claims up to 24 hours of playback, and I managed to squeeze out closer to 26 hours during testing. They charge via USB-C, and a quick 15-minute boost gives you an additional 4 hours. While 24 hours isn’t bad, many competitors now exceed that. For instance, the Cambridge Melomania P100 headphones offer a huge 60 hours of playback with ANC on (and up to 100 hours without it). Even the QuietComfort Ultra headphones offer the same 24-hour battery life, so if longevity is a key priority, there’s little to separate them.

  • Features score: 3.5/5

Bose QuietComfort headphones: Sound quality

Bose QuietComfort headphones review

(Image credit: Future)
  • Great ANC
  • Sound is bassy, but brilliant
  • Could do with more EQ options

Let’s start with ANC. The Bose QuietComfort headphones offer excellent active noise cancellation, though they’re not class-leading. The QuietComfort Ultra definitely perform better in this department, providing more silence more consistently. But compared to most other over-ear headphones in their class, the ANC here is still fantastic.

One standout factor is the fit. As I’ll explain in more detail in the next section, the snug design creates a great seal, which enhances the ANC performance. This means minimal noise seeps in, and there’s virtually no sound leakage out at all. While it doesn’t deliver total silence, it’s impressively close. I couldn’t hear a kettle boiling a few feet away, the low rumble of transport, or even chatter at the table next to me while working in a café.

That said, certain louder or higher-pitched sounds can break through. A barking dog and a fire alarm, for example, were audible – but muffled. Overall, while the ANC isn’t eerily silent or perfect, it’s more than good enough for most users and handles everyday environments brilliantly.

Bose QuietComfort headphones (2023)

(Image credit: Future)

The audio quality on the Bose QuietComfort headphones is crisp, rich, and strikes a pleasing balance across frequencies. Straight out of the box, without needing to adjust anything, the sound is warm and powerful, with bass that packs a punch and natural, clear mids and highs.

The overall sound profile leans towards a neutral presentation. Vocals and instruments feel natural and lifelike, while the bass has a satisfying depth without overpowering the other ranges. Highs are bright and detailed, and the lows are rich, but there’s a slight bias towards the low end. This means mids can occasionally feel a bit… squashed? somehow. Though it’s rarely noticeable, and the EQ options can easily smooth things out if needed.

Tracks like Childish Gambino’s Heartbeat really shine on these headphones. The powerful bass thumps beautifully while melodic vocals remain sharp and clear, demonstrating how well they handle dynamic tracks.

  • Sound quality: 4/5

Bose QuietComfort headphones: Design

Bose QuietComfort headphones (2023) review

(Image credit: Future)
  • Extremely comfortable
  • Light at 240g
  • Folding design

The Bose QuietComfort headphones are incredibly comfortable, with an understated design. The plush memory foam earcups, wrapped in soft vegan leather, feel like pillows on either side of my head. The headband is equally well-padded, striking the perfect balance between support and comfort. The clamping force is just right, too – secure but never too tight – making these some of the most comfortable over-ears I’ve ever worn.

I don’t always get along with over-ear headphones (thanks to a cartilage piercing that often causes issues), but I had no trouble here. Whether I wore them for hours at my desk, on a long walk, or even during an easy jog, they stayed comfortable and didn’t irritate me. That said, while they’re excellent for everyday use, they’re not recommended for sports or workouts. There’s no official IP rating for water or sweat resistance, so they’re best kept away from heavy gym sessions or outdoor walks if it looks like it might rain.

The QuietComfort headphones come in a range of colors, including black, off-white, green, blue, lilac, and sandstone. They maintain the classic Bose design aesthetic and look very similar to their predecessors, the QuietComfort 45. The QuietComfort Ultra headphones are similar too, but this newer version does have a sleeker and more refined vibe.

Despite their premium feel, these headphones are impressively lightweight at just 240g. Combined with the comfort-focused design, they’re perfect for long listening sessions. The carrying case is equally well thought out. It’s a sturdy, hard-shell case with a zip, designed to fold up the headphones neatly inside. Unlike some over-complicated cases (looking at you, Apple AirPods Max), this one gets it just right. It’s compact, practical, and includes internal pockets for the charging and audio cables.

  • Design score: 5/5

Bose QuietComfort headphones: value

Bose QuietComfort headphones (2023) review

(Image credit: Future)
  • Everything you need, but…
  • Competition at the level is fierce
  • Ultras might make more sense

At first glance, the Bose QuietComfort headphones might seem pricey, but when you consider the overall experience they offer, we’d argue they do deliver good value – especially if noise cancellation and a travel-friendly design are two priorities for you. They’re an amazing choice for anyone seeking comfort, reliable ANC, and simplicity.

That said, it’s important to view them in today’s context. For those willing to pay more, the QuietComfort Ultra headphones might be a better long-term investment, offering improved sound quality and support for higher-resolution audio codecs.

It's also worth mentioning they don't represent the best choice if you already own the QuietComfort 45. Yes, they're better. But not by enough to justify the upgrade.

You can also find great ANC headphones at a lower price point these days. Plenty of mid-range options provide good noise cancellation for much less. While they may not tick every box – comfort, battery life, or sound quality – in the same way, alternatives are worth considering if budget is your main concern. For example, the Cambridge Audio Melomania P100 headphones are cheaper, offering significantly better battery life but lacking the plush comfort (or let's face it, the iconic look) of the Bose.

If you’re someone who loves the latest tech, these probably won’t win you over. However, for those who appreciate simple, understated excellence and aren’t fussed about cutting-edge features, these headphones will make you very happy.

  • Value: 3.5/5

Should I buy the Bose QuietComfort headphones?

Buy them if…

You like simple things that work well
You'll find flashy, more feature-filled headphones. But if the idea of keeping up with the latest tech gives you a headache, these are reliable and fuss-free.

Comfort is a top priority
Incredibly light with some of the comfiest, memory foam earpads I've ever tested. If you have any sensory sensitivities or just really value comfort, you won't be disappointed here.

You travel a lot
With top ANC and a very light, folding and portable design with a solid carrying case, they're going to be among the headphones I'll instantly recommend for regular travellers.

Don’t buy them if…

You can afford the Ultras
I've mentioned them non-stop, but the Ultras are just a bit better. If you can afford them, they do make more sense for most people.

You prioritize longevity
The battery life here isn't bad, but compared to rivals, it can certainly be bettered. Some other headphones boast nearly twice as much playback time these days.

You have a Sony phone
In that case, we'd recommend the XM4s or XM5s from Sony instead, or even the mid-range Sony WH-CH720N headphones.

Bose QuietComfort headphones: Also consider

Bose QuietComfort Ultra headphones
The alternative pick that makes the most sense, yes they're pricier, but they're a step up from the QC headphones we've reviewing here in almost every way (except for battery). Take a look at our full Bose QuietComfort Ultra headphones review.

Cambridge Audio Melomania P100
Because the battery life of the whole QC range is a bit disappointing, these over-ears from Cambridge Audio are a rival pick focused on all-day (and then some) wear. Read our full Cambridge Audio Melomania P100 review.

How I tested the Bose QuietComfort headphones

Becca wearing the Bose QuietComfort headphones next to greenery

(Image credit: Future)
  • Tested for three weeks
  • Tested at home, walks along the beach, working in a café and a library and more

I used the Bose QuietComfort headphones for two weeks before writing this review, and that involved listening to music and watching streamed movies.

Throughout the testing period, I used the Bose QuietComfort headphones alongside my iPhone 14 Pro via Bluetooth and MacBook Pro. Streaming was done via Spotify and Mubi.

I listened at home whilst working, as well as in a café and a library. I took them on a bus and on several walks, along the beach and through the countryside.

I've been testing tech for more than 12 years now, including many pairs of headphones, as well as lifestyle and fitness products, like workout earbuds and fitness trackers.

  • First reviewed in February 2025.
I tested the Gadhouse Duke & Roy turntable system and it sounded like warm milk –and not in a good way…
6:00 pm | January 29, 2025

Author: admin | Category: Audio Computers Gadgets | Comments: Off

Gadhouse Duke & Roy: Two-minute review

Gadhouse Duke & Roy speaker

(Image credit: Future / Simon Lucas)

Bangkok-based audio company Gadhouse (which is just slightly short for ‘Gadget House’) enjoys a bit of anthropomorphism – just look at the model names in its product line-up. Two of these products – the Duke wireless turntable and the Roy powered speakers – are available, at a modest saving, as a system. Introducing, then, the Gadhouse Duke & Roy.

There’s no arguing with the breadth of functionality your money buys. The Duke turntable has an integrated, defeatable phono stage, a USB-B output in front of an A-to-D converter for use with a computer, and can stream wirelessly. The Roy speakers are driven by 30 watts of power each, have Bluetooth connectivity and a fistful of physical connection options, too. A little remote control handset puts you in charge.

Where audio performance is concerned, though, Duke & Roy fail to make good on the promises of specification and finish. At its best, the sound the system makes is lifeless and consequently tedious – this is, I think we can all agree, less than ideal. There’s no energy to its reproduction, no sense of excitement, so the fact that the sound is actually quite detailed and confidently staged becomes neither here nor there.

Consequently, they can't be placed on a par with the best turntables or stereo speakers on the market.

