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More Realme GT 7T renders leak showing all colors
3:39 pm | May 17, 2025

Author: admin | Category: Mobile phones news | Comments: Off

Yesterday a leak brought us specs for the upcoming Realme GT 7T, and then a retailer listing in Europe shed more light on the pricing we should expect. Today, a new leak brings us more renders depicting the phone in all three colors - blue, black, and yellow. The leak comes with yet another confirmation of the phone's specs, so let's recap them. The GT 7T has a 6.8-inch AMOLED screen with 1280x2800 resolution and 120 Hz refresh rate, a 50 MP main camera with OIS and f/1.8 aperture, an 8 MP ultrawide with f/2.2 aperture, and a 32 MP selfie camera with f/2.4 aperture. Realme GT 7T...

I was surprised by how cheap this wireless gaming headset is – and even more by its performance
3:00 pm |

Author: admin | Category: Computers Gadgets Gaming | Comments: Off

OXS Storm G2: two-minute review

The OXS Storm G2 is a wireless gaming headset compatible with PlayStation and Nintendo consoles, as well as PC and mobile, thanks to its various connectivity modes. It looks sleek and quite understated, although there are a few flourishes that mark it out as a gaming peripheral, and these are its least attractive aspects. However, the RGB lighting does add some tasteful vibrancy to proceedings.

The buttons operate solidly and smoothly, and are well located to make for easy access. The volume wheel is placed underneath rather than behind the left driver, which prevents miscrolls when leaning back in a chair. However, it’s a shame that it’s awkward to use, owing to its low profile and rough notching.

It’s also pleasingly light and not as bulky as some of its rivals. However, it doesn’t feel as premium as the best wireless gaming headsets out there, with the plastics letting the side down somewhat. The fit and finish in certain areas is admirable, while it’s wanting in others.

The hooks for the drivers feel reassuringly solid, although their height adjustment mechanism is quite poor, as it’s difficult to move them smoothly. Still, at least they offer plenty of security.

The Storm G2's earcups fail to provide as much cushioning as you might expect based on their thickness: the inside of the drivers touched my ears, it felt as if the lower portion of my ears weren’t cupped sufficiently by the padding.

They also exerted a little too much pressure against the sides of my head. Admittedly, this is a problem I experience with many headsets, and the effect wasn’t too problematic here. However, the issue was made worse when wearing glasses, as the drivers pushed the arms of my frames into my head slightly too much. I found the Storm G2 comfortable for short and medium sessions, but for anything longer, I would experience fatigue.

Despite the lack of software, there are three EQ modes selectable via a dedicated button. These offer meaningful differences to audio quality, with Music and Surround modes being the highlights, as both provide enough fidelity and low end for an enjoyable experience, regardless of the kind of content being consumed. I was also pleasantly surprised by the microphone quality, which is clear and free from distortion.

What’s most impressive about the Storm G2, though, is its low price. There aren’t many gaming headsets with multiple wireless connectivity modes this cheap, still less those that perform as strongly.

There are better sounding gaming headsets out there with budget prices, but they’re still more expensive than the Storm G2 – although some offer software for accessing additional features and tweaks. But at this price point, the Storm G2 is a strong choice for those on the hunt for a decent and affordable gaming headset.

Close-up of right driver on OXS Storm G2, leaning on plinth on desk with pink background

(Image credit: Future)

OXS Storm G2 review: price and availability

  • $79 / £62 (about AU$123)
  • Available now in black and white finishes
  • Very good price for a wireless gaming headset

The Storm G2 costs $79 / £62 (about AU$123) and is available now in black and white colorways. It comes with a detachable microphone, carrying bag, USB charging cable, USB-C dongle (with USB-A adapter), and a 3.5mm AUX cable.

This is a very low price for a wireless gaming headset, especially one that supports both Bluetooth and 2.4GHz standards. If you’re looking for a similarly budget-friendly wireless headset, the Corsair HS55 Wireless is a great alternative, as we think it’s the best PC gaming headset in this category.

It’s still more expensive than the Storm G2, but it can be customized using the iCue software, while the Storm G2 lacks any such tool. It also has good sound, if lacking low-end response somewhat.

If you’re looking to save even more money and don’t mind being tethered, the Epos H3 is one of the best wired gaming headsets around in our view. It boasts superb sound and comfort levels, but like the Storm G2, it lacks software.

OXS Storm G2 review: Specs

Price

$79 / £62 (about AU$123)

Weight

9.9oz / 282g

Compatibility

PC, PlayStation 4, PlayStation 5, Nintendo Switch, Android, iOS

Connection type

Wired (USB-A), Wireless (2.4GHz, Bluetooth)

Battery life

Up to 40 hours

Features

Three EQ modes, detachable mic

Software

None

Close-up of mode switch on OXS Storm G2, clamped on plinth with pink background

(Image credit: Future)

OXS Storm G2 review: design and features

  • Sleek-ish looks
  • Passable build quality
  • No software

The Storm G2 has a mixed appearance, with sleek elements that are somewhat undermined by the gaming-oriented flourishes, such as a nondescript symbol and contoured drivers. The RGB lighting does inject some attractive dazzle, though.

It feels quite light, and the build quality appears durable enough. However, the plastics aren't the most premium, and some of the panels and their joins feel a little sharp and unrefined.

The stitching around the headband is more impressive, with its tight and precise execution, and the hooks for the drivers are reassuringly solid. Making height adjustments, though, isn’t the smoothest process, as they tend to grab when sliding them back and forth, but at least remain secure once in place.

The drivers themselves are pleasingly slim, with less bulk than those adorning some other gaming headsets. And while the buttons on the left driver don’t look particularly elegant, their simple layout makes for easy and intuitive operation when wearing the Storm G2.

I was also pleased to see the volume wheel located at the bottom of the driver rather than at the back, as this prevents it from accidentally jogging when leaning back in a chair or sofa – an issue I’ve experienced with other gaming headsets. However, I wish it protruded a little further, as it can be awkward to use at times.

