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Review: Lomography Lomo'Instant
3:02 am | January 17, 2015

Author: admin | Category: Cameras | Comments: None

Review: Lomography Lomo'Instant

How it works

Digital is boring,” says Lomography, and Lomo cameras have certainly proven very popular in the past couple of years, bringing retro, analogue cameras back into fashion.

Now the company has produced its first instant camera, funded by a Kickstarter campaign, and which uses Fuji’s Instax mini film to develop photos in front of your eyes. This film is relatively easy to pick up, certainly from online retailers, and is much cheaper than other forms of instant film, such as the Polaroid-compatible film from another instant photography company, Impossible Project.

Features

As this is deemed to be a more advanced instant camera, the Lomo Instant features quite a few different settings and comes packed in the box with a variety of options to expand it.

There is one built in lens, with a 0.4 metre closest focusing distance and an equivalent focal length of 27mm. Three additional lens converters can be fitted to the in-built lens, to give you fisheye, portrait and close-up lenses.

Lomography Lomo'Instant lenses

Other features include the ability to create multiple and long exposures, add coloured gels for the inbuilt flash and work in three different shooting modes.

Build Quality and Handling

As you might expect of something which accepts instant film, the camera has a very boxy appearance. While it’s certainly not heavy – far from it – it’s reasonably large and will therefore take up a decent amount of room in your bag.

Loading the film is very easy, which makes it less fiddly than many analog cameras. You simply open the camera’s back and slot the rectangular film pack, lining up the yellow line on the pack with the yellow line on the camera. Once it’s inserted, you take a shot to dispose of the protective black piece of plastic on the film pack.

There’s a switch on the bottom which turns the camera on. You can choose from three different operating modes: automatic (designed for all purpose situations) which is marked with an A, creative with flash, and creative no flash. If you switch to automatic, the flash will always fire when needed.

On the front of the camera you’ll find all the switches for controlling various aspects of the camera. On the side of the main camera section there’s a switch for changing the focus range, allowing you to switch from 0.4-0.9 metres and 1 metre to infinity.

Lomography Lomo'Instant

Just above this switch is another for controlling multiple exposures. Move this arm to MX and you can take as many exposures as you like on a single frame; move it back down and the film will be released.

On the top of the camera is a dial for changing exposure compensation. You can leave it on automatic or switch between +2 and -2. Here you’ll also find the shutter release. It’s worth noting that if the camera has switched itself off automatically and you attempt to take a photo, this will result in a double exposure the next time you switch the camera on.

The extra lenses simply screw onto the in-built lens. The viewfinder sits at the top left of the camera, and while it’s reasonable for assessing the composition when the in-built lens is used, when any adaptors are added you’ll need to use your best guess at the framing, something which you do eventually get used to judging once you’ve been using the camera a while.

Performance and verdict

Using the Lomo Instant is part skill and, at least when you first start using it, part luck and educated guesswork.

The best results come when you’re shooting outdoors in bright, sunny light, so it can be quite a fun way to get some interesting and unique holiday snaps. Indoors, results are a little more varied, but with the flash you can still get some good images.

Lomography Lomo'Instant sample shot

Lomography Lomo'Instant sample image

Lomography Lomo'Instant sample image

Lomography Lomo'Instant sample image

The focusing system is actually not too bad for a camera like this, and by adjusting the exposure compensation you alter the aperture, which has an effect on depth of field. In good light with a narrow aperture, most of the scene will be in good focus – it’s close-ups that take a little more getting used to and estimating.

Be prepared to spend a lot of time getting to know the quirks of the camera, as well as experimenting with different effects such as long exposures or multiple exposures. This is all great fun, but of course, it costs you every time you make a mistake.

We liked

With all the fun of the instant nature of digital thanks to the print it produces, but with the guesswork, trial and error and plain old fashioned fun of an analog, the Lomo Instant helps remind you why you started taking pictures in the first place.

We disliked

Be prepared to plough a fair amount of money into film, at least at first, while you get to know the quirks of the camera. It can be pretty frustrating wasting a shot knowing you only have a limited number before you need to invest in a new pack of film.

Final Verdict

Ultimately, for a camera which is just a bit of fun, it’s quite expensive – and that’s just the price of buying the camera in the first place. You only get 10 shots per pack of film, so that cost soon mounts up too. For fans of instant, Lomo or analog photography though, it’s definitely worth a look.



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