Gadhouse Duke & Roy review: Price and release date

  • $999 / £779 / (approx.) AU$1499
  • Launched in November, 2024

The Gadhouse Duke & Roy powered-speakers-plus-wireless-turntable system has been on sale since mid-November 2024, and in the United States it sells for $999. In the United Kingdom it's around £779. The Australian pricing is yet to be confirmed, but at today’s exchange rates you’re looking at AU$1499 or something quite like it.

Like-for-like comparisons are, of course, fairly thin on the ground, but everyone from ELAC via Kanto to Q Acoustics will sell you a pair of aggressively priced powered bookshelf speakers, while turntables equipped with Bluetooth streaming smarts aren’t hard to come by either. Off the top of my head, though, I can’t think of any with such snappy model names…

Gadhouse Duke & Roy turntable review: Features

Gadhouse Duke turntable with wooden finish

(Image credit: Future / Simon Lucas)
  • Belt-driven turntable with 33.3 and 45rpm settings
  • Wired and wireless connectivity options
  • Ortofon 2M Red cartridge prefitted to Duke’s tonearm

If you judge a system on a ‘number of features per pound’ sort of basis, you’re going to find a lot to like – admire, even – with the Gadhouse Duke & Roy.

Duke is a belt-driven turntable that operates at 33.3 and 45rpm, with speed selection automatic, via a chunky toggle-switch on the plinth. It comes complete with a straight static-balanced 219mm tonearm that’s pre-fitted with a very acceptable Ortofon 2M Red moving magnet cartridge and has a detachable headshell. There’s a metal platter and a textured faux-leather slipmat, which bears the truism ‘where words fail, music speaks’, just one of the little ‘live laugh love’-isms that Gadhouse seems so fond of. An adjustable counterweight, a classic anti-skate weight attached via fishing line, and a clear dust-cover complete the visible feature-set.

Gadhouse Duke dust mat showing phrase 'Where words fail, music speaks' phrase imprinted on it

(Image credit: Future / Simon Lucas)

Look at the rear of the turntable, though, and it soon becomes apparent there’s a fair bit more to it. As well as a connection for mains power, stereo RCA sockets and a post for a grounding cable, there’s a switch to turn the integrated phono stage on or off, a USB-B output for connection to a computer (for instance) and a light to indicate a Bluetooth connection has been made. The Duke can wirelessly connect to appropriate speakers or headphones via Bluetooth 5.2 using the SBC codec.

The Roy loudspeakers, meanwhile, have a similarly extensive selection of features. As with most reasonably affordable powered speakers, one Roy does the heavy lifting and the other Roy does as it's told. The secondary speaker just has a pair of speaker cable binding posts (for connection to its boss) at the rear, below a bass reflex slot at the top of the cabinet. The primary speaker has both of those features, but adds a total of 60 watts of Class D amplification (30 per speaker, of course), a socket for mains power and an ‘on/off’ switch, a pre-out for a subwoofer and some physical and wireless inputs. The physical stuff consists of line-level stereo RCAs, an analogue 3.5mm input, a digital optical connection and a USB-B socket, while wirelessness is handled by Bluetooth 5.1 with aptX HD codec compatibility.

Up front, each speaker has a 25mm soft-dome tweeter above an 89mm mid/bass driver. Gadhouse reckons this arrangement is good for a frequency response of 80Hz - 20kHz.

  • Features score: 5/5

Gadhouse Duke & Roy review: Sound quality

Ortofon 2M Red cartridge on the Gadhouse Duke & Roy stereo system

(Image credit: Future / Simon Lucas)
  • Quite detailed and complete reproduction
  • Undemonstrative and entirely undynamic
  • Wireless connection between Duke & Roy is not advised

To hear the Duke & Roy at its best, you’ll need to a) hard-wire the turntable to the speakers using the supplied RCA cable, and b) bin off the supplied speaker cable in order to put the speakers a realistic distance apart. Mind you, there’s every chance you may wonder why you bothered.

The Duke & Roy, I think it’s fair to say, sounds like less than the sum of its parts, especially as one of those parts is the Ortofon 2M Red cartridge. With a decent pressing of Cypress Hill’s eponymous debut album playing, the sound is quite detailed and Gadhouse’s claims for an 80Hz - 20kHz frequency response seem fair enough. After ‘quite detailed’, though, I’m struggling to find too many positives.

Because while low frequencies are reasonably solid and well controlled, the mid-range is quite poised and open, and the system has a decent stab at creating a coherent soundstage, it’s so devoid of energy or engagement that everything is rendered ‘background music’ no matter how intently you might decide to listen. The lack of drive and dynamism to the reproduction is fatal – the bland and matter-of-fact nature of the sound quality available here make the idea of ‘entertainment’, let alone ‘excitement’ seem completely fanciful. It takes a particular sort of system to leech all of the attitude and aggression from a Cypress Hill recording – and the Duke & Roy is one such system. Even the hard and edgy treble reproduction here fails to inject any energy into the sound.

Rear of Gadhouse Duke & Roy speaker system showing available inputs

(Image credit: Future / Simon Lucas)

This is about as good as it gets. Switch to a wireless connection between turntable and speakers, and not only does the system sound slightly smaller scale and more inhibited than before, but it gives away some of the finer details that were previously apparent. Streaming from a smartphone via Bluetooth does nothing to help matters, either – the ever-present lack of positivity or apparent engagement is the defining characteristic of the Gadhouse set-up.

Switching off its integrated phono stage and playing the Duke into a moderately priced preamp before sending the signal on to the Roy speakers reveals the phono stage in question to be ordinary at best. Making digital copies of vinyl via the Duke’s USB-B output using Audacity software reveals there’s nothing special about the deck’s A-to-D converter.

At every turn, in fact, the Duke & Roy is an underwhelming performer and, for some reason, after a period of listening I begin to find ‘underwhelming’ even less appealing than ‘bad’.

  • Sound quality score: 2.5/5

Gadhouse Duke & Roy review: Design

Rear panel of Gadhouse Duke turntable

(Image credit: Future / Simon Lucas)
  • Oak-finished turntable
  • 125 x 415 x 372mm (HxWxD) (Duke)
  • 180 x 125 x 170mm (HxWxD) (each Roy)

The design of loudspeakers is almost as established and unbending as the design of turntables, especially when you’re talking about products competing in the mainstream. So it follows that neither the Duke turntable nor the Roy loudspeakers look anything other than exactly as you’d expect.

There are worthwhile aspects to the design of each, though. The Roy speakers are a very manageable 180 x 125 x 170mm (HxWxD) each, which means they are authentic candidates for positioning on a shelf or a desktop – as long as they can be connected to each other and to mains power, at least. The standard of build and finish is very acceptable, and the crisp edges of the matte-black cabinets of my review sample make for a clean look.

The Duke turntable seems equally well made and just as carefully finished. You’ll make your own mind up about the oak veneer – it reminds me of floorboards and seems gratuitous – but there’s no denying it’s a point of difference. The turntable’s 6.3kg weight (of which very nearly 2kg is contributed by its metal platter) is supported, at least at the front, by a couple of pliant, vibration-absorbing feet. The fact that the rear of the plinth is supported by a box with no vibration-absorbing properties and in which the Duke keeps all its electronics does undermine the point of the feet somewhat, mind you.

  • Design score: 4/5

Gadhouse Duke & Roy review: Usability and setup

Gadhouse Duke & Roy stereo system remote control

(Image credit: Future / Simon Lucas)
  • Duke and one half of Roy require mains power
  • Speakers must be wired together
  • The smallest, skinniest remote control handset I’ve seen in a while

There’s really not much to do in order to get up and running here. The Duke’s tonearm needs its anti-skate weight fitting and its counterweight needs adjusting to the 1.6 - 2.0g recommended by Ortofon for its 2M Red cartridge, and then it’s good to go. Or, at least, it is once you’ve made a connection to mains power.

The Roy speakers need to be connected together and Gadhouse supplies a short length of indifferent speaker cable to do the job. The primary speaker needs to be connected to the mains. Then make any physical connections you want – you may decide to connect the Duke using the supplied RCA cables rather than wirelessly, for instance, in which case you’ll need to turn its integrated phono stage on.

Control of the system is available by a small, slim remote control handset that’s not overburdened with buttons. Power, input selection, play/pause and volume up/down are available, and there’s a little LED embedded in the primary speaker’s IR receptor to let you know what’s occurring.

  • Value score: 4/5

Gadhouse Duke & Roy review: Value

Gadhouse Duke & Roy tonearm

(Image credit: Future / Simon Lucas)
  • Lots of kit for under $1000 is good
  • The stodgy sound really isn't...
  • ... and renders the price moot

A whole wireless audio system, with vinyl as one of the sources, for under $1000? A well-made, nicely finished system at that? In terms of the functionality and the simple amount of stuff your money buys here, it’s difficult to be too critical of the Gadhouse Duke & Roy.

When it comes to audio fidelity this outlay gets you, though, the value-for-money proposition takes quite a hit. It’s not so much that the sound is bad per se, it’s more that it’s as bland as warm milk.

  • Value score: 3.5/5

Should you buy the Gadhouse Duke & Roy?

Buy it if...

You enjoy simplicity
From ‘opening the boxes’ to ‘getting up and running’ isn’t all that time-consuming and not that much of a chore.