On the issue of comfort, the Storm G2 is again somewhat inconsistent. Despite appearances, the earcup padding isn’t the plushest, which means it fails to buffer the pressure of the drivers pressing inwards, especially around the tops of the ears. This is especially bad news for glasses wearers, as I found the lack of cushioning pushed the arms of my frames into my head with more pressure than I would’ve liked.

Close-up of headband on OXS Storm G2, leaning on plinth with pink background

(Image credit: Future)

The effect isn’t as egregious as some other gaming headsets I’ve tried, and I was comfortable wearing the Storm G2 for an hour or so, but for anything longer, I would start to experience some mild aching and fatigue.

Curiously, the drivers didn’t feel as secure around the bottom of my ears as I was expecting; coupled with the fact that the inside of the drivers made contact with my ears, this made the Storm G2 feel more like an on-ear rather than an over-ear headset.

Thankfully, the headband has a better design; the outer material feels premium, although it still lacks cushioning. Again, this meant I would start to experience aching after long sessions, although I should say it wasn’t to the same degree as I’ve experienced with other gaming headsets.

The detachable microphone has a flexible gooseneck design, which I always welcome, although it doesn’t feel as stable as others I’ve tried. However, it remained in position during use, and it’s very easy to wrangle into the ideal position.

Unfortunately, there’s no customization software for the Storm G2, so those looking for extra features and tweaks will be disappointed. There’s also no way to check the battery level, which is another inconvenience.

Close-up of buttons and ports on OXS Storm G2, leaning on plinth with pink background

(Image credit: Future)

OXS Storm G2 review: Performance

  • Crisp and punchy sound
  • Useful EQ profiles
  • Good connectivity

The overall sound of the Storm G2 is quite admirable, with crisply rendered mids and highs without much distortion, although fidelity isn’t up there with headphones dedicated to audio playback. Still, in this sector, the Storm G2 acquits itself well enough for a pleasurable listening experience.

The various listening modes make a meaningful difference to sound as well. Music mode offers the most impact thanks to its punchy bass response, although sub frequencies aren’t as deep or sonorous as those of the best sounding headsets.

Meanwhile, Surround mode lives up to its name and imparts a greater sense of space, which I found helpful when trying to locate footsteps more precisely in Counter-Strike 2, for example. What’s more, this mode also retains the fuller sound of Music mode.

Game mode, however, is perhaps the weakest of the three modes, and only seems to take away fidelity and low-end, with no real benefit to balance this out.

No matter what connectivity mode you use, audio response is fast, and the audio quality is consistent. However, I seemed to detect a slight lag when using Bluetooth. Also, it’s a shame that in wired mode, the various EQ modes, the microphone, and the volume wheel all cease to function. It does seem to default to Music mode, though, which is something I welcomed.

The Storm G2 connected easily to the various platforms I tried it on via both Bluetooth and the 2.4GHz dongle, and is level with the best Nintendo Switch headsets in terms of setup with the console. Battery life is hard to discern, since there’s no indicator, although I can say that it at least lasted a whole day’s worth of testing.

Close-up of red wire on OXS Storm G2, leaning on plinth on desk with pink background

(Image credit: Future)

Should I buy the OXS Storm G2?

Buy it if...

You want to save money
There aren’t too many wireless gaming headsets around at this price, and it punches above its weight in terms of performance.

You want multi-platform compatibility
Thanks to 2.4GHz and Bluetooth modes, as well as a 3.5mm cable for wired play, the Storm G2 is compatible with various systems.

Don't buy it if...

You want the best comfort
The Storm G2 can get a little uncomfortable after long periods, especially for the bespectacled.

You want to tweak settings
The Storm G2 has no accompanying software, so the only adjustments you get are the three EQ profiles selectable via a button.

OXS Storm G2 review: Also consider

OXS Storm G2

Corsair HS55 Wireless

Epos H3

Price

$79 / £62 (about AU$123)

$119.99 / £119.99 / $229

$119 / £109 / AU$179

Weight

9.9oz / 282g

9.4oz / 266g

10.5oz / 298g

Compatibility

PlayStation, PC, Nintendo Switch, Mobile

PlayStation, PC, Mac

Xbox, PlayStation, PC, Nintendo Switch, mobile

Connection type

Wired (USB-A), Wireless (2.4GHz, Bluetooth)

Wireless (2.4GHz, Bluetooth)

2 x 3.5mm jack / 1 x 3.5mm jack (GSA 30 PC Cable/GSA 30 Console Cable)

Battery life

40 hours

24 hours

N/A

Features

Three EQ modes, detachable mic

Omnidirectional boom mic, Dolby Audio 7.1

Lift-to-mute mic, EPOS BrainAdapt Technology

Software

None

iCue

None

Corsair HS55 Wireless
The HS55 provides detailed audio, if a little underwhelming in the bass department, and is light and comfortable to wear. Furthermore, customizations are available courtesy of the iCue software, which remedies one of the main drawbacks of the Storm G2. It’s considerably more expensive than the Storm G2, but relative to other gaming headsets, it’s still well-priced. Read our full Corsair HS55 Wireless review

Epos H3
If you want to save even more cash and can settle for wired-only connectivity, the H3 is one of the best around. We found its sound and comfort levels to be excellent, while the microphone is crisp and clear, if a little too large for our liking. But considering how low this headset now goes for, that’s a small price to pay. Read our full Epos H3 review.

How I tested the OXS Storm G2

  • Tested for a full day
  • Used with various platforms
  • Plentiful gaming experience

I tested the Storm G2 for a day, during which time I used it for gaming, listening to music, and watching video content. I connected to multiple devices via its various connectivity modes.

I played Counter-Strike 2, which is ideal for testing surround sound qualities and response times. I also played Gran Turismo 7 on PS5 and The Legend of Zelda: Tears of the Kingdom on Switch, which both offer different kinds of sonic experiences as they focus on different frequency ranges.

I have been gaming for over two decades, and during that time, I have experienced numerous headsets. I have also reviewed a number of them across a range of brands, varying in their price points, features, and form factors.

I shot video with the affordable Canon EOS R50 V vlogging camera, and it is a solid option for aspiring content creators
2:30 pm |

Author: admin | Category: Cameras Computers Gadgets Video Cameras | Comments: Off

Canon EOS R50 V: two-minute review

The Canon EOS R50 V is the company’s latest mirrorless camera. Put simply, it’s an affordable video-centric model aimed at content creators and vloggers, offering 4K video recording at up to 30fps, four-channel 24-bit audio from its built-in microphone and decent wired and wireless connectivity.

I’ve reviewed a lot of vlogger-focussed cameras recently, including Canon’s own PowerShot V1, a fixed-lens compact that launched alongside the EOS R50 V and costs a similar amount, so I was interested to see how this interchangeable lens camera performed in comparison. In some ways, the PowerShot V1 has more appeal: it’s more compact and its lens is faster and wider than the 14-30mm kit lens that can be purchased bundled with the EOS R50 V. It comes with a built-in ND filter too.

What the R50 V has on its side is future versatility, thanks to an RF lens mount. With the ability to use other lenses in the RF system, upgrading image quality or gaining a new field of view is easily achievable here. With the PowerShot V1, you’ve only got that one lens.

The EOS R50 V’s 24.2MP APS-C sensor is also physically bigger than the 1.4-inch sensor on the PowerShot V1. Not by much, mind you – and image quality isn’t too different on the two cameras.

The EOS R50 V can capture video at 4K at up to 30fps, or a cropped 4K at up to 60fps. The latter isn’t really ideal for vlogging, as it greatly reduces the field of view and I found it difficult to get myself comfortably in frame while holding the camera. The uncropped 4K delivers a much more expansive field of view, albeit at the expense of frame rate – but I don’t think many will require 60fps for vlogging. The other resolution on offer is 1080p, which can capture at up to 120fps – ideal for slow-motion playback.

Canon EOS R50 V camera

(Image credit: Future | Sam Kieldsen)

Videos and JPEGs look great straight out of the camera, as I’ve come to expect from the best Canon cameras and their color science. For those who want to edit or grade in post, however, RAW photos and a flat C Log color profile are also available.

There’s a lot to like about the EOS R50 V’s all-round performance. Its autofocus system is fast and accurate, and able to recognize and track human, animal and vehicle subjects. Its optical image stabilization is decent (if unremarkable, thanks to no in-body IS) and its on-board microphones perform well indoors in quiet conditions. Testing outside on a blustery day, I found the wind reduction mode to be almost completely ineffective, so a decent external mic is required; the PowerShot V1 includes a fluffy windshield that works quite well, and it’s odd Canon didn’t supply one here.

Connectivity is what you’d expect from a video-centric camera, while the LP-E17 battery supplies around 480 photos according to Canon. I did find it drains quite quickly while shooting 4K video, as you might expect – but thankfully the USB-C port can be used for on-the-go recharging or even constant power supply.

I’m quite impressed with the EOS R50 V. There’s nothing particularly fancy about it, and in many ways its sister camera the PowerShot V1 is a much more interesting device – being more of an all-in-one vlogging machine. But the R50 V’s lens mount means it might be a better choice for vloggers who plan on gradually upgrading their setup over the years.

Canon EOS R50 V on a wooden table, alongside the EOS R50

The EOS R50 V (left) alongside the EOS R50 (right). They share much of the same tech, but the R50 V id designed more specifically for video. (Image credit: Tim Coleman)

Canon EOS R50 V: Price and availability

  • $649 / £729 / AU$1,169 body only
  • $849 / £959 / AU$1,499 with Canon 14-30mm lens

The EOS R50 V is available to order, priced at around $649 / £729 / AU$1,169 body only or $849 / £959 / AU$1,499 in a kit with Canon’s new 14-30mm f4-6.3 IS STM PZ power zoom lens.

That strikes me as a competitive and affordable price, particularly with the lens – and especially for US-based consumers. I think the kit is the one to go for, unless you already own a few RF lenses, of course – but do bear in mind that you may need to buy an external microphone too.

  • Price score: 4/5

Canon EOS R50 V camera

(Image credit: Future | Sam Kieldsen)

Canon EOS R50 V: specs

Quick Specs

Camera type:

Mirrorless

Lens mount:

Canon RF

Sensor:

APS-C, 24.2MP

Video:

4K 30fps / Cropped 4K 60fps / 4:2:2 10-bit

Battery (CIPA rating):

480 shots (LCD)

Dimensions:

119.3 x 73.7 x 45.2 (body only)

Weight:

370g (body only)

Canon EOS R50 V: Design and handling

  • 3-inch, 1.04m-dot vari-angle LCD touchscreen
  • Front tally lamp and record button
  • Camera weighs just 370g without a lens

The EOS R50 V is a small and mostly plastic-bodied camera designed primarily for video. There’s no built-in flash and no viewfinder like you get with the EOS R50, which photographers might miss. For video users, the vari-angle screen handles composition more than adequately and the 21-pin multi-function hot shoe and extra, side-mounted tripod thread are very useful additions.

Canon EOS R50 V camera

The side mounting point is ideal for recording 9:16 portrait ratio videos. (Image credit: Future | Sam Kieldsen)

I found the control layout to be user-friendly, particularly the second video recording button on the front. There’s also a front-facing tally lamp, to let you know when you’re recording video. On the back and up top you’ll find the usual well-labelled dials and buttons, and with the help of the touchscreen I never struggled to change a setting or switch between shooting modes.

The camera isn’t weatherproofed, and the plastic body feels lightweight. In fact, at just 370g without a lens, it’s one of the lightest mirrorless cameras I’ve used in a long time. Adding the 14-30mm kit lens doesn’t tip the scales by much either: it’s just 181g, keeping the complete weight for camera and lens well under 600g.

  • Design score: 4/5

Canon EOS R50 V camera

(Image credit: Future | Sam Kieldsen)

Canon EOS R50 V: Performance and features

  • No in-body image stabilization
  • 12fps continuous shooting with mechanical shutter
  • 24-bit or 16-bit stereo audio via internal mic

Image stabilization is very important for a vlogging camera, but with no in-body stabilization here, it all has to come from the lens. The kit lens, for example, comes with optical stabilization and I think that’s just about enough for vloggers who want to walk around with the camera. You can see some real-world examples of the stabilization in action in my sample video in the next section of this review. Just be aware that you won’t get assistance if you fit a non-stabilized lens.