You admire modernity as much as heritage
Combining wireless smarts with the venerable vinyl format covers off the last eight decades of audio technology.

You don’t like sound to be too interruptive
The undynamic and matter-of-fact sound of the Gadhouse system isn’t going to set any pulses racing, but it isn’t going to cause too much offence either.

Don't buy it if...

You value dynamism in your music
The Duke & Roy hands over the bulk of the information in your recordings, but does so in the most undemonstrative and disengaged kind of way.

You like the idea of a wireless turntable
Duke doesn’t sound especially energetic when hard-wired to Roy, but the wireless alternative is basically soporific.

You don’t want to have to spend money on speaker cable
Not only is the supplied speaker cable fairly average, but there’s really not very much of it.

Gadhouse Duke & Roy: Also consider

For wireless powered speakers with a few connectivity options, consider ELAC’s Debut Connex, Kanto’s Ren and the M20 by Q Acoustics in particular. Bear in mind even the smallest of these is larger than the Roy, though, and none are anything like as appropriate for desktop use.

For a turntable with Bluetooth smarts, it’s hard to see beyond the LP60XBT by Audio Technica and the Sony PS-LX310BT (reviewed here by our sister site, then come back). Neither look as smart as the Duke but both have an advantage where performance is concerned – and not in a mild way, either.

Any combination of these products will come in at Duke & Roy-adjacent money, and any combination will prove more sonically satisfying, too.

How I tested the Gadhouse Duke & Roy

  • Tested for over a week on my regular home setup
  • Tested with a Rega CD player and streaming services via Apple iPhone 14 Pro

I made space on my Blok equipment and my Soundstyle speaker stands, got each component nicely positioned and then listened for several hours a day for quite a few days. I connected the Duke turntable to the Roy loudspeakers using both wired and wireless connections, and used it with and without its integrated phono stage.

I used my Rega CD player via the optical input. Naturally, I listened to my favourite streaming services too, using an Apple iPhone 14 Pro.

  • First reviewed: January 2025
The Tribit Stormbox Blast 2 shook me to my core and became my new go-to Bluetooth speaker for parties
7:20 pm | January 28, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Comments: Off

Tribit Stormbox Blast 2 review: two-minute review

The Tribit Stormbox Blast 2 is a true bass-heavy behemoth. This is the sequel to Tribit’s massively successful boombox speaker that won plenty of plaudits here at TechRadar (and beyond). But this speaker is much more than just a refined version of its predecessor, packing in a new, curved design and even karaoke functionality.

Let’s run through a few new sparkly additions and upgrades here. Yes, you’re getting karaoke, with dual-wireless or wired mic support, as well as built-in volume and reverb controls. On top of that, the Tribit Stormbox Blast 2 has an improved IP67 dustproof and waterproof rating, meaning it's suitable for almost any environment, from beachside to pool party. That’s not to mention you also get Bluetooth 5.4 connectivity and incredible 200W power output this time around.

But let’s drill down into the most important area – sound. Perhaps unsurprisingly, the Tribit Stormbox Blast 2 is another hit in the audio department, supplying controlled, earth-shaking bass that even beats out many of the best Bluetooth speakers. And thunderous bass is certainly the main attraction here, with an XBass option available if you want to go crazy with low-end output, maybe excessively so.

All-round audio quality is strong too; you’ll be able to hear individual instrumental elements clearly, with commendable levels of separation. You may find that the soundstage can get a touch cluttered at the highest of volumes, but otherwise, you’ll be in for an enthralling, bass-heavy listen, ideal for parties or outdoor events.

Even running on battery power, this speaker has double the output power of its predecessor, the Tribit Stormbox Blast, meaning you’ll get some serious volume. For those who crave more power, or perhaps want left/right channel stereo separation, you can pair a second model up to this speaker, too. And there are a bunch of other excellent features accessible via the Tribit app, including broad EQ options and LED light customization.

Speaking of the Stormbox Blast 2’s lights, they’re a tad classier in this iteration, but similarly illuminate the speaker’s drivers and edges. The overall look of this speaker is certainly an improvement on its predecessor, though, thanks to a curvier look – it’s not quite as blocky or clumsy looking in my view. But something that’s going to be divisive here is this speaker’s hefty nature. It’s a whopping 19.2lbs / 8.7kg, meaning it’s even weightier than the already heavy Stormbox Blast – an achievement in itself.

But there are some more practical elements to its design, including a USB-A port for charging external devices, the choice to charge with an AC adapter or USB-C cable and an incredible 30 hour battery life. There’s no voice assistant once more, meaning you won’t be able to bark orders or take calls hands free and there’s no option to connect over Wi-Fi either – perhaps to be expected at this price point – but overall, this is a well-designed speaker with plenty of nifty features to keep you entertained.

So, then, is the Tribit Stormbox Blast 2 worth its $299 / £257 (about AU$490) price tag? I’d say so. The true highlight is its excellent bass output, which is perfect for elevating the atmosphere at a house party or similar setting. It's a heavy beast and audio quality takes a bit of a dip at top volumes, but these issues aren’t dealbreakers as far as I’m concerned. In terms of value, it’s hard to look past the original Tribit Stormbox Blast, which you can grab for around $150 / £150 on sale, but if you want the additional power and karaoke functionality, I can certainly recommend the Tribit Stormbox Blast 2.

Left passive radiator and LED light strip on Tribit Stormbox Blast 2

(Image credit: Future)

Tribit Stormbox Blast 2 review: price and release date

  • $299.99 / £257 (about AU$490)
  • Launched in October 2024

The Tribit Stormbox Blast 2 was released in October 2024 and carries a list price of $299.99 / £257 (about AU$490). However, I’ve already spotted it going for a little bit less. For instance, at the time of writing, the Stormbox Blast 2 is on sale for less than $240, so it’s worth keeping an eye out for price cuts.

At the $200-$300 range, the Stormbox Blast 2 is something of a mid-range option. It’s certainly not the cheapest Bluetooth speaker out there – the Anker Soundcore Boom 2, for instance – is often available for less than $100 / £100. But some similarly sized speakers can set you back significantly further. Take the JBL Boombox 3, for example, which commands a high list price of $499.95 / £373.

Tribit Stormbox Blast 2 review: specs

Tribit Stormbox Blast 2 review: features

  • Microphone ports
  • Generous 30 hour battery life
  • Customizable lights

There’s a lot to like when it comes to features on the Tribit Stormbox Blast 2. A lot of that comes down to the easy-to-use Tribit app, which opens the door to a bunch of options. For instance, there are a bunch of EQ presets: including XBass (which can be activated on the speaker) and genre specific options like Jazz or Rock. There’s also an X-3D preset for those seeking out more expansive, spatial audio. If you’d rather curate your own sound, you can save multiple personalized EQ calibrations and use a five-band equalizer to get your preferred tuning.

In addition, you can customize the lights on the Stormbox Blast 2 and set up three personalized looks. You can adjust which lights illuminate – including the side lights, light bars or middle light, which colors appear, brightness and whether they’ll flash to the rhythm of bass, treble or bass and treble. Alternatively, you can turn them off altogether if you’re hoping to save battery or want a more low-key listening sesh.

Speaking of battery, you get plenty here. You can expect as much as 30 hours of playtime if you listen at 50% volume with XBass and lights switched off. That will be more than enough to keep the party running into the early hours. In addition, this speaker can function as a power bank thanks to a USB-A output port. There’s a USB-C port for charging too, but it will take 12 hours to get to 100% using this, instead of the far superior 5 hours required when AC charging.

All of this is good and well, but there’s an elephant in the room here. Yes, that’s right, the Tribit Stormbox Blast 2 can double up as a karaoke machine. You can connect two microphones up with the 6.35mm wired ports, or just go wireless if you really want to show off. You can adjust volume and add reverb with built-in controls too. It’s worth noting, however, that there were no microphones to be found in the box here – you’ll need to purchase them yourself, separately.

There’s even more on offer with the Stormbox Blast 2 – an AUX port for wired listening, nice and up-to-date Bluetooth 5.4 connectivity and voice prompt options. Really, there’s not much I can criticize here. Tribit has again opted to exclude voice assistant compatibility with this model, which would be a nice-to-have feature at the least. And maybe I’d prefer the USB out port to be upgraded to USB-C for speedier external charging. But otherwise I was delighted with what the Stormbox Blast 2 had to offer. No moaning session required.

  • Features score: 4.5/5

Ports and karaoke controls under rubber tab on the reverse side of the Tribit Stormbox Blast 2

(Image credit: Future)

Tribit Stormbox Blast 2 review: sound quality

  • Booming bass output
  • Decently clear mids and controlled highs
  • Not quite distortion-free at high volumes

As soon as I turned this giant of a speaker on, there was one thing that struck me instantaneously: gigantic bass, which hit with ground-shaking impact. Now, in part, that’s because the XBass feature – for enhanced low-end output – was on by default. I opted to switch this off to start with, however, so I could get a slightly more balanced sound out of the Stormbox Blast 2. And sure enough, I kept this speaker in the XBass Off EQ preset for the majority of testing, as it provided a huge helping of bass without overshadowing other sonic elements.