The Dual Pixel CMOS AF II autofocus system is excellent: fast, accurate and able to recognize and track humans (eyes, face, head or body), animals (dogs, cats, birds and horses) or vehicles (cars, motorcycles, trains and aircraft). I encountered no problems with it at all during my time using the camera, during which I was mostly filming myself in a mock vlog style. It kept me in focus no matter how I moved around the frame.

Canon EOS R50 V camera

(Image credit: Future | Sam Kieldsen)

Despite the EOS R50 V’s video-first design, it does have a mechanical shutter. It’s a pretty adept stills camera, actually, thanks both to the aforementioned autofocus setup and its ability to shoot at a respectable continuous speed of 12fps (with mechanical shutter) and 15fps (with electronic shutter).

Connectivity-wise, I wasn’t disappointed. There are dedicated 3.5mm jacks for a mic and headphones, a micro HDMI output (while I’d prefer full-size, the compact body always made this unlikely) and a USB-C 3.2 port that works for data transfer, battery charging and power supply. It’ll also support live streaming when connected to a computer and allows users to set up the EOS R50 V as a webcam. There’s Wi-Fi and Bluetooth too, supporting wireless image transfer, printing and upload to Canon’s cloud services.

The built-in microphone can record in four-channel 24-bit or two-channel 16-bit modes, and comes with a wind noise reduction mode that is supposed to kick in automatically if needed. I tested in indoors and found it excellent quality, but outside on a windy day the noise reduction feature was next to useless. I’d have liked at least a furry windshield included to help mitigate interference, but I think vloggers using the EOS R50 V outside in anything but the calmest of conditions will need an external microphone of some kind.

  • Performance and features: 4.5/5

Canon EOS R50 V on a wooden table alongside the 14-30mm PZ lens

The 14-30mm kit lens is compact, but its maximum f/4 aperture is quite limiting especially in low light. (Image credit: Tim Coleman)

Canon EOS R50 V: Image and video quality

  • APS-C sensor delivers 4K video and 24.2MP photos
  • Full HD slow-motion capture at 100fps or 120fps
  • Canon Log 3 color mode supported

Canon’s much lauded color science makes the EOS R50 V almost too easy to use. Whatever you point it at, it’ll produce great-looking JPEGs and videos right out of the camera, with no need for intervention on your part. I’ve made some very minor tweaks to the photos you see below in Adobe Lightroom to draw a bit more detail out of shadows, but overall I could have left them be and been more than happy to use them.

The kit lens is pretty poor in terms of brightness, having only a maximum f/4 aperture. Coupled with the smallish APS-C sensor, it makes this camera quite unsuited to low light photography out of the box. Slap a faster lens on here and you might get good results, however.

For the 4K sample video (I apologize for the lack of camera audio on the outdoor shots – but the wind noise was just too intrusive to keep it in), I made no adjustments at all. All these clips are presented here exactly how they came out of the camera.

I recorded these at 4K 24fps quality, to make the most of the full sensor size. You can also capture cropped 4K video at up to 60fps, but for vlogging I felt that crop was a bridge too far, reducing the frame too much to comfortably get my head in. It’d be fine for capturing b-roll, however. I’ve not included any here, but the camera can also shoot in Full HD, and in up to 120fps for some smooth slow-motion playback if desired.

The EOS R50 V shoots RAW photos and can capture video in Canon’s flat C Log 3 color profile, should you want to perform more editing and grading yourself. So, there’s plenty of support here for imaging enthusiasts who want to achieve their own look.

  • Image quality score: 4/5

Canon EOS R50 V: testing scorecard

Canon EOS R50 V

Attributes

Notes

Rating

Price

Decent price, especially in the US.

4/5

Design

Compact and video focused by design.

4/5

Performance and features

Shame not to have in-body IS, but that's understandable given the price.

4/5

Image and video quality

Canon knows how to do gorgeous colors, but the EOS R50V's kit lens is so-so.

4.5/5

Should I buy the Canon EOS R50 V?

Buy it if...

You want an expandable cheap video camera
The RF mount and connectivity make the R50 V a great starting point for a content creator. You can always add more lenses to widen your creative capabilities as you gain popularity.

You love Canon’s color science
It’s hard to fault the look of the images and videos that come straight out of the R50 V. Canon knows how to produce punchy, pleasing pictures with minimal user effort.

Don't buy it if...

You want an all-in-one vlogging camera
You’ll still need a decent external mic if you plan on vlogging outdoors with the R50 V, as wind noise is an issue.

You’re a stills photographer first
With no flash and no viewfinder, photographers get a bit of a raw deal here. That’s fine – it’s a video camera first – but it’s something to be aware of.

Canon EOS R50 V camera

(Image credit: Future | Sam Kieldsen)

Canon EOS R50 V: Also consider

How I tested the Canon EOS R50 V

  • Tested a full production model for three days
  • Shot clips handheld and on vlogging handle
  • Used a range of video resolutions and frame rates

Owing to a short loan time, I didn't have as long as I would have liked to review the EOS R50 V – just a few days. Even so, I was able to get outside multiple times to test its photo and video capabilities in real-world conditions, which I did in generally favorable weather conditions (wind aside). I mounted the camera on a Joby GorillaPod for vlogging purposes.

  • First reviewed May 2025

I tested the JVC DLA-NZ700, and its performance is nothing short of a revelation for a mid-range 4K projector
2:00 pm |

Author: admin | Category: Computers Gadgets Home Theater Projectors Televisions | Tags: | Comments: Off

JVC DLA-NZ700 projector: two-minute review

The JVC DLA-NZ700 is a new mid-range projector from the brand, combining its existing BLU-Escent laser light source and redesigned D-ILA 4K chipset into a more compact and lighter body.

The result with the JVC DLA-NZ700 is a highly capable beamer that builds on JVC’s success with the previously released DLA-NZ800 and DLA-NZ900, while allowing its lineup to more effectively compete with the best projectors in terms of price.

The new lens may combine plastic with glass, but it still delivers a crisply detailed image, and the picture accuracy is superb with both SDR and HDR. The latter really impresses thanks to JVC's proprietary dynamic tone mapping, along with support for HDR10, HLG and HDR10+. The laser power setting also offers more precise control for dialling in brighter HDR without fan noise.

What is most remarkable about the NZ700 is that, despite its lower price, it delivers a brightness and contrast performance that matches the earlier, and more expensive, NZ8. It even includes a colour filter to cover the DCI-P3 colour space, along with the Deep Black function and Balanced dynamic laser mode. There’s also an effective remote, redesigned menus, and flexible installation.

Of course, JVC has dropped some features to shave off costs, although most probably won’t miss the lack of 8K or 3D support. On the other hand gamers will bemoan the lack of 4K 120Hz, along with a rather high input lag. Otherwise, this affordable and feature-packed native 4K HDR projector will give any other high-end beamer a run for its money.

JVC DLA-NZ700 projector review: price and release date

JVC DLA-NZ700 close up of lens

A new optical unit and 80mm hybrid lens in the NZ700 contribute to its compact size (Image credit: Future)
  • Price: £9,499 / $8,999 / AU$14,999
  • Release date: May 2024

The JVC DLA-NZ700 (DLA-RS2200) is the mid-range model in the brand’s revised line-up of 4K laser-powered projectors. It’s available now and retails for £9,499 / $8,999. The NZ700 replaces the outgoing DLA-NZ7 (DLA-RS2100), and sits between the equally new DLA-NZ500 (DLA-RS1200) at £6,499 / $5,999, and the higher range DLA-NZ800 (DLA-RS3200), which costs £15,999 / $15,999.

JVC DLA-NZ700 projector review: Specs

Screen sizes supported:

30-150 inches

Brightness (specified):

2,300 lumens

HDR support:

HDR10+, HDR10, HLG

Display technology:

Laser, D-ILA

Resolution:

Native 4K (4,096 x 2,160)

Connections:

2x HDMI 2.0

Dimensions:

450 x 180 x 479mm (18 x 7 x 19 inches)

Weight:

15.2kg (33.5lb)

JVC DLA-NZ700 projector review: design and features

JVC DLA-NZ700 on table

The NZ700 uses the same third-generation D-ILA 4K chipset found in JVC's step-up NZ800 and NZ900 projectors (Image credit: Future)
  • World's smallest native 4K projector
  • New 80mm hybrid lens
  • Gen2 Frame Adapt HDR

The JVC DLA-NZ700 sports a completely new design inside and out, resulting in a more compact chassis that, along with the NZ500, makes it the world’s smallest native 4K projector. The NZ700 is noticeably smaller and lighter than its predecessor, especially when they’re placed side by side.

The NZ700’s size and weight have been reduced by utilising a new optical unit and 80mm hybrid lens. However, the build quality remains excellent, and the NZ700 is still finished in matte black, making it ideal for dedicated home theatre installations. It measures 450 x 180 x 479mm (18 x 7 x 19 inches) and weighs in at 15.2kg (33.5lb).

At the rear are a pair of HDMI 2.0 inputs that support bandwidths up to 32Gbps and are limited to 4K 60Hz (which isn’t great news for console or PC gamers). The HDMI ports can also handle HDCP 2.3, and high dynamic range – specifically HDR10, hybrid log-gamma (HLG), and HDR10+.

The provided remote is the same slightly tweaked version included with the NZ800 and NZ900, with its more luminescent light button, and small bumps on the on/off and enter buttons – all of which make this well-designed controller very easy to use in a fully blacked-out home cinema.

The JVC DLA-NZ700 incorporates the same third-generation D-ILA 4K chipset introduced on the NZ800 and NZ900. The new design is more efficient, allowing for brighter images, deeper blacks, and improved uniformity. As a result, despite using the same laser light source as earlier models, the NZ700 has a claimed peak brightness of 2,300 lumens and a native contrast ratio of 80,000:1.

In addition to the improved black levels offered by the upgraded D-ILA chipset, the NZ700 has the new Deep Black function with its revised algorithm to further enhance contrast without crushing shadows. In addition, the dynamic laser control includes the new Balanced setting for pictures that appear punchier without introducing the brightness fluctuations seen on earlier models.

The NZ700 has the improved sliding scale control in the laser power sub-menu, allowing for more granular adjustments as you gradually boost brightness without a sudden increase in fan noise, thus enabling the creation of more useful settings for HDR. There’s also the new “Vivid” mode that JVC added previously for watching SDR sports or gaming in a room with some ambient light.

The NZ700 retains the BLU-Escent laser diode light source with its claimed minimum 20,000-hour lifespan and greater consistency. Other features include motorised focus, zoom and shift controls, which makes installation easier, plus there are lens memories for different aspect ratios on a 2.35:1 screen. There’s also a Filmmaker Mode, along with ISF-certified calibration controls.

JVC’s tone mapping remains state-of-the-art, with the latest proprietary Gen3 Frame Adapt HDR dynamically analysing HDR10 content on a frame-by-frame basis to optimise the image, while 18-bit gamma processing results in smoother and finer gradations. However, JVC has dropped the Theatre Optimiser, which enhances tone mapping based on your screen’s size, shape and gain.

In addition to the existing analysis of an incoming HDR signal, the NZ700 now reads the Display Mastering Luminance (DML) metadata that tells the tone mapping the peak brightness of the display on which the content was originally mastered. This is useful because the more metadata the tone mapping has to work with, the better the results in terms of the displayed HDR images.

The NZ700 has a revised menu system compared to the NZ800 and NZ900, with a new main Setting Menu Select page. Here you choose between Picture Settings, HDMI Settings and Installation Settings. Once you’ve selected the Settings you want to adjust, you’ll find all the related sub-menus for those particular settings available, and you can move between them.