I started my testing by listening to Diamonds On the Soles of Her Shoes by Paul Simon and the bass thump was extremely rhythmic and deep. However, vocals were still nicely defined in the mix and the looping guitar riff running throughout had a pleasing degree of subtlety. Similarly, when tuning into Disco Ulysses by Vulfpeck, I found the decay of snare hits to be agile and the tone of the choppy electric guitar to be accurate at mid-volumes. The commanding, groovy bassline was deliciously deep and high-pitched piano trills were separated nicely, making for a surprisingly nuanced, cohesive and straight up enjoyable listen.

Despite offering solid all-round audio, it really is about bass with this speaker. I could make out every deep, dark note in The Boys Are Back In Town by Yung Gravy – something that a lot of cheaper competitors won’t be able to accomplish. And with XBass on, the imposing boom of the track’s sub-bass was mesmerizing – still, I’d recommend using this feature sparingly as it’s very bass dominant.

More generally, you’ll struggle to find a similarly-sized competitor that can outdo the Stormbox Blast 2 in the bass department, but I tried putting it side-by-side with the Earfun UBoom X for comparison. I sifted through a ton of House tracks, such as Relentless by Grant Nelson, but the UBoom X was no match for the Stormbox Blast 2, which had more controlled, deep low-end output, as well as better overall balance. Specifically, percussion and intermittent vocals were slightly muffled with the UBoom X, with its domineering bass taking all of the limelight, whereas the Stormbox Blast 2 offered more adept separation, despite maintaining well-needed emphasis on the low-end.

You won’t experience perfect audio output with the Tribit Stormbox Blast 2, however. At high volumes, clarity can take a slight dip. For instance, I listened to I Want You by Moloko – which had intoxicatingly deep bass and breathy vocals when listening at low-medium volumes, but when I cranked things all the way up to 90-100%, the soundstage got a little bit bloated, with sounds in the mid-range and low-end getting slightly muddied. I didn’t experience tinny or abrasive audio, however, not to mention the fact that this speaker gets extremely loud, meaning you’ll rarely listen with volume turned up this high.

Given its not-so-budget price, some may also hope to find ‘hi-res’ audio codec here, such as LDAC for Android users. However, there’s no such thing available with the Stormbox Blast 2, which only supports SBC – not even AAC. Don’t let that put you off, though, as plenty of budget audio tech includes fancy codecs, but with little to show in terms of quality.

This Bluetooth speaker combines an 80W subwoofer with dual 45W mid-range drivers and 15W tweeters. That means you’ll be able to get a maximum power output of 200W here, that’s if you’re using it while connected to a power source – otherwise you’ll get 180W. Either way – it gets loud, really loud. So much so, that you almost certainly won’t need to double up for added volume – though pairing to a second model is handy for those seeking out stereo sound.

Ultimately, this is intended to be a party speaker and it serves that purpose incredibly well. You get ground-shaking, yet well-regimented bass and enough loudness to send your neighbors into a frenzy. And although you won’t get the most detailed listen in the world, especially at top volumes, that’s a pretty small sacrifice to make for the boom that will bless your eardrums.

  • Sound quality score: 4.5/5

'Tribit' written on the front of the Tribit Stormbox Blast 2

(Image credit: Future)

Tribit Stormbox Blast 2 review: design

  • Still chunky, but more curved this time around
  • Lights look classier too
  • IP67 rated

When we reviewed the original Tribit Stormbox Blast, design appeared to be its Achilles heel. Why? Well, our reviewer wasn’t a huge fan of the in-your-face LED lights or chunky build – fair enough. So, does the Stormbox Blast 2 make up for such shortcomings? Well, sort of.

The LED lights haven’t disappeared, but I’d argue that they look a bit classier this time around. The side bars go for a smoother look, rather than LED strips reminiscent of health bars. And generally, the lights illuminate this speaker’s drivers nicely while syncing up to audio output, making for a more immersive, exciting listening experience. If you still aren’t a massive fan, you can turn them off and save yourself some battery life – win-win, right?

As far as build goes, this is still a very hefty and, admittedly, fairly plasticky speaker. It’s not got the most gorgeous looks to its black casing and has a decently chunky handle once more, perhaps to be expected given its weight. However, this time around, you’re getting a smoother design overall. The speaker has a more curved look, making it far sleeker than its predecessor. The bass radiators still don’t go crazy, unlike those on the JBL Xtreme 4 for instance, but they do rumble when things get bassy.

So, you do get an upgrade in the looks department, but you also get a highly practical product. The Stormbox Blast 2 is a step-up on its IPX7 predecessor – this one’s IP67-rated, meaning it now has a high dustproof rating and can compete with some of the best waterproof speakers. That makes it a great candidate for beach-side listening, for instance, while its waterproofing also means it can withstand being submerged under a meter of water for up to 30 minutes – pretty cool, right?

And to top it all off, the Stormbox Blast 2 has some nifty controls and ports built-in. There are buttons for adjusting power/volume, pairing with another speaker and toggling XBass/Lights on and off. Behind a rubber panel, you can access the charging and microphone ports, as well as karaoke controls. This speaker really does have it all.

  • Design score: 4/5

Handle and button controls of the Tribit Stormbox Blast 2

(Image credit: Future)

Tribit Stormbox Blast 2 review: value

  • More of a mid-range price tag
  • Significantly more pricey than the original Stormbox Blast
  • But for the audio quality and features on offer, it’s still worth it

I’ll get to the point, you can find plenty of rival speakers for considerably less than the Tribit Stormbox Blast 2. This is no budget option, carrying a list price of $299.99 / £257 (about AU$490). There are a ton of large options available for around $100 / £100, such as the aforementioned Earfun UBoom X and Anker Soundcore Boom 2.

But will they offer as much quality and versatility as the Stormbox Blast 2? No, not in my view. There’s the obvious – this speaker can double up as a karaoke machine if you want to belt out some of your favorite tunes. But there’s also the fact that this model delivers more regimented, powerful bass, cleaner all-round audio and a rock-solid build.

Those factors make it worth the extra cash in my view and if you can catch it for closer to $200 / £200 in a sale, you’re getting excellent value for one of the best party speakers around. It is worth noting, however, that its excellent predecessor can be found for around $150 / £150 – that’s an incredible deal well worth considering if you’re not all-in on karaoke and don’t need quite as much power output.

  • Value score: 4/5

Reverse side of the Tribit Stormbox Blast 2

(Image credit: Future)

Should I buy the Tribit Stormbox Blast 2?

Buy it if...

You want to take your parties to the next level
If you’re looking for a big and bold party speaker, it’s not going to get much better than the Tribit Stormbox Blast 2. With phenomenal bass output and excellent battery life, you’ll keep everyone moving into the early hours, without needing to charge this speaker up.

You’re looking for a durable speaker that can brave the elements
The Tribit Stormbox Blast 2 has an IP67 rating, meaning it's well protected against water and dust. It’s also got a solid build and heavyweight feel that will make it hard to break down over the years.

Don't buy it if...

You want an incredibly detailed listen
The audio on offer from the Tribit Stormbox Blast 2 is often impressive, but it’s not going to offer you the most elegantly balanced, nuanced sound on the market. If you’re willing to lose a bit of that low-end power, you’ll have plenty of high-grade options to choose from, including the Bose SoundLink Max – see ‘Also Consider’ for more on this.

Portability is the most important thing for you
Let’s not beat around the bush: this is one chunky lad. At 19.2lbs / 8.7kg, you should take the term ‘portable speaker’ with a pinch of salt. Seriously, this thing takes quite a bit of work if you’re taking it for a long walk. A whole host of competitors are considerably lighter – take the Anker Soundcore Boom 2, for instance, which is just 3.66 lbs / 1.67kg.

Tribit Stormbox Blast 2 review: also consider

Earfun UBoom X
If you’re looking for a bass-heavy Bluetooth speaker but the Stormbox Blast 2 is a little bit out of budget, the Earfun UBoom X is a very solid alternative. Bass isn’t as controlled or imposing here, but it’s still very impactful. You also get excellent EQ options, a whopping 30 hour battery life and IP67-rated build. Not bad at all! Read our full Earfun UBoom X review.

Bose SoundLink Max
This robust Bluetooth speaker may cost a tad more than the Stormbox Blast 2, but you’ll still get plenty of bang for your buck. The Bose SoundLink Max plates up big and punchy yet deft audio, a beautiful design and Class D amplification. It’s not quite as big and booming as the Stormbox Blast 2, but if you want a more technical listen and subtle look, this may be more up your street. Read our full Bose SoundLink Max review.

Tribit Stormbox Blast 2 review: how I tested

  • Tested for one week
  • Mainly used in our music testing space at Future Labs
  • Predominantly tested using Tidal

I listened to the Tribit Stormbox Blast 2 for hours on end in our music testing space at Future Labs. During my time with the speaker, I played a ton of tunes from my own music library as well as tracks from the TechRadar testing playlist, which I use to assess performance across a variety of genres. When listening to music, I connected to the Stormbox Blast 2 with the Samsung Galaxy S24 FE and mainly played songs via Tidal.

In addition, I listened to a podcast on Spotify and watched video content on YouTube in order to judge vocal clarity across different platforms. When appropriate, I used the Earfun UBoom X to compare audio quality, design elements and usability.