  • Design and features score: 4.5/5

JVC DLA-NZ700 projector review: picture quality

JVC DLA-NZ700 rear panel ports

Rear-panel ports include two HDMI 2.0 connections (Image credit: Future)
  • Detailed and cinematic 4K delivery
  • Impressive HDR tone mapping
  • Wide colour gamut filter

The JVC DLA-NZ700 is nothing short of a revelation, and delivers a performance that I could immediately see was comparable to the NZ800 I reviewed previously. There are similar components, such as the D-ILA chipset and laser light source, but I hadn’t anticipated the new lens producing such a sharp image, nor did I expect the black levels to be quite so impressive.

My first impressions were confirmed during testing, with the NZ700 delivering a contrast ratio of nearly 50,000:1, which is better than the earlier and more expensive NZ8. The laser brightness approaches the claimed 2,300 lumens, although you only hit these peaks in the Vivid mode, and in the preferable Filmmaker or calibrated Natural mode, this is closer to around 1,700 lumens.

The out-of-the-box SDR accuracy is excellent with the white point close to the industry standard of D65, an even greyscale, and colours hitting their saturation targets for BT.709, but this can be improved through calibration. I was able to get reference accuracy using the built-in controls, and anyone spending nearly nine grand should really get their new NZ700 professionally calibrated.

This accuracy also extends to HDR, with the NZ700 covering 97% of DCI-P3 with its colour filter in place. What’s even better is the filter only reduces the brightness by about 15%, although if you’d rather not use the filter (and with HDR10+ you don’t have a choice), then the brightness increases, but the gamut coverage now drops to around 83% of DCI-P3 instead.

The NZ700 may be more affordable, but it still includes JVC’s class-leading HDR tone mapping with the beamer not only accurately tracking the PQ curve standard, but also using dynamic tone mapping to get the best out of content based on the available metadata and real-time analysis of the HDR signal. The ability to read the Display Mastering Luminance also helps in this regard.

The Deep Black feature remains a useful addition, bringing slightly more detail out of shadows while keeping the blacks suitably inky. The Balanced dynamic laser setting is also useful, adding greater depth at the low end while also boosting the brightness at the other end without any ‘pumping’ in the image itself. The superior tone mapping ensures the highlights are also free of clipping.

JVC DLA-NZ700 onscreen setup menu

The NZ700's dynamic tone mapping feature is very adept at optimising its performance (Image credit: Future)

This NZ700 is equally impressive with motion handling, producing smooth pictures that are free of blurring and unwanted artefacts. The projector may be limited to 60Hz, but the motion with games remains excellent, although the responsiveness suffers due to the lack of a low-latency mode. As a result, this projector’s input lag measures 51ms, which is probably too high for serious gamers.

When it comes to SDR content, the NZ700 is a fantastic performer, producing detailed and natural images that enjoy added depth thanks to the impressive contrast ratios. Watching Samsara on Blu-ray reveals a remarkably detailed image, and any concerns I had about the new 80mm lens using a combination of plastic and glass were dispelled by the finely rendered images on display.

Moving on to HDR, the NZ700 continues to dazzle with a spectacular delivery that retains all the fine details in the snowy landscapes of The Revenant. The colours of The Greatest Showman burst off the screen during the musical numbers, and the rain-soaked neon-lit streets of Gotham are bathed with beautifully rendered blacks, deep shadows and nuanced colours in The Batman.

The dynamic tone mapping is very adept at optimising the performance of the NZ700, and the resulting HDR is often comparable to high-end video processors that cost more than the projector itself. When able to use the dynamic metadata of HDR10+, the results are equally impressive, and the kinetic and colourful Motorball sequences in Alita: Battle Angel are brought vividly to life.

  • Picture quality score: 5/5

JVC DLA-NZ700 projector review: value

JVC DLA-NZ700 remote control

The JVC NZ700's fully backlit remote control (Image credit: Future)
  • Exceptional value for money
  • Has no direct competitor
  • The sweet spot in JVC's projector line-up

The JVC DLA-NZ700 represents remarkable value, especially when you consider it offers much of the same image quality and feature set as the more expensive DLA-NZ800. Yes, you lose support for 8K 60Hz, 4K 120Hz and 3D, plus there’s no low latency mode, but in terms of overall picture performance there isn’t a significant difference between the two, making the NZ700 a great choice for film fans looking to save a few bucks without compromising on contrast and HDR tone mapping.

The NZ800 has a direct competitor in the form of the Sony Projector 8 (VPL-XW6100ES), which is priced at £15,999 / $15,999, while the flagship DLA-NZ900 goes up against the Sony Projector 9 (VPL-XW8100ES), which costs £25,999 / $31,999. However, the NZ700 currently has no direct competitor, and while it’s more expensive than the NZ500, Sony VPL-XW5000ES and Epson EH-QB1000, when you consider its performance and features, it may well be the sweet spot in the JVC projector line-up.

  • Value score: 5/5
JVC DLA-NZ700 projector

Attributes

Notes

Rating

Design and features

Compact chassis, and backlit remote; motorised lens controls with memories, class-leading HDR tone mapping, and HDR10+ support, but no 4K 120Hz input or low-latency mode

4.5/5

Picture quality

Excellent black levels and accurate 4K images combine with a bright and cinematic delivery with SDR and HDR

5/5

Value

Remarkable value given the feature set and performance

5/5

Should I buy the JVC DLA-NZ700 projector?

JVC DLA-NZ700 on table

(Image credit: Future)

Buy it if...

You want detailed 4K images with that all-important film-like quality: The new 4K chipset and hybrid 80mm lens deliver crystal-clear images, with superior black levels and excellent contrast that result in wonderfully cinematic images that elude the competition.

You want class-leading HDR tone mapping: JVC’s proprietary dynamic tone mapping reads the available metadata and analyses the incoming HDR signal to produce remarkable HDR images that rival ultra-high-end video processors.

You want HDR10+ support: The inclusion of HDR10+ allows the NZ700 to take advantage of the format’s dynamic metadata, ensuring tone mapping that’s optimised for the lower brightness of a projector compared to a TV.