  • First reviewed: January 2025
  • Read more about how we test
KEF LSX II LT review: the best small hi-res wireless stereo speakers you can buy for
2:32 pm | January 27, 2025

Author: admin | Category: Audio Computers Gadgets Hi-Fi Wireless & Bluetooth Speakers | Comments: Off

KEF LSX II LT: one-minute review

The KEF LSX II LT is an attempt to democratise (a little) the sound and tech expertise that has put KEF has among the front-runners where the ‘entire hi-fi system in a pair of speakers’ category is concerned for almost a decade now.

The KEF LSX II LT is a streaming sound system contained in two compact, good-looking and beautifully finished loudspeakers. A system that’s capable of handling high-resolution digital audio information from any source you care to mention – including your TV. A system that sounds detailed and organized, dynamic and rhythmically adept. A system that digs deep into the frequency range and summons quite startling low-frequency presence while it offers clarity at the opposite end to rival any of the best wireless speakers.

It’s not perfect, of course – how could it be? Its dimensions dictate that it struggles to fill larger listening spaces with sound, which is understandable. It goes without any analog inputs, which means it may not be suitable for some people – its bigger brother, the LEF LSX II, has them (and see the Kanto Ren for a vinyl-friendly alternative, just without Wi-Fi). But as long as these shortcomings don’t impact on your specific use case, it’s hard to raise meaningful criticism here – this absolutely ranks among the best stereo speakers for wireless hi-res fans.

KEF LSX II LT review: Price and release date

The KEF LSX II LT speakers showing the name

(Image credit: Future)

The KEF LSX II LT wireless active speaker system is on sale now, and in the United Kingdom it sells for £899. It goes for $999 in the United States, while in Australia it’s yours for AU$1,699.

Thanks in no small part to KEF's efforts in the wireless stereo area, the LSX II LT is not without competition. DALI, Klipsch and Q Acoustics (to name just a few) have similarly specified alternatives with which to tempt you.

Probably most notably, for slightly less than the KEF, you can get the Kanto Ren or the larger floorstanding Q Acoustics M40 HD cost around the same as the tiny KEFs. So even though these are KEF's cheapest option, they're not super-cheap still.

KEF LSX II LT review: Features

The KEF LSX II LT speakers' connections

(Image credit: Future)
  • Uni-Q coaxial drivers
  • 200 watts of Class D power
  • Plenty of input options

Higher up its model ranges, KEF is now onto the 12th generation of its distinctive Uni-Q speaker driver arrangement. The LSX II LT, though, uses the same 11th generation unit as is fitted to the larger KEF LSX II. This means a 19mm aluminium dome tweeter is positioned in the center of a 115mm magnesium/aluminum mid/bass driver – this arrangement precisely positions the acoustic center of each unit in an effort to deliver optimum time-alignment. Each tweeter receives 30 watts of Class D power and each mid/bass driver 70 watts, delivering a claimed frequency response of 54Hz - 28kHz.

There’s a hierarchy of units in each pair of LSX II LT speakers, of course. The primary unit is home to dual-band Wi-Fi and Bluetooth 5.0 with SBC and AAC codec compatibility, as well as an Ethernet input, an HDMI ARC socket, digital optical and USB-C inputs as well as a pre-out for a subwoofer and a power connection. Apple AirPlay 2, Chromecast, Spotify Connect, TIDAL Connect, and UPnP devices are all available, and the KEF Connect control app can host Amazon Music, Deezer, Qobuz and internet radio too. A second USB-C slot, grouped with all the other socketry below the neat bass reflex port on the rear of the speaker, is for connecting this primary speaker to its partner – which gives you flexibility in terms of cable length.

Digital audio file compatibility is extensive, and the LSX II LT can deal with file resolutions of up to 24bit/384kHz via a network connection. The USB-C and digital optical inputs can handle 24bit/96kHz stuff, and the HDMI ARC tops out at 16bit/48kHz. Incoming audio information is pored over by KEF’s ‘music integrity engine’ signal processing algorithms before resampling to 24bit/96kHz resolution.

This is a pretty thorough line-up of features for a product of this type, it’s true - but I can’t help hankering after an analogue input or two. Apparently the best record players are all the rage again, and it might be nice to be able to incorporate one with a wired connection… they'll work with a Bluetooth turntable, though.

  • Features score: 4.5/5

KEF LSX II LT review: Sound quality

The KEF LSX II LT speaker against a pink background showing the Uni-Q drivers

(Image credit: Future)
  • Deft, entertaining sound
  • Plenty of detail and frankly unlikely dynamism available
  • Lacking a little where sheer scale of sound is concerned

The KEF LSX II LT is hardly the only digital audio system that does its best work when given some nice big hi-res audio files to deal with; so as long as you have some appropriate content on network-attached storage or via one of the best music streaming services that offers meaty quality, the KEF will give you everything it’s got.

Which, in the final analysis, turns out to be plenty. A 24bit/96kHz FLAC file of Arooj Aftab’s Last Night streamed via TIDAL Connect is agile, entertaining and utterly convincing – tonality, from the top of the frequency range to the bottom, is nicely neutral and consistent, and the LSX II LT never understates or overcooks any aspect of it; the sweep from top to bottom is smooth and believable. Detail levels are high at every turn, and the KEF has plenty of relevant observations to make about the timbre and texture of instruments or voices at every turn.

Despite the speakers’ unpromising dimensions and the bog-standard amount of power available, the system manages quite impressive low-frequency punch and substance. Bass sounds hit respectably hard, dig impressively deep, and are never less than properly controlled where the leading edge of sounds is concerned – and so it never has any problems expressing rhythms or handling tempos.

The LSX II LT communicates unequivocally through the midrange, which means vocalists of all types have their character and disposition made obvious. And at the top of the frequency range, the speakers attack with crisp determination (although without ever threatening to get splashy or hard, even if you like to listen at the upper limits of the volume the KEF is capable of).

There’s a fair amount of dynamic headroom available too, so even when a recording (or a movie, if you’re using the HDMI ARC socket) shifts it up from ‘basically silent’ to ‘all-out attack’ the system is able to make the differences obvious. Lower-level dynamic harmonic variations get the same sort of attention, too, so there’s convincing expression of the fluctuations evident from note to note when listening to a solo instrument.

That the LSX II LT is short of outright scale can’t be denied, but it creates a fairly extensive soundstage and organizes it really well. There’s adequate room for even more complex recordings to be laid out coherently, and the system demonstrates positivity and confidence in this regard. There's more than enough space for each element of a recording to stretch out without being impacted on by any other element – but, at the same time, the LSX II LT presents recordings as a unified whole.

  • Sound quality score: 5/5

KEF LSX II LT review: Design

The KEF LSX II LT speaker against a pink background showing the bass port

(Image credit: Future)
  • Choice of unusual finishes
  • 240 x 155 x 180mm (HxWxD)
  • Mildly interesting cabinet shape

As with its more expensive wireless speaker systems, KEF has commissioned Michael Young to see if a bit of mild ‘designing’ might be in order – and he’s created a speaker cabinet with very few parallel lines. All by itself, this is enough for the LSX II LT to stand out among all its boxy rivals – the fact that the shape is acoustically optimized doesn’t do any harm either.

At a tidy 240 x 155 x 180mm (HxWxD) per speaker, the LSX II LT will sit happily on a shelf or desktop, as long as power is reasonably close by – or there are stands available if you prefer. The available finishes (sage green, stone white and graphite grey) only add to the decorative quotient.

  • Design score: 5/5

KEF LSX II LT review: Usability & setup

The KEF LSX II LT speakers' remote control

(Image credit: Future)
  • App or remote handset control
  • Primary speaker needs power connection
  • Speakers must be connected by a cable

Between the KEF Connect control app (free for iOS and Android) and the little remote control handset that comes as part of the system, getting what you want from the LSX II LT is easy. The app covers off all the obvious stuff, and more besides – you can finesse EQ settings, integrate your LSX II LT into a smart-home system, designate the primary speaker as the ‘left’ or ‘right’ channel (great flexibility in the placement), access your local media servers, set volume limits and plenty more.

The remote control, meanwhile, just takes care of the obvious ‘play/pause’, ‘skip forwards/backwards’ ‘volume up/down/mute’, ‘power on/off’ and input selection stuff.

As far as ‘setup’ goes, there’s really nothing to it. The primary speaker requires mains power, and needs connecting to the secondary speaker using a length of USB-C /USB-C cable. After that, it’s simply a question of making physical connections to your source devices and integrating your favourite streaming service(s) into the app if the ‘Connect’ version isn’t already supported.

  • Usability score: 5/5

KEF LSX II LT review: Value

  • Superb sound for the price
  • Easy and flexible to set up
  • Small size and lack of analog may be limiting

There’s unarguable value on offer here, no two ways about it. As a combination of facilities and functionality, industrial design, usability and out-and-out sound quality, it’s hard to lay a glove on the KEF LSX II LT.

Unless you have analog sources you’d like to listen to, or you live in an aircraft hangar, it’s difficult to raise a meaningful objection to what your money buys you… these are premium speakers that can satisfy audiophiles, at a very fair price for that quality.

  • Value score: 4/5

Should I buy the KEF LSX II LT?

The KEF LSX II LT speaker against a pink background

(Image credit: Future)

Buy it if…

You want great sound with next-to-no effort
If you can’t get the LSX II LT up and running is next-to-no time, you’re not trying hard enough.

You admire good industrial design
It’s hard to make a product like this look distinctive, but between the coaxial drivers and the unusually shaped cabinet, the KEF gets closer than most.

You’re a ‘digital only’ sort of listener
Pretty much every source of digital audio content is catered for here, whether it’s connected wirelessly or physically.

Don't buy it if…

You have an analog source or two
The lack of analog inputs is the KEF system’s biggest shortcoming.

You want to fill a big space with sound
Look elsewhere. And be prepared to spend more money.

You have big bass concerns
The low frequencies available here are deep, detailed and very nicely controlled – but they’re not about to make your curtains flap. Again, you'd need something larger.

KEF LSX II LT review: Also consider

KEF LSX II
We've mentioned them already, but the bigger (and more expensive) sibling of the LT have the analogue connections that this one lacks, and a little more power for filling larger spaces.

Q Acoustics M40 HD
Now this is how you full a room. Active floorstanding speakers, for slightly less money than the KEF. However, there's no Wi-Fi (just Bluetooth), so they're not quite as smart as the KEF. Read our five-star Q Acoustics M40 HD review for more what makes them so good.

Kanto Ren
If you want something compact like the LSX II LT, but with analog connections, we love these. Again, there's no Wi-Fi – just Bluetooth for wireless – but they do an excellent job, and come in fetching finishes. Here's our five-star Kanto Ren review for the all the details.

Earfun Air 2 NC review: budget earbuds that impress with tailored ANC and sound, though their design lacks refinement
12:00 am |

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Tags: , , | Comments: Off

Earfun Air 2 NC review: Two-minute review

The Earfun Air 2 NC endeavor to avoid the fate befalling far too many options in the budget audio tech space – being woefully disappointing in the sound department. Luckily, they manage to do just that, offering punchy bass, clean mids and controlled treble, as well as LDAC compatibility. Given their list price of $69 / £59 (about AU$110), that’s impressive.

Sure, the Earfun Air 2 NC won’t deliver audiophile-grade sound – I wasn’t wowed by supremely detailed, immersive audio or anything. But for what they are, the Earfun Air 2 NC perform very nicely, plating up well-weighted vocals and even solid sub-bass. You might get a bit of harshness at top volumes, but I personally never needed to listen quite so loudly.

Something that helps the Earfun Air 2 NC sound even better is an excellent EQ tab. Just hop into the Earfun Audio app and choose from a wide range of presets, including genre-specific ones. There’s also a custom option to use and an intriguing, yet perhaps unpolished personalized sound option, which is based on your own listening. Having tested many, I can confidently say that even some of the best wireless earbuds don’t offer quite as much scope for tailoring on this front.

Another area with impressive customization is active noise cancellation. You can switch between five noise cancelling modes, including ear-adaptive and wind resistance configurations. Given that you can also personalize touch controls here, you get plenty of ways to make these earbuds your own.

It’s not totally smooth sailing, however. There are a couple of small drawbacks to bear in mind, such as a disappointing spatial audio setting, called Theater Mode. Although this may expand the soundstage somewhat, overall audio quality takes quite the hit, making it a pretty redundant inclusion. They aren’t the prettiest on the market either and the stems may not be diminutive enough for anyone craving a more discreet look.

There are some neat design choices here, though, like IPX5 waterproofing, which will keep your buds protected against heavy rain or sweat for outdoor or intensive listening sessions. Battery-wise, they’re absolutely fine too. You get six hours with ANC on and nine with it turned off, but the charging case should give you enough juice to last a few days, even if you listen at fairly high volumes and with LDAC turned on.

So, given their low price, you get a lot out of the Earfun Air 2 NC. They’re not going to blow you away with next-level sound, battery life or looks, but they excel in all of the key areas. It’s pretty competitive in the budget wireless earbud department – there are some truly incredible alternatives out there, including the brilliant, albeit ANC-less, Sony WF-C510 or even the Earfun Air Pro 3 – regularly available at a discount. But, if you want a strong pair of wireless earbuds at an affordable price, I’d still happily recommend the Earfun Air 2 NC.

Earfun Air 2 NC in charging case against pink background

(Image credit: Future)

Earfun Air 2 NC review: price and release date

  • $69 / £59 (about AU$110)
  • Launched in 2024

The Earfun Air 2 NC were released in 2024 and initially had a slightly higher list price, which has since been reduced to $69 / £59 (about AU$110). However, you may be able to get these buds for even less. At the time of writing, I’ve spotted these going for just over the £40 mark on Amazon UK – that’s phenomenal value for money. If you’re not such a fan of the Black / Gray colorway shown in this review, you can alsograb the Earfun Air 2 NC in White.

Earfun Air 2 NC review: specs

Person picking up Earfun Air 2 NC bud out of charging case

(Image credit: Future)

Earfun Air 2 NC review: features

  • Effective, customizable ANC
  • Good EQ options
  • Solid battery life

The Earfun Air 2 NC boast a pretty impressive feature-set for a budget pair of earbuds. A lot of that comes courtesy of the Earfun Audio app, which opens you up to a whole host of options, including multi-point connectivity, EQ adjustment and much more.

Let’s start with EQ, which is a robust offering – something I’ve come to expect from testing other Earfun earbuds and speakers such as the Earfun UBoom X. There’s a custom option here, but you also get a lot of genre-specific EQ presets, such as Jazz and Hip Hop.

If you want, you can also use My Sound Profile, which allows you to create a personalized EQ calibration based on a series of listening tests. However, I found this didn’t work all too well and presented a fairly muted sound profile when in use. My Sound Profile is certainly a worthwhile feature in concept, with competitors like Anker nailing the similar HearID option on the Soundcore Space One Pro, for instance – I just wish the Air 2 NC delivered better results.

But there’s still a lot of juicy goodness to sink your teeth into with the Air 2 NC. For instance, the companion app allows you to customize noise cancellation for various settings. There are five different modes: Normal, Ambient Sound, Wind Noise Cancellation, Ear-Adaptive ANC and Noise Cancelling.

When testing each (both indoors and in outdoor environments as well as public transport), I found all of them to be effective, but I typically leaned towards using Ear-Adaptive ANC, which optimizes noise cancelling according to the shape of your ear canal. When using this mode, I couldn’t hear the sound of loud typing in the office and loud external noises, like the roar of a car’s engine, were aptly dulled. Are you going to get the stunning near-silence that the Bose QuietComfort Earbuds 2 can offer, for instance? No. But for what you pay, you’ll be impressed with how well the Air 2 NC quieten the outside world.

You also get pretty solid battery life here – nine hours with ANC off and six with it on. This will vary if you’re playing at higher volumes or using the LDAC audio codec, of course. The charging case should help you keep the buds juiced up for intermittent listening over a multi-day period too.

On top of that, the Air 2 NC have customizable touch controls. You can select from a range of commands, like volume up/down, play/pause, skip/replay, which can vary for the left and right bud – just choose whatever feels best for you.

There’s a lot more here too: a Find Headphones option, LDAC toggle (more on this later), Voice Prompt options (which lets you switch between English, Japanese or Mandarin cues) and a Game Mode, which is designed to reduce audio latency. All of this is welcome, although there was one option I found to be a bit sub-par: Theater Mode. Earfun claims that with Theater Mode on, you get a wider soundstage and more immersive sonic experience. Does it do that? Well, partially. But this comes at the expense of lower quality audio, which instantly renders it pointless in my view.

So, although Theater Mode and My Sound Profile are a little unrefined, you still get all the main features you’d want from budget ANC earbuds, plus a little more. Overall, you’re still getting a great user experience with the Earfun Audio app too, which is easy to use and well laid out. Positive stuff, all in all.

  • Features score: 4/5

Earfun Air 2 NC earbuds on surface

(Image credit: Future)

Earfun Air 2 NC review: sound quality

  • Punchy bass
  • Clear and rarely harsh all-round audio
  • LDAC compatibility

OK, good news, the Earfun Air 2 NC perform impressively in the audio quality department for their humble asking fee. Yes, the caveat remains: they sound surprisingly zealous, detailed and musical given their modest price tag. No, you’re not going to get premium sound from these buds, but you can certainly expect a solid sonic experience for the money.

When listening to Too Young to Die - Extended by Jamiroquai, the track’s bass was smooth, rich and clean, with brass instruments and vocals in the mid-range coming through without harshness or distortion at around 60-70% volume. Higher-pitched percussion was never tinny either and background vocals sounded well-weighted, making for a satisfying, enjoyable listen.

The Air 2 NC also have LDAC compatibility, which can be activated via the Earfun app. This comes at the expense of multi-point – which has to be switched off manually (but that's the case with much pricier buds we've tested, including the triple-device multipoint in the Technics EAH-AZ100). LDAC is a nice addition for those who want a more detailed listen and I kept it switched on when listening to tracks on Tidal, which are a lot less compressed than those lossy Spotify streams.

Still, I wasn’t always struck by the Air 2 NC’s ability to unveil the finer details. For instance, I tuned into the densely layered I Want You by Moloko and although the Air 2 NC excelled in delivering the track’s low-end punch, the breathiness of vocals and discreet instrumental details throughout were perhaps a little lacking. That’s fine for some more budget earbuds of course, but it’s worth flagging that LDAC doesn’t always equal incredibly detailed audio.