Don’t buy it if… 

You want support for 4K 120Hz high frame rate gaming: The NZ700 lacks HDMI 2.1 inputs, so it doesn’t accept 4K images with a frame rate higher than 60Hz, and that means those with the latest consoles or high-end PC rigs can’t game at 4K 120Hz.

You want a projector with a low input lag: There’s no low-latency mode, and as a result the input lag is 51ms. This is far too high for serious gamers, who should probably consider the cheaper Epson or Sony projectors.

You want support for 3D: JVC has dropped 3D support on both the NZ500 and NZ700, bringing them in line with Epson and Sony. Unfortunately for 3D fans, you’ll have to buy the more expensive NZ800.

Also consider...

Comparison: 4K projectors

JVC DLA-NZ700

JVC DLA-NZ800

Epson Pro Cinema LS1200

Price:

£9,499 / $8,999 / AU$14,999

 $15,999 / £15,999 / AU$24,999

$4,999 (£4,399 / about AU$7,090)

Screen sizes supported:

60 to 200 inches

60 to 200 inches

50 to 130 inches

Brightness (specified):

2,300 lumens

2,700 lumens

2,700 lumens

HDR support

HDR10, HDR10+,HLG

HDR10, HDR10+,HLG

HDR10, HLG

Display technology:

Laser, D-ILA

Laser, D-ILA

Laser, 3LCD

Resolution:

Native 4K (4,096 x 2,160)

Native 4K (4,096 x 2,160)

4K (3,840 x 2,160)

Connections:

2x HDMI 2.0

2x HDMI 2.1

2xHDMI 2.1

JVC DLA-NZ800
JVC's NZ800 costs quite a bit more than the NZ700, but adds 8K, 4K 120Hz, and 3D support. For most buyers, choosing the NZ800 over the NZ700 will come down to this projector's gaming features, since it has a low-latency mode plus 4K 120Hz support for console gaming.

Here's our full JVC DLA-NZ800 review

Epson Pro Cinema LS1200
The Epson LS1200 is our pick for the best projector for most people due to its powerful contrast, HDM1 2.1 ports, and reasonable price given the performance and features it delivers. It's a great alternative option if the JVC NZ700 exceeds your budget.

Here's our full Epson Pro Cinema LS1200 review.

How I tested the JVC DLA-NZ700 projector

JVC DLA-NZ700 in projector enclosure

(Image credit: Future)
  • Measured with Calman calibration software
  • Evaluated using SDR and HDR content
  • Reviewed in a dedicated home cinema

As with all my TV and projector reviews, I use a combination of subjective viewing and objective measurements against the industry standards. For projectors, I also do all my testing in a dedicated home cinema with a completely blacked-out environment and high-quality screen.

The subjective testing is based around watching a variety of familiar scenes, primarily sourced from 4K and 1080p Blu-rays, plus the Spears & Munsil UHD Benchmark 4K disc. Any test scenes have been specifically chosen to evaluate a display’s black levels, contrast performance, colour accuracy, upscaling, image processing, motion handling, and HDR tone mapping.

For the objective testing, I measured the NZ700’s brightness, greyscale and colour gamut in SDR, before doing the same in HDR. I also evaluated the accuracy of the HDR tone mapping, along with the colour gamut coverage for DCI-P3. To do this, I used a pattern generator and colour meter combined with Portrait Display’s Calman calibration software. I measured the NZ700’s input lag in milliseconds using a specialised Leo Bodnar tester.

First reviewed: May 2025

Oppo K13x surfaces in Google Play, gets certified too
1:21 pm |

Author: admin | Category: Mobile phones news | Tags: | Comments: Off

Oppo launched the K12x in August of last year, and it's now working on its aptly named successor, the K13x. This has already appeared in the Google Play Supported Devices database, and it's been certified for sale in India by BIS. Hence, it might actually launch sooner in the year than its predecessor, we assume. The K13x will join the K13 which was unveiled last month. Unfortunately, no specs of the K13x have been leaked so far, but since its release is nearing, we're likely to hear more about it soon. Oppo K13 For reference, note that the K12x came with a 6.67-inch LCD screen...

Oppo K13x surfaces in Google Play, gets certified too
1:21 pm |

Author: admin | Category: Mobile phones news | Tags: | Comments: Off

Oppo launched the K12x in August of last year, and it's now working on its aptly named successor, the K13x. This has already appeared in the Google Play Supported Devices database, and it's been certified for sale in India by BIS. Hence, it might actually launch sooner in the year than its predecessor, we assume. The K13x will join the K13 which was unveiled last month. Unfortunately, no specs of the K13x have been leaked so far, but since its release is nearing, we're likely to hear more about it soon. Oppo K13 For reference, note that the K12x came with a 6.67-inch LCD screen...

Deals: Galaxy S25 Edge on pre-order, goes head to head with S25 Ultra, OnePlus 13, Poco F7 Ultra
11:11 am |

Author: admin | Category: Mobile phones news | Comments: Off

Samsung unveiled the Galaxy S25 Edge – measuring only 5.8mm, it is the thinnest smartphone in years. In fact, no phone released in the 2020s has dipped under 6mm thick. This doesn’t come cheap, of course – here’s a detailed price breakdown. Is the Edge just the phone you’ve been waiting for or is Samsung trying to force a gimmick that won’t catch on? If you’re leaning towards the former, you’ll be glad to hear that the Samsung Galaxy S25 Edge impresses with more than just being thin – it’s also very light. It weighs a single gram more than the vanilla Galaxy S25, despite the large...

OnePlus Ace 5 Racing and Ace 5 Ultra star in leaked live image
9:08 am |

Author: admin | Category: Mobile phones news | Comments: Off

Next week, OnePlus is making two new members of the Ace 5 family official, that will be joining the already available Ace 5 and Ace 5 Pro. These are the Ace 5 Racing and Ace 5 Ultra, and today they're both starring in the leaked live image you can see below. The Ultra seems to be to the left and the Racing is to the right. The Ultra will be powered by the Dimensity 9400+ chipset, while the Racing will go with the recently unveiled Dimensity 9400e instead. OnePlus Ace 5 Extreme Edition and Ace 5 Racing Edition first look. ✅Via: Xiaohongshu app (account no:...