Again, overall quality is strong here. When listening to Magic by Yung Gravy, booming bass was impactful and deep without drowning out main or background vocals. You even get up-to-scratch sub bass, which can often be a problem for cheaper wireless earbuds. I did notice a touch of sibilance from vocals when I cranked volume up to 100%, but I never really needed to listen quite that loudly.

Thanks to the extensive list of EQ presets here, you can easily tailor sound to your liking on the Earfun Air 2 NC. Will that mean you get that perfectly detailed listen audiophiles go mad for? No – but you’ll still get great audio quality for the price you pay.

  • Sound quality score: 4/5

Earfun Air 2 NC and charging case on surface against pink background

(Image credit: Future)

Earfun Air 2 NC review: design

  • Long stems on earbuds not for everyone
  • Fairly plasticky build
  • IPX5 water resistant

Onto perhaps a more controversial aspect of the Earfun Air 2 NC: their design. The earbuds have a curved design with long stems. These stems are handy for swiftly removing the buds from your ear, but they’re not the most beautiful looking. If you’re someone who prefers a more discreet look, you may also find the Air 2 NC’s earpieces a little oversized.

You can get these buds in either a white or black colorway – I tested the latter. This looked fine enough, but part of each bud has a gray coating with the Earfun logo, which isn’t particularly easy on the eye. The case, meanwhile, comes in a neat Black color with a USB-C port and an LED light to display whether it's charging – no complaints here.

In terms of build quality, you’re not going to get the most premium pair of earbuds ever. The Air 2 NC do perhaps feel a little plasticky, but that’s to be expected at this price point. In the ear, however, they are comfortable and I didn’t feel the need to take them out, even after multiple hours of listening.

They may not have the most high-durability construction, then, but they are fairly well protected against the elements. That’s because the Air 2 NC are IPX5 waterproof rated, meaning they can withstand water projected by a nozzle. That means if you’re listening in the rain or working out, you won’t have to worry about moisture damaging your buds.

  • Design score: 3.5/5

Earfun Air 2 NC and charging case on surface against pink background

(Image credit: Future)

Earfun Air 2 NC review: value

  • Great audio for the cost
  • Great customizable ANC and comfortable in-ear fit
  • Sometimes even cheaper thanks to sales

One of the big draws of the Earfun Air 2 NC is their excellent low price. They have a list price of $69 / £59 (about AU$110), but I’ve already spotted them on sale with some retailers. Considering that you get impressive audio and a decent suite of features, you’re looking at brilliant value.

As the years go by, its becoming more common to get ANC at a budget price, but still, you get very customizable noise cancelling here, including ear-adaptive and wind-resistant options. OK, battery life is by no means exceptional, but it's not too bad – the same goes for design and build quality. But these are subordinate to the crucial areas of sound quality and in-ear comfort.

  • Value score: 4.5/5

Person holding Earfun Air 2 NC charging case

(Image credit: Future)

Should I buy the Earfun Air 2 NC?

Buy them if...

You want customizable ANC
If you’re looking for active noise cancellation but don’t want to splash too much cash, the Earfun Air 2 NC are a worthy option. There are a ton of different noise cancelling modes to play around with here, including Wind noise reduction and ear-adaptive ANC – even some more expensive rivals don’t offer this level of customization.

You’re on a fairly tight budget
If you’re looking for some highly competent wireless earbuds but don’t have a blank check, the Earfun Air 2 NC are worth keeping in mind. At $69 / £59, you’re getting solid audio quality and ANC as well as a comfortable fit and commendable feature-set – at this price, you can’t ask for a whole lot more.

Don't buy them if...

You want premium audio quality
If you’re on the hunt for super-detailed, ultra-immersive and perfectly balanced audio, the Earfun Air 2 NC may not be for you. Quality here is by no means bad, but it’s not premium. If you have a bit more cash to play with, an excellent-sounding wireless option would be the Technics EAH-AZ100.

You’re looking for a discreet look
Each earbud here has a long stem, which may be to your liking if you want a more ‘pinchable’ design. But if you’re on the hunt for a more low-key pair of earbuds, this might be a little overbearing. Some excellent, small earbuds that I loved in 2024 were the LG Tone Free T90S, if that’s more your style.

Earfun Air 2 NC: also consider

JLab Go Pop ANC
If you’re looking for the ultimate, super-cheap pair of wireless earbuds, you’ll struggle to find better than the JLab Go Pop ANC. For less than $30 / £30, you get decent ANC, solid overall audio and companion app compatibility. If you’re looking for all the essentials at an incredible price point, this is an option well-worth considering. Read our full JLab Go Pop ANC review.

Sony WF-C700N
We still consider the Sony WF-C700N to be some of the best cheaper noise-cancelling earbuds you can buy. They offer detailed, immersive audio, an incredibly comfortable fit and a fantastic companion app to boot. Don’t be put off by their list price too, they’re often available for less than $100 / £70. Read our full Sony WF-C700N review.

Earfun Air 2 NC review: how I tested

  • Tested for two weeks
  • Used in the office and while on walks
  • Predominantly tested using Tidal on the Samsung Galaxy S24 FE

I tested the Earfun Air 2 NC over the course of two weeks, listening with them for hours during each working day. I used them at the office, while at home and when on walks to assess the quality of ANC across multiple environments.

For the most part, I tested these wireless buds using Tidal on the Samsung Galaxy S24 FE, but I did also try using them with both Spotify and YouTube. When listening to music, I ran through the TechRadar testing playlist, which features tracks from a wide variety of genres but I also tuned in to hours worth of tunes from my personal library.

Where appropriate, I compared these to my Sony WF-C700N earbuds on metrics such as comfort, audio quality, ANC capabilities and features.

  • First reviewed: January 2025
  • Read more about how we test
Noble FoKus Rex5 review: well-built true wireless earbuds that err on the expensive and make you think – ‘when is green too green?’
2:00 pm | January 26, 2025

Author: admin | Category: Audio Computers Earbuds & Airpods Gadgets Headphones | Tags: | Comments: Off

Noble FoKus Rex5: Two-minute review

Noble FoKus Rex5 earbuds and travel case on a metallic surface

(Image credit: Future / Simon Lucas)

The Noble FoKus Rex5 true wireless in-ear is the latest model with which the company intends to disrupt a market that’s already full to bursting. From its base in Texas, North America, Noble has been turning out singular, and singularly expensive, headphones for a little over a decade now and the Rex5 are no exception.

There are notable points of difference here, mind you. The Rex5 are exhaustively specified, with five drivers per earbud, Bluetooth 5.4 with aptX Adaptive and LDAC codec compatibility, and a single option where finish is concerned that’s as green as a very green thing. Oh, and relatively speaking they cost an arm and a leg.

The Rex5 are a strong performer, though, no two ways about it. The sound they produce is open and unified, rigorously defined, rapid and detailed. Other earbuds offer a bit more low-end heft, it’s true, but very very few have the sort of powers of resolution and insight that are on offer here.

Whether that’s enough to justify either the asking price or a place in the best wireless earbuds, though, especially when you add in ANC and battery life that is really nothing remarkable, is a different question…

Noble FoKus Rex5 review: Price and release date

Noble FoKus Rex5 earbuds on a metallic surface

(Image credit: Future / Simon Lucas)
  • Released in November 2024
  • Costs $449 / £419 / AU$699

You have been able to buy the Noble FoKus Rex5 for $449 / £419 / AU$699 since November 2024, which puts them right at the top end of price point for true wireless earbuds.

For that price, you're looking for best-in-class performance almost across the board, something along the lines of the Technics EAH-AZ100 or Bowers & Wilkins Pi8, both of which are cheaper than the Rex5.

Noble FoKus Rex5 review: Specs

Noble FoKus Rex5 review: Features

Noble FoKus control app showing listening test software

(Image credit: Future / Simon Lucas)
  • 10mm dynamic, 6mm planar magnetic, 3 x balanced armature per earbud
  • Bluetooth 5.4 with aptX Adaptive and LDAC compatibility
  • Multipoint connectivity

There is one minor exception, but in the broadest terms the Noble FoKus Rex5 have the sort of feature set that an asking price this lofty demands. There’s really no arguing with the lengths Noble has gone to here.

Take, for example, wireless connectivity. The Rex5 use top-of-the-shop Bluetooth 5.4 and are compatible with both aptX Adaptive and LDAC codecs – so lossy hi-res content is on the wireless menu. Multipoint connectivity is available, too, so the earbuds can connect to a couple of sources simultaneously and switch seamlessly between them.

And when the audio information is on board, it is served up by no fewer than five drivers per earbud. Three balanced armatures, a 6mm planar magnetic and a 10mm dynamic free-edge driver contribute to produce a claimed frequency response of 20Hz - 40kHz.

Control is available using responsive and accurate capacitive touch controls on the top surface of each earbud, and the feed-forward/feed-back twin mic array of each earbud allows interaction with your source player’s native voice assistant. The mics also take care of active noise-cancellation, of course, which is a three-position system (‘on’, ‘off’ and ‘ambient’).

Noble FoKus control app displaying three screens of equalizer presets

(Image credit: Future / Simon Lucas)

You’ve also the option of the Noble FoKus control app that’s available for iOS and Android. There are only the most basic playback controls available (play/pause and skip forwards/backwards) but it lets you scroll through your ANC options, investigate some EQ presets as well as define some of your own, rearrange some of the functions of the touch controls, and check on battery life.

The app also includes a listening/hearing test courtesy of Audiodo, and thanks to the onboard QCC3091 chip, the earbuds can remember your hearing profile without needing the app to be open.

Battery life, then, is the only area in which the FoKus Rex5 looking anything less than profoundly impressive. With ANC switched off, the earbuds are good for seven hours or so of playback, which ain’t bad – switch ANC on and that number drops to more like five hours, which is so-so at best. There’s plenty of back-up in the charging case, though – as many as seven full charges are available, which is well above the market average.

Charging takes place using the case’s USB-C slot, and the Noble are compatible with Qi-certified charging pads, too. Some 15 minutes on the power via USB-C should be good for two hours or so of playback, should the worst happen.

  • Features score: 4.5/5

Noble FoKus Rex5 review: Design

The ear-tips of the Noble FoKus Rex5 earbuds on a metallic surface

(Image credit: Future / Simon Lucas)
  • Aluminium/acrylic construction
  • 9.6g (earbud); 31.5g (charging case)
  • 10 pairs of ear-tips

The earbuds, at 9.6g, are among the heavier around. The charging case is a bit of a biffer, and certainly not a candidate for the pocket of your favorite pair of skinny jeans. But the carefully ergonomic shape of the earbuds, along with a selection of 10 ear-tips of various sizes and materials, mean it’s not especially tricky to get a snug and secure fit that will stay comfortable for a good while. That’s always assuming your ears aren’t especially petite, though – these are relatively large earbuds and will prove an earful even for those of us with ‘ordinary’ ears.

‘Green’ is as good a word as any to describe the finish of the FoKus Rex5 – ‘emerald green’ if you’re after specifics. The earbuds are fashioned from aluminium and feature an acrylic top-plate with the company logo, which also appears at the end of the spout where the ear-tips fit, as well as on the lid of the charging case. The case is almost entirely of aluminium – there’s a little plastic patch on the bottom to facilitate wireless charging.

Build quality, it almost goes without saying, is basically impeccable – the Noble package feels expertly constructed and built to last. Whether or not you find the aesthetic appealing is entirely up to you. I can only assure you that no corners seem to have been cut where design, construction and finish are concerned.

  • Design score: 4.5/5

Noble FoKus Rex5 review: Sound quality

Inners of the Noble FoKus Rex5 earbuds on a metallic surface

(Image credit: Future / Simon Lucas)
  • Rapid, maneuverable and luxuriously detailed sound
  • Seemingly limitless dynamic headroom
  • Lack of low-end body won’t suit every listener

Words like ‘accuracy’ and ‘precision’ get bandied around quite a lot when it comes to audio products. Generally I try to avoid them, because both things (which are similar but not the same) are bloody difficult for audio equipment to achieve no matter how expensive it might be. In the case of the Noble FoKus Rex5, though, I’ll be using both and will be doing so unapologetically.

A five-driver arrangement is, of course, tricky to implement and can sometimes end up constituting too much of a good thing. So right from the off, Noble is to be congratulated for the balanced and coherent way the Rex5 perform. They sound unified from the top of the frequency range to the bottom, and their tonality is consistent throughout too. When you consider the number of individual elements that are responsible for this, it’s by no means a given.

What’s almost as quickly striking is the amount of detail the Rex5 can identify, reveal and contextualize in a recording. This is true no matter if they’re playing a 247kbps MP3 of Eartheater’s How to Fight via SBC, a 24bit/192kHz file of The Velvet Underground’s Femme Fatale being compressed by the AAC codec or Desire by Talk Talk as a 2.8MHz DSD file delivered via LDAC. No matter how fleeting, how subtle, how deep in the mix it might be, if it’s there the Noble earbuds pounce on it with something approaching fanaticism. It follows that even the most compressed digital audio files sound complete, and the higher-resolution stuff enjoys the sort of accuracy that eludes the vast majority of alternative designs.

The Rex5 combine substance and attack at the top of the frequency range, giving treble sounds sufficient body to balance against their brilliance. The midrange is similarly accomplished, with the sort of positivity and directness when dealing with vocalists that leaves you in no doubt as to their attitude or intentions. And the size and definition of the soundstage the Noble create gives everyone involved in a recording all the space they need in which to properly express themselves. The stage is defined with real precision, and is easy to follow as a result, even if it’s packed to capacity with contributors.

Noble FoKus Rex5 earbuds inside their carry case

(Image credit: Future / Simon Lucas)

Dynamic headroom where the broad ‘quiet/LOUD!’ elements of a recording are concerned is approaching ‘unlimited’, so the Rex5 can make the differences in volume and intensity many recordings like to indulge in absolutely obvious. And the bigger the dynamic shifts (Mogwai and Shostakovic, I’m looking at you in particular), the deeper the Noble breath and the greater the gap between them that they describe.

Ultimately, only the way the Rex5 handle the lower frequencies is likely to prove problematic for some listeners. Tonally, bass sounds are of a piece with everything that’s going on above them, and they’re given a similar sort of emphasis to the rest of the frequency range, too. But there’s not a lot of meat on these low-end bones – if true wireless earbuds were boxers, then the Noble FoKus Rex5 are flyweights in a world of heavyweights. The low frequencies they generate hit respectably hard, and are just as loaded with information regarding tone and texture as the rest of the frequency range. But the trade-off for the straight-edge precision of their control, and the maneuverability and rhythmic positivity that comes as a result, is a relative lack of heft that some listeners are going to confuse with a lack of bass. And sometimes, perception is everything.

Active noise-cancellation is in the ‘good’ rather than the ‘great’ camp but then that’s true of almost every pair of true wireless in-ears that isn’t designed and built by Bose. Wind-noise can be more of an issue than it really should be, too. But call-quality is well up to standard (as long as you’re not somewhere especially windy while you’re attempting to make or receive a call).

  • Sound quality: 4/5

Noble FoKus Rex5 review: Value

Noble FoKus Rex 5 earbuds on a metallic surface

(Image credit: Future / Simon Lucas)
  • Thrillingly complete sound quality
  • Humdrum earbud battery life
  • Expensive and then some

Part of the value of the Noble FoKus Rex5 – or their perceived value, at least – lies in their rarity. Apple earbuds, Bose earbuds, Sony earbuds... they’re everywhere, aren’t they? If you want to tread the road less traveled, a pair of Rex5 will certainly help you stand out.

Of course, there are also solid and tangible areas in which the Noble represent great value. The quality of their construction and finish is, to all intents and purposes, impeccable. They use premium materials at every point. They’re lavishly specified, have a number of very well-implemented control options, and have so many plus-points to the way they sound that I don’t have space to revisit them here.

There’s an elephant in the room, though, and it’s wearing a $449 / £419 / AU$699 price tag. When audio editor Becky Scarrott reviewed the Bowers & Wilkins Pi8 for this website in September 2024, she loved them despite feeling compelled to observe “they’re not cheap”. Well, suddenly the $399 / £349 / AU$599 they cost at the time seems like a bit of a bargain, doesn’t it?

  • Value: 4/5

Should I buy the Noble FoKus Rex5?

Noble FoKus Rex5 earbuds case on a metallic surface

(Image credit: Future / Simon Lucas)

Buy them if…

You like nice things
Between the choice of materials, the quality of construction and the standard of finish, the Rex5 are a lovely thing to own.

You admire thorough specification
These Noble earbuds walk it like they talk it – a total of 10 drivers along with premium wireless connectivity makes them a serious proposition.

You value speedy and insightful sound
These are by no means the Rex5’s only talents, but when it comes to both ‘speed’ and ‘insight’ they’re among the very best true wireless in-ears around.

Don’t buy them if…

You don’t much like the colour green
Look elsewhere – the Noble FoKus Rex5 are quite assertively green, and that’s your only option when it comes to finish.

Your ears are on the small side
In absolute terms these are quite large earbuds and it’s likely they’ll be a bit much for any ear significantly smaller than ‘average’.

You want bass and plenty of it
There’s a case to be made for the accuracy of the low-frequency activity the Rex5 produce, but that isn’t going to mollify the bass-heads among us.

Noble FoKus Rex5 review: Also consider

Bowers & Wilkins Pi8
I’ve invoked the Pi8 already in the course of this review, and here I go again. They’re made to look a little bit dowdy by the FoKus Rex5, but they most certainly have it where it counts. And now they’re just a touch more affordable than when they first launched, they’re even more compelling.

See our full Bowers & Wilkins Pi8 review

How I tested the Noble FoKus Rex5

  • With an Apple iPhone 14 Pro, an Apple MacBook Pro and a FiiO M15S
  • With a variety of music stored in a variety of file types and resolutions
  • Using a number of different Bluetooth codecs

From 5644kbps DSD content via LDAC to 256kbps MP3 via SBC, I listened to as many different standards and types of digital audio content as possible during the course of the week or so I spent with the Rex5 in my ears.

I used a few different sources, too, and from the home office to the South Downs nearby I made sure to listen in a variety of environments. And of course I listened to as many different types of music as I can stomach – I have to draw the line somewhere, though, and so I naturally gave things like ‘barbershop’ the swerve…

  • First reviewed in January 2025
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