I reviewed the Branch Aire for 100 days and it’s about as breathable as an office chair gets
9:03 am |

Author: admin | Category: Computers Gadgets Pro | Comments: Off

Branch is a professional ergonomic furniture company that I have grown to appreciate over the last few years. I've reviewed a pretty wide range of the company's desks and chairs - so I was pretty excited to try out the Branch Aire.

As the name suggests, this chair is light. It has a very breathable design, with a single piece of material running from the seat to the back, creating a cohesive, all-in-one look. All around, this chair is solid. It's lightweight and a bit skimpy, but it's solid, comfortable for most, and out of all the best office chairs I've tested, it's the easiest one I have ever assembled (other than chairs that come fully assembled).

Branch Aire

(Image credit: Collin Probst // Future)

Branch Aire: Price and Availability

The Branch Aire is available on the Branch website right here, where it retails for just under $500 in three different colorways - Vapor (reviewed here), Graphene, and a brand new Hunter color.

Branch Aire

(Image credit: Collin Probst // Future)

Branch Aire: Unboxing & first impressions

The Aire arrived in a compact yet well-packaged box. Each component is labelled and protected with packing material to ensure no rips or punctures in the mesh material during transit.

The chair took only about 7 minutes to assemble as I did not have to screw a backrest into a base or armrests into a base/backrest like I usually have to with the chairs that I test. All I had to do was take the base, add the wheels, add the piston, and then put the chair on top of the piston/base combo. All around, it's it's pretty simple.

Branch Aire

(Image credit: Collin Probst // Future)

Before I saw this chair in person, I looked it up online. It appeared sleek, sharp, and futuristic. However, experiencing it in person was a completely different story. The mesh material feels both durable and comfortable.

Sitting in it for the first time confirmed my expectations; it conformed to my body so perfectly that it felt like I was sitting in a custom-molded chair. It was significantly lighter than I expected it to be, but that's not a bad thing in the slightest. I've had a lot of cumbersome chairs, so having one that is super lightweight is a nice change of pace.

Branch Aire: Design & Build Quality

Specs

Dimensions: 27.4" x 24"
Height: 45.9" to 48.4"
Seat Height: Adjustable from 17.9" to 20.5"
Weight Capacity: 275 lbs
Materials: Polyester and polyelastomer mesh, plastic, and nylon frame
Warranty: 5 years

As I have said, the Branch Aire is an all-mesh chair with one cohesive section of mesh running from the shoulders down to the thigh. The entire back and seat is one piece of mesh, making it minimalist and simple while allowing maximum airflow and comfort.

The frame is sturdy, and the wheels roll nicely on my low-pill carpet, glass pad, and hardwood floor. The waterfall edge makes for a super comfortable thigh portion of the chair, allowing no circulation to cut off from my thigh, hitting a bar or something else uncomfortable.

Branch Aire

(Image credit: Collin Probst // Future)

Branch Aire: In use

Due to the nature of my role, I have a few desk setups. I have one to test new gear, so I can always leave a primary workstation set up to be operational to get work done quickly and easily. For the last 100 days, the Branch Aire has been one of the chairs I have rotated in and out of my secondary workspace, and I have gotten a pretty good feel for it. While it's not the most ergonomic option I've had, it is comfortable even for extended work hours.

I weigh around 205 pounds and stand at 6'2". This chair feels like it was made for people up to about 6', maybe 6'1". Even though I am noticeably too tall for this chair, it's still comfortable. The armrests can raise and lower and move forward and backward while sitting in the chair. However, they cannot get closer to your body.
The chair's design does not allow adjusting seat depth or include any form of lumbar support. So, although the chair does fit snugly against the body of most users, taller or larger users might find that the fit of this particular chair is less adjustable than other chairs manufactured by Branch.

I've done full 8-10 hour days in this chair, occasionally swapping to standing at my Flexispot E7 Plus standing desk. While a part of me misses the heavier-duty chairs that feel more robust, there is something fantastic about the minimalism of this chair. I could see enjoying this chair if I had a simpler workspace, a basic desk and laptop, or even a clean, simple desk in a more visible space like a living room. Since then, this chair has looked more like a statement piece than a comfortable, ergonomic office chair.

Another situation that would be great for this chair would be a conference room or co-working space. I would probably avoid having this in a highly-traffic space like a conference room that's open to the public or has a lot of new people in and out.

Branch Aire

(Image credit: Collin Probst // Future)

Attributes

Notes

Rating

Design

Beautiful and sleek

⭐⭐⭐⭐⭐

Ease of use

Easy to use

⭐⭐⭐⭐⭐

Practicality

Restrictive for larger users

⭐⭐⭐⭐

Price

Mid range price

⭐⭐⭐⭐⭐

Branch Aire: Final verdict

Branch Aire Chair undoubtedly tops the list due to its innovative design and excellent breathability, collectively making it a highly worthy contender for an office chair that is both comfortable and good-looking.

However, if you're considering this chair, you'll want to note the non-adjustable seat size and the headrest height to ensure a good fit according to your needs.

I recommend this chair for anyone looking for a minimalistic chair to match a minimalistic workspace or someone looking for a modern yet comfortable chair.


For more office essentials, we've rounded up all the best standing desks.

Kantar: Apple is the world’s most valuable brand, Google and Microsoft follow
7:03 am |

Author: admin | Category: Mobile phones news | Comments: Off

Kantar’s BrandZ report for 2025 crowned Apple as the world’s most valuable brand. Cupertino is now valued at $1.29 trillion, which represents a 28% year-on-year growth for its brand value. Kantar uses a proprietary three-step process to calculate brand values, with the resulting figure being based on consumer perceptions and financial performance. Apple is the world’s most valuable brand for the third year in a row and the first to surpass the $1 billion brand value mark. Google ($944.1 billion) and Microsoft ($884.8 billion) round out the top-three brands by value. Amazon ($866.1...

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